Monday, March 23, 2026

#Review - Half City by Kate Golden #Fantasy #Romance

Series:
 Harker Academy # 1
Format: 
496 pages, Paperback
Release Date: February 17, 2026
Publisher: Ace
Source: Publisher
Genre: Fantasy / Romance

Welcome to Harker Academy for Deviant Defense. Keep your daggers sharp, and your wits even sharper.

Viv Abbot is an average twenty-one-year-old girl. She lives in an expensive city where the rent is too high, works long hours at a thankless job, and is dating a guy she doesn’t even like in the hopes of winning her prickly mother’s approval.

She just also happens to be a demon hunter.

 Ever since her father's murder, she's been forced to hunt deviants alone, meaning everyone, including her family, sees her as an outsider . . . Until the day she crosses paths with a dangerously alluring demon, Reid Graveheart. The reformed deviant tells her of a school for people just like her: Harker Academy for Deviant Defense. If she enrolls, she'll learn to hone her craft, work with other hunters, and never be alone again.

But Viv has a deadly secret. One that not even her new friends at Harker can know about. Not when the school might hold the answers to untangling the mystery surrounding Viv's father’s death. When strange occurrences begin to plague the students, Viv will have to figure out who she can trust, and fast. All while trying to ace her classes, not fall for a demon, and make it through her first year at Harker in one piece. How hard could that be?

Story Locale: Alternate fantasy city


Half City is the first installment in Kate Golden's Harker Academy series. The story follows Viv Abbot, a 21-year-old who seems ordinary on the surface—struggling with a dead-end job, high rent in the glittering but divided city of Astera (nicknamed "Half City" for the massive chasm that splits it and unleashes supernatural threats), and a complicated family dynamic. But Viv has a deadly secret: she's a demon hunter (or "deviant hunter"), driven by a rare, dangerous power that manifested early after witnessing her father's brutal murder years ago. 

She's hunted alone ever since, keeping everyone at arm's length, including her own mother—until a chance encounter with Reid Graveheart, a reformed demon who's equal parts dangerous and alluring, changes everything. He invites her to Harker Academy for Deviant Defense, a prestigious training ground for hunters like her. What starts as curiosity turns into a full enrollment when Viv realizes the academy might hold clues to her father's death. Astera is a vibrant, modern city with an underbelly of deviants (demons, vampires, werewolves, and more), and Harker Academy feels like a mix of elite college and monster-hunting boot camp. 

The lore surrounding Lymantrians, Aeons, The Brood, and the cosmic chasm is intriguing and layered, gradually revealed without overwhelming the reader. The action sequences are visceral and well-choreographed, with plenty of high-stakes fights that keep the pages turning. Viv is messy, fiercely independent, sarcastic, and grappling with her own monstrous urges. Her growth from lone wolf to someone learning to trust (friends, teammates, and maybe even a certain demon) feels earned. The supporting cast shines too: loyal roommates, rival students, and family members who add emotional depth. 

And then there's the romance. The slow-burning tension between Viv and Reid is deliciously forbidden, but doesn't infest the rest of the story with page after page of sex scenes. The book moves at a breakneck pace, balancing academy life, mystery-solving, and escalating threats (strange attacks on students, hints of betrayal tied to Viv's past). It builds to an intense climax with some genuine twists, though it ends on a cliffhanger, which will likely push readers to pick up book two (Cursed City, already on the horizon).



Chapter 1

Once, I crushed a beetle with my bare foot.

Nora was faster than me back then. I was all limbs and joints, with little coordination between them. We'd been playing gymnasts on the sidewalk-cartwheels resulting in skinned knees and tumbles leading to bits of asphalt embedded in our palms-when the sun-drenched day bled into a dusk that turned our neighborhood downright menacing. Or at least, that's how it looked to six-year-old me. I peered up from one of my more impressive somersaults and realized Nora was already at the stairs of our apartment building.

I ran after my big sister as if the shadows yawning off the power lines were long fingers that could seize me where I stood. I didn't even see the bug.

