Showing posts with label Christina Henry. Show all posts
Showing posts with label Christina Henry. Show all posts

Friday, December 1, 2023

#Review - Good Girls Don't Die by Christina Henry #Horror #Thrillers #Suspense

Series: Standalone
Format: Paperback, 336 pages
Release Date: November 14, 2023
Publisher: Berkley
Source: Publisher
Genre: Horror / Thrillers / Suspense

A sharp-edged, supremely twisty thriller about three women who find themselves trapped inside stories they know aren’t their own, from the author of Alice and Near the Bone.

Celia wakes up in a house that’s supposed to be hers. There’s a little girl who claims to be her daughter and a man who claims to be her husband, but Celia knows this family—and this life—is not hers…

Allie is supposed to be on a fun weekend trip—but then her friend’s boyfriend unexpectedly invites the group to a remote cabin in the woods. No one else believes Allie, but she is sure that something about this trip is very, very wrong…

Maggie just wants to be home with her daughter, but she’s in a dangerous situation and she doesn’t know who put her there or why. She’ll have to fight with everything she has to survive…

Three women. Three stories. Only one way out. This captivating novel will keep readers guessing until the very end.
 


Christina Henry's Good Girls Don't Die is a story that follows three women who wake up in a fantasy like world reminiscent of an episode of Black Mirror. The main players are Celia, Allison, and Maggie. The book itself is broken into 4 sections with 1 section each for the three main players. Celia wakes up in a house that’s supposed to be hers. There’s a little girl who claims to be her daughter and a man who claims to be her husband, but Celia knows this family—and this life—is not hers. 
 
Even though she has a New York State drivers license, and even though she clearly has some skills as a restaurant owner and cook, there is something at the back of her mind telling her that this is all wrong. Then things spiral out of control. A woman who Celia argued with ends up dead, and she receives a phone call saying "You're going to pay for what you've done. Women like you always get what they deserve." Is this some sort of survival game? Someone did this to Celia. Someone stripped her of her life and now it is time to fight back. It appears that someone intends to treat Celia like she's one of the Stepford wives by stripping away her entire identity. 

Allison is supposed to be on a fun weekend trip with her best fiends Cam and Madison. When her friend’s boyfriends (Brad & Steve) unexpectedly shows up and invites the group to a remote cabin in the woods, Allison is weary about being a third wheel. To make matters more twisted, Alli is an aficionado of horror classics. Let's call this scenario Cabin in the Woods.  She knows most if not all of the signs that something is wrong. No one else believes Allie, but when the car they were riding in is destroyed, and one by one her friends are attacked and left for dead, Allie knows that someone has picked her for some sort of sick survival game.
 
Maggie wakes up to find that she is with 8 other women who seemed to have been chosen for some sort of survival game. The people running the game claim that they have no right to refuse anything they are told to do or they will lose someone close to them. In Maggie's case, that is her daughter who she fought tooth and nail to get away from her psycho ex-boyfriend. Maggie allies herself with a woman named Sonya to try to get though the maze and the ending that wakes for them. Let's call Maggie's scenario a cross between the Hunger Games and the Maze Runner.

At the end of the main characters parts in the story, they each find a door where the have escaped from a mob of men who want them dead. Maggie, Allison, Sonya, and Celia now have to figure out why they were chosen in particular. There are hints along the way that should give readers a clue as to why they were chosen, and who is responsible. Let's just say that the twists at the end of the book are not only surprising but unexpected. It is mentioned quiet a few times along the way that these character think of themselves in terms of books like Hunger Games, Truman Show, and Black Mirror.
 



CHAPTER ONE

mysterybkluv: who else here loves cozy mysteries best?

poirotsgirl: cozies are my fave, esp if they have recipes in the back

mysterybkluv: ngl it would be great to live in a small town where there are lots of low-stakes murders and I could solve them while working in my family restaurant

tyz7412: lol living the dream

"Mom."

"Earth to Mom. Come in, Mom."

"Mom, I'm going to be late for the bus!"

Celia shook her head. The small person beside her was blurry, out of focus. Did she need glasses now?

And why was this person calling her "Mom"?

Celia blinked hard, once, twice, and the little person came into focus. A girl-maybe ten, eleven years old?-staring at her expectantly, holding an open backpack.

"What?" Celia asked.

"My lunch," the girl said. "I need my lunch. Did you drink enough coffee this morning?"

Celia looked down. In front of her, on a white countertop, was an open cloth lunch bag. Inside it there was already a plastic bag of sliced apples, a bag of all-natural puffed corn snacks (cheese flavored), and a chocolate soy milk.

A piece of waxed paper lay unfolded on the counter. What is all this disposable packaging? I would never buy things like this.

"Mom!" The little person was getting really insistent now. "Sandwich!"

Celia couldn't think. She needed this small girl to leave so she could organize her thoughts.

Why does she keep calling me "Mom"? I don't have any children.

"Two minutes!" the girl screeched.

There was a loaf of wheat bread and a package of cheese from the deli next to the waxed paper. Celia took out two pieces of bread.

"One piece in half! Mom, what's wrong with you today?"

"Sorry," Celia said, cutting the single slice of bread in half. "How much cheese?"

"Two pieces! Come on, come on!"

You're old enough to do this yourself, Celia thought as she folded the bread around the cheese, wrapped the sandwich in waxed paper and shoved everything in the lunch bag. The girl grabbed it, stuffed it in her pack and sprinted toward the door.

