Thursday, December 4, 2025

#Review - A Grim Reaper's Guide to Cheating Death by Maxie Dara #Cozy #Mystery #Paranormal

Series:
 
A SCYTHE Mystery
Format: 288 pages, Paperback
Release Date: December 2, 2025
Publisher: Berkley
Source: Publisher via NetGalley
Genre: Cozy Mystery / Paranormal

When a determined killer targets her brother, a grim reaper risks everything to save him in this delightful cozy mystery.

Nora Bird works for S.C.Y.T.H.E., which might seem odd for someone as terrified of death as she is. But ever since her parents died in an accident when she was six, she's been obsessed with avoiding risk, and what better place to learn how to cheat death than the company that employs the nation's grim reapers?

The work enables Nora to learn all about the myriad ways you can kick the bucket, which is comforting...until one day, a file crosses her desk with a name she recognizes. Her twin brother’s.

The twins haven’t spoken in six months, but Charlie is all Nora has left. Completely against her cautious nature, Nora steals the file and flees, racing to her brother’s house. She begs him to trust her that his death is imminent, and they hit the road (with his parrot, Jessica, who has plenty to say) in an attempt to evade both death and S.C.Y.T.H.E., whose sole mission of collecting souls has been disrupted by Charlie’s continued existence.

Alas, every time Nora saves him, a new cause of death appears in his file. Someone is determined to take Charlie out, and Nora will have to use everything she's ever learned about death to discover the culprit.


A Grim Reaper's Guide to Cheating Death is the second installment in author Maxie Dara's S.C.Y.T.H.E. Mystery series. In the world of Maxie Dara's A Grim Reaper's Guide to Cheating Death, death isn't just a shadowy figure with a scythe—it's a corporate bureaucracy complete with HR complaints and performance reviews. This cozy paranormal follows Nora Bird, a risk-averse grim reaper whose orderly life unravels when her estranged twin brother's (Charlie Bird) name pops up on the "to-die" list. 

What ensues is a high-stakes road trip laced with family secrets, quirky sidekicks, and near-death mishaps. Nora Bird is the epitome of caution personified. Orphaned when her parents perished in a freak accident on her birthday—a trauma that has her double-checking smoke alarms and avoiding ladders—she's channeled her thanatophobia into a job at S.C.Y.T.H.E. (Secure Collection, Yielding, Transport, and Handling of Essences), the bureaucratic backbone of modern reaping. 

Nora's role in the Department is the cushiest gig: logging essences from the already-departed, far from the adrenaline-fueled chaos of unnatural deaths. It's a safe haven for someone who treats life like a minefield, complete with her meticulously organized planner and aversion to anything spontaneous. That fragile equilibrium shatters on her 24th birthday when Charlie Bird—her free-spirited, estranged twin—appears on her doorstep, slated for an unnatural demise at the hands of a shadowy killer. 

Charlie is a charming slacker with an African grey parrot named Jessica, who hasn't spoken to Nora in years. Their childhood bond fractured after their parents' death, leaving Nora to cling to control while Charlie embraced chaos. Now, with Death itself breathing down her neck, Nora must break every S.C.Y.T.H.E. protocol: she steals Charlie's file, goes AWOL, and embarks on a cross-country chase to unravel why a killer is targeting him—and how it ties back to their family's buried secrets. 

When the two decide to disappear to Virgo Bay, where their father was from, they discover some big mysteries with their family that add complications to and beyond Charlie’s conundrum. Shockingly, they find his brother, their paternal grandparents, a great-grandfather,  and lots of cousins.  The attempts on Charlie's life continue. Consider this a very unique road trip: coming into yourself, overcoming your fears, and finding some humor thanks to a parrot named Jessica. 

Nora learns a lot about herself and renews her relationship with her brother, which has been languishing. Charlie has been living his life to the utmost all along, while Nora has been hiding in safety.  It would be a lot more fun to connect with the relatives if one of them wasn't trying to kill them. I have to say, the addition of Jessica made the story fun to read. The mystery was pretty good right up until the revelation. In fact, anyone in Virgo Bay could have been the enemy. The ending was interesting, and I am curious if this was a duology or if the author expects to write another book.  



Statistically speaking, you're more likely to die on your birthday than any other day of the year. Unfortunately for Nora Bird, her parents beat the odds and died on her birthday instead. Eighteen years later and that gray mid-November air still weighed heavy as she shut the day behind her with the swing of a pigeon-graffitied glass door and began the daily trek up the stairs to her office.

