Tuesday, October 6, 2026

#Review - The Vanished Sister by Sherry Thomas #Historical #Mystery

Series:
 Lady Sherlock # 9
Format: 
333 pages, Paperback
Release Date: September 29, 2026
Publisher: Berkley
Source: Publisher
Genre: Historical, Mystery

In Victorian England, It’s been three years since Charlotte Holmes struck a decisive blow against Moriarty's operations in Britain, three years of relative calm and benign developments. In a buoyant mood, everyone gathers at Lord Ingram's seaside cottage in North Devon for what promises to be a perfect summer holiday. Until Mrs. Watson receives an invitation from Mrs. Carstairs, her long-estranged sister, to attend a house party nearby.

Mrs. Carstairs has married spectacularly well. She is the mistress of a great manor, a doyen of all domestic arts, and still an unforgettable beauty. Now she clamors for a reconciliation with her sister. Mrs. Watson does not trust Mrs. Carstairs's motives. Yet she cannot help but feel tremors of the old admiration for this once-beloved sister. 

Then Mrs. Carstairs disappears without a trace. The next day a woman is discovered floating on the waves, her build and coloring matching those of Mrs. Carstairs. But her husband insists that the corpse fished out of the Bristol Channel cannot be his wife. So where is the real Mrs. Carstairs? Would she have purposely dragged Mrs. Watson into a murder investigation? Or was it Sherlock Holmes's involvement that she needed from the very beginning?


The Vanished Sister, by Sherry Thomas, is the Ninth installment in the author's Lady Sherlock series. Three years have passed since Charlotte Holmes dealt a serious blow to Moriarty’s operations in Britain. The interval has been unusually quiet. Charlotte, Mrs. Joanna Watson, Lord Ingram (Ash), and Penelope gather at his seaside cottage in North Devon for what looks like an ordinary summer holiday. Then Mrs. Watson receives an invitation from Justina Carstairs, her elder sister, whom she has not seen in years. 

Justina has married twice and well. She is mistress of Noble House and High Burrow, a holiday estate near Ash’s cottage; a beauty and a model of domestic accomplishment; and the granddaughter of a country curate who calculated every step of her rise. She cut Joanna off so that Joanna’s past—as an actress, a courtesan, and a duke’s longtime mistress, later the wife of a middle-class doctor—would not stain that ascent. Now she wants a reconciliation, during a house party, with her son’s engagement in the balance. 

Joanna does not trust the motive, but she goes anyway. Soon thereafter, Justina vanishes. The next day, a woman’s body is pulled from the Bristol Channel, similar in build and coloring. Everett Carstairs insists the corpse is not his wife. Charlotte and the others, including Inspector Treadle, are left with a missing-person case, a possible murder, other missing women who may or may not connect, and the question of whether Justina engineered Sherlock Holmes’s involvement from the start.

Moriarty remains a shadow rather than the engine of the plot. Joanna, to the women Justina now moves among, might as well be a parrot: even if she recited Cicero, she would still belong to an inferior species. Justina’s own cost is quieter and meaner—the loneliness of a woman not born to the manor, standing in front of senior servants and a web of bloodlines, afraid her children will be marked by a mother who was once “of no consequence whatsoever.” 

The Carstairs marriage has love, but also deception, jealousy, and dangerous games. The investigation peels Justina off her pedestal and forces Mrs. Watson to revise the story she has told herself about which sister was the righteous one. Series readers who have wanted more of Joanna’s history get it here, and the emotional payoff is the reason to read the book. The mystery itself is busier than it needs to be. There is a large cast, several locales, class lines that matter to motive, and breadcrumbs that blur if you don't track them closely. 

Charlotte’s methods are still clever, and the ensemble is the pleasure it has become over nine books, but the solution asks for patience more than it invites the reader to race her. The romance between Charlotte and Ash, as well as Olivia and Stephen, has progressed to the point where nothing should surprise you. Read the books in order. Taken on its own terms, it is an eloquent, slightly overplotted Victorian mystery whose best scenes are not the reveal but the cost of the life Justina built and the sister she discarded to keep it. One last comment: if you were waiting to find out if Penelope would know who her mother really is, then your wait, SPOILER, is finally over. 




