Showing posts with label Maxie Dara. Show all posts
Showing posts with label Maxie Dara. Show all posts

Thursday, December 4, 2025

#Review - A Grim Reaper's Guide to Cheating Death by Maxie Dara #Cozy #Mystery #Paranormal

Series:
 
A SCYTHE Mystery
Format: 288 pages, Paperback
Release Date: December 2, 2025
Publisher: Berkley
Source: Publisher via NetGalley
Genre: Cozy Mystery / Paranormal

When a determined killer targets her brother, a grim reaper risks everything to save him in this delightful cozy mystery.

Nora Bird works for S.C.Y.T.H.E., which might seem odd for someone as terrified of death as she is. But ever since her parents died in an accident when she was six, she's been obsessed with avoiding risk, and what better place to learn how to cheat death than the company that employs the nation's grim reapers?

The work enables Nora to learn all about the myriad ways you can kick the bucket, which is comforting...until one day, a file crosses her desk with a name she recognizes. Her twin brother’s.

The twins haven’t spoken in six months, but Charlie is all Nora has left. Completely against her cautious nature, Nora steals the file and flees, racing to her brother’s house. She begs him to trust her that his death is imminent, and they hit the road (with his parrot, Jessica, who has plenty to say) in an attempt to evade both death and S.C.Y.T.H.E., whose sole mission of collecting souls has been disrupted by Charlie’s continued existence.

Alas, every time Nora saves him, a new cause of death appears in his file. Someone is determined to take Charlie out, and Nora will have to use everything she's ever learned about death to discover the culprit.


A Grim Reaper's Guide to Cheating Death is the second installment in author Maxie Dara's S.C.Y.T.H.E. Mystery series. In the world of Maxie Dara's A Grim Reaper's Guide to Cheating Death, death isn't just a shadowy figure with a scythe—it's a corporate bureaucracy complete with HR complaints and performance reviews. This cozy paranormal follows Nora Bird, a risk-averse grim reaper whose orderly life unravels when her estranged twin brother's (Charlie Bird) name pops up on the "to-die" list. 

What ensues is a high-stakes road trip laced with family secrets, quirky sidekicks, and near-death mishaps. Nora Bird is the epitome of caution personified. Orphaned when her parents perished in a freak accident on her birthday—a trauma that has her double-checking smoke alarms and avoiding ladders—she's channeled her thanatophobia into a job at S.C.Y.T.H.E. (Secure Collection, Yielding, Transport, and Handling of Essences), the bureaucratic backbone of modern reaping. 

Nora's role in the Department is the cushiest gig: logging essences from the already-departed, far from the adrenaline-fueled chaos of unnatural deaths. It's a safe haven for someone who treats life like a minefield, complete with her meticulously organized planner and aversion to anything spontaneous. That fragile equilibrium shatters on her 24th birthday when Charlie Bird—her free-spirited, estranged twin—appears on her doorstep, slated for an unnatural demise at the hands of a shadowy killer. 

Charlie is a charming slacker with an African grey parrot named Jessica, who hasn't spoken to Nora in years. Their childhood bond fractured after their parents' death, leaving Nora to cling to control while Charlie embraced chaos. Now, with Death itself breathing down her neck, Nora must break every S.C.Y.T.H.E. protocol: she steals Charlie's file, goes AWOL, and embarks on a cross-country chase to unravel why a killer is targeting him—and how it ties back to their family's buried secrets. 

When the two decide to disappear to Virgo Bay, where their father was from, they discover some big mysteries with their family that add complications to and beyond Charlie’s conundrum. Shockingly, they find his brother, their paternal grandparents, a great-grandfather,  and lots of cousins.  The attempts on Charlie's life continue. Consider this a very unique road trip: coming into yourself, overcoming your fears, and finding some humor thanks to a parrot named Jessica. 