It was just after seven a.m., and the corporate-beige halls of S.C.Y.T.H.E.-Secure Collection, Yielding, and Transportation of Human Essences-were still holding their breath between shifts. Nora liked this part of the day best, when the world was empty and belonged to no one in particular. She tucked herself into her office on the top floor of the building. It was a room with no windows, which had served its previous occupants just fine since they were mostly mops, brooms, and the odd bucket. It served Nora just as well. No natural light meant no sun exposure, and no sun exposure meant less risk of skin cancer, something the fluorescent bulbs that buzzed from their rectangular homes on the ceiling never threatened.

In the middle of Nora's desk sat a cupcake frosted with bright blue icing. She cocked her head at it. Ran a finger through the icing and examined it with narrowed eyes. The food dye Blue No. 2 had been found to contribute to brain tumors in rats. She wiped the icing on the rim of the garbage can under her desk, wrapped the cupcake in tissues, and threw it away too, making a mental note to thank Larry, janitor extraordinaire, for the gesture.

Then she got to work.

It always felt fitting for Nora to work on her birthday. It had long been a day marked by death, and after all, that was the nature of her business. Beside the now vacant spot where the deadly cupcake had just sat rested a pile of manila folders that reached to Nora's chin. The day's cases were patiently waiting to be sorted into their designated department-Natural Causes, Murder, Accidental Deaths-and assigned to specific agents. It was an easy job for Nora, almost mindless at times. Each file needed to be matched with the most appropriate person to collect the soul and bring it to the next stage on its journey. And Nora had studied the agents' files thoroughly enough to matchmake with the prowess of her bubbie.

Moira from Accidental Deaths had studied proctology before coming to S.C.Y.T.H.E., which made her disconcertingly comfortable with nudity, so Moira got the shower falls and toilet mishaps. Ricky from Murder went to school with the kids in most of the major mob families in town, so he got the mob hits and a chance for a quick class reunion to boot. It was easy. Routine. Almost formulaic. Sometimes all Nora had to do was glimpse a single word in a file-"peanut" meant she was dealing with anaphylaxis, which would go to Jorge, who had an unexplained vendetta against legumes and would be the most likely to empathize with anyone who fell victim to one.

Nora skimmed the file of an essence who would definitely be handled by Heart Attack Harpreet in Natural Causes and let her mind drift beyond the four walls of the former broom closet. Nora had been working as an administrative coordinator at S.C.Y.T.H.E. for nearly two and a half years and was finally content with her life. Not happy, exactly. That felt too high stakes. But her dream of pursuing architecture was fading nicely, and the loneliness that came from losing her parents at eight and the grandmother who raised her a few years back didn't sting as sharply as it once had. Her apartment was fine-nice, even, now that she had some art on the walls and a few plants that hadn't yet died despite their best efforts.

She hadn't texted Charlie yet. That was something she should do, probably. Maybe. Unfortunately. It was his birthday too. Though he hadn't texted either, and it didn't seem fair that she had to be the one to send the first text every year.

She opened her phone to Charlie's contact profile. The dumb picture of him with a Fruit Roll-Up hanging out of his mouth like an endless tongue. Their last text exchange, one year ago to the day.

Nora: Happy birthday!

Charlie: HBD butthead

Then silence. She scrolled up to find a similar exchange from the year before that, and the one before that, and several prior, and nothing in between. She closed her phone and returned to her files. Charlie had always been a mystery to Nora, which in and of itself was a mystery to her. Twins were supposed to have something in common, weren't they? And yet, despite sharing a womb and half of their genomes, they couldn't have been less alike. Nora liked facts and statistics and a world that made sense, while Charlie . . . Charlie Bird . . . Charles Ezra Bird was . . . written on the file in Nora's hands.

Nora stopped her daydreaming and sank back into reality, hard. She stopped skimming the page and read it properly, certain she must have mentally inserted her brother's name since he was on her mind. And yet, no matter how many times she reread the name at the top of the file, it never morphed into something different and unconnected to her. The ink was stark and confident.

Case # 73588

Charles Ezra Bird

Age: 26

Cause of Death: Struck by Vehicle

Time to Collect: 11:15 a.m.

Location: Calton Avenue

The walls of the dark, windowless office marched towards one another, trapping Nora inside. She could almost hear them stepping forward to suffocate her, which wouldn't do much good since she'd stopped breathing all by herself.

Statistically speaking, you're more likely to die on your birthday than any other day of the year. But Nora couldn't let that happen. Not again.

Without thinking, without breathing, Nora stuffed Charlie's file under her arm and fled the broom closet.