One

August 1890

On the coast of North Devon

What a perfect day, thought Mrs. Watson drowsily.

A breeze billowed the sails of the gaff-rigged sloop. To the starboard stretched the sunlit waters of the Bristol Channel, the silhouette of Wales faintly visible in the distance. On the other side reared the magnificent coastal bluffs of North Devon, carpeted in purple heathers.

They were sailing due west, but the green-lensed carriage specs Mrs. Watson sported-a fashionable gift from her dear Penelope-blunted the strongest rays of the afternoon sun. Across from her, Miss Charlotte Holmes examined the inside of their picnic hamper with the solemn concentration of an archeologist.

Mrs. Watson wanted to laugh-the dear girl would not find much. They'd sailed to Lynmouth this morning and, despite Miss Charlotte's preference for the newly constructed cable railcar, zigzagged up the steep path on foot to the clifftop hamlet of Lynton.

From there they'd explored the otherworldly Valley of Rocks, noted for its unusual rock towers, and walked past the abbey to Woody Bay before returning to the outskirts of Lynton for a picnic luncheon.

The picnic hamper, which had traveled up the cable railcar in the care of Mr. Mears, Mrs. Watson's butler, had seemed a veritable cornucopia. Yet it had proved barely sufficient for the appetites of six hungry ramblers in addition to Mr. Mears himself. Mrs. Watson, who usually watched what she ate, had indulged in two large servings of a glistening tart, topped with wild raspberries they themselves had harvested near Lord Ingram's seaside cottage.

"I thought there was nothing left of the food," said Miss Olivia Holmes from the bow of the vessel, where she sat next to Mr. Marbleton.

"It's all gone," replied Miss Charlotte. "I am but surveying the scene of the carnage. Does anyone want limeade, by the way? If we finish that, too, then we can claim total victory."

Penelope's bell-like laughter rang out. "Well, if you put it like that, then of course we must do all we can for total victory."

Mrs. Watson chortled as she sank more deeply into the pleasant woolliness that was the inevitable byproduct-at least at her age-of vigorous exercise followed by a great deal of delicious food.

She felt Penelope leaning forward and heard the splash of limeade falling into a cup. Lord Ingram, at the helm, asked whether they ought to sail faster so that they'd sit down to tea sooner. "No need," replied Miss Charlotte. "Let's not jostle Mrs. Watson."

Mrs. Watson meant to protest that she didn't mind a little jostling in exchange for greater speed. But the words, right on the tip of her tongue, disappeared into the ether. And it was so very agreeable, their current pace, bobbing just enough to let her feel the boat's progress.

Rather like how life had been in the past three years, ever since Miss Charlotte had outmaneuvered Moriarty: more or less smooth sailing for the two women responsible for the operations of Sherlock Holmes, consulting detective.

In fact, with Moriarty in hiding, life had been good for everyone on the sloop.

Penelope, five years into her seven-year French medical education, remained fascinated by everything that could go wrong-and right-with the human body.

Lord Ingram had written a well-received archeological treatise on Celtic Britain and gone on a standing room-only lecture tour the previous year. His children thrived in spite of the absence of their mother. And at thirty-one, he was fitter and more striking than ever.

Miss Olivia thrilled Mrs. Watson by publishing not one but two novels featuring the great consulting detective. In addition, she'd written several short stories in which Sherlock Holmes flexed his deductive prowess, with the goal of making them available as a collection at a later date.

Mr. Stephen Marbleton, Miss Olivia's beau, had perhaps profited the most from Moriarty's retreat: After losing his entire operation in Britain, Moriarty had left the Marbletons, his sworn enemies, alone.

As a result, Mr. Marbleton no longer needed to be constantly on the move, as had been the pattern his whole life. This greater stability worked wonders for his courtship of Miss Olivia. Instead of always meeting each other in passing, he could now remain near her for an extended period of time.

"I will never not love the sea and I would like to live within view of it, if possible." Miss Olivia's words, despite the enthusiasm in her voice, sounded a little faint. "Not directly hanging on a cliff over the waves, as much as I love that house in Lynton-the one that you said used to have a private cable car-but a mile or so inland, with the sea in walking distance."

