Showing posts with label Tessa Gratton. Show all posts
Showing posts with label Tessa Gratton. Show all posts

Tuesday, May 7, 2024

#Review - Blood & Fury by Tessa Gratton, Justina Ireland #YA #Fantasy

Series: Chaos & Flame # 2
Format: Hardcover, 352 pages
Release Date: May 14, 2024
Publisher: Razorbill
Source: Publisher
Genre: Young Adult / Dark Fantasy

Bloody magic. Ancient fury.

 A single kiss set Chaos ablaze.

Picking up months after betrayal transformed Darling Seabreak into the long-lost Phoenix and every House regent into their empyreal form, Darling struggles to make sense of her destiny as a legendary creature. How can she, an orphan with no family, be the one to reunite the fractured houses and bring about peace, if she can't control the magic of her new Phoenix body? 

Talon Goldhoard, still in love with Darling but wounded by her betrayal, is tasked with ending the vicious war that his family instigated. With the Phoenix reborn, Talon is hopeful that the bloodshed will end swiftly. Instead, the kingdom grows more fraught, with the threat of violence ever present – especially from dark, conniving forces within the walls of his own House Dragon.

As Chaos reigns, Talon and Darling must find their way back to each other – not only to survive but to save the kingdom. Can Darling harness the power of the ancient magic that runs through her blood to bring about a new peace? Or will the fury that House Dragon fueled for a hundred-year war be too strong to break? 


Bloody Fury, by co-authors Tessa Gratton & Justina Ireland, is the second installment in the Chaos & Flame duology. Key Characters: Talon Goldhoard, and Darling Seabreak. Outside of the prequel which features Aurora Falleau from 30 years ago, the story alternates between Talon and Darling. Picking up months after a kiss transformed Darling into the long-lost Phoenix and every House regent into their empyreal form, Darling struggles to make sense of her destiny as a legendary creature. 
 
How can she, an orphan with no family, truly be the one to reunite the fractured houses and bring about peace, if she can't control the magic of her new Phoenix body? But there is blood magic at work that is tainting the kingdom and its lands and it must be dealt with. She needs to harness her new found power and use it to bring peace to the land. As Darling rounds up allies and destroys blood magic temple's, she has to put her anger away and find a way to work peacefully with Talon and House Dragon.

Talon Goldhoard, still in love with Darling, is now tasked with ending the vicious House war that his family instigated and finding his once beloved Aunt who murdered a key person in Darling's life. With the Phoenix reborn, Talon is hopeful that the bloodshed will end swiftly. Instead, the kingdom grows more fraught, with the threat of violence ever present – especially from dark, conniving forces within the walls of his own House Dragon.

As Chaos reigns, Talon and Darling must find their way back to each other to not survive but save the kingdom. Can Darling harness the power of the ancient magic that runs through her blood to bring about a new peace? Or will the fury that House Dragon fueled for a hundred-year war be too strong to break.
Meanwhile, the real leader of House Dragon, Caspian, seems content to remain in dragon form instead of facing his responsibilities as regent, and Darling continues to find the other empyrials to bring them back to their human selves. House relations are tenuous at best, but most seem supportive of a united front. Using the Phoenix to heal and help, Darling is able to gain allies quickly. 
 
In this book, readers meet the House regents who literally embody their house mascots. Characters turn into creatures like the giant kraken squid, a huge dragon, the long-lost Sphinx, the cat-like gryphon and a cockatrice. I think I would have liked this book a whole lot better had one of the authors had not infested the story with woke crap just because of who the author is. Enough. While the ending was good, it spends a whole lot of time wasted on Darling's personal issues, and Talon trying hard to prove that he's the leader needed in the time of trouble. 


