Wednesday, April 22, 2026

#Review - Witches of Dubious Origin by Jenn McKinlay #Cozy #Fantasy

Series:
 Books of Dubious Origin # 1
Format: 
358 pages, Paperback
Release Date: October 28, 2025
Publisher: Ace
Source: Publisher
Genre: Cozy, Fantasy

When a librarian discovers she’s descended from a long line of powerful witches, she’ll need all of her bookish knowledge to harness her family’s magic, in this enchanting cozy fantasy from New York Times bestselling author Jenn McKinlay.

Zoe Ziakas enjoys a quiet life, working as a librarian in her quaint New England town. When a mysterious black book with an unbreakable latch is delivered to the library, Zoe has a strange feeling that the tome is somehow calling to her. She decides to consult the Museum of Literature, home to volumes of indecipherable secrets, some of which possess dark magic that must be guarded.

Here, among their most dangerous collection, the Books of Dubious Origin, Zoe discovers that she is the last descendant of a family of witches and this little black book is their grimoire. Zoe knows she must decode the family’s spell book and solve the mystery of what happened to her mother and her grandmother. However, the book’s potential power draws all things magical to it, and Zoe finds herself under the constant watch of a pesky raven, while being chased by undead Vikings, ghost pirates, and assorted ghouls.

With assistance from the eccentric staff of the Books of Dubious Origin department—including their annoyingly smart and handsome containment specialist, Jasper Griffin—Zoe must confront her past and the legacy of her family. But as their adventure unfolds, she’ll have to decide whether or not she’s ready to embrace her destiny.


Witches of Dubious Origin is the first book in author Jenn McKinlay's Books of Dubious Origin series. Zoe Ziakas leads a quiet, orderly life as a reference librarian in a small New England town in Wessex, Connecticut. She's pragmatic, fact-driven, and has deliberately distanced herself from any hints of the supernatural—especially after the personal loss of her own mother a month ago. Her routine shatters when a mysterious black book with an unbreakable latch arrives at the library. 

The tome seems to call to her in an inexplicable way. Curious (and a bit unnerved), Zoe, with help from Agatha Lively, seeks answers at the prestigious Museum of Literature in New York City, home to the special collection known as the Books of Dubious Origin—volumes filled with secrets, some laced with dark magic that require careful guarding. After meeting with key characters who will be her guides along the way (Jasper, Olive, Tariq, and Miles), she learns a stunning truth: she is the last descendant of a powerful line of witches, and the insistent black book is none other than her family's sentient grimoire.

What follows is Zoe's reluctant journey into a hidden world of magic, where she must harness her inherited powers (with a strong necromantic bent), decode dangerous spells, and navigate threats from both the living and the undead. Along the way, she encounters undead figures (think Vikings and other surprises), a pesky raven, ghost pirates, and a found family of witch-librarians at the museum. A shadowy, dark witch lurks as the primary antagonist, tied to Zoe's family history in tragic ways. 

The story mixes cozy vibes with higher-stakes adventure, including elements of mystery and a light romantic thread with a sexy mage. The Museum of Literature and its "Books of Dubious Origin" collection feel like a dream destination for any book lover—enchanted grimoires, indecipherable tomes, and the idea that certain books need literal guarding add a delightful layer of whimsy. At 36, Zoe is a refreshingly adult heroine—practical, a bit repressed about her magic, and initially resistant to the chaos. 

Her growth from denying her heritage to embracing (and cleverly using) her powers, often through bookish knowledge rather than raw talent, is satisfying. The magical elements stand out for their variety and fun integration. Sentient books, necromancy with a twist, undead characters, and creative spellwork tied to literature make the world feel fresh rather than generic. The book isn't without minor flaws.

The first half can feel repetitive as Zoe processes her revelations, and the central conflict follows a somewhat predictable cozy trajectory (with the big showdown arriving late). The higher-stakes elements (murder in the family history, a vengeful dark witch) occasionally push against the "cozy" label, though they don't tip into grim territory. World-building is strong but might feel info-dumpy in spots as Zoe learns the ropes.