"Bye, love you!" she said as she threw the door open, then slammed it shut behind her.

Celia walked like a sleepwalker to the window next to the door and peered out. The little girl was running down a long inclined driveway toward what appeared to be a country road. Across the street there was nothing to see except trees, tall trees that looked like older-growth maple, oak and ash.

The little girl reached the end of the drive just as a yellow school bus pulled up in front of the mailbox. She clambered onto the bus and it pulled away.

She's gone. Now I can think.

Footsteps sounded overhead and Celia glanced up at the ceiling in alarm. The steps moved across the floor, and a moment later Celia heard someone large coming down the stairs. She couldn't see the stairs from where she stood. The kitchen was attached to a dining room on one side and a hallway on the other. Celia peered into the hall. The bottom of the stairs was at the far end.

A strange man rounded the banister and headed toward her, frowning at his cell phone as he walked. Celia backed away from him, her heart pounding. Her butt bumped into the edge of the counter. She scrambled around it and positioned herself close to the door so she could run if she needed to do so. She looked down at her feet. Socks. Not even slippers. There was a pair of low shelves positioned next to the door with shoes neatly arranged on them. One of those pairs should be hers. But would she have time enough to figure out which pair, put them on and get out the door?

"Hey, babe, I've got a ton of meetings this morning," the man said. "I'll stop by the restaurant at lunchtime."

Who is he?

The man was very tall, at least six inches taller than herself, and she wasn't a small woman. He had dark hair cut in what she thought of as "millennial fund manager" style and wore a well-tailored gray suit. He had a gym-toned look about him and altogether gave the impression of someone who belonged in a city. This impression was reinforced when he pulled on an expensive-looking wool overcoat. His shoes, Celia noted, were very shiny.

He leaned close to her and kissed her cheek absently, still looking at the phone so he didn't notice the way she inched backward. She caught a whiff of his aftershave, something musky and heavy. Her nose twitched.

"See you later," he said, and disappeared out the same door as the little girl.

Celia went to the window and pulled one blind up to peek out. The man who'd called her "babe," the man who'd kissed her goodbye, had gotten into a black Audi SUV that was parked at the top of the driveway. He backed down the drive and pulled out onto the road, heading in the opposite direction of the bus.

An Audi. City guy, she thought again, and then wondered why she thought this.

Because I live in a city and I see those kinds of guys all the time, she thought, but the thought was like a stabbing pain in her head. She looked around the kitchen, then out the window once more.

Clearly, she did not live in a city. Why did she think she lived in a city?

But now, finally, all the people were gone from the house and she could stop and think.

The kitchen was large and had a white countertop that wrapped around half of the room and then extended out on the third side as a breakfast bar. There were stools lined up along that side, facing the dining room.

Celia pulled one out, sat on it and stared at the rectangular dining room table and chairs, done in some heavy dark wood that she never would have chosen for herself. She didn't like dark wood, didn't like the formality of it, and she definitely didn't like anything that looked like it would need regular polishing. Celia hated to clean, and she particularly hated to dust and polish. That dining room table represented everything she didn't want in a piece of furniture.

"I didn't buy that," she murmured. "I have a round oak table."

Again, there was a little stabbing feeling between her eyes, and she rubbed the spot with her forefinger. Obviously she didn't have a round table. The two people who'd rushed out of the house seemed to think she lived there, that she belonged there.

And that guy, that guy who kissed me goodbye-he did look a little familiar.

"He said he would see me at the restaurant. Do I work at a restaurant?"

She had a vague memory of her hands collecting dishes from a table, of tucking a notepad into an apron.

Maybe I drank a lot last night. Or maybe I had a mini stroke or something.

The only thing she knew for sure was that her first name was Celia.

She stood up again and walked into the dining room. At one side of the room there was a large cabinet with glass doors on top and drawers on the bottom. The cabinet matched the dining set, and she crinkled her nose at it.

I hate that matchy-matchy thing. I bet all the dishes are in a matching pattern, too.

When she opened the glass doors, she confirmed that her prediction was accurate. All the tableware and serving plates were in a matching pattern, a kind of country floral that made her think of wedding registries.

On the wall opposite the cabinet there was a large, posed photograph of three people. The background was soft gray, like they'd been in a photo studio. There was Celia, sitting next to the tall dark-haired man. They both wore white-cabled fisherman-style sweaters. The lunch-demanding little girl stood in front of them, positioned so that she was halfway between them. She, too, wore a cabled sweater, this one in pink. All three of them had the slightly glazed eyes and overly toothy smiles that came with posed photography.

This is my family? Celia thought, then told herself, more firmly, This is my family.

There was obviously something wrong with her today. Amnesia seemed unlikely. Early-onset dementia?

It can't be dementia. I'm only thirty-four.

"Ah!" she said, and clapped her hands together. She'd remembered something else. She was thirty-four.

Okay, okay, you just need to walk around for a bit and then you'll remember everything. Maybe you just didn't sleep well or something.

She paced slowly through the dining room and into the living room. Leather furniture-more yuck-a huge entertainment system, several more photographs of herself and her family caught in various activities: eating drippy ice cream cones, building sandcastles, taking a picture with a certain mouse at an amusement park. Regular family things.

There was something about the pictures that bothered her, but she looked at them for a few minutes and couldn't put her finger on it, so she moved on.