I dream of fire.
It devours me, swallows me whole, until I am consumed by it. My hair, my eyes, my bones, all of it is flame, burning brightly, blinding me, and remaking me into something new. There is pain, but only at first, and then . . . 
Then there is only ecstasy.
The fire moves through me, with me, warming, soothing. It whispers to me the history of Pyrlanum, it screams the defeats and despair of the people. It calls to Chaos and Chaos answers in fits and spurts.
The flames whisper that this is the way it should be, that this is right. We are one with Chaos, the flames and me. It is joyous about the future and cajoles me to action. The fire is everywhere, and it knows this land, this country that I call my home. The fire listens to the people, it hears their heart wishes and heartaches, and it shares all of it with me while carrying me through the air, high above it all, a place where there is only truth and freedom. There is no disappointment among the clouds, no pain or regret or fear.
There is only the phoenix.
1
The water in the shallow stone bowl ripples as the spell-­water breaks and Captain Greenspine’s wavering face and voice smear away.
“Chaos take it!” I snap, slamming my fist into the table. Teacups and goblets rattle on the thick wood, and the few boonlights we’ve managed to keep on flicker. I want to push away and throw my chair across the room, hopefully smashing one of the paned windows overlooking the inner gardens, then storm out. It would be so satisfying.
But General Bloodscale would relish such an outburst too much. I can picture the smug smile he’d offer. So instead I carefully flatten my hand and breathe.
“I’ll try to get him back, my blade,” says Alastair Sevenclaw, the only seer left in Phoenix Crest whose boon is remotely reliable. This mode of communication has always been complicated and difficult even for strong seers, but Aunt Aurora’s never failed. I learned to rely on it too much for sending orders to the far reaches of Pyrlanum.
Of course, now I know Aunt Aurora was supplementing her boon with blood magic. She taught me viscerally when she ripped the regent of House Kraken’s heart from his chest.
“Don’t bother,” I say. “He heard my orders. The rest was questioning the why of them, which should be irrelevant to carrying them out.”
General Bloodscale grunts.
“What is it, General?” I ask slowly, hating how my voice sounds silky and dangerous like Caspian’s.
“You used to be the first to question commands you found lacking. Why the change of heart, High Prince?”
I grind my teeth. “My blade,” I correct. I am not the High Prince Regent, and I never will be. That position no longer exists, was always oppressive, and the last High Prince Regent himself—­my brother—­wanted it abolished. Though why we should consider the opinion of a prince who lied to us all and vanished from the world is up for debate. But those wishes are one of the reasons we’re in this spare office in the royal quarters, not using the Phoenix Hall with its grand sculptures and Phoenix throne.
Bloodscale raises a grizzled eyebrow but inclines his head in acceptance—­for now. “My blade, you often suggested that loyal soldiers will be more eager to obey an order they understand.”
“These orders have been easily understandable from the beginning. We are stretched thin. The entire land is in upheaval after the—­the events at House Barghest last month. Which is—­”
“If you—­” Bloodscale begins.
“—­which is why,” I say forcefully, “I’ve commanded the withdrawal to Phoenix Crest and Dragon Territory. As I said in the official orders themselves.”
Bloodscale steeples his hand on the map of Pyrlanum. “This remains the perfect opportunity to solidify Dragon control of the south. There’s been no word of Kraken leadership, and Sphinx lands are unprotected by the squids. We could even move in toward Furial—­”
“General, we are not attacking House Gryphon.” I stand, shoving my chair back hard enough it skids on the stone floor. Behind me, flames crackle in the hearth. “They’ve been our allies throughout the House Wars, and will remain so. The first scion is with us at Dragon Castle—­”
“A hostage—­”
I lean over the table with my best scowl, desperate to hide the queasy feeling in my guts. Because no matter what Elias themself thinks, they are my hostage. Their cousin Vivian would certainly believe so, had we any idea of her whereabouts. “No. Elias Chronicum chooses to be there. And I choose not to conquer Pyrlanum when it is weak!”