McKinlay’s first foray into the fantasy genre delivers a satisfying romance wrapped in a warm, magical story with a sharp-witted, bighearted witch at its core. Will likely continue as it appears that the author has plans for writing more books featuring Zoe and crew. 



1

Package for you, Zoe." Bill Reed, my coworker at the Wessex Public Library, dropped a thick padded envelope, clearly holding a book, onto my desk. I glanced up at him. I was the reference librarian. He was acquisitions. Generally, book purchases went right to him.

Bill shrugged at the confusion on my face. "I know, but it's addressed to you and stamped Personal."

I glanced at the brown envelope. Sure enough, there was the stamp in an imperative shade of red right above the handwritten name Zoanne Ziakas-my name-and the library's address. Weirdly, there was no postmark or stamps or anything to indicate it had been delivered the usual way through the post office.

"Be careful opening it." Bill's eyes narrowed behind his wire-framed glasses. "It could be-"

He paused. Clearly his imagination had run out or he was hesitant to say bomb or poison or whatever nefarious thing could possibly be stuffed into a nine-by-twelve-inch padded envelope. Bill had the pasty complexion of a man who'd spent his adult life under fluorescent lighting. He was in his fifties, happily married to his wife, Meredith, of thirty years. They had two kids in college and spent most of their time dreaming about retirement. There wasn't much that disturbed Bill, so I was surprised by his unusual caution.

"Could be what?" I prodded.

"I don't know." He ran a hand over his thinning hair in a self-soothing gesture. "I just have a bad feeling about it."

"It's probably a catalog from a publisher or a library supply company that got misdirected to me," I said. Although, when I studied the loopy script of my name written in felt-tip pen, I felt the hair on the back of my neck prickle, and a flutter of alarm tickled my insides. I knew this handwriting. It was my mother's.

No, it couldn't be. My mother had passed away a month ago. There was no way she could have addressed this envelope from beyond the grave. It was just an unfortunate coincidence. Shaking off the unsettling feeling, I grabbed my scissors and sliced the envelope open. It didn't explode. No plume of poisonous smoke was emitted. Instead, out fell a thick black book encircled with a half-inch metal band that was engraved with a series of interlocking lines similar to a Celtic knot. The band latched into a decorative hexagon on the front cover. Fancy.

"Well, that underwhelms," Bill said. He appeared visibly relieved. "Looks like a journal of some sort. You were right. It's probably a promo item from a publisher."

I set the book down and glanced into the envelope. There was no note explaining what the book was, no flyer, nothing. I put the envelope aside and picked up the book. I pressed on the hexagon, thinking that might open the band. It didn't work. I tried turning the hexagon. It didn't budge.

"It's a pretty pricey item for a promo," I said. "Especially since I can't open it."

"Do you want me to try?" he offered.

"Go for it." I handed him the book.

Bill did the same pressing and twisting that I had. He tried to tug on the band but it was secured too tightly to give him any leverage. He handed it back and I returned it to its envelope for safekeeping.

"What we have here is a very decorative paperweight," he concluded.

I laughed. I opened my desk's bottom drawer and dropped the book inside. "I'll look at it later."

Bill headed back to his office, and I returned to my weekly report, forgetting all about the strange black book.


October was my favorite month, when the sticky humidity of summer departed and jeans-and-sweater weather returned. As I walked the half mile from the library to my cottage, I reveled in the chilly temperatures, the scent of wood fires on the air, and the satisfying crunch of leaves under my feet.

The village of Wessex, where I lived and worked, was nestled between the Appalachian Trail and the Housatonic River, in the northwestern corner of Connecticut. It was a small community known for the private boarding school that resided on the west side of the river. I had attended that school before leaving to go to university in New Haven and then doubling back here to the only place that had ever felt like home.