She climbed the stairs and found four rooms upstairs-two bedrooms, one office and a bathroom. The little girl's bedroom had posters of Korean pop stars and a pile of soccer gear in the corner. The carpet was pink and so were the walls. It wasn't to Celia's taste, but then it wasn't her room, so it didn't matter.

The second bedroom wasn't to her taste, either, but apparently this was her bedroom.

The bedroom I share with that strange man, she thought, with a trickle of unease.

Like the furniture downstairs, everything in the bedroom was made of heavy, dark wood, with a thick blue carpet underfoot. She didn't like wall-to-wall carpeting, and yet it was everywhere in this house. On an end table on one side of the bed there was a wedding photograph of a younger Celia smiling next to the strange man. Beside the photograph was a brown leather purse.

Brand name, high-end. I wouldn't have bought this for myself. It's a waste of money. The Audi guy must have bought it. He seems like the type to care about stuff like this.

Celia sat on the edge of the bed and emptied the purse onto the dark blue comforter. A large wallet fell out, along with a pack of Trident spearmint gum, a package of tissues, a bottle of hand sanitizer, a powder compact, a hairbrush, a cherry-flavored ChapStick and some business cards.

Standard purse contents, but like the photos she'd seen downstairs, something seemed to be missing. She just couldn't think of what that something might be.

She opened the wallet and found a New York State driver's license with her photo on it. The name listed was "Celia Zinone." She said the name to herself. It seemed right, unlike everything else she'd experienced so far. There was a debit card and two credit cards in the same name, and a few more family photos-mostly the posed kind-in the photo flap. All the photos were of her immediate family. Did she have no parents? No brothers or sisters or nieces or nephews?

Celia picked up the stack of business cards. They advertised Zinone's Italian Family Restaurant next to a cartoon of a plate of spaghetti and meatballs. Her own name was listed underneath as the owner, and beneath that was the address and phone number.

I run a restaurant. Okay.

She again had a flash of memory-of stirring a giant pot of sauce, of folding ingredients into layers of lasagna.

"He said he would see me at the restaurant at lunch," Celia said.

She looked at the business card again. So she should probably get dressed and take herself to this restaurant. Maybe going to work would help her remember more.

Terror clutched at her for a moment. It was as though she stood beside a dizzying abyss, with no real sense of self, no memories, no knowledge of what she'd done the previous day or even that morning before the little girl started shouting about her lunch.

Black spots danced in front of her eyes and her heart seemed like it was trying to escape her chest. Her breath came in hard pants and she heard the wheezy quality of it, an inability to get the oxygen all the way to the bottom of her lungs.

She dug her fingers into the comforter on either side of her legs, feeling the material scrunch beneath her hands.

Calm, calm, calm. Breathe, breathe, breathe. You're okay. You're not in danger.

Hard on the heels of that thought came another one. Why would I be in danger?

Celia forced herself to take deep, calming breaths, and after a few moments, her heart rate slowed, though its beating still seemed unnaturally loud to her.

I just need to go to the restaurant and then things will click into place. But how will I get there? I'm not sure where I am in relation to it.

She glanced over the items on the bed and realized what was missing. A cell phone. Surely she had one. Where had she left it, though?

She checked all the surfaces in the bedroom and found two charging stations on top of the dresser. Assuming the strange man (your husband) didn't carry two cell phones, then one of the chargers was for her phone.

Why wasn't it in her purse? She always kept her phone in her purse when it wasn't on the charger. She didn't like to use it in the house.

Celia grabbed on to that thought the same way she'd done with the memory of her age. It was something concrete, something solid that she knew about herself for certain. She avoided using her phone in the house because she didn't want to be one of these people who mindlessly scrolled all day.

But she couldn't find it in the bedroom, no matter how many drawers she opened or pockets she checked. She did note the type of clothes in the closet-conservative-looking sweaters and button-down blouses in low-key colors, lots of beige and gray and black and soft pastels. The sight of them made her feel, again, that these weren't things she would have chosen for herself. She was more of a happy-print skirt and quirky T-shirt girl.

For a third time her forehead stabbed with pain, and she wondered if she needed to hydrate more, or perhaps a migraine was coming on.

A loud ringing echoed through the house, the sound of an old-fashioned rotary dial phone. The noise pulled Celia out of the bedroom and down the stairs in search of the source, and she ended up back in the kitchen, where she'd begun




Wednesday, September 22, 2021

#Review - Horseman: A Tale of Sleepy Hollow by Christina Henry #YA #Fantasy

Series: Standalone
Format: Paperback, 320 pages
Release Date: September 28, 2021
Publisher: Berkley Books
Source: Publisher
Genre: Fantasy / Dark Fantasy / Retelling

In this atmospheric, terrifying novel that draws strongly from “The Legend of Sleepy Hollow,” the author of Alice and The Girl in Red works her trademark magic, spinning an engaging and frightening new story from a classic tale.

Everyone in Sleepy Hollow knows about the Horseman, but no one really believes in him. Not even Ben Van Brunt’s grandfather, Brom Bones, who was there when it was said the Horseman chased the upstart Crane out of town. Brom says that’s just legend, the village gossips talking.

Twenty years after those storied events, the village is a quiet place. Fourteen-year-old Ben loves to play “Sleepy Hollow boys,” reenacting the events Brom once lived through. But then Ben and a friend stumble across the headless body of a child in the woods near the village, and the sinister discovery makes Ben question everything the adults in Sleepy Hollow have ever said. Could the Horseman be real after all? Or does something even more sinister stalk the woods?


