Format: Hardcover, 464 pages
Release Date: July 16, 2024
Publisher: Ballantine Books
Source: Library
Genre: Occult & Supernatural
#1 NEW YORK TIMES BESTSELLER • Diana Bishop journeys to the darkest places within herself—and her family history—in the highly anticipated fifth novel of the beloved All Souls series, hailed as “your next favorite fantasy read” (Harper’s Bazaar).
The stunning hardcover of The Black Bird Oracle features a custom-stamped case, beautiful endpapers, and a premium dust jacket!
Deborah Harkness first introduced the world to Diana Bishop, Oxford scholar and witch, and vampire geneticist Matthew de Clairmont in A Discovery of Witches. Drawn to each other despite long-standing taboos, these two other-worldly beings found themselves at the center of a battle for a lost, enchanted manuscript known as Ashmole 782. Since then, they have fallen in love, traveled to Elizabethan England, dissolved the Covenant between the three species, and awoken the dark powers within Diana’s family line.
Now, Diana and Matthew receive a formal demand from the Congregation: They must test the magic of their seven-year-old twins, Pip and Rebecca. Concerned with their safety and desperate to avoid the same fate that led her parents to spellbind her, Diana decides to forge a different path for her family’s future and answers a message from a great-aunt she never knew existed, Gwyneth Proctor, whose invitation simply reads: It’s time you came home, Diana.
On the hallowed ground of Ravenswood, the Proctor family home, and under the tutelage of Gwyneth, a talented witch grounded in higher magic, a new era begins for Diana: a confrontation with her family’s dark past, and a reckoning for her own desire for even greater power—if she can let go, finally, of her fear of wielding it.
Drawn to each other despite long-standing taboos, these two other-worldly beings found themselves at the center of a battle for a lost, enchanted manuscript known as Ashmole 782. Since then, they have fallen in love, traveled to Elizabethan England where Diana learned about her abilities as a weaver, dissolved the Covenant between the three species (witches, vampires, and daemons), and awoken the dark powers within Diana’s family line. They have twin bright-born children (Rebecca and Philip) who have characteristics of both parents.
It is the year 2017, Diana and Matthew are living in Connecticut, getting ready to visit London for the summer when three portents happen. A conspiracy of ravens arrives and one seems to have the ability to speak with Becca. Next, a formal demand arrives from the Congregation saying it's time that Pip and Rebecca be tested. Testing brings back painful memories of losing both of her parents as well as memories of when she was a child. Diana also receives a curious deck of cards and a letter telling her it's time to come home.
The letter is signed by Gwyneth Proctor—a great-aunt Diana didn’t know existed from a side of her family she thought dead lives in Ravenswood, shortly away from Salem. Diana decides to go alone to Ravenswood and meet Gwyneth as well as the Ipswich Witch Coven. Under the tutelage of Gwyneth, a talented witch grounded in higher magic, a new era begins for Diana: a confrontation with her family’s dark past, and a reckoning for her own desire for even greater power—if she can let go, finally, of her fear of wielding it.
As Diana learns how higher magic operates and how the Congregation withholds it for their own purposes, she’ll have to decide whether or not to embrace the darkness within her to protect her family regardless of how Matthew feels. She desperately wants to give her own children the chance to learn higher magic—a chance she never had—even if it means exposing them to the Congregation and their own dark sides. Diana's time in Ravenswood isn't all she expected. The local coven isn't happy that a Bishop has returned.
They expect Diana to be trained in how to use her Black Bird Oracle cards, and if that wasn't enough, an Ipswich witch challenges Diana to a fight, only to betray her to the Congregation, which sends her off to Italy along with Janet and Isabeau. The return of congregation once again leads to my resurrected anger towards Peter Knox for what he did to Diana's mother and Satu who left a mark on Diana's body to remind her not to take anyone for granted.