Bloodscale grimaces. Finally an argument he can understand. The histories would not call House Dragon strong for taking advantage of the broken Chaos and turmoil of the last month.
I press on. “My brother commanded the war’s end before he disappeared. That is the legacy I will chase, not the warmongering and destruction of our father. We will protect what is ours, as Dragons do, but all Pyrlanum is not ours! That is what I am going to do, even if I have to—­”do it myself, I finish silently. I let my jaw set, fighting back the sharp longing for Caspian, for Darling, for Finn, for anyone, everyone, I want at my side right now.
General Bloodscale studies me, and I wonder who he sees: A fitting scion for our father’s rule? Or only the child in diapers I was when he met me? Bloodscale trained me from the age of eleven in warcraft. He is the soldier who clasped an armored pauldron to my shoulder before my first battle. Who wiped tears from my cheeks with rough thumbs after my first kill and said, “Don’t let it go, but don’t let it stop you, either.” He knows me. I don’t think he likes me anymore. That’s fine.
Before he can disagree, I straighten up. “Do as I command, or depose me.”
Alastair Sevenclaw gets to his knees immediately, one hand fisted over his heart. I barely remembered he was here, with all my focus on the dangerous general sharing this office with me.
Slowly, General Bloodscale stands. He puts a fist over his heart and bows. “I will do as you command, my blade.”
“Good.” I spin and storm out, but manage not to slam the door.
As quickly as I can, I head down the winding corridor to the stairs leading up to Caspian’s tower. I shove past that damneddoorway carved into a dragon and phoenix entwined in flight, ignoring the sickness pinching up my stomach at the sight of it. He knew so long ago, he knew what he was going to do, and didn’t tell me, didn’t trust me.
It’s hard to know if I should be more furious or grief-­stricken,when I don’t even really know what actually happened. What Caspian actually did.
I climb the stairs two at a time and burst into his old rooms, eyes darting through the darkness over the paintings of that eyeless girl, my Darling, whom I haven’t seen since she burst into flames in my brother’s arms and flew away. I can’t look at them.
Caspian had a narrow balcony, attached to the nearly hidden back room of the tower where he often slept in a messy nest of pillows and what seem to have been threadbare tapestries. All of it stained with spots of paint and singed by dropped candles. The tall windows push open onto the crescent balcony, and I grasp the stone rail. I grip tightly, wishing I had real talons to gouge the stone, sparking against it. Even using my whole weight to lean in, nothing moves. Nothing shifts.
There’s only a wind tearing at my hair, tangling the dark curls. It pulls at my jacket, too, snapping the lapels and tails. The sun is hot, but the wind strips the heat away. This is the highest tower of Phoenix Crest, and I can’t hear anything but the roar of wind.
The sun cuts into my eyes from the west, clouds rolling in for a coming storm. The fields and hills spread south from Phoenix Crest, the green and gold of summer bright. A sprawling town peeks out of the trees here and there, too far to be part of Phoenix Crest, too close to be considered separate. The broad grassy field between the fortress and the woods is pastureland this time of year, shared by shepherds on one end and drake herders on the other. But in the past weeks, parts of my army have camped here as they somehow manage to obey my simple commands and withdraw from the south and west. It’s slow, but Caspian began it when he introduced Darling as Maribel Calamus at his ball in this very fortress.
Thinking about Darling hurts. The pain coils in my chest, like she has a grip on my heart and might tear it out the way Aurora did to Leonetti. And I want her to; I’d let Darling do it if it meant she was here.
It hardly matters that the thirty-­two days since the explosions of Chaos at House Barghest, since I saw her violent eyes, heard her angry accusations, have felt longer than the number of days I knew her. She dug into me.
And then she turned into fire.