"My cousin has a place on the Sussex downs that might be perfect for you," said Lord Ingram, his words too a bit indistinct, for all that he stood only a little aft of Mrs. Watson.

"Really?" Miss Olivia's voice was becoming inaudible. "I like Sussex. It's sunnier than . . ."

Mrs. Watson rested her head on Penelope's shoulder. The dear girl only ever smelled of good Provençal soap, not like Mrs. Watson, who used to reek of attar of jasmine.

You can't live like this, Joanna. You can't waste so much money on perfume and other fripperies.

How odd. She actually agreed with Justina's chastisement. She had been too spendthrift and her purchases had been no proper essence, but badly diluted who knows what. But ah, the joy she'd felt applying those drops to her inner wrists, the contentment of feeling a veritable Salome at that silly, marvelous age . . .

". . . very nice dress. What do you think, Miss Charlotte?" came Penelope's voice.

"Oh, I agree. And that is probably a very beautiful woman, too."

"Too bad we can't see her face behind her binoculars," said Miss Olivia.

"I wonder if she's from that house on the bluffs." Mr. Marbleton added his voice to the discussion.

Mrs. Watson slowly opened her eyes. The sun still shone. A few puffy clouds now drifted across the vast blue sky. Lord Ingram's cottage, its terrace overhanging the bluffs, was visible a mile or so ahead. Were they that close to home then? How long had she slept?

She sat up straight and turned in the direction of everyone's gaze. Two great conical outcrops, the Hangman Cliffs, came into view. Great Hangman, at just over a thousand feet in elevation, was the highest sea cliff in all of England.

But the sloop had already sailed past Great and Little Hangman, and now cut across the waters before a secluded beach. At the very edge of the precipice that loomed over the beach stood a slender figure in a white dress. Her skirts danced in the breeze; the long ends of a green sash belt levitated sinuously.

A pair of binoculars hid her face. She could be looking at anyone on the sloop, yet Mrs. Watson felt herself under scrutiny.

She tensed. "Who's that?"

"The house across the bay from ours, the one you said you wanted to see up close? It's hidden from us right now because the land dips down," said Penelope cheerfully, "but it's right beyond these bluffs, a quarter mile due south. What is it called again, Ash?"

"High Burrow."

From the terrace of his cottage, one had a panoramic view of the Hangman Cliffs and the sheep-dotted moors beyond. On such an expanse of moorland, high above the little town of Combe Martin, perched a Gothic house that, at first glance, appeared incongruous with its surroundings.

Then again, such an edifice rather embodied the spirit of the age: Architectural vernaculars were ground together as if put through a vegetable mill and new owners transformed old dwellings with wild abandon.

"You think she's from that house?" Mrs. Watson asked, staring. Something about the woman was familiar. Too familiar. The figure. The air of authority. That head of shiny chestnut hair, not a strand out of place despite the air currents.

"Could be," answered Lord Ingram. "I've not met the family."

Abruptly, the woman turned around and walked away, disappearing rapidly. Mrs. Watson let out a breath, released her fingers from around the gunwale, and slowly turned around. "So who owns High Burrow?"

"The Carstairses of Lincolnshire," said Miss Charlotte, looking directly at Mrs. Watson. "Have you heard of them?"


Lord Ingram’s seaside cottage was a cottage in roughly the same sense that Chatsworth House was a house. He had bought it as a present for his former wife, who, as it turned out, had no use for it. For years it sat empty, seldom visited by either husband or wife, and certainly not the two together with their children. At one point it only had a single elderly caretaker who could barely keep up with the grounds, let alone cook and clean for visitors.

But things had changed since Lord Ingram's divorce. Or rather, since he took up with Miss Charlotte. Lord Ingram, thoughtful man that he was, quickly realized that while Miss Charlotte could visit him occasionally in disguise at Stern Hollow, his country seat, it was much more convenient for everyone if she didn't have to run the gauntlet of a large manor house that was both full of servants and surrounded by curious neighbors.