As soon as I stepped inside my cottage, I slipped into my pajamas while I microwaved a big bowl of mac and cheese. I flicked on the television and scrolled through the streaming channels until I found a mystery series I had yet to watch. I preferred the British ones because I loved that the actors and actresses in them looked like real people, as opposed to American television shows, where everyone looks like a supermodel pretending to be a real person.

I was halfway through my bowl of cheesy goodness and a third of the way through the first episode when I heard a thump on my front porch. I paused the show and stopped chewing, listening intently. Living in Wessex, where everyone knew everyone, I wasn't as worried about crime as I was about a neighbor dropping by to chat. It wasn't that bad things didn't happen here-of course they did-it was just that it was very rare, and usually the person who did the crime was known for having a dented moral compass, so it wasn't a big surprise.

Thump!

The noise sounded again, only more forcefully. Putting my bowl down on the coffee table, I shoved my chenille throw aside and crossed the room to the front door, switching on the outside light. I peered out the side window that looked onto the porch before opening the door. If it was a rabid raccoon looking for food, I didn't want to get into it with him. The porch was empty.

Just to be certain everything was all right, I opened the door and poked my head out. I glanced from side to side, seeing only my large potted geranium on one side and my small wicker table and two chairs on the other. Satisfied, I went to close the door and glanced down at the doormat. I gasped. Placed on the center of the mat was the same envelope that Bill had delivered to me at work. But I knew I had left it in my desk drawer. What the hell was it doing here?

I glanced around the porch to see if someone was lurking in the shadows, playing a prank on me. It wasn't really Bill's style-he was more of a dad-joke type of guy-but he was the only person who knew about the book, so logic dictated it had to be him.

"Not funny, Bill!" I called into the darkening evening. There was no answer. No one was there.

I picked up the envelope and pulled the book out, experiencing the same twinge of unease I'd felt before. A flash of green lit the porch as the envelope was immediately engulfed in emerald flames. I yelped and dropped it. In seconds the envelope was gone, leaving no ash or smoke behind. I examined my hand and noted that the weird neon fire hadn't even felt hot.

I glanced out at the street, making certain no one had seen what had just happened. Ever since my childhood, unexpected magic had always made me anxious.

I took another look around the porch and yard before I went back inside, then locked the dead bolt. I studied the aged volume more closely. It was a shade of black so matte it seemed to soak up light. The edges of the pages were jagged and uneven. And the book's hexagonal metal latch was rusted from humidity or lack of use, I couldn't tell which. I brought it to the kitchen, thinking I could open it with a knife.

Not wanting to lose a finger, I chose a butter knife. I slid it under the decorative metal band and tried to pry it loose. The metal didn't budge. I tried to pop the hexagon with the blade as well, but it held fast. I set down the utensil and glanced at the door. If it wasn't Bill who had dropped the book off and made the envelope go poof . . . nope. I refused to go there.

The pin pricked my finger and blood beaded up out of the wound. I yelped and dropped the pin. Drops of blood dripped from my middle finger and I pressed my thumb to the tip to stop the flow. Had I just stabbed myself with a pin . . . on purpose? I blinked. I glanced down, noting that I was wearing my pajamas.

Relief whooshed inside me. It was okay. It was just a dream. An awful, stupid, painful dream. I shook my head, trying to wake myself up. It didn't work. It couldn't . . . because I was already awake.

I glanced down at my kitchen counter, where small splats of blood marred the smooth surface. The battered old book that I had tucked into my shoulder bag earlier sat on the granite beneath my pricked finger.

Shit! I had almost bled on the book. I spun away from the counter and rinsed my finger in the sink. What the hell had just happened? Sleepwalking? Night terrors? Had I actually pricked myself with a pin? Why?

Grabbing a paper towel, I wiped the blood off the granite. I rinsed off the pin and returned it to the container I kept in the utility drawer at the end of the counter. I threw the towel in the trash and stood, staring at the book in confusion. What was the book doing on the counter when I was certain I had put it in my bag?