  "Sleepy Hollow believed in spirits and demons, because they lived side by side with those beings. The people of the town believed in magic. And why wouldn't they? Magic was woven into the fabric of the Hollow. It drifted in the air. It rode through the night on a fast horse."
 
Horseman: A Tale of Sleepy Hollow by author Christina Henry is retelling of sorts that takes place between 20, and 30 years after the original story. I shouldn't call this a retelling. It's more of let's check in on Sleepy Hollow, New York 20 years after the orignal story and see how the town is faring. The story's main character is 14-year-old Bente (Ben) Van Brandt, granddaughter of Abraham and Katrina Van Brandt. When Ben starts questioning what she's been told about her parents' deaths and the legend of the horseman, things get a little twisted.
 
For the record, the book is broken up into three parts, with the final part taking place 10 years after the start of the book. Ben and his friend Sander grew up listening to the tales of the Horseman as well as Ichabod Crane who was allegedly run out of town by a head less Horseman. Her grandfather always gets a chuckle out of the tale, but her grandmother looks like she wants to swat her husband. There is something these two know, but will not tell the truth about what really happened that caused Icabod Crane to disappear. 
 
But when a boy their age is found without his head in the woods, the quite town is shaken. Soon thereafter, she finds a sheep without its head and the body count continues to grow. Could the Horseman have returned? Ben soon starts to hear voices in the woods that pretty much warn evil away from her by claiming her as its own. The Hollow is pretty much stuck inside a bubble. While they do get visitors, they don't stay for long, and residents don't wander past the place where the track ends. 
 
Ben hasn't exactly had the easiest of lives. She lost her mother to the plague, and her father disappeared into the woods, and was never seen again. Ben doesn't fit into the role of what we would call feminine. In fact, Ben rages against the machine and her grandmothers desire for her to act like a lady. Ben idolizes his grandfather and wishes that she could find a place to be what she wants to be. Ben chooses to walk her own path even though it makes her a target of bullies since she's so tall, and lanky.  
 
As it becomes apparent to Ben that the truth of her parents death has been kept from him, she begins to become aware that there are many aspects of his family history he had no knowledge of. Will Ben be able to survive the increasing dangers and horrors that are set to come his way?
 
Recommendation: With all this being said, Horseman didn’t completely work for me. It might for someone else, but I'm not going to jump over my own two feet to wave the hurrah flag.
  
 
 


one

Of course I knew about the Horseman, no matter how much Katrina tried to keep it from me. If ever anyone brought up the subject within my hearing, Katrina would shush that person immediately, her eyes slanting in my direction as if to say, “Don’t speak of it in front of the child.”

 I found out everything I wanted to know about the Horseman anyway, because children always hear and see more than adults think they doe part about the Horseman looking for a head because he didn’t have one. Then Sander told me all about the schoolmaster who looked like a crane and how he tried to court Katrina and how one night the Horseman took the schoolmaster away, never to be seen again.

 I always thought of my grandparents as Katrina and Brom though they were my grandmother and grandfather, because the legend of the Horseman and the crane and Katrina and Brom were part of the fabric of the Hollow, something woven into our hearts and minds. I never called them by their names, of course-Brom wouldn’t have minded, but Katrina would have been very annoyed had I referred to her as anything except “Oma.”

 Whenever someone mentioned the Horseman, Brom would get a funny glint in his eye and sometimes chuckle to himself, and this made Katrina even more annoyed about the subject. I always had the feeling that Brom knew more about the Horseman than he was letting on. Later I discovered that, like so many things, this was both true and not true.

On the day that Cristoffel van den Berg was found in the woods without his head, Sander and I were playing Sleepy Hollow Boys by the creek. This was a game that we played often. It would have been better if there were a large group but no one ever wanted to play with us.

“All right, I’ll be Brom Bones chasing the pig and you be Markus Baas and climb that tree when the pig gets close,” I said, pointing to a maple with low branches that Sander could easily reach.

 He was still shorter than me, a fact that never failed to irritate him. We were both fourteen and he thought that he should have started shooting up like some of the other boys in the Hollow.

 “Why are you always Brom Bones?” Sander asked, scrunching up his face. “I’m always the one getting chased up a tree or having ale dumped on my head.”

 “He’s my opa,” I said. “Why shouldn’t I play him?”

Sander kicked a rock off the bank and it tumbled into the stream, startling a small frog lurking just under the surface.

“It’s boring if I never get to be the hero,” Sander said.

I realized that he was always the one getting kicked around (because my opa could be a bit of a bully-I knew this even though I loved him more than anyone in the world-and our games were always about young Brom Bones and his gang). Since Sander was my only friend and I didn’t want to lose him, I decided to let him have his way-at least just this once. However, it was important that I maintain the upper hand (“a Van Brunt never bows his head for anyone,” as Brom always said), so I made a show of great reluctance.

“Well, I suppose,” I said. “But it’s a lot harder, you know. You have to run very fast and laugh at the same time and also pretend that you’re chasing a pig and you have to make the pig noises properly. And you have to laugh like my opa-that great big laugh that he has. Can you really do all that?”

 Sander’s blue eyes lit up. “I can, I really can!”