Friday, May 5, 2023

#Review - Chaos & Flame by Tessa Gratton, Justina Ireland #YA #Fantasy

Series: Chaos & Flame # 1
Format: Hardcover, 336 pages
Release Date: March 28, 2023
Publisher: Razorbill
Source: Library
Genre: Young Adult / Dark Fantasy

Darling Seabreak cannot remember anything before the murder of her family at the hands of House Dragon, but she knows she owes her life to both the power of her Chaos Boon and House Kraken for liberating her from the sewers where she spent her childhood. So when her adoptive Kraken father is captured in battle, Darling vows to save him—even if that means killing each and every last member of House Dragon.
 
Talon Goldhoard has always been a dutiful War Prince for House Dragon, bravely leading the elite troops of his brother, the High Prince Regent. But lately his brother’s erratic rule threatens to undo a hundred years of House Dragon’s hard work, and factions are turning to Talon to unseat him. Talon resists, until he’s ambushed by a fierce girl who looks exactly like the one his brother has painted obsessively, repeatedly, for years, and Talon knows she’s the key to everything.
 
Together, Darling and Talon must navigate the treacherous waters of House politics, caught up in the complicated game the High Prince Regent is playing against everyone. The unlikeliest of allies, they’ll have to stop fighting each other long enough to learn to fight together in order to survive the fiery prophecies and ancient blood magic threatening to devastate their entire world. 

 


Chaos & Flame, by co-authors Tessa Gratton and Justina Ireland, is part one of a two part duology. Once upon a time, there were Six major Houses: House Dragon, Kraken, Sphinx, Gryphon, Cockatrice, and Barghest. House Dragon is now the most dominate House left with other Houses were combined under one umbrella. House Kraken has chosen a path of rebellion and assassination of key players in House Dragon in order to regain their status as a major player. This story revolves around two key characters: Darling Seabreak and Talon Goldhoard as well as Caspian Goldhoard.
 
Darling Seabreak is a war orphan who cannot remember anything before the murder of her family at the hands of House Dragon, but she knows she owes her life to both the power of her Chaos Boon and House Kraken for liberating her from the sewers where she spent her childhood. After so many years in the dark, Darling is forced to wear glasses so that she can see. The curious aspect is that thanks to her Chaos Boon, she can heal from almost any wounds which made her a legend. So when her adoptive Kraken father, who rescued her from the sewers 7 years ago, is captured in battle, Darling vows to save him—even if that means killing each and every last member of House Dragon.
 
Talon Goldhoard has always been a dutiful War Prince for House Dragon, bravely leading the elite troops of his brother, the High Prince Regent. But lately his brother Caspian’s erratic rule threatens to undo a hundred years of House Dragon’s hard work, and factions are turning to Talon to unseat him. Talon resists, until he’s ambushed by a fierce girl, "the eyeless girl" who looks exactly like the one his brother has painted obsessively, repeatedly, for years, and Talon knows she’s the key to everything. 
 
Caspian is the High Prince Regent of Pyrlanum. Since a young age, he’s been plagued with prophecies that manifest as paintings. Specifically, he can’t stop painting a single girl with blackness for eyes. After House Sphinx was wiped out by House Dragon thanks to machinations of unknown players, Caspian has been playing a very long game not letting anyone, including his brother Talon, or his aunt in on his plans. Then Darling arrives and everything changes. After Caspian names Darling as scion of House Sphinx, the two play a highly dangerous game knowing that other Houses are just waiting for Caspian to make a mistake.
 
Darling is not used to the political atmosphere of House Dragon. She’s not sure who she can trust. It also puts Talon and Darling into an enemies to lovers situation. Together, Darling and Talon must navigate the treacherous waters of House politics, caught up in the complicated game the High Prince Regent is playing against everyone. The unlikeliest of allies, they'll have to stop fighting each other long enough to learn to fight together in order to survive the fiery prophecies and ancient blood magic threatening to devastate their entire world. 
 
YES, this book ends on a twisted cliffhanger ending that nobody will see coming, and I mean NOBODY!  


The first time the scion of House Dragon painted the eyeless girl, he was only six years old. She was nothing but a face shaped with finger smears of brown, a darker crooked line that might've been a sad smile, and huge, swirling black holes where her eyes should be.

"I don't know how to save her," he said to his mother when he presented the art to her.

His mother accepted the soft parchment, doing her best to hide the horror she felt at the red-rimmed, furious eyeholes in her son's painting. Casually, she asked, "Why is she in danger?"

"I don't know."

"What happened to her eyes?"

"Nothing yet." The little boy shrugged.

Though the Dragon consort asked a few more delicate questions, he could give her no answers. But he drew the eyeless girl again and again, and told his nurse about her, and his aunt, and his father eventually. That was a mistake, because he was far too old for imaginary friends, his father growled. The consort promised her husband, the Dragon regent, it was only childish play, and their son would grow out of it.

Better an imaginary friend, she thought, than the truth she suspected deep in her heart: her son had been gifted with a boon, but it was a prophetic one, and prophecy always, always drove the wielder mad.

