Friday, May 12, 2023

#Review - Three Drops of Blood by Gretchen McNeil #YA #Thriller #Suspense

Series: Standalone
Format: Hardcover, 336 pages
Release Date: March 21, 2023
Publisher: Disney Hyperion
Source: Publisher
Genre: Young Adult / Thrillers & Suspense

A Good Girls Guide to Murder meets Hitchcock in this novelfrom celebrated author Gretchen McNeil. A mundane office job takes a dark turn when a girl witnesses a double murder through the window.

Being an actress, Kate is no stranger to drama. And when her chance at a leading role gets cancelled, she is willing to do whatever it takes to get her acting career back on track even if that means getting a boring office job at her best friend's father's law firm so she can prove to her parents she can to support herself rather than go back to high school. Now, rather than living life on the big screen, she is stuck filing mundane contracts and watching the people in the office across from hers live their equally boring lives.

But when Kate sees things heat up between a woman and her assistant, her new source of entertainment take a turn for the worse when she witnesses a double murder. Now, she must get anyone to believe her and find out who this mystery woman is to get answers. But as she learns more and more about the circumstances leading to the gruesome act, she begins to realize there is a bigger mystery under the surface... 


Gretchen McNeil's Three Drops of Blood is being sold as A Good Girls Guide to Murder meets Hitchcock. Three Drops of Blood reimagines the classic Hitchcock film Rear Window with a fresh perspective. A mundane office job takes a dark turn when a girl witnesses a double murder through the window. Being an actress, 17-year-old Kate Williams is no stranger to drama. She has one of the lead parts in a drama called "Dirty Pretty Teens" and the only minor who plays the part of the slightly overweight teen.

After the producer is arrested for sexually assaulting Belle Masterson, her co-star, her chance at a leading role gets cancelled by the network and her star is snuffed out by a video that is released of her at a party with said producer. She is willing to do whatever it takes to get her acting career back on track even if that means getting a boring office job at her best friend's father's law firm so she can prove to her parents she can to support herself rather than go back to high school. 

Now, rather than living life on the big screen, she is stuck filing mundane contracts and watching the people in the office across from hers live their equally boring lives. While Kate’s working, she witnesses a double murder but no one, not even the police, believe her. She enlists Ty, her best friend Rowan’s brother, to help find evidence. The danger multiplies and Kate and Ty do everything they can to stay alive. The unfortunate part of this story is Kate's alleged best friend Rowan acts like a clown, and blames Kate for taking a role that should have gone to her. 

Then there are the parents who get mad at Kate after she tries to take a test that makes her an adult in the eyes of the law so that she can follow her 5 year plan to do her own thing, and not follow in their footsteps, especially her fathers. The story does have quite a bit of diversity if that is what you are searching for. Kate is a plus sized white girl. Rowan and Ty are Chinese-America, and Ty has spent time in China studying the law to follow his father. This pretty much is also a stereotype of those with Chinese ancestry. The romance isn't in your face. Kate may have had feelings for Ty, but the feelings were never made public because of her time with Dirty Pretty Teens. The reason behind Ripley's actions was basically pushed off the pages which was another reason for my rating.





Wednesday, May 10, 2023

#Review - The Isles of the Gods by Amie Kaufman #YA #Fantasy #Epic

Series: The Isles of the Gods # 1
Format: Hardcover, 464 pages
Release Date: May 2, 2023
Publisher: Knopf Books for Young Readers
Source: Publisher
Genre: Young Adult / Fantasy / Epic

Magic, romance, and slumbering gods clash in the start of a riveting fantasy series that spans gangsters' dens, forgotten temples, and the high seas from the New York Times bestselling author of the Aurora Cycle and the Illuminae Files.

Selly has salt water in her veins. So when her father leaves her high and dry in the port of Kirkpool, she has no intention of riding out the winter at home while he sails off to adventure. But any plans to follow him are dashed when a handsome stranger with tell-tale magician's marks on his arm commandeers her ship. He is Prince Leander of Alinor  and he needs to cross the Crescent Sea without detection so he can complete a ritual on the sacred Isles of the Gods. Selly has no desire to escort a spoiled prince anywhere, and no time for his entitled demands or his good looks. But what starts as a leisure cruise will lead to acts of treason and sheer terror on the high seas, bringing two countries to the brink of war, two strangers closer than they ever thought possible and stirring two dangerous gods from centuries of slumber... 


The Isles of the Gods, by author Amie Kaufman, is the first installment in the authors The Isles of the Gods series with the sequel releasing Summer 2024. The story alternates between a variety of characters from Selly Walker, to Prince Leander, to Scholar Keegan, to Laskia who is tired of being under her sister Rose's thumb and has her own plans, and Jude, a boy who knew both Leander and Keegan, but found himself fleeing to a new country after his father died and left him and his mother penniless. Depending on the character, the setting could be a ship, or a country, or even the Isle of the Gods.
 
In this world, the Mother made the world and watched it grow. The most annoying and also the most entertaining began to demand more and more attention. She created (7) children: Barrica and Macean always jostling for leadership. Then Dylo, Kyion, Sutista, Oldite and finally Valus. They each took on the tribes that would eventually become countries. Unfortunately, like most humans, they started coveting what others had. It all began with jostling and ended in a war. 
 
King Anselm was a royal magician who could control all four elements. He stood shoulder to shoulder with Barrica. Unfortunately, the war between the Gods destroyed Valus and his lands and created what's called the Barren Reaches. With Anselm's own sacrifice, Macean was put to sleep, the other siblings stepped away from the world no longer walking the world. Barrica became the Sentinel staying around to ensure that Macean would never rise to cause trouble again.
 
Now every 25 years a member of the royal family must renew that sacrifice on the Isles of the gods but Prince Leander is a year late because he loves to have fun, and party with his friends. This has caused Macean’s forces to grow stronger. And now they are trying to hunt Leander down so that he cannot make the sacrifice. She is the daughter of the man who has the largest sailing fleet in the known world. A man she yearns to reunite with to further her path to becoming first mate. She has mysterious magician marks on her hands which she keeps covered with gloves. 
 
Selly's has spent most of her time with Captain Rensa of The Lizabetta who was told to make sure Selly has the tools she needs to one day become her own captain of her own ship. After making plans to escape Rensa, and make her way to her father, she is interrupted by Prince Leander of Alinor who just happens to be a royal magician and descendant of Anselm. Leander has a mission that certain people (like Laskia) will do anything to stop. Selly's ship has been tasked with taking Leander to the Isle of the Gods where he can make a sacrifice to Barrica so the other gods do not wake up, especially Macean. 
 
Along for the ride Keegan who went to school with Leander. Keegan is a scholar who just wanted a ride to the Bibliotek and now here he is on this top secret mission. After setting sale with a minimum crew, Selly and crew soon find that their mission has been compromised, and now they are being chased by Laskia and a crew who will do anything to stop Leader from reading the Isles where he can make a sacrifice to his God. After a series of trials of fire, and being chased to all corners of the known world, Selly must prove that she is the person who is able to step up and be a leader.
 
It is fair to say that Selly and Leander's narratives were the most interesting while Laskia's was the most twisted. Jude is still a mystery and his status as either a villain or a hero is still outside in the gray area. I kind of feel for him after what he and his mother have been through, and now his mother is pretty much a hostage to keep Judge in line. The more time Selly spends with Leander, the more impressive she becomes, and proves that she is a capable Captain. Of course, there is a cliffhanger ending which leaves more than a few characters in a curious situation.
 