Nora learns a lot about herself and renews her relationship with her brother, which has been languishing. Charlie has been living his life to the utmost all along, while Nora has been hiding in safety.  It would be a lot more fun to connect with the relatives if one of them wasn't trying to kill them. I have to say, the addition of Jessica made the story fun to read. The mystery was pretty good right up until the revelation. In fact, anyone in Virgo Bay could have been the enemy. The ending was interesting, and I am curious if this was a duology or if the author expects to write another book.  



Statistically speaking, you're more likely to die on your birthday than any other day of the year. Unfortunately for Nora Bird, her parents beat the odds and died on her birthday instead. Eighteen years later and that gray mid-November air still weighed heavy as she shut the day behind her with the swing of a pigeon-graffitied glass door and began the daily trek up the stairs to her office.

It was just after seven a.m., and the corporate-beige halls of S.C.Y.T.H.E.-Secure Collection, Yielding, and Transportation of Human Essences-were still holding their breath between shifts. Nora liked this part of the day best, when the world was empty and belonged to no one in particular. She tucked herself into her office on the top floor of the building. It was a room with no windows, which had served its previous occupants just fine since they were mostly mops, brooms, and the odd bucket. It served Nora just as well. No natural light meant no sun exposure, and no sun exposure meant less risk of skin cancer, something the fluorescent bulbs that buzzed from their rectangular homes on the ceiling never threatened.

In the middle of Nora's desk sat a cupcake frosted with bright blue icing. She cocked her head at it. Ran a finger through the icing and examined it with narrowed eyes. The food dye Blue No. 2 had been found to contribute to brain tumors in rats. She wiped the icing on the rim of the garbage can under her desk, wrapped the cupcake in tissues, and threw it away too, making a mental note to thank Larry, janitor extraordinaire, for the gesture.

Then she got to work.

It always felt fitting for Nora to work on her birthday. It had long been a day marked by death, and after all, that was the nature of her business. Beside the now vacant spot where the deadly cupcake had just sat rested a pile of manila folders that reached to Nora's chin. The day's cases were patiently waiting to be sorted into their designated department-Natural Causes, Murder, Accidental Deaths-and assigned to specific agents. It was an easy job for Nora, almost mindless at times. Each file needed to be matched with the most appropriate person to collect the soul and bring it to the next stage on its journey. And Nora had studied the agents' files thoroughly enough to matchmake with the prowess of her bubbie.

Moira from Accidental Deaths had studied proctology before coming to S.C.Y.T.H.E., which made her disconcertingly comfortable with nudity, so Moira got the shower falls and toilet mishaps. Ricky from Murder went to school with the kids in most of the major mob families in town, so he got the mob hits and a chance for a quick class reunion to boot. It was easy. Routine. Almost formulaic. Sometimes all Nora had to do was glimpse a single word in a file-"peanut" meant she was dealing with anaphylaxis, which would go to Jorge, who had an unexplained vendetta against legumes and would be the most likely to empathize with anyone who fell victim to one.

Nora skimmed the file of an essence who would definitely be handled by Heart Attack Harpreet in Natural Causes and let her mind drift beyond the four walls of the former broom closet. Nora had been working as an administrative coordinator at S.C.Y.T.H.E. for nearly two and a half years and was finally content with her life. Not happy, exactly. That felt too high stakes. But her dream of pursuing architecture was fading nicely, and the loneliness that came from losing her parents at eight and the grandmother who raised her a few years back didn't sting as sharply as it once had. Her apartment was fine-nice, even, now that she had some art on the walls and a few plants that hadn't yet died despite their best efforts.

She hadn't texted Charlie yet. That was something she should do, probably. Maybe. Unfortunately. It was his birthday too. Though he hadn't texted either, and it didn't seem fair that she had to be the one to send the first text every year.

She opened her phone to Charlie's contact profile. The dumb picture of him with a Fruit Roll-Up hanging out of his mouth like an endless tongue. Their last text exchange, one year ago to the day.

Nora: Happy birthday!