Insistent whispers sounded at the edge of my mind. Like shadows that faded as the sun rose, the words weren't quite loud enough for me to make out, but I knew. I knew without a doubt that those whispers had been in my dreams and that they had instructed me to stab myself with the straight pin. I glanced down. Goose bumps raised on my forearms as I gazed at the black book. I ran an uninjured finger over the cover, half expecting it to be absorbed into the black leather, as if it could pull me in just as it seemed to soak in the light. It didn't and I lifted my hand and noted my fingers were trembling.

I'd had a strange feeling about this mysterious volume from the moment I'd first touched it, and I knew of only one person who might be able to help me.

2

You think grief is making me lose it," I said.

During the month since my mother had passed away, Agatha Lively-my friend, mentor, and auntie all rolled into one loving yet bossy package-had repeatedly encouraged me to go to grief counseling, even though my mother and I had been estranged for years. I'd refused, feeling that I couldn't grieve a woman I didn't know. In my heart I understood that the only thing I mourned was that any chance at a relationship with my mother was now gone forever. Okay, so maybe some counseling wouldn't have been completely out of order.

"I didn't say that, Zoe." Agatha lifted the crocheted cozy that resembled a fat white goose off the delicate Haviland teapot and poured me a cup of rose hip tea. She was a big believer in its antioxidant properties. "I merely pointed out that you haven't slept properly since your mother's funeral, and this might be because you're sleep-deprived." She gestured at my finger with the Mickey Mouse bandage on it with a pointed look.

"No judgment, please. I am a meagerly paid public servant and these were on sale."

"I don't remember you being a sleepwalker. Is this a new development?" She ignored the explanation of my choice of bandage, which I wouldn't have needed except that the pinprick had been pretty deep. I was relieved to be up on my tetanus vaccination.

"No, as far as I know I've never done anything like this before." I took the teacup she offered. We were seated in the cluttered front parlor of Agatha's house. It was an old Victorian that sat prominently on the Wessex town green and had been in the Lively family for generations. Agatha was the last surviving Lively, and the house was packed to the rafters with her family's odd heirlooms, treasures, and tchotchkes. None of which she would consider parting with despite the collective mess. Having lived with her during my school vacations, I had tried to declutter it to no avail.

Sometimes I worried that Agatha would be done in by a falling stack of books or she'd trip on the variety of small cauldrons that lined the outer edge of the steps on the central staircase or, even more horrifically, she'd be eaten by one of the many sundew plants in the greenhouse. Yes, they were carnivorous and they gave me the heebie-jeebies. Although, to give credit where credit was due, she never seemed to have a problem with insects of any kind.

Agatha was short and curvy, with a deep brown complexion, white hair that fell in orderly ringlets to her shoulders, and professorial dark-rimmed glasses, which she lowered so she could peer at me with her direct deep brown eyes when she asked, "Have you tried taking valerian root?"

"Is it candy?" I met her gaze and she sighed.

"Of course you haven't. How you have survived to almost forty years of age from the nutrition found in a vending machine is beyond me."

I smiled, mostly because it was true. Not only had Agatha been my legal guardian since I was fourteen, she had also been my first boss. Like her, I was a librarian and Agatha had hired me fresh out of library school fifteen years ago when she was the director of the Wessex Public Library.

She had witnessed firsthand how I'd cobbled together my meals of Rice Krispies Treats (breakfast), Cheez-Its (lunch), and Snickers (dinner), preferably with a cola, not diet, on the side. Of course, I ate other stuff, but those were my mainstays.

"Ignoring my poor nutrition for the moment, what do you think of the book?" I asked.

Agatha sipped from her cup as if bracing herself. She set it down on its saucer atop an impressive stack of magazines. I'd sat in this room thousands of times over the years and I still had no idea what the coffee table beneath all the magazines and books looked like.

"You absolutely can't open it?" she asked.

"No. Whatever sort of lock is on it, it's impossible to crack. Believe me, I tried everything." I took the book out of the canvas bag at my feet and handed it to her.