Part One

Glitter and Grit

SELLY

Royal Hill

Kirkpool, Alinor

The woman selling magicians’ supplies is wandering around her little market stall like she’s lost her map. It’s as if every item she encounters, from the stacks of fat green candles to the bins of bright glass beads and stones, is somehow a new discovery.

“You said half a dozen candles?” She pauses to look over her shoulder and needlessly tighten her apron strings. She’s dragging things out in the hope something extra will catch my eye, but although the grim, anxious buzz of the city has sunk into my bones, I am not going to lose my temper. I don’t have time.

“Yes, please.” I try to make my gritted teeth look like a smile, though I can tell from the woman’s expression it doesn’t work. But honestly, at this rate I should ask her name and how she likes her tea, because the two of us are going to grow old together.

If anything, she seems to slow down even more, lifting a newspaper and studying the crate beneath it. “Best in the city, these ones. Poured at the high temple, you know. Are they for you, young lady?”

My hands tighten into fists in my fingerless leather gloves, but I glance down anyway, automatically checking that they hide the green magician’s marks on the backs of my hands. “They’re for our first mate. Ship’s magician.” The words barely provoke their old, familiar ache. I’ve got other things on my mind today.

“Oh, indeed!” That catches the woman’s attention, and spirits save me, now she stops altogether to study me with interest. “I should have seen you were a saltblood—­look at those clothes. Where have you come from?”

Her gaze flickers back to the newspaper in her hand, and suddenly I see it: She’s not vague. She’s worried.

The questions have been the same at every stall I’ve been to so far today. There are strange shortages, and prices are shifting, and whispers are winding their way through the marketplace about new taxes and confiscations. About war.

When they see my sailor’s clothes—­the shirt, trousers, and boots setting me apart from the city girls in their tailored dresses—­everybody asks where we’ve come from and what it was like there.

“We’re just on a quick run down from Trallia,” I tell the woman, digging into my pocket for a few crowns. “I’m actually in kind of a hurry. I need to get to the harbormaster’s office before it closes, or my captain won’t be happy.”

Somewhere, Captain Rensa probably just lifted her head and sniffed the wind, smelling my lies from the deck of the Lizabetta, but the shopkeeper gives herself a shake, as if she’s waking up.

“And here I am chatting away at you. We’d better—­what do you young people say? Something to do with autos.” She finds a smile as she remembers, though now I can see the strain in it: “We’d better put our foot on the gas.”

A minute later my candles are wrapped up and I’m on my way.

I leave behind the rough flapping of the spirit flags and the crowded market stalls at the top of Royal Hill, letting my momentum hurry me along as I jog past the magnificent façade of the temple to Barrica, my spirits lifting as I gather speed.

The priests and priestesses are out front in their soldiers’ uniforms, brass gleaming as they call the faithful to the afternoon service, to prayers for peace. The stone steps of the temple aren’t crowded with worshippers, though, and a sign pinned up by the entrance announces the meeting space next door will be hosting a dance-­hall party tonight, with a live band. I didn’t realize attendance was down that badly.

I drop a copper for the goddess into the offering bowl as I hurry by—­we sailors always keep up our courtesies—­and push on without catching the nearest priest’s eye. No time today, my friend.

My captain gave me a long list of errands and not nearly enough time to complete them—­her way of keeping me away from the harbormaster’s office.

“You’ve been loitering there every day since we docked,” she snapped this morning. “Today you can do some work for a change.”

For a change, Rensa? That’s rich.

For a year I’ve run every goddess-­blessed errand my captain could dream up, working every inch of my own ship, from the bilges to the bowsprit. And finally it’s over. It has to be—­spirits save me if I have to spend one more moment under my tyrant of a captain. This has to be my last day.

Today at the harbormaster’s office I’m going to see the news I’ve been waiting for up in chalk. The alternative is unbearable.

I cut through a narrow alleyway where the buildings crowd close together, the upper levels leaning in over the street, flowers spilling from their window boxes. Someone’s playing a radio on the second floor, and I can hear the stern tones of a newscaster, but I can’t make out her words.

Turning onto Queen’s Boulevard, I pause as a brewer’s wagon rumbles downhill, then lean out to inspect the approach­ing traffic, which comes in a constant stream. The city of Kirkpool wraps around the seaward side of a series of hills, golden sandstone buildings folded into the valleys between them. From the water you can see Queen’s Boulevard running from the port at the base of Royal Hill all the way up to the palace at the top, straight as a mainmast rising from a deck.

Streets branch off it like spars, each home to clusters of shops and stalls—­tailors, bakers, merchants hawking spices from far away. People from all over the world live and trade in Kirk­pool, and the casual mix of cultures feels more like home than any other port.

A merchant’s carriage rolls by, and without hesitating I grab the back railings and swing myself up like a footman for the bumpy ride downhill. I catch a glimpse of the merchant’s eyes in the rearview mirror as she notices the change in weight and tries to shake me as we rattle across the cobblestones—­but I’m used to a deck heaving beneath my feet, and I bend my knees and keep my place.

As we roll past the bakers’ street, I’m hit with a gust of hot air and a memory just as strong. I used to come here with my da when I was small, every time we made port in Kirkpool. I’d take in the crowd from a perch on his shoulders, pretending I was up in the crow’s nest, and he’d buy me a sticky bun.

They roll the dough up into a coil, a sugared glaze painted on top, mixed with spices that always stir up hazy memories of a voyage south when I was smaller still—­small enough that my wobbly steps perfectly matched the rolling deck of the Liza­betta. I was steady on my feet at sea long before I ever was on land.

We round another corner, giving me a quick view of the water at the base of Royal Hill. My thoughts jump to the harbormaster’s office again, and the message that has to be waiting for me. And from there my gaze slides to where my gloved hands grip tight to the carriage. I can’t help imagining the leather gone, the unformed green marks on my skin uncovered. I grit my teeth and shove that thought aside.

It doesn’t matter. He’s coming. But we used to be simpler together, Da and I.

I bend my knees and brace as we wheel out to overtake a slower-­moving cart, but up ahead the horses whinny a protest, and someone cries out, and that’s my instant’s warning before the carriage slews to a sudden halt, the wheels skidding sideways. My grip on the handles comes loose, and I feel myself start to tip—­for one horrible second I’m suspended in midair, arms wind­milling, then I hit the ground, pain shooting through my body. Hurriedly I push up to my hands and knees, scrambling for the gutter before another carriage sails through to flatten me.

“Never seen a sailor fly before,” calls a woman leaning out her window, drawing laughter from most folks nearby. With my fair skin I know I give her a decent blush, and I scowl as I brush the dirt off my clothes.

Now I can see for myself what’s causing the delay. A long line of sleek black autos snakes down the hill to the docks, crawling toward the water like a becalmed fleet—­which is to say barely at all—­because a horse and cart are plodding along in front of them, holding everything up.

“Who in seven hells is that?” I call up to the woman at the window, already half sure I know the answer.

“Prince Leander.” She props her chin on her hand and stares dreamily at the autos, as if she can see straight through their tinted windows and admire the prince himself. “You’d think someone would move the horse out of his way.”

“The horse?” I tilt a glance up toward her, raising an eyebrow. “The horse is the only one I can see doing an honest day’s work. What exactly is His Highness contributing to society?”

She ignores me after that.

They say the prince throws parties all night and sleeps until lunch. That his wardrobe is the size of an apartment all by itself. That his private secretary sends out notes written on a gold-­plated typewriter, declining the offers of marriage that arrive every day.