Charlie: HBD butthead

Then silence. She scrolled up to find a similar exchange from the year before that, and the one before that, and several prior, and nothing in between. She closed her phone and returned to her files. Charlie had always been a mystery to Nora, which in and of itself was a mystery to her. Twins were supposed to have something in common, weren't they? And yet, despite sharing a womb and half of their genomes, they couldn't have been less alike. Nora liked facts and statistics and a world that made sense, while Charlie . . . Charlie Bird . . . Charles Ezra Bird was . . . written on the file in Nora's hands.

Nora stopped her daydreaming and sank back into reality, hard. She stopped skimming the page and read it properly, certain she must have mentally inserted her brother's name since he was on her mind. And yet, no matter how many times she reread the name at the top of the file, it never morphed into something different and unconnected to her. The ink was stark and confident.

Case # 73588

Charles Ezra Bird

Age: 26

Cause of Death: Struck by Vehicle

Time to Collect: 11:15 a.m.

Location: Calton Avenue

The walls of the dark, windowless office marched towards one another, trapping Nora inside. She could almost hear them stepping forward to suffocate her, which wouldn't do much good since she'd stopped breathing all by herself.

Statistically speaking, you're more likely to die on your birthday than any other day of the year. But Nora couldn't let that happen. Not again.

Without thinking, without breathing, Nora stuffed Charlie's file under her arm and fled the broom closet.

2

Case # 36658

Mary-Beth Duke

Age: 83

Cause of Death: Struck by Vehicle

It was the third case Nora had sorted after joining S.C.Y.T.H.E., and she'd thought Mary-Beth's death an easy enough one to avoid. The octogenarian had been on her way home from a farmers' market when one of her freshly acquired peaches tumbled from the top of her bag and onto the road. Mary-Beth chased after it, and within seconds both were asphalt cobbler. Nora was still under a probationary period, with her supervisor, the ever-disinterested Janice, sitting beside her at the already cramped desk. It wasn't until Nora sorted the file into the "Natural Causes" pile that Janice perked up enough to tut at the new hire. Mary-Beth's case, she explained, belonged in "Accidental Deaths." But to Nora, there was nothing accidental about it. You cross the road without looking both ways and then both ways again, well, you experience the natural consequences. Everyone knew that. Someone would have to be pretty careless to ignore the cause and effect in a situation like this. Someone like Charlie.


“You need to get in the car. Right now.”

By 8:20 a.m. Nora had crossed town at a safe but rapid pace, trudged through the heaps of rusting, tetanus-encrusted car parts on the lawn, and summoned Charlie to the peeling front door of the little clapboard house he shared with four roommates who seemed less than pleased to be woken up before noon. Charlie, for his part, wore a crooked smile beneath a layer of grogginess. His yellow-blond hair, brassy from years of bleach and various dyes, leapt from his head in no less than six different directions. He ran a hand through his red-tinged goatee, currently accompanied by specks of morning stubble on his cheeks. His white T-shirt was stretched out of shape, and his flannel pajama pants had holes in unfortunate places. He smelled of weed and pepperoni pizza. And he was all Nora had left.

"Uh?" Charlie mustered at last.

"You. Car. Now," Nora tried again, her relief at seeing him alive wrestling with her annoyance at his general existence. It wasn't just his death she needed to protect him from; by going against company protocol, she would very shortly need to protect him from an inevitable pursuit by S.C.Y.T.H.E. as well.

"So weird to actually see you here. Is this, like, a birthday thing?"

"No, Charlie," Nora said. "This is not like a birthday thing. This is like a life-or-death thing. This is like a 'you're going to get hit by a car at eleven fifteen a.m. and die' thing. Just. Please. I don't have time to explain it right now, I just need you to trust me."

Charlie let out a laugh that would have been a snort from anyone else. "This morning, huh? Nor, you need to cool it with the 'everyone's going to die all the time' schtick, man. Or at least wait until the birds are up."

He turned to shut the door, then added, "Oh, right. Happy birthday, butthead," before he disappeared behind chipped sea-foam paint.

Nora stood on the porch for a moment, hands balled so tightly into fists that her fingernails left little half-moons in her palms. She could feel two and a half decades' worth of sibling rage crawling through her like those little green army men Charlie used to play with at Bubbie's, the ones he'd throw at her while she was drawing to get her attention. Their plastic faces were always poised for battle. But so were her crayons.