2

Case # 36658

Mary-Beth Duke

Age: 83

Cause of Death: Struck by Vehicle

It was the third case Nora had sorted after joining S.C.Y.T.H.E., and she'd thought Mary-Beth's death an easy enough one to avoid. The octogenarian had been on her way home from a farmers' market when one of her freshly acquired peaches tumbled from the top of her bag and onto the road. Mary-Beth chased after it, and within seconds both were asphalt cobbler. Nora was still under a probationary period, with her supervisor, the ever-disinterested Janice, sitting beside her at the already cramped desk. It wasn't until Nora sorted the file into the "Natural Causes" pile that Janice perked up enough to tut at the new hire. Mary-Beth's case, she explained, belonged in "Accidental Deaths." But to Nora, there was nothing accidental about it. You cross the road without looking both ways and then both ways again, well, you experience the natural consequences. Everyone knew that. Someone would have to be pretty careless to ignore the cause and effect in a situation like this. Someone like Charlie.


“You need to get in the car. Right now.”

By 8:20 a.m. Nora had crossed town at a safe but rapid pace, trudged through the heaps of rusting, tetanus-encrusted car parts on the lawn, and summoned Charlie to the peeling front door of the little clapboard house he shared with four roommates who seemed less than pleased to be woken up before noon. Charlie, for his part, wore a crooked smile beneath a layer of grogginess. His yellow-blond hair, brassy from years of bleach and various dyes, leapt from his head in no less than six different directions. He ran a hand through his red-tinged goatee, currently accompanied by specks of morning stubble on his cheeks. His white T-shirt was stretched out of shape, and his flannel pajama pants had holes in unfortunate places. He smelled of weed and pepperoni pizza. And he was all Nora had left.

"Uh?" Charlie mustered at last.

"You. Car. Now," Nora tried again, her relief at seeing him alive wrestling with her annoyance at his general existence. It wasn't just his death she needed to protect him from; by going against company protocol, she would very shortly need to protect him from an inevitable pursuit by S.C.Y.T.H.E. as well.

"So weird to actually see you here. Is this, like, a birthday thing?"

"No, Charlie," Nora said. "This is not like a birthday thing. This is like a life-or-death thing. This is like a 'you're going to get hit by a car at eleven fifteen a.m. and die' thing. Just. Please. I don't have time to explain it right now, I just need you to trust me."

Charlie let out a laugh that would have been a snort from anyone else. "This morning, huh? Nor, you need to cool it with the 'everyone's going to die all the time' schtick, man. Or at least wait until the birds are up."

He turned to shut the door, then added, "Oh, right. Happy birthday, butthead," before he disappeared behind chipped sea-foam paint.

Nora stood on the porch for a moment, hands balled so tightly into fists that her fingernails left little half-moons in her palms. She could feel two and a half decades' worth of sibling rage crawling through her like those little green army men Charlie used to play with at Bubbie's, the ones he'd throw at her while she was drawing to get her attention. Their plastic faces were always poised for battle. But so were her crayons.

Nora unclenched and dug a package of vitamin lozenges from the purse on her shoulder. She loosened one and hurled it at Charlie's window to the left of the front door, at the top of the house, the blinds shut. She threw another and another, their taps growing louder with her increasing force. Finally the blinds separated and Charlie poked an eye out. Nora threw another lozenge for good measure. Charlie reappeared at the door a moment later.

"Dude."

"Charlie." Nora forced her frustration down, just like she always did with Charlie, and went for a different tactic. It was tricky. S.C.Y.T.H.E. policy meant she couldn't share the nature of her job with anyone. But then, S.C.Y.T.H.E. policy also strictly forbade employees from taking any documents off the premises, much less preventing an upcoming death, so one more breach wouldn't make a difference at this point. Besides, she was running out of time. The day shift started at nine a.m., and when none of the Collections Agents had cases on their desks, someone would visit her office and alert her boss, who would inevitably cross-reference the files on her desk with the master spreadsheet, only to find the pile one case short. From there it was only a matter of time until S.C.Y.T.H.E. would track her down. She was breaking not only the most critical company rules but the very laws of life and death. It wouldn't be easy to get away with. Her head spun at the gravity of the situation.

"Charlie, I need you to listen to me. My job . . . I . . ." I work for a company of modern-day grim reapers and according to Death itself, you're slated to die today, was what Nora wanted to say. Instead she said, "Yes, actually, this is a birthday thing. Happy birthday. We're going away for a while. Starting right now."

Charlie examined his sister for a long moment. They hadn't seen each other in roughly six months, spoke rarely and had even less to say. Nora braced for a very warranted refusal, or at least some mild scrutiny, but instead Charlie's inspection face softened into an oversized smile.

"Cool."