*Thoughts* This book ends on a cliffhanger which apparently means that the author intends to write another book or two? I don't see how she can't when a certain villain puts Diana's back to the wall, again. I would like to say that you can read this book as a solo release, but I would be lying. You definitely need to go back and read the original trilogy because there are names that are mentioned that will totally confuse you, and one of those people makes a return and tosses Diana's world upside down. I am totally a fan of Diana becoming much, much stronger by exploring the dark side of magic even if it makes Matthew uncomfortable.
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Chapter 1
In every soul, there is a place reserved for Shadow.
Mine was safely hidden, tucked in a blind spot at the corners of my memory, under a hollow bruise that I thought had healed long ago.
Then the ravens came to New Haven, carrying an invitation that neither Shadow nor I could refuse.
It was a Friday in late May when the invitation arrived.
“Hey, Professor Bishop! I just put your last mail delivery through the slot!”
I’d been woolgathering on the familiar route home from my office at Yale, listening with half of my attention to Becca’s excited chatter while the rest of my mind drifted. I hadn’t noticed that we’d arrived at the ornate iron gate that guarded our house on Orange Street, or that our regular mail carrier, Brenda, was just leaving the property.
“Thanks, Brenda,” I said, giving her a limp smile. The heat was withering. It was always like this in New Haven around graduation time, which led to frazzled tempers, damp academic regalia, and long lines for iced lattes at the city’s many coffee shops.
“You must be excited about getting back to England, Becca,” Brenda said. She was already wearing her USPS bucket hat and shorts, prepared for New Haven’s warmer temperatures and sky-high humidity.
“I am.” Becca hopped from one foot to the next to prove it. “It’s Tamsy’s first trip and I get to show her everything.”
Tamsy was a recent addition to the family: one of the historical dolls that were all the rage among the thirteen-and-under set. Marcus and his mate, Phoebe, had chosen the colonial era doll for Becca because of her fondness for Marcus’s house in Hadley, and her delight in the stories he told about growing up there in the 1760s and 1770s. Though she had been given a different name by the manufacturer, Becca had rebaptized her the moment she had seen the doll’s green eyes and red hair peeking out from the box’s clear, round window.
Since receiving the doll, Becca’s active imagination had been fully engaged with Tamsy and her world. She came with a variety of outfits and accessories that helped Becca bring her to life, including a horse named Penny. Tamsy was well supplied with home furnishings, too. Matthew added to them with a small replica of the Windsor chair at Marcus’s house that had once belonged to Grand-père Philippe and a Tamsy-sized version of a painted Hadley chest like the one Phoebe used to store household linens. It was fitted with a tiny lock, and Becca had already packed Tamsy’s clothes, her schoolbooks, her quill pen and ink pot, and her collection of hats for the journey to England.
Brenda gave Tamsy, who was hanging from Becca’s hand, a wave. She turned to me. “You must be excited to get back to your research, too.”
At the end of every school year, Matthew and I would take the children to England, where we spent the summer months at our house in Woodstock. It was only a few miles outside Oxford, which put me within easy reach of the Bodleian Library and made it possible for Matthew to work in his quiet Oxford University laboratory, with no colleagues or graduate students to interrupt him. Becca and her brother, Pip, had acres of land to roam, hundreds of trees to climb, and a house filled with curious treasures and books to occupy them during the inevitable summer downpours. There were trips to France to see Matthew’s mother, Ysabeau, over long, lazy weekends, and a chance to see more of Marcus and Phoebe, who would spend part of their summer in London.
I couldn’t wait to get on the plane and put Yale, New Haven, and the spring semester behind me. The prospect of a new research project focused on the wives and sisters of early Royal Society members beckoned, and I was eager to get my hands on rare books and manuscripts.
“I expect you have lots to do before tomorrow,” Brenda said.
She had no idea how much. We weren’t packed, the houseplants were still inside and not neatly arrayed on the back porch so the neighbors could water them, and I had at least three loads of laundry that needed doing before we could leave for the summer.
“I double-checked your mail hold. You’re ready for takeoff as far as the New Haven post office is concerned,” Brenda said, drawing our conversation to a close.
“Thank you,” I said, removing Tamsy from Becca’s grip and sticking her, legs first, in the top of my tote along with the campus mail.