Nora unclenched and dug a package of vitamin lozenges from the purse on her shoulder. She loosened one and hurled it at Charlie's window to the left of the front door, at the top of the house, the blinds shut. She threw another and another, their taps growing louder with her increasing force. Finally the blinds separated and Charlie poked an eye out. Nora threw another lozenge for good measure. Charlie reappeared at the door a moment later.

"Dude."

"Charlie." Nora forced her frustration down, just like she always did with Charlie, and went for a different tactic. It was tricky. S.C.Y.T.H.E. policy meant she couldn't share the nature of her job with anyone. But then, S.C.Y.T.H.E. policy also strictly forbade employees from taking any documents off the premises, much less preventing an upcoming death, so one more breach wouldn't make a difference at this point. Besides, she was running out of time. The day shift started at nine a.m., and when none of the Collections Agents had cases on their desks, someone would visit her office and alert her boss, who would inevitably cross-reference the files on her desk with the master spreadsheet, only to find the pile one case short. From there it was only a matter of time until S.C.Y.T.H.E. would track her down. She was breaking not only the most critical company rules but the very laws of life and death. It wouldn't be easy to get away with. Her head spun at the gravity of the situation.

"Charlie, I need you to listen to me. My job . . . I . . ." I work for a company of modern-day grim reapers and according to Death itself, you're slated to die today, was what Nora wanted to say. Instead she said, "Yes, actually, this is a birthday thing. Happy birthday. We're going away for a while. Starting right now."

Charlie examined his sister for a long moment. They hadn't seen each other in roughly six months, spoke rarely and had even less to say. Nora braced for a very warranted refusal, or at least some mild scrutiny, but instead Charlie's inspection face softened into an oversized smile.

"Cool."

"Wait, what?"

"Like a road trip or something?"

"Uh, sure," said Nora, still catching up to the situation. "Yeah, like that. So let's go."

Charlie shrugged. "Sweet, let me just pack a few things. And there's room for Jessica too, right?"

"Jessica?"

"Yeah, you'll love her, she's hilarious."

Before Nora could reply, Charlie had shut the door again.

"Charlie," Nora called through the door, banging a fist against it despite the risk of infectious slivers. This was ridiculous. They needed to be on the road right now to avoid both S.C.Y.T.H.E. and whatever car was going to hit Charlie, and now he was not only taking his time packing for a road trip but also apparently planning to bring his fling of the day along. She knocked again. "Charlie! Charlie! Charl-"

The door opened again and Charlie emerged, still in his pajamas, an unzipped, half-full duffel bag over one shoulder, a cage containing a large gray parrot in his hands.

Nora blanched. "What the hell is that?"

"This is Jessica," Charlie said, with a look that said "duh."

"You can't bring a-" Nora caught herself. "Right. Great. Can we go please?"

"You're not even going to say hi to her?"

"Charlie, we don't have time for this."

"Nor, it's, like, dawn, what could you possibly be in such a rush for? Come on, you're an aunt now, won't you at least-"

"Hi," Nora said tightly, bending down to the cage from a safe distance. "Hi, Jessica. Nice to meet you." Then back to Charlie, "Let's go now, please."

Charlie closed his eyes contemplatively and held a finger up to Nora-whether to tell her to wait or shut up she couldn't tell.

"Fucking hell, Char-"

Charlie shoved his held-up finger directly into Nora's face. Nora had to swallow down the urge to bite it.

After a beat, a high-pitched squawk emerged from the cage. "Hi. Hi. Fucking hell."

Charlie burst out into his snort-laugh.

"It talks," Nora blinked at the bird. "Perfect. Okay, can we go now?"

Charlie shrugged, but before he could open his mouth, Nora had hooked an arm under his and was hauling him and Jessica towards the car, the open road, and safety.

"So why the kidnapping?" Charlie turned in the passenger seat to face his sister as they crossed through town towards the highway.