"Wait, what?"

"Like a road trip or something?"

"Uh, sure," said Nora, still catching up to the situation. "Yeah, like that. So let's go."

Charlie shrugged. "Sweet, let me just pack a few things. And there's room for Jessica too, right?"

"Jessica?"

"Yeah, you'll love her, she's hilarious."

Before Nora could reply, Charlie had shut the door again.

"Charlie," Nora called through the door, banging a fist against it despite the risk of infectious slivers. This was ridiculous. They needed to be on the road right now to avoid both S.C.Y.T.H.E. and whatever car was going to hit Charlie, and now he was not only taking his time packing for a road trip but also apparently planning to bring his fling of the day along. She knocked again. "Charlie! Charlie! Charl-"

The door opened again and Charlie emerged, still in his pajamas, an unzipped, half-full duffel bag over one shoulder, a cage containing a large gray parrot in his hands.

Nora blanched. "What the hell is that?"

"This is Jessica," Charlie said, with a look that said "duh."

"You can't bring a-" Nora caught herself. "Right. Great. Can we go please?"

"You're not even going to say hi to her?"

"Charlie, we don't have time for this."

"Nor, it's, like, dawn, what could you possibly be in such a rush for? Come on, you're an aunt now, won't you at least-"

"Hi," Nora said tightly, bending down to the cage from a safe distance. "Hi, Jessica. Nice to meet you." Then back to Charlie, "Let's go now, please."

Charlie closed his eyes contemplatively and held a finger up to Nora-whether to tell her to wait or shut up she couldn't tell.

"Fucking hell, Char-"

Charlie shoved his held-up finger directly into Nora's face. Nora had to swallow down the urge to bite it.

After a beat, a high-pitched squawk emerged from the cage. "Hi. Hi. Fucking hell."

Charlie burst out into his snort-laugh.

"It talks," Nora blinked at the bird. "Perfect. Okay, can we go now?"

Charlie shrugged, but before he could open his mouth, Nora had hooked an arm under his and was hauling him and Jessica towards the car, the open road, and safety.

"So why the kidnapping?" Charlie turned in the passenger seat to face his sister as they crossed through town towards the highway.

Nora kept her eyes on the road. "What are you talking about?"

"I'm talking about how the last time we celebrated a birthday together we had an Elmo cake and you cried because I ate the piece with the balloons on it. So what's up? Like, actually up."

Nora let her eyes slip momentarily to her brother. Then to the clock on her dashboard. It was just after nine; only two hours before Charlie Bird was meant to die.

"You wouldn't believe me."

"Try me."

"Charlie."

"Nora. C'mon. What, you on the run from the law or something?"

A swarm of black-clad S.C.Y.T.H.E. operatives filled Nora's mind's eye, their glistening onyx SUVs practically materializing in the rearview mirror. She blinked hard to chase them away. Because S.C.Y.T.H.E. operated outside the laws of society, the company had its own enforcement team ready to crack down on anyone in the organization who played too fast and loose with the laws of mortality. They were rarely used, but there were rumors of some kind of soul-abduction scheme that got dismantled at a S.C.Y.T.H.E. office in a different state last year. And if those rumors were anything to go by, Nora dreaded being their next target.




Monday, December 1, 2025

#Review - Kingdom of Today by Gena Showalter #Fantasy #Romance

Series:
 Book of Arden # 2
Format: Paperback, 351 pages
Release Date: 
December 2, 2025
Publisher: Montlake
Source: NetGalley
Genre: Fantasy / Romance / New Adult

When Arden Roosa returns to Fort Bala Royal Academy, nothing is as it was. No longer just a lady-in-training, she’s now the infamous girlfriend of High Prince Cyrus Dolion—and the woman who brought down a king. Her reward? Round-the-clock guards and the attention of a royal executioner with secrets. But Arden has secrets too. As a double agent slipping between worlds to decode forbidden prophecy, she knows what’s coming. Sleeping gods are stirring, and a war igniting. With only a spark, everyone will burn.

But nothing goes according to plan. Grueling trials consume her days, and dangerous questions stalk her nights. Worse, Cyrus—the fierce, unshakable warrior she might love—is unraveling, losing pieces of himself, becoming a stranger right before her eyes. Desperate to save him, Arden strikes a life-altering alliance…and everything spirals. Now the gods are no longer dreaming. They’re hunting. Time is running out, the end closer than anyone dares to admit. Unless Arden can stop what’s coming, Cyrus will open the door to true evil—and she’ll lose him forever.