 “All right,” I said, making a great show of not believing him. “I’ll stand over here and you go a little ways in that direction and then come back, driving the pig.”

Sander obediently trotted in the direction of the village and turned around, puffing himself up so that he appeared larger.

Sander ran toward me, laughing as loud as he could. It was all right but he didn’t really sound like my opa. Nobody sounded like Brom, if truth be told. Brom’s laugh was a rumble of thunder that rolled closer and closer until it broke over you.

“Don’t forget to make the pig noises, too,” I said.

“Stop worrying about what I’m doing,” he said. “You’re supposed to be Markus Baas walking along without a clue, carrying all the meat for dinner in a basket for Arabella Visser.”

I turned my back on Sander and pretended to be carrying a basket, a simpering look on my face even though Sander couldn’t see my expression. Men courting women always looked like sheep to me, their dignity drifting away as they bowed and scraped. Markus Baas looked like a sheep anyway, with his broad blank face and no chin to speak of. Whenever he saw Brom he’d frown and try to look fierce. Brom always laughed at him, though, because Brom laughed at everything, and the idea of Markus Baas being fierce was too silly to contemplate.

Sander began to snort, but since his voice wasn’t too deep he didn’t really sound like a pig-more like a small dog whining in the parlor.

I turned around, ready to tell Sander off and demonstrate proper pig-snorting noises. That’s when I heard them.

Horses. Several of them, by the sound of it, and hurrying in our direction.

Sander obviously hadn’t heard them yet, for he was still galloping toward me, waving his arms before him and making his bad pig noises.

“Stop!” I said, holding my hands up.

He halted, looking dejected. “I wasn’t that bad, Ben.”

“That’s not it,” I said, indicating he should come closer. “Listen.”

“Horses,” he said. “Moving fast.”

“I wonder where they’re going in such a hurry,” I said. “Come on. Let’s get down onto the bank so they won’t see us from the trail.”

 

“Why?” Sander asked.

 

“So that they don’t see us, like I said.”

 

“But why don’t we want them to see us?”

 

“Because,” I said, impatiently waving at Sander to follow my lead. “If they see us they might tell us off for being in the woods. You know most of the villagers think the woods are haunted.”

 

“That’s stupid,” Sander said. “We’re out here all the time and we’ve never found anything haunted.”

 

“Exactly,” I said, though that wasn’t precisely true. I had heard something, once, and sometimes I felt someone watching us while we played. The watching someone never felt menacing, though.

 

“Though the Horseman lives in the forest, he doesn’t live anywhere near here,” Sander continued. “And of course there are witches and goblins, even though we’ve never seen them.”

 

“Yes, yes,” I said. “But not here, right? We’re perfectly safe here. So just get down on the bank unless you want our game ruined by some spoiling adult telling us off.”

 

I told Sander that we were hiding because we didn’t want to get in trouble, but really I wanted to know where the riders were going in such a hurry. I’d never find out if they caught sight of us. Adults had an annoying tendency to tell children to stay out of their business.

 

We hunkered into the place where the bank sloped down

toward the stream. I had to keep my legs tucked up under me or else my shoes would end up in the water, and Katrina would twist my ear if I came home with wet socks.

 

The stream where we liked to play ran roughly along the same path as the main track through the woods. The track was mostly used by hunters, and even on horseback they never went past a certain point where the trees got very thick. Beyond that place was the home of the witches and the goblins and the Horseman, so no one dared go farther. I knew that wherever the riders were headed couldn’t be much beyond a mile past where Sander and I peeked over the top of the bank.

 

A few moments after we slipped into place, the group of horses galloped past. There were about half a dozen men-among them, to my great surprise, Brom. Brom had so many duties around the farm that he generally left the daily business of the village to other men. Whatever was happening must be serious to take him away during harvest time.

 

Not one of them glanced left or right, so they didn’t notice the tops of our heads. They didn’t seem to notice anything. They all appeared grim, especially my opa, who never looked grim for anything.

 

“Let’s go,” I said, scrambling up over the top of the bank. I noticed then that there was mud all down the front of my jacket. Katrina would twist my ear for sure. “If we run we can catch up to them.”

 

“What for?” Sander asked. Sander was a little heavier than me and he didn’t like to run if he could help it.

 

“Didn’t you see them?” I said. “Something’s happened. That’s not a hunting party.”

 

“So?” Sander said, looking up at the sky. “It’s nearly dinnertime. We should go back.”

 

I could tell that now that his chance to play Brom Bones had been ruined, he was thinking about his midday meal and didn’t give a fig for what might be happening in the woods. I, on the other hand, was deeply curious about what might set a party of men off in such a hurry. It wasn’t as if exciting things happened in the Hollow every day. Most days the town was just as sleepy as its name. Despite this-or perhaps because of it-I was always curious about everything, and Katrina often reminded me that it wasn’t a virtue.

 

“Let’s just follow for a bit,” I said. “If they go too far we can turn back.”

 

Sander sighed. He really didn’t want to go, but I was his only friend the same as he was mine.

 

“Fine,” he said. “I’ll go a short way with you. But I’m getting hungry, and if nothing interesting happens soon I’m going home.”

 

“Very well,” I said, knowing that he wouldn’t go home until I did, and I didn’t plan on turning around until I’d discovered what the party of horsemen was chasing.