Nora kept her eyes on the road. "What are you talking about?"

"I'm talking about how the last time we celebrated a birthday together we had an Elmo cake and you cried because I ate the piece with the balloons on it. So what's up? Like, actually up."

Nora let her eyes slip momentarily to her brother. Then to the clock on her dashboard. It was just after nine; only two hours before Charlie Bird was meant to die.

"You wouldn't believe me."

"Try me."

"Charlie."

"Nora. C'mon. What, you on the run from the law or something?"

A swarm of black-clad S.C.Y.T.H.E. operatives filled Nora's mind's eye, their glistening onyx SUVs practically materializing in the rearview mirror. She blinked hard to chase them away. Because S.C.Y.T.H.E. operated outside the laws of society, the company had its own enforcement team ready to crack down on anyone in the organization who played too fast and loose with the laws of mortality. They were rarely used, but there were rumors of some kind of soul-abduction scheme that got dismantled at a S.C.Y.T.H.E. office in a different state last year. And if those rumors were anything to go by, Nora dreaded being their next target.




Friday, November 15, 2024

#Review - A Grim Reaper's Guide to Catching a Killer by Maxie Dara #Fantasy #Mystery #Paranormal

Series:
 
A SCYTHE Mystery # 1
Format: Paperback, 352 pages
Release Date: October 1, 2024
Publisher: Berkley
Source: Publisher
Genre: Fantasy / Mystery / Paranormal

Murder is (literally) not her department, but this grim reaper has to solve one--fast--or her new client won't be able to move on.

Kathy Valence is forty-two, mid-divorce, and pregnant with her ex's baby. She's also a modern-day grim reaper employed by S.C.Y.T.H.E. (Secure Collection, Yielding, and Transportation of Human Essences), but frankly that's the easiest part of her life right now. Or at least it was, until her latest client's soul goes missing.

When she finally tracks down seventeen-year-old Conner Ortiz, he angrily denies he died of natural causes, despite what his file says. He insists that someone at S.C.Y.T.H.E. murdered him, and he demands Kathy find out who and why. 

Kathy has only forty-five days to figure out what happened to Conner and help him move on before the boy's soul is doomed to roam the Earth as a ghost forever. She’s forced to rely on the help of her retired mentor, her almost ex-husband—and some sneaky moves by Conner himself. This is the wildest case of her career. . .and one wrong move could cost Kathy her job, not to mention her life.

A Grim Reaper's Guide to Catching a Killer is the first installment in author Maxie Dara's SCYTHE mystery series. Kathy Valence is forty-two, mid-divorce, and pregnant with her ex's baby. She's also a modern-day grim reaper employed by S.C.Y.T.H.E. (Secure Collection, Yielding, and Transportation of Human Essences), but frankly, that's the easiest part of her life right now. Or at least it was until her latest client's soul goes missing.

When she finally tracks down seventeen-year-old Conner Ortiz, he angrily denies he died of natural causes, despite what his file says. He insists that someone at S.C.Y.T.H.E. murdered him, and he demands Kathy find out who and why. 
Connor at first was hostile, but in time, he was willing to work closely with Kathy, and find out who murdered him. Kathy has only forty-five days to figure out what happened to Conner and help him move on before the boy's soul is doomed to roam the Earth as a ghost forever. 

She’s forced to rely on the help of her retired mentor Jo, her almost ex-husband Simon—and some sneaky moves by Conner himself. This is the wildest case of her career and one wrong move could cost Kathy her job, not to mention her life. The mystery was good, but the relationships made this one so touching. Conner, when he wasn't a pricky snipe, was a decent character, even with a lack of love from his parents. The two of them wind up helping each other far beyond working together to save Conner from an eternity as a ghost.

So, this is a good start to the series, but I am hoping that Kathy discovers that she's better than she thinks she is. She has to stop running from people, especially Simon who, despite all the Debbie Downer from Kathy, still finds time to help her and Conner. 