Kingdom of Today is the second installment in author Gena Showalter's Book of Arden series. The story resumes shortly after the explosive events of Kingdom of Tomorrow, with protagonist Arden Roosa returning to the fortified enclave of Fort Bala. This sprawling, high-tech bastion hides a labyrinth of arcane secrets beneath its gleaming surface. Arden, the "sunshine girl with anxiety" who stole hearts in book one, is no longer the wide-eyed newcomer navigating combat trials and forbidden attractions. 

Now, she's a reluctant key to an ancient power awakening across fractured kingdoms, where souls can be bartered like currency and wars are waged not just with swords, but with the very essence of one's being. The central conflict revolves around Arden's deepening entanglement with the enigmatic High Prince Cyrus. Their grumpy-sunshine dynamic, which crackled with tension in the opener, evolves here into something rawer and more volatile, complicated by political machinations, betrayals within the secret society of soul-weavers, and a prophecy that positions Arden as both savior and sacrifice. 

As ancient powers stir—manifesting in vivid, otherworldly visions and trials that test the boundaries of reality—Arden must uncover a shocking enemy lurking in the shadows of her own alliances. The author also adds a bit of what one could call a triangle aspect to the series when she gives Domino Crane, a member of the Thune Society and a Librarian who seems to believe that Arden is the person who has the most chance to turn the page on out-of-control Gods who are waking up. 

What elevates this sequel is how Kingdom of Today expands the lore: We delve deeper into the kingdoms' interconnected histories, revealing how "today's" fragile peace stems from yesterday's wars—and tomorrow's potential apocalypse. The invisible library, a standout from book one, returns with mind-bending puzzles that blend riddle-solving with heart-stopping revelations. A few subplots feel rushed, potentially setting up future payoffs but leaving book two's emotional resolution slightly uneven. 

The prophecy-heavy plot can border on convoluted for newcomers (definitely read book one first), though Showalter's recaps help. We also delve deeper into the kingdoms' interconnected histories, revealing how "today's" fragile peace stems from yesterday's wars—and tomorrow's potential apocalypse. As I said, this book ends with a wild, action-packed finale as Arden gets closer to having to fight powerful enemies. I am kind of eager to see how the author answers the unopened storylines. 




Wednesday, November 19, 2025

#Review - Princess of Blood by Sarah Hawley #Fantasy #Romance

Series:
 
The Shards of Magic (#2)
Format: 512 pages, Hardcover
Release Date: September 30, 2025
Publisher: Ace
Source: Publisher
Genre: Fantasy / Romance

Once a servant, now a princess, a young woman thrust into power challenges everything about the underground Fae realm in the spellbinding sequel to Sarah Hawley’s USA Today bestseller Servant of Earth.

Kenna Heron is still reeling from her lover’s betrayal and the threat of an impending civil war. With only a sentient dagger and her two closest—and most powerless—friends by her side, she must navigate the treacherous politics of Mistei while coming to terms with her new identity as not just Fae, but princess of the reborn Blood House.

With the corrupt king dead at last, three candidates are vying for the crown: a princess who claims the throne as her birthright and two rebel princes, both of whom are courting Kenna’s support to break the stalemate between them. Old loyalties fray as new, volatile alliances form, and Kenna finds herself caught in a web of violence and deceit—and swept up in a forbidden romance as passionate as it is dangerous.

Kenna has the power to shape Mistei’s future… but someone’s willing to kill to make sure she never gets the chance.


Princess of Blood is the second installment in author Sarah Hawley's The Shards of Magic series. This book is set in an underground faerie kingdom of Mistei, where there are six different houses for each branch of magic and a clear hierarchy that the heroine explores throughout the novel. With her new Fae powers and backed only by her two closest friends, the heroine must face off against her former lover turned betrayer and all those vying for the crown. The heroine is in her early twenties and goes through a series of trials in the vein of The Hunger Games and is embroiled in complicated, yet alluring romantic relationships with noble fae, like in The Cruel Prince.

If the debut introduced us to a brutal world of immortal trials and hidden magics, this one dives headfirst into the political meat grinder, where alliances shatter like glass and every shadow hides a dagger. At its core, Princess of Blood follows Kenna Heron, the once-human servant who clawed her way to Fae immortality and now stands as the newly minted Princess of the long-extinct Blood House. Armed with a sentient, blood-hungry dagger named Caedo, and a raw, untested affinity for blood magic, Kenna must rebuild her shattered house from the ground up while the power vacuum left by the tyrant's death threatens to drown Mistei in civil war. 