“You and Pip have fun, Becca, and I’ll see you in August,” Brenda said, adjusting the thick strap of her mailbag.
“Bye!” Becca said, waving at Brenda’s retreating form.
I stroked her shiny hair, blue-black and iridescent as a crow’s wing. Becca resembled Matthew so closely—all long lines and contrasts, with pale skin and heavy brows. They were alike in temperament, too, with their confident reserve that could erupt into strong emotions in a heartbeat. It was Pip who resembled me. Comfortable with expressing his feelings, and quick to cry, he had my sturdy build, fair hair glinting with strands of copper, and smattering of freckles across his nose.
“We do have lots to do, peanut,” I said. “Starting with taking care of Ardwinna and Apollo and sorting all this mail.”
After that, the house would need to be put in apple-pie order—a daunting task. My little house on Court Street had been far too small to contain a vampire, a witch, two Bright Born children, a griffin, and a deerhound. Matthew’s son Marcus had offered us his palatial home on Orange Street instead. He’d bought it just before the Civil War, when he was first studying medicine at Yale and mahogany and formal entertaining were very much in fashion. Every surface in the house was polished, carved, or both. It was a nightmare to keep clean and the spacious rooms filled all too quickly with the clutter of modern living.
Despite its vast size and formal appearance, the house had proved to be surprisingly well suited to family living, with expansive covered porches that provided a place for the children to play in rainy weather, a private backyard where Philip’s griffin familiar, Apollo, and my Scottish deerhound, Ardwinna, could join in the twins’ games, and numerous downstairs rooms that had once been allocated to residents according to gender and function. At first, Marcus’s house seemed too grand for our small clutch of vampires and witches, but families have a way of expanding to fit the space allotted to them. What we thought would be a temporary stay had turned into years of permanent residence.
Becca, who was attuned to my changing moods, felt my anxiety rise.
“Don’t worry, Mom. I’ll help you.” Out of her hip pocket, Becca pulled a Yale-blue kazoo that she’d found in the office, hoping to rally my flagging spirits by piping us the last few feet home. The kazoo’s strange, bleating squawk disturbed the birds settled in the nearby trees. They took flight with an irritated flutter of wings, the murmuration of dark shapes and raucous cries protesting this interruption in their sleepy afternoon routine.
I shielded my eyes, mesmerized by the swirling, attenuated black cloud of birds that rose and fell on the damp currents of air. Becca was also rapt at the sight, her eyes wide and filled with wonder.
A single bird broke from the formation, its shadow falling over our clasped hands. The outline of the bird’s head and curved beak extended onto the walkway, pointing the way to the front door.
A sudden chill fell, and I shivered. Curious as to what had caused the drop in temperature, I looked up, expecting to see clouds blotting out the bright sun.
Instead, all the color had leached out of the world. The mellow stucco of the house, the green canopy of the trees, the splashes of blue from tall stalks of delphinium and bearded iris in the perennial borders—everything was reduced to gray scale like a washed-out photograph of foggy London taken in the 1940s. My perspective was altered, too, the house looking too tall and wide, and the trees too short. The clear tang of petrichor replaced the usual green scents of summer, along with a sulforous note of brimstone. The usual sounds of the neighborhood—traffic, the call of the birds, the hum of lawn mowers—were all too loud, as was the drumming of my heart when a wave of the uncanny crashed over me.
Power, prickling and ominous, flooded my veins in response to the surge of magical energy that held us in its colorless shroud. I drew Becca toward me, sheltering her with my body.
The solitary bird that had been gliding overhead plummeted to the ground in front of us, wings outstretched and its head bent to the side at an angle that told me its neck had snapped on impact. Its curved, ebony beak and the ruffle of feathers at the neck told me this was a raven.
A rustle of birds’ wings filled my ears as the raven’s companions settled on the branches of the nearby tree, dark spots in the ghostly world that stood out in sharp relief like a string of silhouettes cut from black paper. There were not just a few ravens, but dozens.