Subsequently, this long-neglected spot on the Devon coast became their love nest. It now boasted modern plumbing and a well-ventilated new kitchen, as well as new floors, new flues, new windows, and a new name. Mrs. Watson wasn't sure what the place had been called earlier, but Miss Charlotte had dubbed it Sans Souci-French for Without Worries-and Lord Ingram had had the name engraved upon a plaque and affixed it to the gate.

Mrs. Watson, prone to fretting, had felt unusually carefree at Sans Souci. But as the company reached the cottage at the end of their otherwise idyllic excursion, she was anything but happy and assured.

In fact, she made sure not to look toward High Burrow, now a looming presence in the distance.

Mrs. Watson had not needed to answer Miss Charlotte's question, for Miss Olivia had piped up at that moment, My goodness, that's the family Philana Newell will be marrying into! I knew that they had a place somewhere on the Devon coast, but I had no idea it was so close to Sans Souci.

For the past three years, though Miss Olivia spent a good bit of time with Mrs. Watson and Miss Charlotte, she officially resided with Mrs. Newell, distant cousin and great friend to the Holmes sisters. The world believed her to be Mrs. Newell's companion, though in truth she was more the latter's guest at her dower house in Derbyshire, not far from Lord Ingram's estate.

And so Mrs. Watson learned that Philana Newell, Mrs. Newell's granddaughter, had become engaged recently to none other than the Carstairses' younger son. Moreover, the Carstairses, who made use of their holiday house only sporadically, would presently be hosting the Newells at High Burrow to celebrate the engagement.

Miss Olivia deemed that the house party would not affect them and they'd continue with their own holiday as planned. But Mrs. Watson felt a tightening of her collar.

On the eve of this important social occasion for Justina, Mrs. Watson had blithely sailed by High Burrow, her grown-up daughter by her side, surrounded by their friends. Would Justina see that as merely the coincidence it had been, or would she extrapolate a wholesale insurrection on Mrs. Watson's part?

The tea that welcomed the ramblers back to Sans Souci was a substantial spread. As everyone else tucked into cakes and sandwiches, Mrs. Watson badly wanted to fortify her cup with a dram of whisky, or at least some brandy. But such a beverage would be difficult to explain on a warm day . . .

Penelope was already proposing a game of tennis. When the cottage was renovated, Lord Ingram had added a tennis court and his guests had made good use of it.

"I'm still surprised that you do, in fact, play tennis." Miss Olivia laughed as she addressed her sister. "You always wrote that 'Games of tennis were played' and I always imagined that someone was conscripted to play with Ash while you sat nearby with a Victoria sponge and a stack of books."

"You're not wrong about the Victoria sponge," answered Miss Charlotte while biting into a slice of Victoria sponge. "Ash knows how to dangle a carrot. He always promises a grand picnic, but only after games of tennis or long rambles for which we must start at dawn."

Miss Olivia tittered. "So you were the conscripted one."

They scattered amid peals of laughter-which were beginning to take on a fey and brittle tone in Mrs. Watson's ears-to change into tennis costumes. Mrs. Watson did so grimly and sat in her room for a quarter hour, her head in her hands, before she went down to join the company at the rear of the house.

Newly shorn grass, smelling of green sap and deep summer, fresh lines of chalk dust, laid down to mark the boundary of the court, young people in tennis whites stretching and limbering up-nothing but peace and unmarred contentment everywhere Mrs. Watson looked. Yet fear swirled in her heart.

"Where's Ash?" asked Penelope.

As if to answer her question, their host emerged from the house and headed straight for Mrs. Watson, a slight frown on his face. "Ma'am, Mrs. Carstairs from High Burrow is here to see you. Are you at home to her?"


Mrs. Watson did not remember what she said to Lord Ingram in turn. It didn’t even occur to her, until she was walking into the house, that he must already know, from a single look at Justina, that the two women were closely related.

Inside the drawing room, her caller, clad in a simple white dress cinched by a green sash-the same attire as the woman on the precipice-stood before the mantel. She looked up at a charcoal drawing of a Greek temple in ruins set against a stony mound that resembled nothing so much as a half-melted sugar loaf. Mt. Cynthus on the island of Delos, where Lord Ingram had recently carried out excavations on behalf of the French School of Athens.