When the shell crunched beneath my heel-innards spreading across my foot like jam on toast-I expected revulsion. Guilt. Horror.

But none came.

I bent down to inspect the gore, my fear of creatures that slunk out with the fading daylight forgotten. I couldn't tear my eyes away from the insect's shattered exoskeleton. The still-twitching limbs. My blood thrummed with morbid allure. A predator discovering prey and, with it, a sick, insistent desire.

A desire I've fought against every single day since.

Staring down at the once-blue, now-gray gum stuck to the heel of my loafer, I try to shake the memory. I don't have time to dissect my psyche this evening. I'm late.

"Thank you so much for calling-"

I nearly jam the phone into my ear canal. "Yes? Hello?"

"Your call is very important to us. Someone from the district attorney's office will be-"

The noise I release is less human woman, more exasperated hyena. A balding man in a crumpled shirt recoils from me, and I deserve it. The Astera subway at rush hour is terrible by anyone's standards. The Astera subway at rush hour in the summer is a stinking, sweat-drenched hellscape from which few emerge with their sanity. A hellscape made worse only by all the lunatics who call this city home, and tonight, to Crumpled-Shirt Man, I am said lunatic.

But there's no time to mutter apologies. I secure the phone against my shoulder and shove past him down the stairs into the bowels of the multifloored subway. A sardine in a sweaty, sticky, tin can of conference calls, nursing scrubs, and unsupervised teenagers. My bags, water bottle, wallet, and railway card are about as secure in my hurried grasp as a handful of eels. When I maneuver through a turnstile, a dog's yapping echoes from deeper within the subway, rising above the din.

Someone behind me, equally rushed, knocks my precious phone from the crook of my shoulder and I spy the endless depths of a grate beneath my feet. A mere second before disaster, I catch the phone between my chin and collarbone. Phew. I listen to the irritating melody over the line to confirm that my spot in the queue hasn't been compromised.

What kind of mother is more likely to answer her work line than her cell? I'm all for boundaries, but if I hear one more automated woman tell me how valuable my time is, I'm going to implode. While I wait for my train, the Muzak blares in my ear and that dog yowls again.

Every time a train thunders past, the entire tunnel flickers. One fluorescent light high above is missing a bulb. My stomach growls, and I wonder if every suit on the crowded platform can hear it over the rumble of the subway cars. I search through my leather tote-a designer bag my from my mother, which I hate yet carry daily out of some misplaced guilt-and find the soft pretzel I grabbed on my way to work this morning.

This morning.

Shit. I haven't eaten today.

My mother once told me that forgetting to eat when stressed is a superpower. I'm about to cram as much of the stale, salty dough into my mouth as I can in an act of fierce rebellion against such an archaic, patriarchal notion when I finally catch sight of the dog that's been barking for the last ten minutes.

Against the tiled wall to my left, below graffiti depicting white antlers on Caspar Harlock's ad for his burgeoning news network, sits a yowling, dark-haired mutt, not too unlike my own. He's barking mostly at his owner, a kid with matted hair, leathery skin from too much sun, and clothes that I can smell from here.

The boy's sign reads: Hungry, Anything Helps.

Astera-the Half City, the country's epicenter of culture, business, and politics, located on the glittering edge of the eastern seaboard. We must have the largest population of billionaires in the world-our graffitied Caspar Harlock over there and my best friend Penny Pine's parents, to name a few-and yet a seriously shameful percentage of the city is living on the street. And who can you blame for a cycle that never breaks? Those in government? Say, perhaps, our tough-as-nails district attorney?

Whose office I am still on hold with?

Even though she birthed me?

It's moments like these in which I almost understand my mother's obsession with marrying me off to James Pine like some tragic Dickensian wretch. It's the same part of her that gifted me this bag on my first day of work so I wouldn't look quite so pedestrian. She loves me. She wants me to be taken care of in this dog-eat-dog city. And even though I can take care of myself in more ways than she could possibly fathom, I do wish I had the means to pull a wad of hundreds out of my bag for this kid and his dog.