Monday, April 20, 2026

#Review - A Murder of Crows by Steve McHugh #Urban #Fantasy

Series:
 Riftborn # 5
Format: Kindle, 295 pages
Release Date: 
January 20, 2026
Publisher: Podium Publishing
Source: Kindle Unlimited
Genre: Urban Fantasy

A dangerous game of ancient power will push the last raven to the edge of his limits in the fifth installment of this hardboiled fantasy noir series.

Lucas Rurik is used to being on the bad end of a terrible deal. He’s survived wars, seen his entire Guild murdered, and saved reality from certain doom more times than he’d care to count. But none of that has prepared him for the mess he’s currently in.

It seems his nemesis, Dr. Callie Mitchell, has tapped into the deepest magic in the Rift and destroyed one of the oldest rift-fused beings, tasked with ensuring the balance of power in the universe. No one knows what she’ll do next, and the surviving Ancients seem too distracted by their petty squabbles to take matters into their own all-powerful hands. So it’s once again up to Lucas to poke his nose where it doesn’t belong and attempt to negotiate with beings that most definitely don’t want to be reasoned with.

The clock is ticking, and Lucas will have to tap alliances and use every trick he has up his sleeve to stop a cosmically mighty madwoman on a mission. And time isn’t the only thing working against him. The secrets he uncovers could spell the undoing of everything, both on Earth and in the Rift . . .


A Murder of Crows is the Fifth and final installment in author Steve McHugh's Riftborn series. The Riftborn series follows Lucas Rurik, the last surviving member of the Raven Guild—a riftborn operative with unique abilities tied to a parallel magical realm called the Rift. The books blend hardboiled detective vibes, supernatural action, and escalating threats involving ancient powers, rift-fused beings, and dangerous human (or near-human) antagonists. 

Lucas has endured wars, the murder of his entire Guild, and multiple reality-saving crises. In A Murder of Crows, his longtime nemesis, Dr. Callie Mitchell—a brilliant but unhinged scientist obsessed with rift magic—crosses a catastrophic line. She taps into the deepest forces of the Rift and eliminates one of the Ancients: ancient, rift-fused entities meant to maintain universal balance. With the surviving Ancients distracted by their own petty conflicts, the burden falls on Lucas and his allies once again. 

He must negotiate with beings who have little interest in cooperation, forge uneasy alliances, and deploy every trick, skill, and favor at his disposal to stop a threat that could unravel both Earth and the Rift. Secrets uncovered along the way carry devastating personal and existential weight, pushing Lucas to his absolute limits. Lucas's allies aren't just convenient sidekicks; they're competent professionals who evolve into a genuine found family. 

They communicate openly, offer and accept help, show vulnerability without turning it into endless angst, and balance ruthlessness (when permanently neutralizing threats) with real care and loyalty. Compared to McHugh's Hellequin work, Riftborn starts a bit more grounded in noir/detective mode before expanding, which some may love for its growth, and others might find slower to hook them initially. 




Wednesday, April 15, 2026

#Review - White Wolf by Eric Van Lustbader #Thriller #Suspense #Espionage

Series:
 Evan Ryder # 5
Format: 
352 pages, Hardcover
Release Date: December 2, 2025
Publisher: Forge Books
Source: Library
Genre: Thriller, Suspense, Espionage

New York Times bestselling author Eric Van Lustbader pits Evan Ryder against a new and unfathomable threat in this heart-stopping new installment of this blockbuster thriller series!

In this cutting-edge installment of the acclaimed thriller series, New York Times bestselling author Eric Van Lustbader thrusts readers into a world where power is being redefined by a revolutionary communication program that renders modern encryption obsolete, one that will topple global power structures and give rise to technology-driven totalitarian states.

Evan Ryder races against time in a landscape where secrets can no longer hide behind digital walls. Ilona Shokova, the elusive, deadly assassin White Wolf, holds the key to mastering this unhackable method.

Two powerful, deadly women, one quest. Will either one of them survive?

In this pulse-pounding thriller, the future isn't just written in code - it's locked behind it.