Her silhouette was fashionably slender-how did she manage to maintain such a trim figure? But everything had its cost, did it not? Without a little padding on the body, a woman of their age was liable to be gaunt in the face.

Justina turned around. Yes, she had aged, and yes, her face was lean. That lack of youthful plumpness, however, only made her more deep-eyed and finely chiseled. Even the few strands of grey in her hair did not make her look old, only more distinguished.




Monday, October 5, 2026

#Review - Slayer by Leia Stone #YA #Fantasy #Romance

Series:
 Slayer # 1
Format: 
320 pages, Paperback
Release Date: September 8, 2026
Publisher: Bloom Books
Source: Publisher
Genre: YA, Fantasy, Romance

An all-new young adult series from Leia Stone. Perfect for fans of Vampire Academy, Buffy, and House of Night, this twisty, slow-burn supernatural romance will keep you guessing until the very last page.

They told me turning eighteen meant freedom. They never said it might kill me.

All I wanted was cake, candles, and a fresh start after aging out of the group home I've been stuck in for six years.

What I got instead? A vampire crashing my party and trying to drain me dry.

Apparently, vampires are real, and I can sense them.

Right before I become dinner, a gorgeous, broody vampire hunter named Asher swoops in and saves me. He tells me I'm not just some orphan with a bad attitude… I'm a legacy. A born Vampire Hunter. And now I've got a full ride to Nightguard Academy, a secret school for hunters.

Training to kill the undead? Kinda savage.

Except there's one problem: I'm hiding a secret so dark it could get me staked before graduation. And in a school full of monsters, secrets don't stay buried for long.


Slayer is the first installment in author Leia Stone's Slayer series. It is a fast, nostalgic vampire-hunter academy romance aimed at readers who grew up on Buffy, Vampire Academy, and House of Night, and it largely delivers on that promise. Stella Adams turns eighteen and ages out of Washington’s foster system with a modest plan: keep the library job, start community college, become an ultrasound technician. 

She was abandoned as a newborn and has spent years in group homes, so independence is supposed to be the whole story. Instead, vampires crash her birthday and try to drain her. She can sense them, and something about her blood makes her hard to kill. Asher Voss, a broody, green-eyed hunter, pulls her out of the attack and tells her she is not a random orphan. She is a legacy, descended from one of the founders of Veil Haven, the hidden city of vampire hunters. 

A portal later, she has a full ride to Nightguard Academy and a lifetime of training to catch up on. The book moves quickly from the attack into the academy, training, and the rules of a city that already feels older than Stella’s arrival. Veil Haven is more than a dorm set. It has history, factions, and a sense that the reader is only seeing the edge of it. That matters, because the book is clearly planting threads for the sequel, Staked (January 2027), rather than closing every door. 

Stella is the book’s strongest and most divisive element. Her caution is earned. A letter from her mother, who disappeared almost 20 years ago, warning her not to trust anyone, plus a childhood of temporary homes, makes her reluctance to bond with classmates and with Asher feel specific rather than generic “strong heroine” stubbornness. Found family is one of the better arcs: she has to learn that people might stay. The cost is that early Stella makes decisions that read as reckless once she knows vampires and hunters are real. 

Asher is the classic protector love interest—handsome, closed off, carrying his own trauma—and the romance is a genuine slow burn with no on-page spice, which fits the 14–18 positioning. The tension is there; the payoff is mostly deferred. The weaknesses are the usual ones for a series opener. The ending is abrupt, with loose ends left on purpose, and some of the secrets Stella is hiding are teased more than explored. The academy beats—catching up in class, training sequences, a broody mentor-adjacent love interest—are familiar, and the book does not reinvent them so much as execute them cleanly. 




Thursday, October 1, 2026

#Review - Winterveil by Ava Reid #YA #Dystopian #SYFY

Series:
 Winterveil
Format: 
448 pages, Hardcover
Release Date: September 15, 2026
Publisher: HarperCollins
Source: Publisher
Genre: YA, Alt History, Dystopian

The Secret History meets Ready Player One in #1 bestselling author Ava Reid’s brand-new, thrilling alternate-future duology, where four teens are recruited into a century-long virtual Cold War until they discover the truth and decide to fight back.