Everyone else hears the stories, and they say, I want that. All I can think is, What’s the point?

I cut through a side street, pushing past rows of tailors and their rolls of fabrics from distant ports, until I can find a parallel way down Royal Hill toward the port. Rensa will be expecting me back by now, and there’ll be seven hells to pay if she figures out I disobeyed her orders.

The harbormaster’s office is a tall, wide building in the middle of the docks. On the upper floor is the office itself, with lookouts perched at telescopes, watching the mouth of the harbor. When they spot a ship arriving, they run downstairs to the giant chalkboards and record her arrival. But it’s the lower level I want today.

It smells like sailors inside—­cotton and canvas, salt and a faint hint of musty mildew—­and usually I’d relax as I leave the city behind and return to my world. But I’ve been in here the last three days, ever since we made port, and every time, I’ve left wound still more tight.

“Looking for the Fortune, Selly?” It’s Tarrant from the Goddess Blessed, another of my father’s ships. His smile flashes against his dark brown skin as he holds up a finger. “No, wait! Seeking your Fortune! I knew there was a joke in there somewhere. She’s cutting it fine, don’t you think?”

“She’ll be here,” I say, clapping him on the shoulder as I push past to get closer to the boards. Then I remember and swing around. “Tarrant!”

He glances back, already heading for the door.

“You didn’t see me here.” I try to keep the plea out of my voice.

He winces. “Captain on your tail again?”

“When is she not?”

“Too crowded to see anyone, especially one scrawny little deckhand, all freckles anyway,” he promises, and winks as he ducks away.

I return to pushing my way through the crowd toward the chalkboards.

My father has been away on the Fortune for a year now, and Tarrant’s right—­he is cutting it fine. He’s been up north scouting new trading routes for the fleet, and these are the very last days of his return window. Soon the North Passage will be closed by winter storms and the deadly chunks of ice that come with them.

He left me with Rensa for the year when he went north. At first I thought it was disappointment that drove him to leave me behind, but the night before he left, he said otherwise.

“By the time I’m back, you’ll be ready for a first mate’s knot, my girl. It’ll be a fresh start.”

And that’s what we need. After years of waiting for me to make something of my magic, we both need to accept I’ll prove my worth as an ordinary sailor instead. We need to finally put the long years of my humiliating failures behind us and turn our minds to what I can do.

Except Rensa has taught me nothing—­she’s done nothing to prepare me for a mate’s duties. Instead, I’ve spent my days in every dead-­end job the ship has to offer, scrubbing and sewing and standing watch.

Sometime in the next few days, Da will ask me what I learned, and what can I possibly say? On the Fortune I’d have been with him at the wheel. On the Lizabetta—­which was my home growing up and is the ship I mean to command myself one day—­I’ve been treated like a new recruit.

Right now, though, I don’t care. All I want is to see him. I’ve checked the boards religiously since we’ve arrived, every time certain I’m going to see the Fortune’s name up in chalk, and every day I’ve been disappointed.

I’m positive Rensa’s going to keep me trapped aboard tomorrow, and the day after that we’ll cast off, and I’ll have missed Da altogether.

There are three boards fixed up on the wall, each covered in neat handwriting. Bare electric bulbs hang above them, one flickering on and off, like every moment might be its last—­honestly, the windows are of more use when it comes to light to read by.

One board lists the ships that have departed today, another the arrivals, and the third ships that have been sighted—­reports from other vessels newly docked, able to pass on word of who’s on their way and how far out they might be.

The departures board is crammed full of ships ready to set sail for Trallia, for Fontesque, Beinhof, or the ­principalities—­or even to make the now-­risky run to Mellacea, despite the brewing war—­with notes beside them to indicate whether they’re taking passengers or looking for crew. There’s a single ship heading to Holbard: the Freya, chancing the trip back north before the ice claims the passage.

I scan the arrivals board, my gut knotting tight as I reach the bottom with no sign of the Fortune. I push on to the sightings, running my gaze impatiently down the neatly chalked-­up names. Please, Da. Please.

He’s cutting it so fine, but he can handle it. No captain can run the North Passage better than Stanton Walker.

And he promised. It’s been a year.

I read the board, then read it again, blinking, and then again, my heart slowly curling up inside my chest. There has to be at least a sighting. There has to be.

For the first time a new fear is prickling at the back of my mind. Could the winter storms have set in early? My father can sail a ship through anything, but there’s a reason nobody braves the straits when the cold comes. They say there are waves halfway up the mast.

“Selly! Selly Walker! Over here, girl!” Someone’s calling my name above the chatter of sailors, and I twist around to get my bearings. The voice is familiar, and I catch sight of a clerk working at the bank of counters down one side of the room. She’s pointing at the mail wall, and I turn to set a course through the crowd, shoving now with a new urgency, shouldering past sailors who’ve stopped to greet old friends and exchange news. Everyone has something to say, with foreign ports changing their mood every day right now, but my eyes are fixed on my destination.

The mail wall is where sailors pin up letters we carry back for other ships. Ducking under a chatty bosun’s arm, I find myself face to face with the board. I see the letter straightaway, and it’s like my body knows before my brain does.

The air goes out of my lungs, and there’s a sudden ache behind my eyes as I reach up to pull it from the pin jammed through it. There’s another beside it, addressed to Captain Rensa of the Lizabetta, and like mine, it’s far too thick to be a quick note telling us when to expect him in Kirkpool.

This isn’t an arrival date. It’s an excuse.

The crowd jostles me, squashing me in against a wall as I pull the letter open with shaking hands, nearly dropping the sheaf of paper inside. I unfold it, still hoping that somehow it’s going to say—­

Dear Selly,

I know this isn’t the letter you were hoping for, but—­

But. My breath comes short and sharp as I scan the letter’s contents.

But there’s a fortune to be made up here.

But this will buy us another ship, perhaps one you’ll like even better than the Lizabetta.

But there are some talented magicians here, and I can’t pass up the chance to recruit them.

But I have to winter here, keep trading, keep working.

But it’ll be another half a year before I’m home.

But I rest easy, knowing Rensa will teach you more than anyone, and Kyri is a talented ship’s magician, so perhaps . . .

I crumple the letter in one fist and shove it into the bag with the candles, then grab Rensa’s and cram it in as well.

This can’t be happening.

Clenching my jaw so hard it hurts, I press a forearm over my mouth to muffle my scream of frustration. Suddenly the crowd around me is too loud, too close, and I’m searching frantically for a gap I can push through, a way to get out into the fresh air and sea breeze once more.

But then my gaze lands on the departures board, and I see it with new eyes.

The Freya is leaving on the dawn tide, the very last ship to slip up north until spring. And that means I have one more chance to fix this.

If Da won’t come to me, I’ll go to him.

One way or another, I’ll be on board when the Freya departs.

I stumble out into the afternoon light, my pulse still drumming at my temples. The board says the Freya is across on the northern docks, and I duck and weave in that direction.

Kirkpool is one of the great harbor cities of the world and Alinor’s capital city—­home port to my father’s trading fleet. Her docks form a semicircle around her natural harbor, its mouth opening to the Crescent Sea to the west.

My Lizabetta is moored on the southern docks, so nobody will spot me making this visit, not all the way across the water.

The Freya’s captain won’t say no to Stanton Walker’s daughter, and getting their agreement instead of stowing away will make for an easier passage. Hells, if they let me aboard, I’ll stay with them until they cast off. There’s nothing on the Lizabetta I can’t bear to leave behind.