 

We stayed close to the stream, keeping our ears pricked for the sounds of men or horses. Whatever the adults were about, they surely wouldn’t want children nearby-it was always that way whenever anything interesting occurred-and so we’d have to keep our presence a secret.

 

“If you hear anyone approaching, just hide behind a tree,” I said.

 

“I know,” Sander said. He had mud all down the front of his jacket, too, and he hadn’t noticed it yet. His mother would tell him off over it for hours. Her temper was the stuff of legends in the Hollow.

 

We had only walked for about fifteen minutes when we heard the horses. They were snorting and whinnying low, and their hooves clopped on the ground like they were pawing and trying to get away from their masters.

 

“The horses are upset,” I whispered to Sander. We couldn’t see anything yet. I wondered what had bothered the animals so much.

 

“Shh,” Sander said. “They’ll hear us.”

 

“They won’t hear us over that noise,” I said.

 

“I thought you wanted to sneak up on them so they wouldn’t send us away?” he said.

 

I pressed my lips together and didn’t respond, which was what I always did when Sander was right about something.

 

The trees were huddled close together, chestnut and sugar maple and ash, their leaves just starting to curl at the edges and shift from their summer green to their autumn colors. The sky was covered in a patchwork of clouds shifting over the sun, casting strange shadows. Sander and I crept side by side, our shoulders touching, staying close to the tree trunks so we could hide behind them if we saw anyone ahead. Our steps were silent from long practice at sneaking about where we were not supposed to be.

 

I heard the murmur of men’s voices before I saw them, followed immediately by a smell that was something like a butchered deer, only worse. I covered my mouth and nose with my hand, breathing in the scent of earth instead of whatever half-rotten thing the men had discovered. My palms were covered in drying mud from the riverbank.

 

The men were standing on the track in a half circle, their backs to us. Brom was taller than any of them, and even though he was the oldest, his shoulders were the broadest, too. He still wore his hair in a queue like he had when he was young, and the only way to tell he wasn’t a young man were the streaks of gray in the black. I couldn’t make out the other five men with their faces turned away from us-they all wore green or brown wool coats and breeches and high leather boots, the same style as twenty years before. There were miniatures and sketches of Katrina and Brom in the house from when they were younger, and while their faces had changed, their fashions had not. Many things never changed in the Hollow, and clothing was one of them.

 

“I want to see what they’re looking at.” I whispered close to Sander’s ear and he batted at me like I was an annoying fly.

 

His nose was crumpled and he looked a little green. “I don’t. It smells terrible.”

 

“Fine,” I said, annoyed. Sander was my only friend but sometimes he lacked a sense of adventure. “You stay here.”

 

“Wait,” he said in a low whisper as I crept ahead of him. “Don’t go so close.”

 

I turned back and flapped my hand at him, indicating he should stay. Then I pointed up at one of the maples nearby. It was a big one, with a broad base and long branches that protruded almost over the track. I hooked my legs around the trunk and shimmied up until I could grab a nearby branch, then quickly climbed until I could see the tops of the men’s heads through the leaves. I still couldn’t quite see what they were looking at, though, so I draped over one of the branches and scooted along until I had a better look.

 

As soon as I saw it, I wished I’d stayed on the ground with Sander.

 

Just beyond the circle of men was a boy-or rather, what was left of a boy. He lay on his side, like a rag doll that’s been tossed in a corner by a careless child, one leg half-folded. A deep sadness welled up in me at the sight of him lying there, forgotten rubbish instead of a boy.





Friday, May 24, 2019

#Review - The Girl in Red by Christina Henry #SyFy #Apocalyptic

Series: Standalone
Format: E-Galley, 304 pages
Release Date: June 18, 2019
Publisher: Berkley
Source: Publisher
Genre: Science Fiction / Apocalyptic & Post-Apocalyptic

From the national bestselling author of Alice comes a post-apocalyptic take on the perennial classic “Little Red Riding Hood”…about a woman who isn’t as defenseless as she seems.

It’s not safe for anyone alone in the woods. There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn’t look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago.

There are worse threats in the woods than the things that stalk their prey at night. Sometimes, there are men. Men with dark desires, weak wills, and evil intents. Men in uniform with classified information, deadly secrets, and unforgiving orders. And sometimes, just sometimes, there’s something worse than all of the horrible people and vicious beasts combined.

Red doesn’t like to think of herself as a killer, but she isn’t about to let herself get eaten up just because she is a woman alone in the woods….


Story Locale: Post-apocalyptic America




Author Christina Henry's The Girl is Red is a post-apocalyptic interpretation of Little Red Riding Hood. Red is a young woman of mixed-race ancestry with a prosthetic leg who is a fierce opponent for the fallen world's wolves. When the world is hit with a plague called the Cough, Red has designs on making it 300 miles to her Grandmothers house. In doing so, she will have to fight off not only other humans, but militias that kidnap women and children, and an army that carries classified information about really happened.

In the apocalypse, everyone should stay together no matter what. That is what Red learned over the years. But, Red hasn't even begun to witness the true horrors of what happens when nobody is around to witness the transgressions of those with agendas, and those who are just trying to survive at another persons life. With her distinct red sweatshirt, and her trusty axe, Red must travel through forests, over interstate highways that are breeding ground for rogue elements, while staying away from so called camps that everyone still alive is supposed to report to.