Three ambitious candidates—each from a rival House—vie for the throne under a fragile 30-day peace accord, promising reforms for the oppressed underfae and human servants alike. But in a realm where houses like Void, Fire, Illusion, Light, and Earth wield magics as diverse as shadow manipulation and elemental fury, trust is a luxury Kenna can't afford. With only a handful of wary allies (including her former mistress and a few unexpected outcasts), she navigates assassination plots, forbidden unions, and the ghosts of betrayals past, all while grappling with her vote's potential to crown a savior—or a new monster. 

The narrative structure smartly alternates between tense political maneuvering and intimate moments of strategy and survival, building to a cliffhanger that's as shocking as it is inevitable—though, fair warning, if you're prone to hurling books across the room in frustration, this ending might test your throwing arm. Kenna is the beating (or bleeding) heart of the story—a vengeful anti-heroine who's equal parts resilient badass and vulnerable novice. Her arc from wide-eyed servant to pragmatic princess is compelling, marked by moments of "voluntary incompetence" in which she second-guesses her instincts, frustrating but ultimately humanizing her. 

The supporting cast shines too, from the morally gray rebels harboring dark secrets to the sadistic power couples scheming in gilded halls. Standouts include the enigmatic Kallen of Void House, whose evolution from shadowy antagonist to reluctant mentor (and more) adds layers of delicious tension—his backstory revelations are among the book's most surprising twists. In contrast, characters like the arrogant Fire Prince feel deliberately off-putting, their condescension highlighting Kenna's journey toward self-sufficiency.

Mistei's underground sprawl remains one of the series' crown jewels— a labyrinthine city of crystalline caverns, blood-soaked arenas, and house-specific magics that feel alive and oppressive. Hawley expands on the lore masterfully, delving into outlawed inter-house unions, the shards of ancient gods, and the hierarchies that trap humans and underfae in servitude, all while keeping the prose vivid and immersive.



1

The Blood Tree rose before me, tall and impossibly ancient. Its branches had been bare the last time I'd been in the vast stone chamber leading to Blood House-during the immortality trials, when the tree had shown me a lifetime of my sins-but now they were covered with crimson leaves. The stone tiles beneath my feet felt alive. Power thrummed through the chamber, an invisible current that brushed against a strange new inner sense.

I shivered at the sensation, just one sign of the tremendous and frightening change I'd undergone.

I wasn't human any longer.

I was a faerie-and the new leader of Blood House.

Welcome, Princess Kenna, a voice whispered inside my head. Liquid, female, throbbing like a pulse.

"How do we get inside?" These words were spoken out loud, and I turned my head to look at the speaker. Lara, my former mistress and the excommunicated heir to Earth House, looked as exhausted as she sounded. Like me, she had one arm around a drooping, distant-eyed woman with a shaved head and skin newly lined with scars: Anya Hayes, my best friend from the human world, who I'd thought dead until a few hours ago. She'd been unresponsive but capable of walking when we'd left the corpse-filled throne room, but she'd sagged more with every step. Now she seemed barely conscious.

My chest hurt unbearably as I looked at them. The three of us had survived months of danger and a night of carnage, but at what cost? Lara had been stripped of her magic, her family, and her home; Anya had been tortured in unimaginable ways.

"I'm not sure yet," I told Lara. "I need to figure out what the trap is."

All six Fae houses in the underground city of Mistei had dangerous traps at their entrances. They were tests only house faeries could pass, while intruders were killed gruesomely. Fire House burned unwelcome visitors with a curtain of flame, Earth House drowned them in a tunnel of water . . . What would the faeries of Blood House, who could magically manipulate bodies, have done to keep their borders safe?

They were my borders now, I supposed. The entirety of Blood House had been massacred five hundred years ago by King Osric, but now Osric was dead and the house had been resurrected in the form of . . . me. Just me. The six Sacred Shards that had brought magic to this world had gifted me with immortality and magic, and in exchange, I was supposed to "restore the balance." Whatever that meant. However one person could possibly do that.

My gaze ran over the entrance hall. The checkered black-and-white stone tiles were etched with the faces of monsters, and the gray walls were carved with beings of all types, too: Noble Fae, Underfae, and the dark, twisted Nasties that inhabited the lowest levels of Mistei. The Blood Tree dominated the chamber, reaching its gnarled limbs towards the distant ceiling, and beyond it was an enormous silver door covered in spikes.

I wondered if the Blood Shard was listening to my thoughts, since it had spoken in my head in that dark, welcoming voice. Any help? I thought towards the room in general. A hint on what the trap is?

The Shard didn't respond, but a coil of metal around my bicep did. Caedo-my bloodthirsty, shape-shifting dagger-was currently in the form of a spiraling armband, but it writhed like a serpent beneath my sleeve and sank sharp teeth into me.