Urgency drives me faster as I make my way past ships from every port, from Kethos to Escium to Port Naranda itself, all tied up side by side, the sea breeze whipping blond strands out of my braid and around my face.

That must be the Freya at the end, sandwiched in by two dirty steamships, her sturdy hull built to ply the North Passage. My pace quickens as I round the curve of the port toward her.

And I run straight into a barricade across the mouth of the dock.

Beyond it is the very fleet Prince Leander was heading for—­a cluster of elegant schooners, their rigging hung with flags and wreathed with flowers. I’ve been watching them across the harbor for the last few days, but this is the first time I’ve been up close.

It’s a hive of activity around them—­sailors are hauling crates in teams, and above them rickety cranes hoist nets of cargo aboard, swinging them around to lower them to the deck. There’s a truck backing up slowly to the edge of the dock, industriously waved in by three deckhands. Someone’s playing a record on a gramophone, down on the foredeck of the nearest ship. Girls in bright colors are dancing, throwing their arms up and shimmying to make the fringes on their dresses fan out, then dissolving into laughter as they try the steps again. They’re ignoring the work going on around them, hordes of workers readying the fleet for departure.

So much fuss for one spoiled boy.

The queen is sending her brother off to charm the rulers of Alinor’s neighbors, and he’s gallivanting away like he’s off to a fancy afternoon tea with dozens of his closest friends, oblivious to the tension in the air.

I’m sure they won’t be foolish enough to go as far as Mellacea, so they won’t be searched and taxed as we sailors have been these past months. My father doesn’t know about that change—­one of many reasons he should have come back to us when he could. Still, I’ll tell him when I arrive.

The barricade is overseen by a couple of Queensguard, shiny and pompous in their royal blue uniforms. The trouble begins straightaway.

“I have business with the captain of the Freya,” I say, mustering as much courtesy as I know how.

The woman lofts one brow and makes a show of pulling a list out of her pocket. “Name?”

“Selly Walker, but it won’t be on there.”

“No?”

“No.” I can’t keep the irritation out of my tone, but I can already see how this is going to go. It’s a familiar feeling—­watching something unspool ahead of me, yet unable to bite my tongue and find a way to fix it before it happens.

“I’m sorry to say that if your name’s not on the list, and you don’t have a crew armband, then this is as far as you come,” she informs me, not sounding even faintly sorry.

“Look, if one of you can tell the captain of the Freya that Selly Walker—­Stanton Walker’s daughter—­is here, I’m sure—­”

“Not here to run your errands, girl.” She cuts me off, looking me up and down, and I lift one hand to smooth my wind-­mussed hair back, then wish I hadn’t. Her gaze lingers on the filthy knees of my trousers, a souvenir of my tumble off the carriage. Another thing I can thank His Highness for.

“Are you leaving,” she asks, as her companion finally turns his gaze away from the girls dancing on deck and studies me thoughtfully, “or are we escorting you?”

I bite my tongue so hard I’m surprised I don’t draw blood, sketch an elaborate bow worthy of the useless pieces of nobility up on deck, and turn away. If they won’t let me through, I’ll find another way.

As I walk down the dock, I check over my shoulder and find the Queensguard keeping a beady eye on me, but when I look back again, she’s lost interest.

I duck out of sight behind a long stack of crates waiting to be loaded. If I can pause near the barricades when the Queensguard aren’t looking, then with any luck I can slip past them and still reach the Freya. I need to get back closer to the barricade, though, so I’m ready to move.

I squash myself between two crates and pop out of the tiny space like a cork from a bottle, straight into something—­someone—­who stumbles back in turn and throws their arms around me to keep the pair of us upright. Our eyes lock as we steady ourselves, and I realize I’ve ended up in his embrace.

He’s a boy about my age, with warm brown skin that matches the golden sandstone of Kirkpool, like he’s a part of the city itself. Brown eyes dance beneath fashionably tousled black hair, and he has the sort of easy smile that says he knows just how handsome he is.

I hate that kind of smile.

“At last,” he says cheerfully, apparently unconcerned about having a sailor crash into him without warning. “I thought you’d never get here.”

I stare at him as I recover my breath, a little bit distracted by his face. He has unfairly long eyelashes.

His mouth twitches as if something’s amusing him—­me, presumably—­and that’s enough to snap me back to myself. I plant one hand on his chest and push him backward as I step out of his hold.

“I don’t know who you are, but I don’t have time for you,” I mutter. “What the hells are you doing hiding behind a bunch of crates?”

“Well, I heard you were going to be here,” the mystery boy replies without missing a beat, politely not pointing out that I am also hiding behind a bunch of crates.

I can’t figure out what he is. He’s dressed like he’s from the docks—­shirtsleeves rolled up to his elbows, black suspenders, and dark brown trousers—­but his white shirt is far too clean, the fabric on those trousers too good, and he sounds too fancy. A palace servant, perhaps, trying to blend in down here?

I can’t afford a delay, annoyingly handsome or otherwise, so with one last look at him, I shove past and reach for the top edge of the nearest crate. I grip, heave, and haul myself up on top of it, no doubt forcing him to dodge my kicks as I scrabble for purchase. I’ll find out soon enough if he’s going to raise the alarm.

This is a better place to watch the Queensguard. There are huge bunches of flowers set atop the crates, destined to decorate the rigging of the prince’s fleet, and they make excellent camouflage. I nestle among them and set to waiting.

“What are we looking for?” asks a voice beside me, and I nearly fall off the crate.

The boy’s climbed up too, and now he ducks my hand as it swings around to flail at thin air. He grabs me around the waist, steadying me and pulling me back into the nest of flowers, laughing at my scowl.

“What are you doing up here?” I demand.

“Couldn’t stay away,” he replies with a grin. “Also, I thought you heard me climbing up—­sorry about that.”

I’m only seeing now, as he withdraws his hand, that he’s got emerald-­green magician’s marks down his forearms and across the backs of his hands, the jewel tone bright against the light brown of his skin. Something in my gut twists at the sight of them.

His marks are as intricate as I’ve ever seen, and so complex I can’t even tell which element they signal—­no wonder he’s cocky. Though if I’m honest, the looks alone were enough.

I reach out with my own gloved hand to steady myself, resisting the urge to ask him what he’s doing here, because he’ll only ask me the same, and that doesn’t end the way I want.

“That’s Lady Violet Beresford,” my companion says conversationally, and when I glance across to follow his gaze, he’s looking at a girl in a dress the silvery blue color of the sea at dusk. She’s leading the dancing, her head thrown back in laughter.

“Well, I’m glad someone’s having a nice time.”

“You’re not?”

“Have you spent a minute in the city today?” I ask testily, easing forward to peek through the foliage at the two Queensguard, who seem a lot more dedicated to their duty than I’d like. As I watch, a third comes trotting along the dock from the direction of the city to talk to them.

“What about it?”

“Who out there is having fun, apart from nobles on boats? I’m only a few days ashore, but everyone I’ve spoken to is asking about foreign ports, about what they’re saying around the Crescent Sea. About whether Mellacea’s going to start a war with us. Now that I’m looking at this, I’m beginning to understand why they’re so worried.”

He leans forward alongside me to take a closer look at the ships, the warmth of his shoulder close against mine. Lady Violet is still dancing, urging her companions to join her as the music trips merrily over itself. “Why, what do you see?”

I snort. “You don’t see it? His ships are covered in flowers.”

“You have to admit they look—­ What’s wrong with ­flowers?”

Below, the Queensguard are now in heated conversation with the newcomer, and he’s waving his arms. Dare I hope he’s going to lure them away?