White Wolf by Eric Van Lustbader is the Fifth installment in the author's Evan Ryder series. This book has way too many narratives for me to list, so I will get right to the story. Evan Ryder, a survivor of profound personal tragedy who has dedicated her life to covert operations, finds herself in a desperate race against time. A revolutionary new communication program threatens to render all modern encryption obsolete, potentially upending global power structures and paving the way for technology-driven totalitarian regimes. 

Secrets can no longer hide behind digital walls, and control of this unhackable technology is the ultimate prize. At the center of the chaos is Ilona Shokova, codenamed the White Wolf—an elusive, deadly Russian assassin and operative who holds the key to mastering this groundbreaking method. Described as an almost inhuman killing machine, Ilona carries on a legendary (and originally male-associated) legacy with ruthless efficiency. Evan’s mission becomes deeply personal when a young Russian boy named Timur—whom she regards as a son—is taken hostage and used as leverage.

Blackmailed after a violent attack, Evan must track down the White Wolf, navigate treacherous alliances (including with tech figures and her sometime lover), and retrieve a bizarre item tied to the conspiracy, all while racing to save Timur and prevent catastrophic global fallout. The story pits two formidable, deadly women against each other in a high-stakes quest where survival is far from guaranteed. The story has numerous locations, including Japan and Malaysia. 

The premise feels timely and relevant—exploring how unbreakable communication tech could destabilize nations and empower authoritarian control—without getting bogged down in excessive technobabble. The cat-and-mouse dynamic between Evan Ryder and the White Wolf generates strong tension, amplified by the personal stakes involving Timur. Evan remains a compelling protagonist: resilient, skilled, and driven by both duty and deep emotional wounds, while the supporting cast (including recurring figures from prior books, such as her own sister) adds layers of alliances and betrayals.

Ilona Shokova is a formidable antagonist, but her near-mythic portrayal sometimes borders on larger-than-life, which works in the thriller genre yet might feel less nuanced to readers seeking deeper psychological depth. The story serves well as a series capper or a late entry, though starting with The Nemesis Manifesto provides fuller context for character relationships and ongoing arcs.



1

SUMATRA, NORTHEAST COAST

MARCH

They had spent themselves physically. Their entwining—sometimes violent, sometimes sensual, always desperate—had taken over four hours. Now they lay, still entwined, two lizards stunned into immobility, drenched in sweat, the sour-sweet odor of sex wafting off them like incense.

Wrapped in Marsden Tribe’s strong arms, Evan Ryder allowed his warmth to sink into her. It was an altogether different heat from what she felt beneath the Sumatran sun or from any other sun, for that matter. The warmth exuded privacy and, she supposed, privilege, something in which she had no interest. But she did have interest in Tribe. He was a tech genius, a multibillionaire, the founder and owner of Parachute, the world’s most advanced, privately owned quantum tech company.

He had fascinated Evan so deeply since she had met him nearly two years before, that she not only continued to work for him but now made love to him every month, his private jet always arriving when expected at the airstrip on the landside periphery of the enormous estate he owned. Here in the main villa, built atop a small headland with steps down to the beach, she had lived for a year. And over the course of that year, Tribe had signed long-term deals with the word-salad branches of the DOD, the Pentagon, NSA, a strategic portion of the Fortune 500 companies, as well as every tech company not named Google, Meta, Amazon, or Apple, all of which depended on Parachute’s hyper-speed quantum computer clusters for everything from enhanced AI workflow to end-to-end cybersecurity. Publicly, Evan was just another member of Parachute’s security division. In reality, she was its prime field agent, continuing the clandestine work she had done for Ben Butler’s team under the DOD umbrella.

She began to roll over but Tribe’s arms caught her. He stirred, rose out of sleep, and within moments their naked bodies entwined once more. He was an insatiable lover, perhaps because they were together only the one night each month. Inventive, too. She’d never been with a man who knew his way around the art of sex like Marsden Tribe.