I yelped in surprise, looking down at my arm. "Was that necessary?"

"What?" Lara asked, sounding confused.

Caedo nipped me again. You wanted a hint, the dagger said, its voice metallic and genderless in my head.

I eyed the projections on the door. If Caedo could drain a body in seconds, it made sense the house entrance could as well. Now I needed to figure out how to get it to not kill my friends.

"Can you hold Anya?" I asked Lara. My arm should have been aching from supporting her for this long, but I didn't feel the physical exhaustion I would have expected after the throne room fight and the long walk here. The Noble Fae were stronger and more resilient than humans, and I was one of them now.

I was immortal. It was unfathomable.

Lara nodded and looped her arm more firmly around Anya's waist. I let go, heart pinching with grief when Anya wouldn't meet my eyes. Did she still believe I wasn't real? She sagged into Lara's grip, shivering in her flimsy taupe garments.

She needed to get somewhere safe and warm. I would empty any number of veins to make that happen.

I walked around the tree, trailing a hand over its rough trunk. The leaves whispered and sighed. There was a pulse beneath the bark, one that sped until it mirrored mine. It was simultaneously welcoming and unsettling.

Ten more steps took me to the silver door, which was easily twice my height. The spikes covering it were as long as my forearm. Surely I wasn't supposed to impale myself every time I wanted inside.

Then I spotted a sculpted silver wolf's head on the right side of the door, nestled between several spikes at chest height. Its mouth was gaping, and when I bent to peer inside, I saw sharp teeth guarding a cylindrical silver rod.

I'm supposed to stick my hand in there? I asked Caedo silently.

Yes.

The nature of the trap came clear. If a house member grabbed the handle, the door would allow them inside. If an enemy tried, the wolf's teeth would slam together, and the door would consume them.

I hesitated before sliding my hand into the wolf's maw. Even knowing I was the new Princess of Blood, it was a relief when the door didn't immediately bite my hand off.

The metal rod warmed under my palm, and the door started vibrating. A rumbling sound filled the air, like the purring of some enormous cat. Without any effort on my part, the door began to open. I extricated my hand as it slid to the side on smooth tracks, revealing a blackened opening. The air emanating from within smelled dusty and stale, with a faint, aromatic spice beneath.

There were more spikes at the edge of the door, thick ones that had been slotted into the wall. If someone tried to run through the door while it was open, I imagined it would either slam shut, or the points would shape-shift to skewer the intruder.

Welcome home, the Shard whispered in my head.

My skin tingled, and something in my chest-not my heart, but something dark and burning that wrapped around it-pulsed with awareness. The magic that filled me recognized its echo everywhere. A new sense had come to life inside me, like hearing without ears or feeling without touch.

I turned to look at my friends. Lara's face was taut with apprehension, her brown eyes wide as they darted between me and the entrance. Anya still stared at nothing, lost inside her head.

"Blood Shard?" I whispered, not sure where it was or how I was supposed to address it. "Can I bring them with me?"

Claiming a new house member is no small matter, the Shard said in a dark purr. The tree trunk glowed red in one spot, and light began spreading across the bark in branching rivulets. You must be certain.

I faced the heart of that crimson shine. "I'm certain."

"Is the Shard . . . talking to you?" Lara asked softly. At my nod, she looked even more anxious.

"I want them to be members of Blood House," I told the Shard more firmly.

Lara made a pained expression, though she didn't protest. This couldn't be easy for her. Earlier this night she'd been the first daughter of Earth, heir to a house of water and greenery. Now she was a magicless outcast, forced to take shelter in a house of bloodshed and death.

The bark parted, revealing a chunk of garnet-colored crystal. It was hand-sized, curved on one side and jagged on the other. Awe filled me. The Shard had been formed during the destruction of another world beyond the stars, if King Osric was to be believed. It was the echo of a dead god, a vessel containing a fragment of magic that had been launched through the heavens to find a new home.

And it had chosen me to wield that magic.

Crimson light pulsed from the stone with each word. Then claim them.

"You approve?"

Nothing you do is for me to approve.

I wasn't sure I liked that. The Shard had been a god once-it was supposed to tell me what to do, how to be a princess.

I am not the one who came before, the Shard corrected. I am magic and memory. The Shards are woven into the fabric of this world-we do not rule.

I wrapped my arms around myself, rubbing up and down. The blue gauze of my half sleeves was wrinkled and dotted with flakes of dried blood. If it didn't rule . . . apparently I did. "How do I add them to the house?"

Set the intention in your mind. If you will it, I obey.