“I don’t have any strong opinions on flowers,” I say, aware I sound like a lot like I do.

“Just naturally cranky?”

“Listen.” I remind myself it would be wrong to push him off the crate. “Every trading ship at the docks knows how much trouble we’re in, knows how tense things are at every new port we pull into. Alinor’s in trouble. She’s been taking a lazy nap in the afternoon sun, and over in Mellacea, let me tell you, they’re up before dawn. And what’s the queen doing about it?”

“Well, she’s—­”

“She’s put the boy prince on the job. It’s like she wants to fail.”

“That’s a bit harsh, don’t you think?”

I snort. “We’re talking about a boy who went through three different outfit changes at the solstice festival. In one evening!”

“I heard it was four, and he wore a gold-­sequined coat for the ages.”

“What part of that sentence do you think makes any of this better?” I splutter.

“I must say, you know a lot about him,” he muses.

“I can’t help it, he’s all anyone talks about.”

“Including you, and you don’t even seem to like him.”

“Liking has nothing to do with it,” I snap back, making myself keep my voice down. “He could keep every tailor on the Crescent Sea in business and I wouldn’t care, if he was doing his job.”

“Maybe he is doing his job,” the boy suggests, though his tone concedes the evidence is on my side.

“Are you delusional? He’s decided to decorate his flotilla with half the palace gardens—­and we’re on the doorstep of winter, so I can’t think how many hothouses that sort of stupidity must have taken—­then pack a Fontesquan chef and a bunch of his closest friends and waltz off along the coast to see if he can make friends with the neighbors.”

“He shouldn’t make friends with the neighbors?” the boy asks, frowning at the Queensguard, who are now watching a couple more of their number run along the docks.

“He should make allies of the neighbors,” I shoot back. “But nobody’s going to take him seriously. Who ever has?”

“Ouch,” he mutters, and I turn my head to take a better look at him, crouching, framed by flowers.

Still handsome, but now I’m paying more attention to his voice. It sounds like money. Does he know the prince?

Suddenly I’m reminded of all the times Rensa told me to watch my tongue, especially around people I don’t know. At least he doesn’t know my name.

I know I’m taking all the frustration of my day, of my captain’s endless orders, of my father’s abandonment, of the blocked path to the Freya, and aiming it at him. And I know I shouldn’t.

Then again, he’s insisting on putting himself in my path.

Below us the Queensguard are still accumulating—­there are a dozen of them now, and one’s pointing in all directions, sending them running all over the place. Forget slipping past just a pair of them—­they’re swarming the dock.

I’ll have to get past after dark and stow away, because I’m sure as hells not getting to the Freya’s captain now.

“I think it’s about to get busy around here,” the boy says, watching the growing swarm of guards thoughtfully. “Looks like they’ve lost something.”

“Looks like,” I mutter. It’s fine. I’ll get through to the Freya tonight. It’ll be easier under cover of darkness, and she doesn’t sail until dawn. I can hide aboard until they’re well out at sea and it’s too late for them to do anything about it.

For now, I should hustle back to the Lizabetta before Rensa realizes how long I’ve been gone and loses her temper.

“Hey, look,” says the boy beside me suddenly, his voice rising, and I twist around urgently to follow his gaze.

“What? What do you see?”

He’s pointing at the deck of the nearest ship, where the brightly colored young nobles are crowding in around a woman wheeling a fancy little handcart toward the bow. “They’re bringing out refreshments. Bet you half a crown those are ­Fontesquan pastries.”

I make a noise like a strangled growl, and he falls silent.

Yeah, he’s definitely noble, not a palace servant. The rest of the city is humming with worry, we’re in a port full of ships with everything to lose if war breaks out, and instead of thinking up ways to solve any of our problems, down on the progress fleet—­which is what everyone’s calling the ships embarking on this goodwill voyage—­they’re flocking to their afternoon tea like gulls in the wake of a fishing boat.

“First flowers, now you don’t like pastries?” he asks, studying my frown. “What’s next, kittens?”

“I . . . Will you just go away?”

He smirks. “I think you’ll find I was here first. Come to that, when you arrived, you literally threw yourself into my arms.”

I could push him out of our little nest and off the top of the packing crate, but that might be too subtle for him. Shooting him a too-­sweet smile, I reach into the nest of flowers around us, plucking a delicate blossom in Alinor’s royal sapphire blue. He watches me cautiously.

“There,” I murmur, leaning across to tuck it behind his ear. “Everything useless around here is beautifully decorated. I wouldn’t want you to feel left out.”

His wariness eases, and his lips twitch again to one of those small smiles. This boy looks like he knows all the mischief in the world, and invented half of it himself.

His brown eyes stay steady on mine, and as my fingertips brush his hair, my stomach gives the strangest flip-­flop. Must be the sun.

We both hold still for a moment, gazing at each other.

“So you’re not coming for a quick snack?” he murmurs, breaking the tension. I can’t shake the feeling I just lost that exchange, and I don’t know why.

“I’ve seen enough nobility for one day.” I’m already shifting my weight, preparing to climb down with a speed that feels a little like running away, if I’m completely honest with myself.

“Let’s hope there’s more to our prince than you think,” he counters.

“I doubt it,” I reply—­and before he has a chance to respond, I jump down into the gap between the crates, shoving my way back through it again.

I have the strongest urge to look over my shoulder, but I make myself keep my gaze dead ahead. I don’t have time to think about him. There’s only one thing on my mind that matters, and she’s moored at the end of the northern dock.

Even if I have to swim across the harbor and climb up her side like a boarding pirate, by dawn I’ll be sailing for the north aboard the Freya.




Tuesday, May 9, 2023

#Review - Heart Strings by Jennifer Estep #Fantasy

Series: Elemental Assassin #9.5
Format: Kindle, 178 pages
Release Date: May 9, 2023
Publisher: Jennifer Estep
Source: Jennifer Estep
Genre: Urban Fantasy

Heart stings can be the most dangerous wounds of all .

Lorelei Parker has had plenty of “heart stings” in her life—moments that are both happy and sad. With her grandmother’s recent marriage, Lorelei has had far more good times than bad lately.

That all changes when a ruthless Ashland underworld boss starts threatening her, but Lorelei is determined to figure out why the other crime boss is so interested in her thriving business. She vows to use her elemental Ice and metal magic to do whatever it takes to defend herself and her family.

Also in the mix is the mercurial Hugh Tucker. Lorelei doesn’t know what the vampire is up to, or if he’s a friend or an enemy. Tucker might even be something else, something more—if Lorelei can stay alive long enough to figure out whose side he’s really on . . .


Jennifer Estep's Heart Stings is a 38,000-word novella from the point of view of Lorelei Parker. It takes place about a month after the events of Last Strand, book 19 in the Elemental Assassin. Heart Stings first appeared in the Dirty Deeds 2 anthology in 2022. With Gin on vacation along with Grayson, Finnegan Lane, and her sister Brie Coolidge, Lorelei Parker faces a serious threat from Clyde O'Neal who wants Lorelei's shipyard she took from Dimitri.

Because of something that was stored there by Dimitri, Clyde wants the shipyard. No, I am not going to spoil it for you. Just pick up the book, and read it. With Mallory Parker and Stuart Mosley ready to throw a party celebrating their one month anniversary, Lorelai finds that her heart strings are creating it's own music when it comes to Hugh Tucker. Hugh seems to be everywhere. He seems to play a long game with not only Gin, but with Lorelai as well. 