1

438 Melrose Court

I tapped the address in my file with the lid of the pen I'd been chewing on. Beside the front door of the sandy beige new build, swirly metal numerals confirmed my location. Four three eight. Weird. Definitely the right number, but this was all wrong. I turned from the house and glanced down the manicured lawn to the street sign across the road. It promised in no uncertain terms that this was Melrose Court, just as it was supposed to be. I shut my file with a defeated sigh and went back in through the open door a second time.

"Hello?" I called yet again as I stomped through the kitchen. It was a kitchen that belonged on a show about kitchens more than in somebody's house: clean and white and open-concept, leading out into the high-ceilinged living room beyond. The "after" on a home renovation show. Not even a spoon in the sink or a crumb on the countertops. Which made the body sprawled across the tiled floor look even more out of place.

Now, slap a corpse on the floor of my dingy apartment kitchen and you wouldn't bat an eye, at least in my line of work. But in a place like this, a dead body really spoils the ambience.

I rounded the island and reopened my file.

Case # 507032

Conner Mateo Ortiz

Age: 17

Cause of death: Seizure

Time to Collect: 4:30 p.m.

"Conner?" My voice ricocheted off the stainless steel and marble surrounding me. I crouched by the body and attempted to hover in a squat, but my left knee protested my weight with a defiant pop, and I wobbled forward. "Nope, nope, nope," I muttered to myself, "no falling on bodies today. Not after last time." I lowered myself to my steadily widening bum by 507032's head. His rich brown locks fell over one closed eye, a spattering of freckles on his nose. I sighed, one hand at my stomach. Poor kid. He looked younger than his age lying there, long lashes pressed above bronze cheeks still full with the last remnants of baby fat. I'd found his basement bedroom not ten minutes earlier; a gallery of posters and mess and potential. It always felt wrong when they were young. Like their bodies should still have some life left in them. But of course, they didn't. That's why I was there.

Still, he was going to make me late, and the last man to make me late was the very reason I needed to get back to the office and then on my way home on time.

"Conner?" I tried again. Nothing. The house shuddered at my voice and fell still.

My phone vibrated in my back trouser pocket and I nearly puked, though I wasn't entirely sure the two were related. I scrambled for the phone and hauled myself to my feet.

Simon. He got the table for six thirty instead of seven. Of course he did. Shit. If we weren't already in the middle of a divorce, I'd consider filing over this.

This wasn't the way it normally worked-the way it always worked. Death, for all its unpredictability and unknowns, was remarkably routine on my end. It was one of the things I loved most about my job. Someone under my department's jurisdiction dies, I get the paperwork, carry out the collection, write up a report for Stu, and am on the couch watching Family Feud with a bowl of canned tomato soup by five thirty. That's how it was, how it always had been for the six years I'd been a Collections Agent with S.C.Y.T.H.E. But somehow today was different. Case 507032 was different.

I glanced back over the boy. My client files were always pared down to need-to-know information, and in my position, there isn't much I need to know. But it seemed clear enough from the body-long-limbed and dressed in faded jeans and a gray hoodie-that aside from his family's apparent wealth, 507032 was your average, unremarkable teenaged boy. So the question was, why wasn't he here?

I did a second tour through the house, Conner Ortiz's name bouncing back to me in my own voice from the high ceilings of every starkly furnished room. By the time I'd circled back into the kitchen, it was after five.

"Conner," I said into the definitively empty house, "I'm sorry."

I closed my file for the last time and left 438 Melrose Court.

2

Gemma Burke was still in her cubicle when I arrived at the office. She rolled her seat back and poked her head around our shared wall at the sound of my car keys hitting my desk. Her emergence was like a sunrise, the high dark blond ponytail and naturally veneer-white smile rising out of the mists of corporate gray. Gemma did Pilates and went to concerts and brought salads for lunch every day, which she genuinely seemed to enjoy eating. She had work friends she saw without the obligation of work. At a push, she might even consider me one of them, though I'd never braved one of her famous Friday bar nights. I had never been a Gemma Burke, but I was glad someone was.

"Hey, Kath!"