The people of Pyrlanum would never accept a regent with such a wild boon, and to shield her eldest son, the consort extracted a promise from him to stop talking about the girl, and certainly to stop painting her. He must never paint anything from a dream or vision. It was dangerous. The young scion agreed, thrilled to have such an illicit thing binding him with his mother.

And he kept his promise for two entire years, until his mother was murdered.

The day she died, the consort and the scion were pruning in their private garden. She injured herself on a few reckless roses, and when she gasped, the scion saw a flash of vision, in strokes of vivid paint: a fan of dark blue skirts against the harsh black-and-white checkered floor of his mother's solar, golden sunlight smeared in streaks, and a kiss of crimson splattered at her mouth and in her hair. A spilled cup near her hand, leaking sickly green.

It would have been a beautiful painting, had he been allowed to create it.

But the scion had learned his lesson well. His boon was a curse and he did not say or do anything.

Later, when his mother lay dead on the marble floor, the boy realized this was not a game, not a thrilling secret: it was a matter of life and death. Had he been braver, he might have saved his mother from the poison in that cup.

He wailed and clawed at his hair until his aunt, his mother's sister, gathered him up in her arms. "What happened, little dragon, who did this?"

The scion hugged her neck so tightly. "Don't tell anyone," he begged. "I'm sorry, I'm sorry, I couldn't save her, I didn't even try! I'm sorry! Please."

"Hush, hush, it's all right."

"I didn't save her," he whispered, sobbing. "I have to save her."

"It's too late, little dragon," his aunt murmured.

"No," he said again and again. He threw himself away from his aunt and ran to his rooms. Found chalk and old cracked paint pots and ripped paper out of books in a tantrum. The scion drew and drew, scrawling images of that eyeless girl. He refused food, he refused his father and his baby brother, he refused everything but paint, and finally locked the door, screaming to be left alone unless anybody was going to help.

When his aunt had the door kicked in, the scion's room was a disaster of paintings and spilled color. Wasted effort, childish, ugly pictures. Blurs and shapes that looked like nothing but the impressions of landscapes or people, castles and gardens and ships and massive, ancient creatures the Houses called their empyreals. A figure of fire, broad winged and gorgeous. The eyeless girl. His aunt recognized the monsters, if not the girl. Dragon, gryphon, barghest, sphinx, cockatrice, kraken. And the First Phoenix.

But the scion tore the phoenix painting down the middle and threw a heavy book at his aunt. "Bring me a master, to show me how it's done," he cried. "I have to find her. It's soon."

"What is soon?" asked his aunt. She put her arm around him. "Who is she?"

"You'll see," the young scion said, pulling away.


***


While the young scion lost himself in painting dreams, Pyrlanum descended into violence. House Dragon accused House Sphinx of murdering their beloved consort. The grief-stricken Dragon regent demanded retribution, forcing all the great Houses to choose sides, and reviving the House Wars after more than twenty years of peace.

Bloodshed consumed the land, and the young scion found he could not save the eyeless girl.

"It's too late," he whispered to the disaster of art surrounding him, the night his father-leagues away-massacred the entire family line of House Sphinx.


***


The new House War raged on for years, and instead of the eyeless girl, the scion painted darkness. Thick black streaks, chunky peaks of gray and angry blue, the underlying red-red-red, heartbeat red, of sunlit memories behind tight-shut eyes. A bruise of purple over green-black, ocean-black, midnight, moonless black.

When his baby brother asked what he painted, the scion only hissed at him, chasing him from the room.

House Dragon took more and more of the country, forcing the other Houses into submission. Finally House Dragon captured Phoenix Crest, the ancient home of the Phoenix, those keepers of peace who had vanished during the first House Wars more than a hundred years ago. The Dragon regent declared himself High Prince Regent over all Pyrlanum.