Instead, I offer him my squashed, cold pretzel. His eyes light up as he takes it from me, immediately ripping off half for his floppy-eared companion. The dog eats hastily, fragments of wet pretzel crumbling on the ground, before he quiets, snuggling next to his owner in satiated gratitude. The young kid offers me a similar expression.

I don't even realize my heart is in my throat until my mom answers on the other line with a shrill "Yes, Viv, what is it?"

I falter for words.

"Viv? Do you need something? I'm about to step into a meeting."

"Hi, sorry." I pull myself together just as my train arrives. "Your team left a box of Dad's things outside my place this morning?"

A pungent whiff of some guy's noxious body spray fills my nose as the crowd coalesces around the open doors. I can barely hear my mother's exasperated sigh over the tumult.

"Yes." She sounds distracted. "I'm trying to declutter."

I nearly take a model's bony elbow to the chin as I find a seat. "You don't want . . ." I can't even find the right words. "Anything to remember-"

"My assistant saw a drug exchange on your block when she was leaving the apartment. How many times do I have to say I don't like you living so far past the Chasm?"

I mentally pound my head against a wall. I want to ask, Have you blocked out everything that happened before Dad died? You guys raised me around the corner from a brothel. The madam had to pick me up from school once. But I go with "Babylon is up-and-coming."

"Will you at least have James stay with you? He says you never invite him over."

It's not her fault-she doesn't know how laughable it is to assume my boyfriend can protect me better than I can protect myself. I fumble for a response that isn't No thank you, please.

"Or I could have a home security system installed?"

"You're kidding, right?" Her silence is like a whip. "Yeah, okay. If you must."

"So much graciousness on this phone call."

I bite back my attitude. "I'm sorry."

"Is Fiona having you work opening night?"

My mom has hounded me about this new exhibit on the Chasm for months. I work at the Windsor, Astera's largest and most well-funded museum, gallery, and research institute, and our newest collection opens in November. To my mom, whether or not I am one of the assistants chosen to help wealthy old women in pearls and tweed-wearing historians up the stairs on opening night is the full extent of my worth as a human. "I still don't know," I tell her. I don't add that I told her the same thing last week, and the week before.

"Well, you've certainly put in the time. I'm sure she will."

"One can only hope," I deadpan. When I hear her irritated sigh on the other line, guilt swims in. "Thank you, though. For the faith."

"Mm-hmm."

"Love you," I add.

But the line is already dead.

After my dad died when I was ten, my mom traded in her grief for justice. She'd been a city councilwoman in Lethe, the lower-middle-class neighborhood where my sister and I grew up, but his death prompted her to get a law degree, spend her weekends championing local anti-crime legislation, and dig into my father's murder until it was branded a cold case and thrown into some cheap suit's file cabinet.

Only two years later, she got a fancy government job and moved Nora and me across the city in the same station wagon we'd used as his hearse. I went to bed one night in the dingy yet lovable five-story walk-up I'd known all my life and woke less than a week later in a luxurious, chillingly empty house over the hill in the Hesperides, enrolled in Belaire School for Girls-and yes, it was as bad as it sounds.

I allow myself a brief gut-deep sigh at the memories before taking a seat and rummaging through my three overstuffed bags-gym bag, tote, purse- and running through the work wear-to-cocktail dress transition in my head.

My dress can be thrown on over my blouse. Or Nora's blouse, which I've stolen to look presentable. Then I'll shimmy the blouse down and off. No, wait-it could snag on the dagger strapped to my ribs. Britannia silver would eviscerate the blouse, and Nora would eviscerate me. Luckily, only I inherited the hunter gene from my father, otherwise that wouldn't be a joke. I'll unbutton the blouse first and pull it through my dress's neckline.

Pants always come off last, even after shoes, meaning there will be an unavoidable period of time in which I am barefoot on the Astera subway.

Vile, but alas, the things we do for love.