One could call this a gift from the author to her loyal readers who stuck with her from the first installment to the 19th. While I supposed some people will be disappointed that Gin, nor her friends outside of Silvio Sanchez, Liam Carter, and Sophia Deveraux appear in the story, it's good to see the author give Gin a much needed break from being Queen of the Underworld and the baddest assassin around. It's good to see who Lorelai really is especially knowing that she has dual elemental powers (ice and metal) like Gin. It's also good to see Hugh portrayed as something other than a villain. 





Monday, May 8, 2023

#Review - Forget What You Know by Christina Dodd Thrillers / Suspense

Series: Standalone
Format: Paperback, 384 pages
Release Date: March 7, 2023
Publisher: HQN
Source: Publisher
Genre: Thrillers / Suspense

From New York Times bestselling author Christina Dodd comes a brand new, standalone suspense about a startling family mystery that comes back to light when a new piece of evidence is uncovered, forcing a woman to question everything from her identity to her past to her relationship with her now ex-husband.

“Extraordinarily entertaining….with a cinematic flair that Hitchcock would envy.” – Booklist, starred review

Perfect for fans of Karen Slaughter, Lisa Jewell, and Sandra Brown comes a brand-new heartstoppingly suspenseful thriller from New York Times bestselling author Christina Dodd...

A submerged car is pulled from the bottom of the lake.  The driver has been shot in the back of the head and no other bodies are found.  Only the legendary Dragon's Heart remains inside.  When it rises to the surface, greedy collectors from around the world gather. They'll stop at nothing to gain possession of the priceless artifact. Only one person stands in their way…

Zoey Phoenix remembers nothing about her early childhood; her mother’s desire to leave those years behind never worried her…until she’s almost killed in a hit and run and, days later, her mother disappears. Now Zoey fears her family secrets won’t stay buried long.  She has no idea who tried to murder her or why, but she’s determined to unravel the dangerous truths of her past—before they claim her future.  
 
Forget what you know...yet the past remembers.

Forget What You Know, by author Christina Dodd, is the second installment in the authors Last Seen in Gothic series. The story is a standalone novel whose packaging strategy is aimed at the heart of the competitive thriller and suspense market featuring a strong female protagonist, a chilling villain, and twisty family secrets that will keep readers turning the page. 25 years ago, Bonnie Torbinson's granddaughter (Honor) was kidnapped, her son Jake's wife (Cynthia) took her other daughter (Gracie) and fled.

When a car is dredged from a lake with a dead man inside along with the infamous Dragon’s Heart, it is the beginning of trouble for Zoey Phoenix. Greed propels collectors and thieves. They will do whatever it takes to obtain the Dragon’s Heart. Zoey is a flower breeder in Gothic. She is unaware of drama that is headed her direction when she is almost killed in a hit and run accident and it is clear that more is going on when Zoey finds her flower farm has been vandalized. 

Adding to the stress is the upcoming Gothic Garden and Flower Show which is the perfect chance to reveal her Secret Garden. To make matters even more curious and mysterious, her mother Morgayne Phoenix disappears after making sure Zoey is recovering but contacts Zoey's ex-husband, Luca Damezas, to look after her. Luca, a former professional wrestle, is aware that more threats may be coming. Also, he is still in love with Zoey and hopes for a reconciliation. The only real reason that the couple separated was because Zoey wasn't a fan of seeing Luca hurt. 

For years, Zoey has thought that she had a mysterious girl named Honor as her best friend. Through a variety of flashbacks, we learn that the two were inseparable and went through a horrible childhood thanks to their alleged father, Jake before Honor disappeared with a man called Vadim Somova. The plot includes humor, magic realism, romance, and sub-plots. The main plot of the novel is the rekindling of the romance between Zoey and Luca, which even overshadows the Dragon's Heart as well as the heart warming ending.  





Friday, May 5, 2023

#Review - Chaos & Flame by Tessa Gratton, Justina Ireland #YA #Fantasy

Series: Chaos & Flame # 1
Format: Hardcover, 336 pages
Release Date: March 28, 2023
Publisher: Razorbill
Source: Library
Genre: Young Adult / Dark Fantasy

Darling Seabreak cannot remember anything before the murder of her family at the hands of House Dragon, but she knows she owes her life to both the power of her Chaos Boon and House Kraken for liberating her from the sewers where she spent her childhood. So when her adoptive Kraken father is captured in battle, Darling vows to save him—even if that means killing each and every last member of House Dragon.
 
Talon Goldhoard has always been a dutiful War Prince for House Dragon, bravely leading the elite troops of his brother, the High Prince Regent. But lately his brother’s erratic rule threatens to undo a hundred years of House Dragon’s hard work, and factions are turning to Talon to unseat him. Talon resists, until he’s ambushed by a fierce girl who looks exactly like the one his brother has painted obsessively, repeatedly, for years, and Talon knows she’s the key to everything.
 
Together, Darling and Talon must navigate the treacherous waters of House politics, caught up in the complicated game the High Prince Regent is playing against everyone. The unlikeliest of allies, they’ll have to stop fighting each other long enough to learn to fight together in order to survive the fiery prophecies and ancient blood magic threatening to devastate their entire world. 

 


Chaos & Flame, by co-authors Tessa Gratton and Justina Ireland, is part one of a two part duology. Once upon a time, there were Six major Houses: House Dragon, Kraken, Sphinx, Gryphon, Cockatrice, and Barghest. House Dragon is now the most dominate House left with other Houses were combined under one umbrella. House Kraken has chosen a path of rebellion and assassination of key players in House Dragon in order to regain their status as a major player. This story revolves around two key characters: Darling Seabreak and Talon Goldhoard as well as Caspian Goldhoard.
 
Darling Seabreak is a war orphan who cannot remember anything before the murder of her family at the hands of House Dragon, but she knows she owes her life to both the power of her Chaos Boon and House Kraken for liberating her from the sewers where she spent her childhood. After so many years in the dark, Darling is forced to wear glasses so that she can see. The curious aspect is that thanks to her Chaos Boon, she can heal from almost any wounds which made her a legend. So when her adoptive Kraken father, who rescued her from the sewers 7 years ago, is captured in battle, Darling vows to save him—even if that means killing each and every last member of House Dragon.
 
Talon Goldhoard has always been a dutiful War Prince for House Dragon, bravely leading the elite troops of his brother, the High Prince Regent. But lately his brother Caspian’s erratic rule threatens to undo a hundred years of House Dragon’s hard work, and factions are turning to Talon to unseat him. Talon resists, until he’s ambushed by a fierce girl, "the eyeless girl" who looks exactly like the one his brother has painted obsessively, repeatedly, for years, and Talon knows she’s the key to everything. 
 
Caspian is the High Prince Regent of Pyrlanum. Since a young age, he’s been plagued with prophecies that manifest as paintings. Specifically, he can’t stop painting a single girl with blackness for eyes. After House Sphinx was wiped out by House Dragon thanks to machinations of unknown players, Caspian has been playing a very long game not letting anyone, including his brother Talon, or his aunt in on his plans. Then Darling arrives and everything changes. After Caspian names Darling as scion of House Sphinx, the two play a highly dangerous game knowing that other Houses are just waiting for Caspian to make a mistake.
 
Darling is not used to the political atmosphere of House Dragon. She’s not sure who she can trust. It also puts Talon and Darling into an enemies to lovers situation. Together, Darling and Talon must navigate the treacherous waters of House politics, caught up in the complicated game the High Prince Regent is playing against everyone. The unlikeliest of allies, they'll have to stop fighting each other long enough to learn to fight together in order to survive the fiery prophecies and ancient blood magic threatening to devastate their entire world. 
 