Everything I knew about the significance of ravens—magical, mythical, and alchemical—raced through my mind. Messengers between the dead and the living, ravens often symbolized the first step in the alchemical transformation that led to the philosopher’s stone.
In every soul, there is a place reserved for Shadow.
Mine was safely hidden, tucked in a blind spot at the corners of my memory, under a hollow bruise that I thought had healed long ago.
Then the ravens came to New Haven, carrying an invitation that neither Shadow nor I could refuse.
It was a Friday in late May when the invitation arrived.
“Hey, Professor Bishop! I just put your last mail delivery through the slot!”
I’d been woolgathering on the familiar route home from my office at Yale, listening with half of my attention to Becca’s excited chatter while the rest of my mind drifted. I hadn’t noticed that we’d arrived at the ornate iron gate that guarded our house on Orange Street, or that our regular mail carrier, Brenda, was just leaving the property.
“Thanks, Brenda,” I said, giving her a limp smile. The heat was withering. It was always like this in New Haven around graduation time, which led to frazzled tempers, damp academic regalia, and long lines for iced lattes at the city’s many coffee shops.
“You must be excited about getting back to England, Becca,” Brenda said. She was already wearing her USPS bucket hat and shorts, prepared for New Haven’s warmer temperatures and sky-high humidity.
“I am.” Becca hopped from one foot to the next to prove it. “It’s Tamsy’s first trip and I get to show her everything.”
Tamsy was a recent addition to the family: one of the historical dolls that were all the rage among the thirteen-and-under set. Marcus and his mate, Phoebe, had chosen the colonial era doll for Becca because of her fondness for Marcus’s house in Hadley, and her delight in the stories he told about growing up there in the 1760s and 1770s. Though she had been given a different name by the manufacturer, Becca had rebaptized her the moment she had seen the doll’s green eyes and red hair peeking out from the box’s clear, round window.
Since receiving the doll, Becca’s active imagination had been fully engaged with Tamsy and her world. She came with a variety of outfits and accessories that helped Becca bring her to life, including a horse named Penny. Tamsy was well supplied with home furnishings, too. Matthew added to them with a small replica of the Windsor chair at Marcus’s house that had once belonged to Grand-père Philippe and a Tamsy-sized version of a painted Hadley chest like the one Phoebe used to store household linens. It was fitted with a tiny lock, and Becca had already packed Tamsy’s clothes, her schoolbooks, her quill pen and ink pot, and her collection of hats for the journey to England.
Brenda gave Tamsy, who was hanging from Becca’s hand, a wave. She turned to me. “You must be excited to get back to your research, too.”
At the end of every school year, Matthew and I would take the children to England, where we spent the summer months at our house in Woodstock. It was only a few miles outside Oxford, which put me within easy reach of the Bodleian Library and made it possible for Matthew to work in his quiet Oxford University laboratory, with no colleagues or graduate students to interrupt him. Becca and her brother, Pip, had acres of land to roam, hundreds of trees to climb, and a house filled with curious treasures and books to occupy them during the inevitable summer downpours. There were trips to France to see Matthew’s mother, Ysabeau, over long, lazy weekends, and a chance to see more of Marcus and Phoebe, who would spend part of their summer in London.
I couldn’t wait to get on the plane and put Yale, New Haven, and the spring semester behind me. The prospect of a new research project focused on the wives and sisters of early Royal Society members beckoned, and I was eager to get my hands on rare books and manuscripts.
“I expect you have lots to do before tomorrow,” Brenda said.
She had no idea how much. We weren’t packed, the houseplants were still inside and not neatly arrayed on the back porch so the neighbors could water them, and I had at least three loads of laundry that needed doing before we could leave for the summer.
“I double-checked your mail hold. You’re ready for takeoff as far as the New Haven post office is concerned,” Brenda said, drawing our conversation to a close.
“Thank you,” I said, removing Tamsy from Becca’s grip and sticking her, legs first, in the top of my tote along with the campus mail.
“You and Pip have fun, Becca, and I’ll see you in August,” Brenda said, adjusting the thick strap of her mailbag.