Afterward, sweat-slicked, sated, he closed his eyes, asleep in seconds. She waited for her heart rate to return to normal, then unwound herself from him. Slipping out of bed, she shivered. Tribe insisted on keeping the air-conditioning on while he was in residence, whereas Evan preferred to be lulled to sleep by the night concerto of tree frogs, crickets, cicadas, moths. She crossed to the sliders, unlocked them, stepped out onto the expansive terrace. There were any number of exotic species of birds indigenous to the island but her favorite by far was the regal black-crowned night heron. Lucky for her the stream just yards away from where she stood was home to one. The water, reflecting the moon, wound from the interior, spilling into the sea. She saw the night heron by the light of the moon and the thick river of stars, tall, majestic, moving slowly or not at all, its head directed at the water through which it high-stepped. It saw her as she saw it—she was sure of it; sure, too, that it ducked its head in acknowledgment of being in the same place at the same time.

She leaned against the railing, watching the bird hunt in its singular fashion. She breathed the hot, humid air, heavily laden with night-blooming jasmine, frangipani, Melati. She still felt Tribe’s sweat on her, his musk, and she grew wet between her thighs. As if her body became aware of him an instant before her mind, she felt his arm snake around her waist. She took his hand, ran a finger over the wide silver band circling his right wrist. He never took it off, at least not in her presence.

“Do you want to know how Timur is progressing?” she asked huskily.

For just a moment a cauldron of bats defaced the moon, then were swallowed up by the blackness.

“Are you happy here, Evan?”

“Why should I be happy here?”

“You’ve been here in my villa for over a year.”

“And yet it feels like Lyudmila died yesterday.”

“I’m sorry.”

“Don’t condescend, Marsden. You never cared a fig about her.”

“But I care about you.”

She took a breath, let it out slowly. She was not about to pull on that string. She tilted her head forward. “You see that bird in the stream?”

“The night heron, you mean.”

She nodded, trying not to be surprised that he knew; but then he knew most everything. That was the scariest thing about him; it was also why she was drawn to him.

“The black-crowned night heron, yes. It took months, but we’ve developed a relationship, he and I.”

“Should I be jealous?” He was half mocking.

“Seriously, we have a connection. Time and again, we’re out here together, we recognize each other in the shadows and we communicate.”

“And how do you communicate with a bird?”

“It’s a secret,” she whispered.

She could feel him moving beside her, a restlessness she had come to recognize as one of his trademarks. It was also a tell, if you knew him well enough. Very few did. To them it seemed like he was drifting, when really he was flowing, like mercury.

“Tonight this island, this sea, this night,” he whispered into the shell of her ear, “was made for love.”

She gave no response, stayed quite still as he stepped behind her, spread her legs. Soon enough all thoughts flew away like the night heron, having sated itself. Before dawn they too, were, at last, sated.

* * *

A week after Tribe’s departure, the afternoon idled, glazed with a heavy light, heat and humidity combining to turn skin sweat-slicked, nut-brown. The intense blue, the white sand, green trees at their backs, here and there shadow-shot beneath the clattering canopies of palm trees.

Evan Ryder and Timur Shokov had just finished their daily ten-mile run. They had started months ago, running in the morning, just before sunrise, when the air was still cool, the humidity tolerable. But as Timur’s stamina grew, multiplying swiftly, she had amped up their workout under the blazing tropical sun. Wordlessly, plunging into the surf, they cooled their bodies, then ran back up onto the beach.

Rehydrating with bottles of ice-cold water fetched from an insulated case, they stared at each other, their shared past scrolling through their minds, tremorous chords connecting them.

“Today,” Timur said, “is my mother’s birthday.”

Evan dipped her head. “I’ve been feeling her.”

“I know.”

She looked up. “Really.”

“I do.” He drank more water. “I can always tell.”

Evan frowned. She had thought she kept her sorrow separate from him, just as she kept Tribe’s nighttime visits separate. “How?”

“You get this expression.” He broke off, shook his head. “No, that’s not right. Your eyes … they get, I don’t know, dark, I guess you could say.”

“I apologize. I didn’t mean—”

“Don’t,” he said. “Apologize, I mean.”