The top students at Valeran Academy should be in jail. Instead, they were offered a way out: enroll and pledge themselves to the nation. In their alternate future where the Cold War still rages, America needs patriots—don’t call them spies.

In the halls of America’s most covert military academy, all that matters is who is number one. Four students rise to the top: Julian, the politician; Klaudia, the strategist; Nadiya, the soldier; and Giselle, the beauty queen with a secret that could change everything.

As they compete for the top ranking that would free them from their gilded cage, the four feel strangely drawn together. Underneath every rivalry lurks a desperate yearning, bringing the strongest of them down to their knees.

Too soon, they’re ripped from the safe walls of their school and recruited for a mysterious training mission that their elusive headmaster tells them is only a simulation. But the four teens quickly realize that they are merely pawns, designed to play off of each other in a dangerous game. Even their blossoming feelings will be used against them in this game of war.

To win, they will have to question everything: each other, themselves, even their very understanding of reality.

It was only supposed to be a game. But now lives and hearts are on the line. Are you brave enough to play?


Ava Reid's Winterveil is the first part of a two-part duology. The premise begins with: In a world where Gorbachev was assassinated and the Cold War dragged on, the eerie tension of the Cold War combines with futuristic concerns like AI, the metaverse, and the surveillance state. Part ripped-from-the-headlines and part history, the publisher frames it as The Secret History meets Ready Player One, or The Secret History meets The Ballad of Songbirds and Snakes. 

The point of divergence is the 1984 assassination of Mikhail Gorbachev on the steps of Downing Street. The thaw never arrives. By 2037, the Soviet Union still exists, proxy wars continue across continents, defense contractors (notably Auric) and neural technology lock the stalemate in place, and a “third Red Scare” atmosphere colors American institutions. Valeran Academy, hidden in Virginia’s Blue Ridge Mountains and founded in 1963 under Kennedy as a joint CIA/DOD project, has no application process. 

It recruits precocious teenage offenders and commutes their sentences in exchange for training as strategists, cryptographers, hackers, and weapons specialists—the future pipeline for intelligence work. Official language insists “We are not training spies—we are training patriots.” Students compete on a public ranking board; top placement is the path out of the gilded cage. Curriculum blends classical strategy (including the Melian Dialogue: “The strong do what they will, and the weak endure what they must”) with neural interfaces and war simulations.
The four leads
  • Julian Joyce-Young III: Elected mayor of Boston at eighteen (on a dare, in some accounts), then impeached and arrested for bribery and embezzlement. Disowned by a powerful political-business dynasty. Charming orator placed on the Strategy and Statecraft track; his chapters carry much of the political and familial pressure.
  • Klaudia Shimonova: Leningrad-born, Upper West Side–raised, arrested at fifteen after forging her father’s trading credentials and turning them into roughly $10 million. Holds the academy’s rank-one spot for years. Treats social interaction as a game-theory problem; Reid’s strongest character to date—a girl who made herself cold because the alternative was her father’s hands.
  • Giselle Buckley: Small-town West Virginia pageant queen with a scientifically verified eidetic memory capable of projecting vivid visual memories into other minds. Arrested for credit-card theft. Her ability becomes central to the technology plot.
  • Nadiya Karam: Weapons and tactical prodigy, orphaned and raised inside the academy as the personal ward of headmaster Dr. Cornelius Iver. Third-generation Lebanese American; carries a dangerous family secret tied to the neural systems the school uses. Forms the book’s primary sapphic romance with Giselle.
Archival inserts—press clippings, redacted files, scrapped CIA language insisting “we are not training spies—we are training patriots”—do more world-building than exposition dumps. The school's competitive engine, which Reid links to her time in competitive Pokémon’s VGC format, produces the book’s best set piece: Thymos.exe, a student-built neural strategy game whose tournament final collides rankings, romance, and plot on one stage. 