His family left their northern mountains to occupy the fortress, and there the Dragon scion's aunt was left in charge of the boy and his small brother while their father continued his war. Though House Cockatrice fled Pyrlanum entirely, she managed to hire artists to tutor the scion-Cockatrice had been the house of her birth, after all, and that of her sister. She bought the scion paint and paper, canvas and ink and charcoal. He grew as his skills did, becoming taller and stronger but still very pretty, with a constant flush of fever in his sharp white cheeks, a ghostly gleam in his pale green eyes. He was prone to fits of laughter or staring at nothing, sure signs of madness, the court gossiped. At his aunt's prodding, the Dragon scion learned to be charming, too, and concealed the wildness he felt. He studied language and policy and economics. He flirted and argued and led council meetings during his father's frequent absences. Soon everyone believed his disposition to be merely long-running grief. After all, his mother, the late Dragon consort, had been glorious and special, hadn't she? So her glorious and special son would survive; he would lead them well. Chaos willed it, no matter that his painting boon would be useless in a leader.

But his aunt-she knew the truth of his boon. She whispered to him that she had always had gently prophetic dreams. They ran in their family. Her grandmother had been a brilliant prophet, too. His aunt offered to take the secrets he painted and use them for House Dragon on his behalf. The young scion agreed.

She studied every painting for clues, and when she discovered them, told the High Prince Regent unknowable things: where the last remnants of House Sphinx hid, the location of an ambush, the look of a spy. The High Prince Regent gave her the title of Dragon Seer, and the young scion was glad to have his secret kept so well, as his mother had wished.


***


Time passed. The scion painted. He dreamed of the eyeless girl but kept her to himself. He had not saved her from the darkness, just like he had not saved his mother. They haunted him, left him wracked with grief some days.

On the morning news reached the fortress that the High Prince Regent had been murdered by House Kraken, the scion woke up laughing. He laughed and laughed, caught in visions of silver swirls of light, hot light, bright light-sunlight!-on the eyeless girl's face. She had survived.

But the scion had not even dreamed of his own father's death.

That very day, ten years after the first time he'd clumsily painted her, the scion sketched the true shape of the girl's cheeks and chin and nose, the wide, eager smile, and bright tilted eyes perfectly shaped, perfectly beautiful, except inside they were churning spirals of darkness. He mixed new colors, thrilled and focused, painting her in long strokes against the entire southeast wall of his bedchamber, directly onto the stone, from crown to chin as tall as the prince was. Her hair curled out into the shadows of the room like a god of storms, and in her pupils dotted tiny explosions of fire.

When his serious little brother ventured up to the scion's tower, he frowned at the overwhelming sun on her face, finding the art too intense, too real, and he looked at the scion like he'd never seen him before. "What's wrong with you?" the younger boy asked, knowing nothing of prophecy and its curses.

The scion laughed, determined to keep his brother innocent of his secrets. "I'm only tired, dragonlet," he said. "Leave me to my dreams."

In the wake of their father's death, the scion was made not only the regent of House Dragon, but High Prince Regent, ruler of all Pyrlanum.

Freed by a crown on his head, the High Prince Regent let his generals take over the war, while he took over the tallest tower in Phoenix Crest to paint his eyeless girl again and again. Sometimes he vanished into his tower for days, long enough and sudden enough to foster again those rumors of madness, rumors of a wild spirit or a curse. Each time he emerged, a new painting leaned against the tower walls: the girl in full sunlight, arms crossed defensively, curls flared in a gust of wind and a mask across her eyes. The girl with a sword in hand, strange goggles making her eyes like those of a bumblebee. The girl, older, standing at the top of a cliff, peering over ruins, eyes covered by small masks, one that laughed and one that screamed. The girl in a library beside a hearth as big as a giant's mouth, holding a dagger made of a curving gryphon talon, and her eyes full moons. The girl in the Phoenix Crest ballroom wearing a cream gown, holding the empty air like she was dancing with a ghost, with eyes made of massive black pearls.


***


The High Prince Regent was eighteen years old when he painted the girl engulfed in flames. The House Wars his father had reignited had raged for an entire decade.

He barely remembered mixing the colors of fire, or throwing his brushes in the corner. With his hands he drew flames like ivy growing up her body, twisting and burning, but feeding her power. He felt it, too, hot and hungry, the promise of melting in such an inferno. The fire licked up the edges of the canvas and up his wrists, twining his forearms with pain.