Thankfully, by the time I'm ready for my acrobat-level quick-change maneuver, the railcar's crowd has thinned out a bit. Probably because we're heading farther and farther south toward the Chasm. Nobody from up here goes down to Babylon, the neighborhood where Penny and I live. Especially not at this hour-assistants at the Windsor rarely leave before eight.

After graduating from Belaire, I didn't quite have the GPA to attend a decent college. My mother was beside herself, of course, but it's not like I could tell her I missed half my finals because a vampire was drinking his way through the city's strip clubs.

After my gap year became gap years, I'd wanted to apply to entry-level jobs at photography galleries. There's a smattering of cool ones in Babylon, but-to nobody's shock-my mom was not jazzed about that idea. I think she said something like I didn't spend every dollar I had on Belaire so you could look at other people's pictures for a living.

Luckily, Nora's wife, Fiona, stepped in a year ago and offered me a job as her assistant. She's the Windsor's head curator, which basically means she's a history buff who gets to travel the globe, say the word gala a lot, and wear high, clacky heels every day.

As the subway car moves over the Erebos Bridge across the Chasm, my bags begin to slide. Despite having a cocktail dress currently overhead, I save them from escaping with my outstretched foot, like it's a frog's tongue on an errant fly. For a rare moment in which my tampons and sweaty Pilates clothes don't spew onto everybody's shoes, I am awash in warm appreciation for my heightened hunter reflexes. Though I pray the second dagger strapped to my thigh didn't poke through my slacks. I can't afford another pair this month.

Eventually, the dress is on, loafers replaced by sensible heels, and there are no injured subway citizens to show for it. My eyes find my shoes, and I twist my ankle for a better look. In my head, my mom says, A stiletto wouldn't kill you. In-my-head-me replies to her, Actually, it might. Have you ever chased down a demon in a six-inch? Two sprained ankles have taught me that a platform heel is the only way to go.

I peer up at the remaining stops ticking away on the digital banner. Three more until Babylon. I check my hair using my phone camera and pull the long night-black strands into a low bun. Smooth my brows. Examine my teeth. The phone reads 8:51.

Dinner was at 8:00. I can probably be through the doors of Cobwebs by 9:07, which isn't too terrible for me. Maybe Penny won't even notice.

The smell of bacon pulls a growl from my stomach. A woman at the end of the railcar is munching a breakfast burrito with one hand as she holds on to a double stroller with the other. Her eyes are drooping closed as she chews.

A breakfast burrito at 8:00 p.m.-my kind of lady.

I reach into my bag and grab my half-frame camera to discreetly snap a shot of the mom and her burrito. There's exhaustion there but also the joy of a perfect bite when you need it most. It's incredibly human, and, as I often try to remind myself, so am I.

The train slows to a halt and a few more passengers file in and out. One stop left. Thank the lord.

"They're sleeping, so . . ." the mom says. When I peer back over, a man in a grease-stained jumpsuit is scooting closer to her, asking to see her kids. He's shifty-eyes darting here and there, scratching hastily at his arm. I hear the noise like his nails are inside my brain.

Scratch, scratch, scratch.

I try to tell myself he's just a poppy addict or a mugger from STC-South of the Chasm. But then shivers break out across my skin, and my heart sinks. I can almost hear kind, forgiving Penny ordering a red wine for me and saying to the waiter, "She'll be here any minute . . . She has a really demanding job." I wonder if they already sang her happy birthday.




Thursday, March 19, 2026

#Review - A Lie for a Lie by Ren DeStefano #Thriller #Suspense

Series:
 Standalone
Format: 
320 pages, Paperback
Release Date: March 10, 2026
Publisher: Berkley
Source: Publisher
Genre: Thriller, Suspense

A deadly game of cat and mouse unfolds when a housewife with a secret life takes on a tech billionaire with secrets darker than her own . . . from the author of How I'll Kill You.

Margaux leads a double life that would make most people dizzy. By day, she's a seemingly ordinary interior decorator with a picture-perfect marriage. By night, she works for a mysterious employer known only as Mr. X. Her specialty: infiltrating the lives of dangerous targets, gaining their trust, and ultimately exposing their crimes. 