When the four are pulled into Traumstadt, a simulated East German town whose mission parameters keep being rewritten, the novel finally becomes the spy thriller it promised. Klaudia is the reason to read it. She is the sharpest character Reid has written: a girl who made herself cold because warmth was unsafe, and who remains legible even when she is calculating. The ensemble works best when the four are forced to choose cooperation over defection inside a game the state designed. 

That prisoner’s-dilemma frame is the book’s real subject: institutions that recruit already-failed adolescents, call the exploitation a second chance, and then use their minds as infrastructure. The weaknesses are real. The first act spends too long on cafeteria politics and the ranking board before the plot arrives. Several adult antagonists—a tech billionaire, a handler who speaks in riddles—are broad enough to hate and too thin to fear. 

Historical texture is suggestive rather than rigorous; the point of divergence is clear, but the half-century of altered Cold War that follows is sketched more than built. And the ending does not end. Leads are scattered, a major system (Project Dreamscape, a shared reality powered by neural impulses and anchored by an eidetic mind) is revealed and then left mid-crisis, and the book cuts out in a way that will satisfy readers who want a duology hook and frustrate anyone who wanted a complete novel. Content is upper YA in the mature sense: consensual and non-consensual sexual situations (not graphically explicit, but not coy about lead-up or aftermath), an attempted assault, parental abuse, a recounted sibling suicide, gun violence, and training that crosses into torture.





Wednesday, September 30, 2026

#Review - Lost in the Dark by Debra Webb #Suspense #Thriller

Series: Standalone
 
Format: 
367 pages, Paperback
Release Date: June 9, 2026
Publisher: Thomas & Mercer
Source: Publisher
Genre: Thriller, Suspense

The brutal murder of her sister draws a woman back to her hometown and all its dark secrets in a gripping novel of suspense by USA Today bestselling author Debra Webb.

Dr. CJ Patterson returns to her Alabama hometown when her estranged sister, Shelley, is found murdered in the woods. For CJ it means diving headfirst into a painful life she left behind.

CJ reluctantly partners with Detective Kevin Braddock, and the complicated romantic history they share is far from over. They soon zero in on Shelley’s abusive ex-boyfriend and a local crime boss who controls the struggling mill village’s illicit enterprises. But anyone is suspect in a town with so many secrets. Even Shelley died with a few of her own.

As the investigation continues, so do the murders. One by one they’re leading CJ into a past she desperately fled from. CJ knows her hometown all too well. And that her search for the truth, and for a killer, will only get darker.




Lost in the Dark is Debra Webb’s 2026 revised edition of her 2009 novel Everywhere She Turns. The story is a dark small-town investigative thriller with romantic-suspense elements. The official premise is straightforward: Dr. CJ Patterson, an emergency-medicine resident in Baltimore, returns to her struggling Alabama mill-village hometown of Huntsville, Alabama, after her estranged sister Shelley is found murdered in the woods. She is pulled back into a world of poverty, drugs, prostitution, and buried family secrets she fled years earlier. 

CJ reluctantly works the case with Detective Kevin Braddock, a former romantic interest whose history with her is far from settled. Early suspects include Shelley’s abusive ex, Ricky Banks, and a local crime boss who treats the village as his personal fiefdom. Additional murders follow, each one dragging CJ deeper into the past she tried to escape. The story uses multiple points of view, with CJ’s as the primary lens. The setup is classic Webb territory: a protagonist forced to confront the place and people that shaped her, while a killer who seems to know her too well stays one step ahead. 

Once the body count rises and the investigation tightens, the suspense and sense of danger increase and several twists appear. CJ is driven, professionally capable, and carrying a heavy load of grief and unresolved family trauma. She is not always likable. Grief, guilt, and the investigation explain some of her sharper edges, but her choices—especially the speed with which the old attraction to Braddock reignites—have been a sticking point for some readers. One detailed review noted that the physical reunion happens very soon after she sees her sister’s body in the morgue, which undercut the emotional weight of the opening for that reader. 

Braddock functions as both professional partner and romantic counterpart. The supporting cast—family members, the crime boss’s circle, Shelley’s world—is populated by people who almost all have hidden agendas. Few characters are purely sympathetic, which fits the grim setting but can make the book feel emotionally chilly. The Alabama mill-village atmosphere—economic decline, illicit economies, the way everyone knows everyone else’s business—is convincingly drawn. 