The High Prince Regent screamed through his teeth, refusing to stop, as smoke burned tears down his cheeks and his hands shook. He closed his eyes, blocking it out, the fear and heat and pain: it hurt so much, the memory of this future pyre.

He woke up alone in his tower room, nostrils filled with the tinge of old smoke, but there was nothing around him except splatters of paint and every image of the eyeless girl, surrounding him, watching him with her pits of eyes, her bumblebee eyes, her full-moon eyes, sea-glass eyes, ghostly fish-bitten dead eyes, and eyes of pearls. Most of all a new painting on a messy unframed canvas: the girl made of flames, her eyes like twin suns.

There had never been a fire eating him whole.

But there would be.

In four years: a high rampart, a bright blue sky, warships on the brilliant horizon, something sticky in his hand, an awful taste on his tongue. And the eyeless girl, standing before him, her lips on his lips. For the first time he could see her eyes not as furious wells of power, but gentle brown with flecks of gold. Then the fire. It would happen. It must.

Alone in his tower room, the High Prince Regent waited for the sun to rise over his land, torn apart by constant war, then he carefully rent the fiery painting into strips and set them alight.

1 DARLING

I had a dream about the dark.

Not the night, which has stars and the moon to cast shadows, but an all-consuming dark, one that devoured and twisted and changed a girl into something else, something defiant and monstrous. She scrabbled in the abyss with the other women of her house: sisters and mothers and cousins and friends, each of them dwindling away until she was the only one left. When it finally came to pass that she was liberated from that hole, her eyes had learned to live without the light, to love the cool comfort of the shadows. And so she wept in the arms of her liberators, not because she was sad, but because her poor damaged eyes had no idea what to do with sunshine.

I dream of my childhood every night before a battle, which is a lot, considering Pyrlanum has been at this worthless war since before I can remember. Fighting might be a rite of passage, one that feels less triumphant the longer we're in combat, but my dreams are so familiar they've become equal parts comforting and distressing. Lucky me, I learned to make peace with fear long ago.

"Darling, heads up!"

A knife flies past my face, close enough to slice a line across the deep brown skin of my cheek and take a chunk from my ear. A curl that has managed to escape from the twin buns at the nape of my neck falls to the ground. I don't swear at the sudden blossom of pain, just turn to wait for the next blade, ready to deflect it with one of my long knives.

"Really, Adelaide? This close to a battle?" I say, swallowing a sigh.

Adelaide Seabreak, second scion of House Kraken and my adopted sister, grins at me from across the deck of the Barbed Tentacle, flagship of the Kraken navy. The wind whips her long brown hair around her face, and even though her skin is tanned, it is nowhere near as dark a brown as mine. They say that all the members of House Sphinx had skin as brown as the leather of their beloved treatises, but there is no one else to verify this. I am the only one left.




Monday, April 2, 2018

ARC #Review - The Queens of Innis Lear by Tessa Gratton #Fantasy

Series: Unknown
Format: E-Galley, 576 pages
Release Date: March 27, 2018
Publisher: Tor Books
Source: NetGalley
Genre: Epic Fantasy 

The erratic decisions of a prophecy-obsessed king have drained Innis Lear of its wild magic, leaving behind a trail of barren crops and despondent subjects. Enemy nations circle the once-bountiful isle, sensing its growing vulnerability, hungry to control the ideal port for all trade routes.

The king’s three daughters—battle-hungry Gaela, master manipulator Regan, and restrained, starblessed Elia—know the realm’s only chance of resurrection is to crown a new sovereign, proving a strong hand can resurrect magic and defend itself. But their father will not choose an heir until the longest night of the year, when prophecies align and a poison ritual can be enacted.

Refusing to leave their future in the hands of blind faith, the daughters of Innis Lear prepare for war—but regardless of who wins the crown, the shores of Innis will weep the blood of a house divided.


"The withering grandeur of an island that once thrived with magic. The erratic decision of a half mad king. Stars that predict the future; people that whisper with the trees. Greedy hands of enemy kingdoms, three sisters, yet only one will rise as queen."