Her latest assignment: unraveling the reclusive life of Bertram Casimir, a billionaire tech CEO whose career is as mysterious as his past. His sister claims he stole her app to build his fortune. Not only that, his girlfriend may or may not have recently gone missing.

Bertram sees through Margaux’s carefully constructed facade, matching her move for move. As the lines between hunter and prey blur, Margaux finds herself unexpectedly drawn to Bertram. They share more than she'd like to admit—a dangerous intelligence, a taste for high-stakes manipulation. When the evidence begins to shift, threatening to destroy everything she knows, Margaux realizes this is far more than just another job.

Her hidden past—and her life—are now on the line. One lie remains, and it might just save her.


A Lie for a Lie by Ren DeStefano is a high-stakes story centered on deception, double lives, and moral ambiguity in a modern spy-thriller framework. The novel follows Margaux Blue, a woman living what appears to be an idyllic suburban existence but a past she's been hoping to change. She's an interior decorator, married, and mother to a young daughter. But this carefully curated facade hides her true identity—she's a skilled operative working for a shadowy figure known only as Mr. X. 

Her assignments involve infiltrating the lives of dangerous individuals, earning their trust, and ultimately exposing (or eliminating) their crimes. When she's tasked with targeting a powerful tech billionaire whose secrets prove far darker and more personal than expected, the mission spirals into a tense game of cat and mouse that blurs the lines between hunter and hunted. As Margaux gets closer to her target, her own past catches up, forcing her to confront the cost of the lies she's told—to others and to herself. 

The story starts with a slower burn as we settle into Margaux's dual worlds, but once the stakes rise, the pages practically turn themselves. The first-person narration pulls readers deep into Margaux's conflicted psyche—her calculated coolness, moments of vulnerability, and the constant tension of maintaining her cover. This intimate perspective makes the twists feel personal and unpredictable. DeStefano updates the formula with contemporary elements—tech surveillance, billionaire culture, and the psychological toll of living a compartmentalized life—without ever feeling gimmicky. 

The cat-and-mouse dynamic is electric, packed with deception, unexpected alliances, and reversals that keep the momentum high. Character development is strong, particularly for Margaux. She's not a flawless action hero; her choices are messy, her loyalties are tested, and her internal struggle adds real emotional depth. The supporting cast, including her family, Elodie Blevins, and the target, is well-sketched and serves to heighten the stakes rather than just fill space.

If there's a minor critique, it's that the deliberate setup in the early chapters might test the patience of readers craving immediate action. But that slow build pays off richly in the second half, where the revelations come fast and furious. Some twists are audacious, though a couple hinge on convenient timing or withheld information. Lastly, I truly believe that DeStefano is not finished with Margaux or her family. Not when the villain of this story was not only cunning, but vindictive as well. 



One

The courtroom is packed.

Today, the highly publicized six-month murder trial comes to an end. At seven this morning, the jury announced that they had reached their verdict. Now we gather to hear the fate of the defendant, Emma Graham.

"Mom," Collette whispers, "I can't be late for school. I have a math test today."

At eleven years old, my daughter is going on thirty.

"It's fine." I wrap my arm around her shoulders, giving her a comforting squeeze. "Not everything is learned in the classroom. This is educational."

Collette cranes her neck to see over the rows of people seated ahead of us. We didn't get here early enough to sit directly behind the attorneys, but with the popularity of this case, it's a miracle we got in at all. Through the window, I can see that the sidewalk outside the courtroom is also packed with people, all of whom are huddled over smartphones waiting for the next update.

Collette was interested in this case because it fascinated her that this crime went down long before even I was born, but also because the murderer could still be found guilty. I explained the statute of limitations to her-how some crimes, like petty theft or even assault, have an expiration date. But murder never does. Even if they find you when you're a hundred years old and on your last days, justice will come for you.