“Timur, I—”

“There’s no need.” He put the empty bottle neck down back in the ice. “I mean it. Really.”

She smiled, knew it was a sad smile. “She’s so close, sometimes, I swear I can hear her voice.” Her voice telling me to take care of you while she bled out in my arms. Now she looked away so he wouldn’t see the tears glittering, making her eyes huge, glossy.





Tuesday, April 14, 2026

#Review - Fallen City by Adrienne Young #Historical #Fantasy

Series:
 Fallen City Duology # 1
Format: 
416 pages, Hardcover
Release Date: November 4, 2025
Publisher: Saturday Books
Source: Publisher
Genre: Historical, Fantasy

Luca Matius has one purpose—to carry on the family name and maintain its presence in the Forum once his powerful and cruel uncle dies. But his noviceship with the city's Philosopher places him in the middle of a catastrophe that will alter the destiny of his people.

Maris Casperia was raised amidst the strategic maneuvers of the Citadel's inner workings, and she knows what her future holds—a lifetime of service to a corrupt city. But her years of serving as a novice to the last Priestess who possesses the stolen magic of the Old War have made her envision a different kind of future for the city. When she meets Luca, a fated chain of events is set into motion that will divinely entangle their lives.

As a secret comes to light and throws the city into chaos, Luca and Maris hatch a plot to create a calculated alliance that could tip the scales of power. But when an execution forces Luca to become the symbol of rebellion, he and Maris are thrown onto opposite sides of a holy war. As their fates diverge, they learn they are at the center of a story the gods are writing. And even if they can find their way back to each other, there may be nothing left.


Fallen City by Adrienne Young is the first installment in the Fallen City Duology, a Greco-Roman-inspired historical fantasy romance that blends political intrigue, forbidden love, rebellion, and divine intervention. Set in the opulent yet decaying walled city of Isara—divided by the Sophanes River into the elite Citadel District and the struggling lower quarters—the story unfolds across dual timelines labeled "NOW" and "BEFORE." These timelines gradually converge to reveal the full picture of a rebellion simmering for a century. The book also alternates between two protagonists (Luca Marius and Maris Casperia). 

Luca Matius, a disciplined legionnaire and centurion from a powerful family tied to the Forum, burdened with carrying on his cruel uncle's legacy while apprenticing under the city's Philosopher. On the other side is Maris Casperia (or Casoeria in some descriptions), the sharp and strategic daughter of a Magistrate, raised in the corrupt inner circles of power and trained as a novice to the last Priestess who holds remnants of stolen magic from an ancient war. Their fated meeting ignites a chain of events that entangles their lives with the gods themselves. 

When a dangerous secret surfaces amid growing unrest, Luca and Maris form a calculated alliance in a bid to shift the balance of power. But an execution catapults Luca into the role of reluctant rebel symbol, thrusting the lovers onto opposite sides of a holy war. Themes of loyalty, sacrifice, corruption, and divine will drive the plot, as the city teeters on the brink of collapse. The story incorporates elements like a deceptive lottery system, meddling gods, political scheming, and the weight of legacy in a society ripe for revolution. 

Young's Greco-Roman-inspired world is complete with chitons, forums, legions, philosophers, and priestesses. The setting feels gritty yet glittering—opulent marble halls contrasting with the desperation of the lower districts—creating a palpable sense of a civilization on the edge of implosion. Political intrigue, class warfare, and the interplay between religion/magic and state power add layers of depth, making Isara feel alive and consequential. Dual POV enhances intimacy with each character's inner conflicts, while the divine elements—gods writing the city's story—add a mythic, almost tragic grandeur reminiscent of classical epics. 

Complaints? Yes. While ambitious and effective at building mystery, the story can feel distancing or confusing for some, keeping readers at arm's length and preventing them from fully emotionally investing in Luca and Maris early on. Pacing occasionally suffers as timelines unfold, with certain revelations or emotional beats landing less impactfully due to the fragmented presentation.