Inspired by Shakespeare's King Lear, The Queens of Innis Lear is Tessa Gratton's debut epic adult fantasy. The Queens of Innis Lear brings to life a world that hums with ancient magic, and characters as ruthless as the tides. The author alternatives storylines between Gaela, Regan, and Elisa Lear, as well as Ban the Fox and Aefa who is Elia's lady in waiting. I would say that Ban is the wild card of this story since he really has a hand in almost everything that happens to the sisters, and the choices that are made throughout the story.

Elia. Star-blessed Priest. 

My sisters hide in the shadows like serpents, waiting to strike our ailing king. I must protect my father, even if it means marrying a stranger. We all have to make sacrifices. Love and freedom will be mine. 

Elia is the youngest daughter at 20. She is a priest, a prophet, and her life has been all about listening to the stars. Elia has no desire to marry. Ever. Especially when her olders sisters have contentious marriages. She is, up until a huge twist, her father's favorite who never once blamed him for her mother's death which put her in a difficult situation with her sisters. They consider her a traitor who never once stood with them but against them. But, she may be the only one who is able to save the Island of Innis Lear from years of ignorance.

Regan. Master Manipulator. 

To secure my place on the throne, I must produce an heir. Countless times I have fed the island’s forests my blood. Yet, my ambition is cursed. No matter what or whom I must destroy, I will wield the magic of Innis Lear. 

Regan is the middle daughter. She is married to Duke Connley, and has been studying wormwork, magic that has been banned by her father. She promised her older sister that she would bear the heirs to the crown. She is a hard knock character who you have to pity. She has had plenty of bad things happen to her. Regan is united with her older sisters in their hatred of their father. The sisters both believe that their father had something to do with their mothers shocking death. She, however, actually finds love with her husband and similar goals.

Gaela. Ruthless Commander. 

I am the rightful heir of Innis Lear. No more will I wait in the shadows and watch my mother’s murderer bleed my island dry. The King’s hold on the crown must end—willingly or at the edge of my sword.

Gaela is by far the strongest personality in the book. She's the eldest sister, the apparent heir, lady warrior, & The Black Princess. She chose her husband for the sake of the throne and not because she loved him. She is more comfortable in men's clothes and leading her army than being the meek and obedient wife to her husband Duke Astore. She desires two things: to become King, and to make sure her father receives justice for her mother's death. Gaela is ruthless, dangerous, goal orientated, and a whole lot more adjectives that I'll hold onto.

Innis Lear's King believes in the power of the stars and understands that his reign is at an end. The stars proclaimed that the next to be crowned will be the one who loves him the best. With everyone's eyes on what will happen next, Grafton throws in a shocking surprise. When it is her turn to answer her father's question, Elia doesn't give the answer her father is expecting, thus leading to her banishment, her titles being stripped, the kingdom being divided in half by Regan and Gaela, and her fleeing to the Kingdom of Aremoria where she is sought after by King Morimaros.

The Queen of Innis Lear is slightly on the slower pace when it comes to storytelling. It also leaves a curious ending. Will there be a sequel? Or, will the author walk away and pretend as though she didn't leave a major quagmire behind for the characters to struggle through? I wasn't exactly a fan of the Rega or Gaela. They were incredibly intense, dark, and exceedingly dislikable as the story progresses. I also have nothing good to say about Ban who returns to his home after being away for 6 years. Ban is a powerful reminder that nobody is as they seem and anything can happen and usually will whenever he is in the picture. 

There's plenty to say about the relationships that develop in this story. Between Ban and Mars (King of Aremoria); Ban and Elia, as well as the sisters love, hate relationship with each other. Talk about being toxic. One could also add Ban's relationship with his father, his brother, as well as Regan who he shows a bit of respect and admiration for. Gratton's world building is in a class all its own. I would say that the world she created was as mesmerizing as the lyrical prose and the characters she created. 

I was not familiar with King Lear before I requested this title via NetGalley. Yes, I did look up King Lear via the internet. While Gratton keeps to the essence of Shakespeare’s original work, she definitely adds her own flare and fantasy elements and literary style.