I placed file 507032 face down beside my computer and fell into my chair, a small bubble of anxiety rising in my stomach.

The anxiety bubble burst in a shaky, "Have you ever failed to collect?"

Gemma cocked her head at me, her brows creasing.

"I had a routine collection just now, and my client . . . wasn't there."

"Wasn't there?" Gemma repeated. "Oh no, Kath, that's not good. No, it's never happened to me. Ugh, I'm sorry, that's so stressful."

The look on her face, tight and pitying, confirmed my fears. I glanced down at my hands. They had a way of making a mess of things-I had a way of making a mess of things-and somehow I'd finally messed up the one aspect of my life I thought I'd had under control.

Gemma's voice snapped me out of my thought spiral. "Have you told Stu?"

"Not yet, I just got in."

"Oh, fair enough. Well, I mean, that's definitely not supposed to happen."

"No," I agreed, swallowing the lump in my throat. "It isn't." I took a breath and remembered the thing I should have said from the start. "How was the funeral?"

Gemma shrugged. "Like, typical funeral vibes."

I nodded uncomfortably. This was uncomfortable. Death was our job, and seeing it on a daily basis made us pretty blasé about the whole ordeal fairly quickly. But when death came to our own doorsteps, there was no telling how one of us would react, and I was not equipped with the skills necessary to handle big displays of emotion. I cast a cursory glance around me, noting the quickest exit in case of a tears-related emergency, and said, "That makes sense. For a funeral." I cleared my throat. "My aunt's somehow ended with a fire in the church cloakroom."

"Oh. Yikes."

"But your dad's was nice?"

"Nice enough, I guess," said Gemma. "I always find funerals kind of pointless. I mean, maybe it's because of the job, you know? Like, the whole idea of funerals is to say goodbye, but we know it isn't goodbye, that there's something else, even if we don't know exactly what."

I let out a small breath of relief as I realized there wouldn't be any shoulder crying, when the clock on the wall across from me caught my eye.

"Shit. I'm supposed to be having that dinner tonight," I said. "With Simon."

"Simon? Really?"

My shoulders sagged. "Yup." I slid the file back off the desk. The time had come. "Assuming Stu doesn't eat me alive first."

"He's really not that bad once you get past . . . you know . . ."

"His personality?"

Gemma gave a girlish giggle.

"Wish me luck."

"Good luck! See you tomorrow, Kath."

My knuckles rapped softly on one of the windows of Stu's office. Almost the whole thing was windows. He'd said when he installed them that he wanted us to feel he was more approachable, but those windows had shown him picking his teeth with empty file folders and blotting his armpits after lunchtime workouts enough times to make me avoid approaching him unless it was absolutely necessary. Well, a missing client seemed to fit that bill.

"Come in," Stu called from his desk on the other side of the glass.

I slid into the office.

"Kathy," Stu said by way of a greeting.

"Stu," I replied. "Mr. Calhoun," I corrected quickly, blinking hard in a futile attempt to Etch A Sketch away my slipup. Stu was only Stu when you weren't talking directly to Stu.

"What can I do you for?" Stu eyed me with his usual cool blue intensity, his over-attended muscles flexing impatiently beneath his pale button-up. I watched a bicep bounce, and for a moment I swore the sound of it rubbing against Stu's shirtsleeve was a sigh of disappointment.

"Well," I started, still eyeing that bicep in case it had anything else to add, "one of my scheduled collections today didn't go according to plan. This has never happened to me before, and it's been years since I was in training, so I need a bit of a refresher on protocol."

Stu pulled a stress ball from a drawer in his desk and squeezed, his massive hand enveloping the little ball until all that remained was a tight fist. "Didn't go according to plan how?"

"The client." I held up the file. "He wasn't there."

Stu's knuckles whitened. "Wasn't there?"

I shook my head.

"So you didn't collect the client."

"No," I said.