The Shard was the house, I realized. Or maybe we were all part of something larger, connected by the magic we shared. The tree, the house, the Shard, Caedo . . . and me.

I closed my eyes, breathing in and out slowly. I claim these two as members of Blood House, I thought.

It is done, the Shard whispered back.

It was that easy? I opened my eyes again, then beckoned Lara and Anya forward. "You're part of the house now."

Lara looked mistrustfully at the spiked door. "Are you sure? What if it stabs me?"

"It won't," I said, though my underarms were growing damp from nervous sweat. Putting my faith in the honesty of a sentient rock was difficult, but that sentient rock had also saved my life and given me magic tonight, so I tried to project confidence.

Lara's eyes were reddened from grief and exhaustion. Her green ball gown was torn and spattered with blood, and her wavy black hair was tangled. She swayed, then visibly pulled herself together, spine straightening as she looked at the entrance with determination. "So long as there's a bed in there, I don't care." She shifted Anya into my hold, then walked forward, took a deep breath, and stuck her hand out as if testing whether the door would slam shut on it. When it didn't, she let out an audible sigh of relief.

Anya looked nearly asleep on her feet. "Let's get you inside," I whispered.

The entrance loomed, silent and dark. Whatever lurked inside couldn't be worse than what filled the rest of Mistei, and there would at least be a bed to fall into. The thought of that made me want to cry.

So I urged Anya forward, Lara fell into step beside us, and we made our way into Blood House together.

The door slid shut behind us with an echoing clang. It was pitch black. Everything was still and silent except for a distant trickling sound.

"It's dark," Lara said unnecessarily.

"Maybe I can find a torch."

A vibration went through the floor. A faint red glow sparked in the distance, followed by another. A line of torches came alight one by one, outlining the borders of a vast room.

The house was waking up.

Once the torches on the ground floor were burning, more swelled to life a level above, their fire unusually red. The light sparked up and up, revealing six stories in all. Each level was lined with silver-railed walkways that overlooked the central space, with spiraling staircases anchoring the corners of the room. It had the same layout as Earth House's main hall, but the decor was startlingly different. Earth House was bright and verdant, with a floor of packed soil dotted with flowers and trees. Blood House was paved with gray marble that sparkled in the torchlight, and the garnet-hued walls were coated with silver filigree. The courtyard was anchored by a tiered fountain.

The liquid in the fountain was running red.

"Oh," Lara said, sounding dismayed.

"Oh," I echoed, feeling something more akin to awe.

A deep sense of comfort and safety filled the room-the same comfort I'd once felt as a servant in Earth House. The house's magic was wrapping us in a soothing blanket of welcome, letting us know we were home. The couches against the walls looked plush and inviting, as if they wanted us to rest. But the fountain was spilling blood, and the filigree wasn't the only shining ornamentation in the room-axes, swords, pikes, and spears rested in wooden racks and hung from brackets over the couches, as if the faeries of Blood House had never relaxed without a weapon close to hand.

A mix of softness and violence, beauty and death.

I brought Anya to a settee tucked beneath the curve of a staircase. It was upholstered in burgundy velvet, and a sword hung from the wall beside it. Dust puffed up as the couch took her weight, and she curled up on her side, closing her eyes.

Lara was exploring the room, trailing her fingers over the walls and furniture. She wrapped her hand around the haft of an axe, stared at it contemplatively for a few moments, then let go.

The weapons deserved investigation, but the liquid music of the fountain drew my attention. I crossed to it and sat on the dust-rimed edge, watching the fall of blood. The air was spiced with the coppery rich scent, and I didn't find it nearly as disgusting as I ought to. Whose blood is this? I asked Caedo silently.

The first princess began it with the blood of her enemies. You can add some from your next kill.

A cold shiver raced down my spine. I was a murderer now, and the dagger expected me to kill again. Worse, I expected myself to kill again. Illusion and Light House would be regrouping after the battle in the throne room. There would be violence as Mistei grappled with the question of who would rule next.

Ash-gray eyes filled my mind. Copper hair, a smile that flickered like flame, hands that had burned. A voice that had whispered promises in the dark and cruelties in the light.

I didn't want to think about Prince Drustan of Fire House, so I shoved the vision away.

The first princess had morbid taste, I told Caedo.

The dagger seemed amused as it pulsed against my skin. You will learn to appreciate blood. It slid down my arm like liquid, circling my wrist. I watched, fascinated, as it stretched narrow tendrils over my hand, mapping the spread of tendons before sending shoots over my fingers. It looked like a separate skeleton laid atop mine. Those metal bones were anchored in place with rings between each knuckle, and the tips sharpened into claws
.