YES, this book ends on a twisted cliffhanger ending that nobody will see coming, and I mean NOBODY!  


The first time the scion of House Dragon painted the eyeless girl, he was only six years old. She was nothing but a face shaped with finger smears of brown, a darker crooked line that might've been a sad smile, and huge, swirling black holes where her eyes should be.

"I don't know how to save her," he said to his mother when he presented the art to her.

His mother accepted the soft parchment, doing her best to hide the horror she felt at the red-rimmed, furious eyeholes in her son's painting. Casually, she asked, "Why is she in danger?"

"I don't know."

"What happened to her eyes?"

"Nothing yet." The little boy shrugged.

Though the Dragon consort asked a few more delicate questions, he could give her no answers. But he drew the eyeless girl again and again, and told his nurse about her, and his aunt, and his father eventually. That was a mistake, because he was far too old for imaginary friends, his father growled. The consort promised her husband, the Dragon regent, it was only childish play, and their son would grow out of it.

Better an imaginary friend, she thought, than the truth she suspected deep in her heart: her son had been gifted with a boon, but it was a prophetic one, and prophecy always, always drove the wielder mad.

The people of Pyrlanum would never accept a regent with such a wild boon, and to shield her eldest son, the consort extracted a promise from him to stop talking about the girl, and certainly to stop painting her. He must never paint anything from a dream or vision. It was dangerous. The young scion agreed, thrilled to have such an illicit thing binding him with his mother.

And he kept his promise for two entire years, until his mother was murdered.

The day she died, the consort and the scion were pruning in their private garden. She injured herself on a few reckless roses, and when she gasped, the scion saw a flash of vision, in strokes of vivid paint: a fan of dark blue skirts against the harsh black-and-white checkered floor of his mother's solar, golden sunlight smeared in streaks, and a kiss of crimson splattered at her mouth and in her hair. A spilled cup near her hand, leaking sickly green.

It would have been a beautiful painting, had he been allowed to create it.

But the scion had learned his lesson well. His boon was a curse and he did not say or do anything.

Later, when his mother lay dead on the marble floor, the boy realized this was not a game, not a thrilling secret: it was a matter of life and death. Had he been braver, he might have saved his mother from the poison in that cup.

He wailed and clawed at his hair until his aunt, his mother's sister, gathered him up in her arms. "What happened, little dragon, who did this?"

The scion hugged her neck so tightly. "Don't tell anyone," he begged. "I'm sorry, I'm sorry, I couldn't save her, I didn't even try! I'm sorry! Please."

"Hush, hush, it's all right."

"I didn't save her," he whispered, sobbing. "I have to save her."

"It's too late, little dragon," his aunt murmured.

"No," he said again and again. He threw himself away from his aunt and ran to his rooms. Found chalk and old cracked paint pots and ripped paper out of books in a tantrum. The scion drew and drew, scrawling images of that eyeless girl. He refused food, he refused his father and his baby brother, he refused everything but paint, and finally locked the door, screaming to be left alone unless anybody was going to help.

When his aunt had the door kicked in, the scion's room was a disaster of paintings and spilled color. Wasted effort, childish, ugly pictures. Blurs and shapes that looked like nothing but the impressions of landscapes or people, castles and gardens and ships and massive, ancient creatures the Houses called their empyreals. A figure of fire, broad winged and gorgeous. The eyeless girl. His aunt recognized the monsters, if not the girl. Dragon, gryphon, barghest, sphinx, cockatrice, kraken. And the First Phoenix.

But the scion tore the phoenix painting down the middle and threw a heavy book at his aunt. "Bring me a master, to show me how it's done," he cried. "I have to find her. It's soon."

"What is soon?" asked his aunt. She put her arm around him. "Who is she?"

"You'll see," the young scion said, pulling away.


***


While the young scion lost himself in painting dreams, Pyrlanum descended into violence. House Dragon accused House Sphinx of murdering their beloved consort. The grief-stricken Dragon regent demanded retribution, forcing all the great Houses to choose sides, and reviving the House Wars after more than twenty years of peace.

Bloodshed consumed the land, and the young scion found he could not save the eyeless girl.

"It's too late," he whispered to the disaster of art surrounding him, the night his father-leagues away-massacred the entire family line of House Sphinx.


***


The new House War raged on for years, and instead of the eyeless girl, the scion painted darkness. Thick black streaks, chunky peaks of gray and angry blue, the underlying red-red-red, heartbeat red, of sunlit memories behind tight-shut eyes. A bruise of purple over green-black, ocean-black, midnight, moonless black.

When his baby brother asked what he painted, the scion only hissed at him, chasing him from the room.

House Dragon took more and more of the country, forcing the other Houses into submission. Finally House Dragon captured Phoenix Crest, the ancient home of the Phoenix, those keepers of peace who had vanished during the first House Wars more than a hundred years ago. The Dragon regent declared himself High Prince Regent over all Pyrlanum.

His family left their northern mountains to occupy the fortress, and there the Dragon scion's aunt was left in charge of the boy and his small brother while their father continued his war. Though House Cockatrice fled Pyrlanum entirely, she managed to hire artists to tutor the scion-Cockatrice had been the house of her birth, after all, and that of her sister. She bought the scion paint and paper, canvas and ink and charcoal. He grew as his skills did, becoming taller and stronger but still very pretty, with a constant flush of fever in his sharp white cheeks, a ghostly gleam in his pale green eyes. He was prone to fits of laughter or staring at nothing, sure signs of madness, the court gossiped. At his aunt's prodding, the Dragon scion learned to be charming, too, and concealed the wildness he felt. He studied language and policy and economics. He flirted and argued and led council meetings during his father's frequent absences. Soon everyone believed his disposition to be merely long-running grief. After all, his mother, the late Dragon consort, had been glorious and special, hadn't she? So her glorious and special son would survive; he would lead them well. Chaos willed it, no matter that his painting boon would be useless in a leader.

But his aunt-she knew the truth of his boon. She whispered to him that she had always had gently prophetic dreams. They ran in their family. Her grandmother had been a brilliant prophet, too. His aunt offered to take the secrets he painted and use them for House Dragon on his behalf. The young scion agreed.

She studied every painting for clues, and when she discovered them, told the High Prince Regent unknowable things: where the last remnants of House Sphinx hid, the location of an ambush, the look of a spy. The High Prince Regent gave her the title of Dragon Seer, and the young scion was glad to have his secret kept so well, as his mother had wished.


***


Time passed. The scion painted. He dreamed of the eyeless girl but kept her to himself. He had not saved her from the darkness, just like he had not saved his mother. They haunted him, left him wracked with grief some days.

On the morning news reached the fortress that the High Prince Regent had been murdered by House Kraken, the scion woke up laughing. He laughed and laughed, caught in visions of silver swirls of light, hot light, bright light-sunlight!-on the eyeless girl's face. She had survived.

But the scion had not even dreamed of his own father's death.

That very day, ten years after the first time he'd clumsily painted her, the scion sketched the true shape of the girl's cheeks and chin and nose, the wide, eager smile, and bright tilted eyes perfectly shaped, perfectly beautiful, except inside they were churning spirals of darkness. He mixed new colors, thrilled and focused, painting her in long strokes against the entire southeast wall of his bedchamber, directly onto the stone, from crown to chin as tall as the prince was. Her hair curled out into the shadows of the room like a god of storms, and in her pupils dotted tiny explosions of fire.