"I see." The bicep jumped again. I jumped slightly with it. Talking to Stu always put me on edge. He was disconcertingly good-looking in the sort of way that reminded me I was a pear-shaped forty-two-year-old near-divorcée, and yet he was perpetually disapproving in a way that made me feel like a first grader who'd just been caught eating crayons. It made for an awkward position to be in under the best of circumstances, and this was not the best of circumstances.

"I'm sorry," I whimpered at the bicep.

"This"-he tossed the stress ball into the other hand, which promptly ate it-"is unprecedented under my leadership. No client has gone uncollected for as long as I've been here."

"I looked everywhere for him-"

"This is bad, Valence."

I gulped at the sound of my surname. It sounded harsher, sharper than I was used to.

"Our company prides itself on having revolutionized the way these things are done. For almost two hundred years now, we've been the world's leading soul collection and transportation service, and do you know how? By making sure things like this don't happen."

"Right, yes, absolutely, of course. So what do I do?"

Stu sat frozen for a beat, the stress ball unsqueezed, the bicep unflexed. He repositioned himself in his leather-upholstered ergonomic chair, arms crossed over his desk. "I need time to run this upstairs. I hope you understand the severity of this situation, Valence. You know what happens when souls go uncollected."

I did know. It was one of the first things you learned in training; day one, hour one. Agents, whether day shift or night shift, collected their assigned souls and delivered them to a designated processing facility. If a soul wasn't collected and delivered within forty-five days of its body eviction, it would be relegated to stay on earth as a soul forever. In layman's terms, a ghost. There used to be a lot of these incidents, back when my field was more negligent and less knowledgeable than it is today. The last ghost created by S.C.Y.T.H.E. was due to a mishandled case in 1906. I didn't know exactly what happened to that agent, and I wasn't keen to find out for myself.

I gulped in reply.

"Go home, Valence. Sort yourself out. I'll be in touch with instructions as soon as I've talked this over with my higher-ups."

I stood, the takeout lunch in my stomach rising with me.

"And, Valence?" Half a box of chicken fried rice marched up my throat. My hand was near the doorknob. So achingly close. I could feel the cold metal brushing my fingertips. I turned back to Stu. His bicep stared back at me. "I am not pleased."

I gave a somber nod of understanding and threw up in his garbage can.

3

Forty-Five Days to Ghost

The dim amber light of Papa Giuseppe's Pizzeria turned the pale blue and yellow flowers on my dress into splotches of discolored mud. I'd barely had enough time after work to run home for a shower, throw my poof of hair into a bun, and change into the only dress that still fit me. And now, in the lighting that had been romantic on my first date with Simon but currently felt like I was walking into an Italian-themed circle of hell, that dress looked like military camouflage. I ran my palm down the front, shoulders drooping, and hauled my way through the crowded restaurant to our usual table near the back.

Simon was already there, head buried behind a menu even though he never strayed from the chicken Parmesan. The menu dropped as I approached, and Simon clambered to his feet, one knee hitting the table as he tried to scooch around the patrons beside him without sweeping their spaghetti onto the floor with his butt.

"Kath." His arms were open to me before he'd finished rounding the table. I let him envelop me in that tight, all-consuming strangle hug of his, wondering if he could feel anything different as he squeezed.

Simon pulled away, taking my hands in his and beaming up at me.

"Simon," I said back, breathing him in. He was a solid inch and a half shorter than me, several more rounder, with a hairline that had given up merely receding years ago and was now bent on a full, surrendered retreat. I peered around the glare in his glasses to the pale gray eyes underneath. My heart gave a reluctant flutter, and just like that I was back in the dairy aisle of the grocery store where we'd met; a pool of broken eggs forming a viscous puddle around my sensible loafers, at least one shell fragment inexplicably nestled in my hair, and a stocky stranger bent at my feet, ready to fearlessly tackle my mess before I even had time to right the now-empty carton clutched upside down in my hands. I was meant to be cooking for a date that night-a blind one, arranged by an old roommate, and one that I was having seventh thoughts about (second through sixth having taken place throughout work that day). Those thoughts had led me to distraction, which had led me to drop the eggs, and which in turn had led me to tears, which were flowing freely by that point.