“Bye!” Becca said, waving at Brenda’s retreating form.
I stroked her shiny hair, blue-black and iridescent as a crow’s wing. Becca resembled Matthew so closely—all long lines and contrasts, with pale skin and heavy brows. They were alike in temperament, too, with their confident reserve that could erupt into strong emotions in a heartbeat. It was Pip who resembled me. Comfortable with expressing his feelings, and quick to cry, he had my sturdy build, fair hair glinting with strands of copper, and smattering of freckles across his nose.
“We do have lots to do, peanut,” I said. “Starting with taking care of Ardwinna and Apollo and sorting all this mail.”
After that, the house would need to be put in apple-pie order—a daunting task. My little house on Court Street had been far too small to contain a vampire, a witch, two Bright Born children, a griffin, and a deerhound. Matthew’s son Marcus had offered us his palatial home on Orange Street instead. He’d bought it just before the Civil War, when he was first studying medicine at Yale and mahogany and formal entertaining were very much in fashion. Every surface in the house was polished, carved, or both. It was a nightmare to keep clean and the spacious rooms filled all too quickly with the clutter of modern living.
Despite its vast size and formal appearance, the house had proved to be surprisingly well suited to family living, with expansive covered porches that provided a place for the children to play in rainy weather, a private backyard where Philip’s griffin familiar, Apollo, and my Scottish deerhound, Ardwinna, could join in the twins’ games, and numerous downstairs rooms that had once been allocated to residents according to gender and function. At first, Marcus’s house seemed too grand for our small clutch of vampires and witches, but families have a way of expanding to fit the space allotted to them. What we thought would be a temporary stay had turned into years of permanent residence.
Becca, who was attuned to my changing moods, felt my anxiety rise.
“Don’t worry, Mom. I’ll help you.” Out of her hip pocket, Becca pulled a Yale-blue kazoo that she’d found in the office, hoping to rally my flagging spirits by piping us the last few feet home. The kazoo’s strange, bleating squawk disturbed the birds settled in the nearby trees. They took flight with an irritated flutter of wings, the murmuration of dark shapes and raucous cries protesting this interruption in their sleepy afternoon routine.
I shielded my eyes, mesmerized by the swirling, attenuated black cloud of birds that rose and fell on the damp currents of air. Becca was also rapt at the sight, her eyes wide and filled with wonder.
A single bird broke from the formation, its shadow falling over our clasped hands. The outline of the bird’s head and curved beak extended onto the walkway, pointing the way to the front door.
A sudden chill fell, and I shivered. Curious as to what had caused the drop in temperature, I looked up, expecting to see clouds blotting out the bright sun.
Instead, all the color had leached out of the world. The mellow stucco of the house, the green canopy of the trees, the splashes of blue from tall stalks of delphinium and bearded iris in the perennial borders—everything was reduced to gray scale like a washed-out photograph of foggy London taken in the 1940s. My perspective was altered, too, the house looking too tall and wide, and the trees too short. The clear tang of petrichor replaced the usual green scents of summer, along with a sulforous note of brimstone. The usual sounds of the neighborhood—traffic, the call of the birds, the hum of lawn mowers—were all too loud, as was the drumming of my heart when a wave of the uncanny crashed over me.
Power, prickling and ominous, flooded my veins in response to the surge of magical energy that held us in its colorless shroud. I drew Becca toward me, sheltering her with my body.
The solitary bird that had been gliding overhead plummeted to the ground in front of us, wings outstretched and its head bent to the side at an angle that told me its neck had snapped on impact. Its curved, ebony beak and the ruffle of feathers at the neck told me this was a raven.
A rustle of birds’ wings filled my ears as the raven’s companions settled on the branches of the nearby tree, dark spots in the ghostly world that stood out in sharp relief like a string of silhouettes cut from black paper. There were not just a few ravens, but dozens.
Everything I knew about the significance of ravens—magical, mythical, and alchemical—raced through my mind. Messengers between the dead and the living, ravens often symbolized the first step in the alchemical transformation that led to the philosopher’s stone.
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