Red knows the camps are a bad place. It's a place that the so called Cough can easily spread from person to person. But, she isn't so cold that she will leave 2 innocent children behind to their own devices. Come hell or high water, Red is going to make it to her Grandmother's house even if it means killing every single bad wolf that crosses her path. This is a story that alternates between the present and the before as readers get a look at what happened to the country. Henry comes back to what she knows best; stories with twists on original stories like Alice and Lost Boy. But, there is a caveat. Once again, an author attempts to insert views on certain political agendas which just get in the way of the enjoyment of this well-plotted, swift-paced story of survival.
 


https://www.goodreads.com/book/show/42881101-the-girl-in-red#other_reviews



Wednesday, June 13, 2018

ARC #Review - The Mermaid by Christina Henry #Fantasy #Historical

Series: Standalone
Format: Paperback, 336 pages
Release Date: June 19, 2018
Publisher: Berkley
Source: Publisher
Genre: Fantasy / Historical Fiction

From the author of Lost Boy comes a beautiful historical fairy tale about a mermaid who leaves the sea, only to become the star attraction of history’s greatest showman.

Once there was a mermaid called Amelia who could never be content in the sea, a mermaid who longed to know all the world and all its wonders, and so she came to live on land.

Once there was a man called P. T. Barnum, a man who longed to make his fortune by selling the wondrous and miraculous, and there is nothing more miraculous than a real mermaid.

Amelia agrees to play the mermaid for Barnum and walk among men in their world, believing she can leave anytime she likes. But Barnum has never given up a money-making scheme in his life, and he’s determined to hold on to his mermaid.


Story Locale: Maine and New York in the 1800s




Christina Henry's The Mermaid is a historical fairy tale with a slight bit of darkness and a twist. It is the author's follow up to such stories as Lost Boy, Alice, and Red Queen. The story is a standalone novel set in 19th century America (1842). The story centers on the creature known as the Feejee Mermaid that was apparently a real humbug perpetrated by none other than P.T. Barnum who went on to found Barnum and Bailey Circus. Henry's version of the story is about a woman named Amelia Douglas who learns to live in a world completely different than her own, with both good and bad sides. 

From meeting a fisherman named Jack who caught her and let her escape and later became her husband, to the young lawyer, Levi Lyman, who travels to Northern Maine at the behest of one P.T Barnum to find the woman who rumors claim is a mermaid, to Amelia's time with P.T. Barnum, his wife Charity, and three children, as his main attraction known as the FeeJee Mermaid. Amelia is a very curious character. She always longed to discover other parts of the ocean. She never seemed happy to be among her family. 

When she met Jack, he allowed her to escape his net, and didn't tie her down or demand that she stay on land and become human. Amelia could fee Jack's longing and his sadness and found a way to become human for him. She had the freedom to return to the ocean without worrying about leaving Jack forever. Amelia and Jack's story really is a love story as well as the look into the frailty of what it means to be a human and not be immortal like a mermaid, which is what Amelia is. After 10 years of being alone, Levi arrives on her doorstep asking her to come to NYC where P.T Barnum's American Museum is located.

She had no intention of joining him. But, she has a restless soul and changes her mind. Amelia is all about having an adventure after being land bound for decades. She would love to travel the globe and see different places. The story actually alternates between Amelia, Levi, and P.T.  P.T. sees Amelia as his ticket to a better life for himself and his family, especially since his previous humbug blew up in his face. As Amelia joins P.T., she realizes that this isn't the way she thought she would see the world. She didn't expect to be leered at, condemned, or treated as some sort of curiosity. She didn't expect to open her heart again after being with Jack for such a long time.

I loved that Amelia is written as a woman with a mind of her own who is not willing to just go along with the so called normality that is the human world, including how women are supposed to dress, and act. Amelia is definitely a challenge for all characters in this book, but most especially P.T. Barnum who never thought he would be outmatched by a spunky mermaid with drive, and determination. Henry also doesn't do the whole Little Mermaid makeover and have Amelia be half mermaid, and half human. Nope, she is all mermaid from her skin, to her teeth, to her long black hair, and black eyes.

You, as the reader, need to really put history in perspective as you read this story. Levi is a factual character. He really did exist, as well as his alias Dr. Griffin who supposedly found the FeeJee Mermaid. Of course, P.T. Barnum is also a historical figure, but the author has stated that she took freedoms with his character since there have been so many author biographies, and even movies depicting his life, and that of his families. I have to say that I came to really love Charity Barnum, as well as her daughter Caroline. They both become Amelia's strongest supporters and friends.

One could say that the author also puts forward a message as to how we, as humans, treat those who are different. Different skin color, different religions, different backgrounds, etc. She even travels to the deep south where life is not so wonderful for the slaves who are still not freed, and won't be for many years to come. Remember, this story is pre-Civil War era. Things have come a very long way since then but we can't never forget are past.    






Friday, June 30, 2017

Saturday #Review - Lost Boy: The True Story of Captain Hook by Christina Henry #Fantasy #YALit

Series: Standalone
Format: Paperback, 304 pages
Release Date: July 4, 2017
Publisher: Berkley Books
Source: Publisher
Genre: Fantasy, Retellings

From the national bestselling author of Alice comes a familiar story with a dark hook—a tale about Peter Pan and the friend who became his nemesis, a nemesis who may not be the blackhearted villain Peter says he is…There is one version of my story that everyone knows. And then there is the truth. This is how it happened. How I went from being Peter Pan’s first—and favorite—lost boy to his greatest enemy. Peter brought me to his island because there were no rules and no grownups to make us mind. He brought boys from the Other Place to join in the fun, but Peter's idea of fun is sharper than a pirate’s sword. Because it’s never been all fun and games on the island. Our neighbors are pirates and monsters. Our toys are knife and stick and rock—the kinds of playthings that bite.  Peter promised we would all be young and happy forever. Peter lies.