The investigation structure gives the story forward momentum once it hits its stride, and the later chapters deliver the rising danger and twists that thriller readers expect. A dark, readable hometown-murder thriller with a complicated heroine and a polarizing romance. Recommended for Webb fans and readers who like their suspense dirty and their secrets ugly; approach with the expectation of graphic violence and an early physical reunion between the leads.





Tuesday, September 29, 2026

#Review - The Doll Squad by Hailey Edwards #Fantasy

Series:
 Bureau of Curse Objects # 1
Format: 
281 pages, Kindle Edition
Release Date: September 14, 2026
Publisher: Black Dog Books, LLC
Source: Kindle Unlimited
Genre: Urban Fantasy

Danger in the line of duty is a given, but Officer Samantha Tiegs always figured her death would come in the form of a heart attack in her golden years after a lifetime of researching the age-old question— Can it be fried? Sadly, death has less delicious plans in store for her.

When she’s called to intercept a hijacking in progress, her world gets turned upside down. The thieves aren’t human, and whatever’s in the delivery truck they looted, they want it bad enough to kill for it. Except her death isn’t their end goal. It’s only the beginning of a twisted plan orchestrated by the person she loves most.

Everything she believed about her life, her family, was a lie. The truth is, she’s a pawn in a deadly game she can’t win alone. Enter the Bureau of Cursed Objects. The supernatural agency has a vested interest in her survival, and they make her an offer she can’t refuse.

Come work for them, and they’ll guarantee her safety, but her new partner is a man who poses the greatest threat to her yet. As long as she remains valuable, he’ll protect her from everyone. Including himself. But should her returns diminish, he won’t make any promises.

Warning: Contains one manga-obsessed heroine with an anime addiction, more fried food than a fairground on opening night, one hero with a reputation for killing his partners and a compulsion for labeling what he considers his, and a whole lot of family secrets, drama, and evil hiding where you least expect it.


The Doll Squad is the first book in Hailey Edwards’s new Bureau of Cursed Objects urban fantasy series. It follows Officer Samantha “Sam” Tiegs, a cop who expects to die of something mundane (preferably after a long life of fried-food research) and instead gets yanked into a hidden supernatural world when a hijacking turns out to be anything but human. 

Edwards, known for found family, messy magic, banter, and high-stakes chaos across series like Black Hat Bureau, The Beginner’s Guide to Necromancy, and The Body Shop, is working in familiar territory: a snarky heroine, a dangerous male lead, family secrets, and an agency that collects cursed or dangerous items. Sam responds to a hijacking in progress with her brother Cole. 

The thieves aren’t human, the cargo is something they will kill for, and her “death” is only the opening move in a plan tied to the person she loves most. Everything she thought she knew about her life and family is a lie. The Bureau of Cursed Objects—a supernatural agency with a vested interest in keeping her alive—makes her an offer: work for them, and they’ll protect her. Her new partner, however, has a reputation for killing partners and a possessive streak. 

He’ll keep her safe as long as she’s valuable. After that, no promises. Sam is a classic Edwards heroine: competent, food-obsessed (fried food and fairground-level snacking get mentioned in the warning), manga-and-anime-addicted, and funny under pressure. The voice is first-person, fast, and conversational—easy to fly through. As book one of a brand-new series, a fair amount of page time goes to world-building and Sam’s crash course in the Bureau. 

The possessive-partner dynamic and “he’ll protect you until you’re no longer useful” hook will delight some readers and annoy others depending on taste for that particular romance flavor. Because the book is very new, long-term series payoff (how the Bureau works, what the “Doll Squad” really means, how the family conspiracy unfolds) is still unknown. 

Pick this up if you enjoy:
Urban fantasy with a cop-turned-agent heroine
Banter + danger + found-family seeds
Possessive / morally gray male leads
Light anime/manga flavor mixed with Southern-fried food humor

Skip or wait if you dislike possessive tropes, want a standalone, or prefer slower, more literary urban fantasy.