When his serious little brother ventured up to the scion's tower, he frowned at the overwhelming sun on her face, finding the art too intense, too real, and he looked at the scion like he'd never seen him before. "What's wrong with you?" the younger boy asked, knowing nothing of prophecy and its curses.

The scion laughed, determined to keep his brother innocent of his secrets. "I'm only tired, dragonlet," he said. "Leave me to my dreams."

In the wake of their father's death, the scion was made not only the regent of House Dragon, but High Prince Regent, ruler of all Pyrlanum.

Freed by a crown on his head, the High Prince Regent let his generals take over the war, while he took over the tallest tower in Phoenix Crest to paint his eyeless girl again and again. Sometimes he vanished into his tower for days, long enough and sudden enough to foster again those rumors of madness, rumors of a wild spirit or a curse. Each time he emerged, a new painting leaned against the tower walls: the girl in full sunlight, arms crossed defensively, curls flared in a gust of wind and a mask across her eyes. The girl with a sword in hand, strange goggles making her eyes like those of a bumblebee. The girl, older, standing at the top of a cliff, peering over ruins, eyes covered by small masks, one that laughed and one that screamed. The girl in a library beside a hearth as big as a giant's mouth, holding a dagger made of a curving gryphon talon, and her eyes full moons. The girl in the Phoenix Crest ballroom wearing a cream gown, holding the empty air like she was dancing with a ghost, with eyes made of massive black pearls.


***


The High Prince Regent was eighteen years old when he painted the girl engulfed in flames. The House Wars his father had reignited had raged for an entire decade.

He barely remembered mixing the colors of fire, or throwing his brushes in the corner. With his hands he drew flames like ivy growing up her body, twisting and burning, but feeding her power. He felt it, too, hot and hungry, the promise of melting in such an inferno. The fire licked up the edges of the canvas and up his wrists, twining his forearms with pain.

The High Prince Regent screamed through his teeth, refusing to stop, as smoke burned tears down his cheeks and his hands shook. He closed his eyes, blocking it out, the fear and heat and pain: it hurt so much, the memory of this future pyre.

He woke up alone in his tower room, nostrils filled with the tinge of old smoke, but there was nothing around him except splatters of paint and every image of the eyeless girl, surrounding him, watching him with her pits of eyes, her bumblebee eyes, her full-moon eyes, sea-glass eyes, ghostly fish-bitten dead eyes, and eyes of pearls. Most of all a new painting on a messy unframed canvas: the girl made of flames, her eyes like twin suns.

There had never been a fire eating him whole.

But there would be.

In four years: a high rampart, a bright blue sky, warships on the brilliant horizon, something sticky in his hand, an awful taste on his tongue. And the eyeless girl, standing before him, her lips on his lips. For the first time he could see her eyes not as furious wells of power, but gentle brown with flecks of gold. Then the fire. It would happen. It must.

Alone in his tower room, the High Prince Regent waited for the sun to rise over his land, torn apart by constant war, then he carefully rent the fiery painting into strips and set them alight.

1 DARLING

I had a dream about the dark.

Not the night, which has stars and the moon to cast shadows, but an all-consuming dark, one that devoured and twisted and changed a girl into something else, something defiant and monstrous. She scrabbled in the abyss with the other women of her house: sisters and mothers and cousins and friends, each of them dwindling away until she was the only one left. When it finally came to pass that she was liberated from that hole, her eyes had learned to live without the light, to love the cool comfort of the shadows. And so she wept in the arms of her liberators, not because she was sad, but because her poor damaged eyes had no idea what to do with sunshine.

I dream of my childhood every night before a battle, which is a lot, considering Pyrlanum has been at this worthless war since before I can remember. Fighting might be a rite of passage, one that feels less triumphant the longer we're in combat, but my dreams are so familiar they've become equal parts comforting and distressing. Lucky me, I learned to make peace with fear long ago.

"Darling, heads up!"

A knife flies past my face, close enough to slice a line across the deep brown skin of my cheek and take a chunk from my ear. A curl that has managed to escape from the twin buns at the nape of my neck falls to the ground. I don't swear at the sudden blossom of pain, just turn to wait for the next blade, ready to deflect it with one of my long knives.

"Really, Adelaide? This close to a battle?" I say, swallowing a sigh.

Adelaide Seabreak, second scion of House Kraken and my adopted sister, grins at me from across the deck of the Barbed Tentacle, flagship of the Kraken navy. The wind whips her long brown hair around her face, and even though her skin is tanned, it is nowhere near as dark a brown as mine. They say that all the members of House Sphinx had skin as brown as the leather of their beloved treatises, but there is no one else to verify this. I am the only one left.




Thursday, May 4, 2023

#Review - Girl Forgotten by April Henry #YA #Thriller #Mystery

Series: Standalone
Format: Hardcover, 272 pages
Release Date: March 28, 2023
Publisher: Christy Ottaviano Books
Source: Library
Genre: Young Adult / Thrillers & Suspense

Piper Gray starts a true-crime podcast investigating a seventeen-year-old cold case in this thrilling YA murder mystery by New York Times bestselling author April Henry. 

Seventeen years ago, Layla Trello was murdered and her killer was never found. Enter true-crime fan Piper Gray, who is determined to reopen Layla’s case and get some answers. With the help of Jonas—who has a secret of his own—Piper starts a podcast investigating Layla’s murder. But as she digs deeper into the mysteries of the past, Piper begins receiving anonymous threats telling her to back off the investigation, or else. The killer is still out there, and Piper must uncover their identity before they silence her forever.  



April Henry's Girl Forgotten is about a high school senior named Piper Gray who starts a true-crime podcast investigating a seventeen-year-old cold case. Almost 20 years ago, a young woman named Layla Treller went missing after a Halloween party and was later found murdered. The prime suspects in the case were never charged, and the case, while gathering national interest, is now considered a cold case. 17-year-old Piper Gray has recently moved in with her father and stepmother, is now the new girl at North High School.

Piper learns that all seniors are required to do a senior project in order to graduate. Piper, who is a huge fan of Dead, Deader, Deadest which is a true crime podcast, chooses to do her own podcast focusing on what really happened to Layla. The story is told through first person narrative, podcast transcripts, newspaper articles, while each chapter is fairly short. Piper finds a sort of friendship with Jonas who is the schools black sheep after a car accident changed his life, and others.

He was driving a car when his girlfriend grabbed the wheel during a fight, causing an accident that took her life and cause Jonas to have his leg amputated. People still blame him for the accident, so he doesn't like that Piper is causing renewed trauma to Layla's family, who still live in the area. Layla does her research, interviewing anyone she can find, including brothers who both might have had a relationship with Layla, her best friend, Layla's mother, a school resource officer who seems too friendly with young people, and even her own language arts teacher, Mrs. Wharton.

Piper's friendship with Jonas grows from curiosity to friendship as he tries to guide her into what it takes to make a podcast. To make matters worse, Piper, who lived with her mother, is not saying what really happened to her. Instead, she makes up a story that eventually blows up on her. Now, she has to put her trust in a father who wasn't there for her, and a stepmother who looks at her like she had snakes on her head.

The unfortunate thing about books centering around podcasts are that they are mostly written in the same manner and end in the same predictable way. A girl, or boy chooses to dig into the past. The past doesn't want to be brought into the light, and the past makes hard for the storyteller. That being said, this was a good mystery. I didn't seen the killer, and there's a whole bunch of people who could have been the main villain.