Christina Henry, who took on Alice in Wonderland in her own unique way and managed to knock it out of the ball park, returns with a new take on Peter Pan in Lost Boy: The True Story of Captain Hook. Before reading Lost Boy, do yourself a favor and pretend that you've never read J.M. Barrie's Peter Pan. Pretend that Lost Boy is instead the prequel to Barrie's novel, or if you must, a re-imaging of the tale that puts the focus on how one boy, best friend of Peter Pan once, became the diabolical Captain Hook who hasn't been given a real chance to tell his own side of things. 

The key character is Jamie. Jamie, at 8 years old, was the first boy that Peter Pan brought with him to Neverland. Peter promised him that he would never grow up, that he would always have adventures, and that they would be together forever. All he had to do is love Peter, and be his playmate always. Jamie worshiped Peter once, but he has seen the toll that Peter's games have taken on the Lost Boys. Jamie is the best fighter on the island. Boy are both scared of him, and respect him because he, in turn, teaches them how to survive, and he knows where all the bodies have been buried. 

As the years have dragged on, Jamie realizes that Peter isn't the boy he thought he knew. Especially when he takes on being a mentor for a boy named Charlie, and later a new arrival name Sal who is more than I can say. Peter truly believes that the boys are replaceable, and if he loses one, he can always steal another one. Just as long as that boy is presumed to be unwanted. Would I consider this story to be a villain redeemed by alternative facts never heard of before? Quite so.

So, I ask you to do yourself a favor. Open your mind to the possibility that everything that you've been told about Captain Hook is a lie written by Peter and even Disney. Captain Hook is the perfect fall guy for Peter to blame for his truly bizarre behaviors. Pick up and read this story with an open mind and a willingness to extend reality to the possibility that everything that you've heard about Peter Pan is just plain wrong, and that Peter wasn't a nice boy at all. If you can do that, you will enjoy a truly fantastical ride with plenty of action, suspense, and most of all, adventure the likes that we expect from Christina Henry. 





Tuesday, July 19, 2016

#Tuesday 07/19 Review - Red Queen by Christina Henry (Horror, Retellings)

Series: The Chronicles of Alice, # 2
Format: E-Galley, 304 pages
Release Date: July 12, 2016
Publisher: ACE
Source: Publisher
Genre: Horror, Retellings


The author of Alice takes readers back down the rabbit hole to a dark, twisted, and fascinating world based on the works of Lewis Carroll...  The land outside of the Old City was supposed to be green, lush, hopeful. A place where Alice could finally rest, no longer the plaything of the Rabbit, the pawn of Cheshire, or the prey of the Jabberwocky. But the verdant fields are nothing but ash—and hope is nowhere to be found.   Still, Alice and Hatcher are on a mission to find his daughter, a quest they will not forsake even as it takes them deep into the clutches of the mad White Queen and her goblin or into the realm of the twisted and cruel Black King.   The pieces are set and the game has already begun. Each move brings Alice closer to her destiny. But, to win, she will need to harness her newfound abilities and ally herself with someone even more powerful—the mysterious and vengeful Red Queen...



Red Queen, by author Christina Henry, is the second installment in The Chronicle's of Alice series. The story picks up shortly after Alice and Hatcher left the City behind. The pair has set out to search for Hatcher's long lost daughter Jenny who was supposedly taken to the East. Red Queen is not Alice in any way shape or form. There is less violence, more of Alice looking into who she has become since escaping the Hospital where her parents left her to rot. She's a magician who has never been taught her trade because being a magician is a death sentence. She has to figure out what she is capable of while also dealing with the fact that sometimes good deeds end up badly. 

Alice has to go solo for a large chunk of the story after the White Queen lures Hatcher away. She ends up standing in for a village's children, facing a Black King who resides in the forest while luring women to their deaths, befriending a kindly Giant named Pen, and ends up learning more about her self, and her inner strengths, than we ever saw in Alice. While I loved the first book, I believe we get a better idea of Alice and who she has become since meeting Hatcher and Cheshire. One could ask themselves about the title of the book and whether or not it really pertains to this story. In fact, Henry and Publisher could have named the book White Queen and it would have made perfect sense to me. 

While there is a particular kick, as it were that involves the Red Queen, and her powers to thwart the evil White Queen, this story is about Alice's growth as an adult, as a magician, and one who is not scared to get her hands dirty or bloody in order to save children, and defeat villains. She's accepted that Hatcher and she are two of a kind. I loved that while Cheshire is a bit part in this book, he still hovers over the series. He is always in Alice's mind whenever she has to make a choice. He is in the beginning of the book telling Alice's story. And, he is at the end of the story when Alice must figure out which way her path leads to next.

I am hesitant to talk about whether or not this is the final installment. I have seen others claim this is only a Duology and that is fine. The ending leaves a path to another journey, but it also leads to a happy ending sort of fairy tale that one has to expect from fairy tale retellings. Will Alice and Hatcher have one more adventure before they settle down for good? One can only hope.