I stare at the back of Emma Graham's head. Her gray hair is cut short, and her skin is still tanned from her long days spent on sunny beaches. Back in 1985, when her husband went missing, she was youthful and radiant, only thirty-two. She wept on the news and pleaded for her husband to return to her, safe and sound. She begged the public to be on the lookout. She alluded weakly to poorly planned-out and vague mental health issues, claiming he'd "been depressed" and that she'd "always known" he "might do something."

This didn't stop her from cashing the insurance check when his van was later found submerged in a river, with him at the wheel. No attempts to escape had been made, and it was deemed an accident. He'd fallen asleep at the wheel and perhaps hit his head, rendering him unconscious on impact.

That was forty years ago. Since then, she's remarried three times-no children-and retired to an upscale condo in sunny Florida. When her husband's death was ruled accidental, the case disappeared from public discussion. And because there are so many tragedies to fill the evening news, the world eventually forgot about her.

The room falls silent when the jury files into the room. Collette eyes them curiously. The jurors aren't shown on the cameras, so this is the first time she's having a look at them.

My husband, Waylen, would be angry if he knew I've taken our daughter here. Yesterday, when he caught Collette watching the trial recap on YouTube, which contained salacious details about Emma's affairs during her first marriage, he took her iPad away. He said the topic is too grown up for her.

But whether or not he wants to admit it, Collette is smart. She knows that criminals exist and finds it reassuring that they can be punished for their crimes. Like me, she's interested in how a grave injustice can be corrected. How criminals who thought they'd gotten away with it can finally be punished.

"You're a good mother," Waylen told me recently, during one of our hushed little late-night arguments while Collette was sleeping across the hall. "A perfect one, really. But you're trying to make her too much like-"

"Like me?" I'd pressed.

"Like an adult," he'd amended, with irritating calm. "Shouldn't she be-I don't know-collecting stickers and coloring books?"

"She's not five, Waylen."

"She's not thirty-five, either." He'd had to fight to keep his voice low. He didn't say the rest of it-the part we've hashed out a thousand times. He wants our life to be more . . . normal. My obsession with spying, he doesn't understand. "What are you trying to prove?" he's asked. But I can never tell him. There's only one person who truly understands, and that's Mr. X, who agrees with me.

Now I sit in the courtroom with Collette, who is eleven-and admittedly I do forget she's not thirty-five sometimes.

The teachers at Collette's esteemed private school would be horrified to know that I'm exposing her to this case. But I wasn't much older than she is when I was in a courtroom as a defendant and stood trial for murder.

I already know the verdict will be guilty. The head juror is a petite college student named Mira Hart, and she's working for me. If there was any evidence of jury tampering that led to this conviction, the courts would have to throw the whole thing out. But that won't be an issue.

Emma Graham sits tall and straight. Maybe she's trying to maintain her pride, or maybe she still thinks she can get away with the crime she committed forty years ago. It happened before they had things like DNA testing, and small-town cops thought a man was more likely to take his own life than his loving wife was. This was back when the news media lined their pockets with sad stories of pigtailed girls who were stolen from their beds or snatched from their bicycles.

I found Emma's story while browsing a thread on Reddit. "What's a solved case that you think the cops got wrong?" Investigators never looked into Emma's motives. Just two months after her husband was found, she cut all communication with her extended family and ran off with a man she'd been having an affair with. These could have been the actions of a desperate widow looking to escape her grief. But the case still intrigued me.

Someone on the forum claimed to have a taped confession. He was an Uber driver, and he'd recently shuttled an intoxicated Emma home from a senior center bingo night. She told the Uber driver that he shouldn't get too cocky about his good looks, because one day he would also be washed up and ugly, like the man she'd murdered for a fifty-thousand-dollar insurance settlement.

Most people assumed the post was a hoax. No shortage of those on the internet. But I reached out and obtained a copy of his dashcam footage. I took on the case-no easy feat-and was able to piece the evidence together.

But I'm not a cop. I'm not even an investigator. I am part of an organization that handles things a bit differently.

Dear Emma, I began my letter to her. Although nothing can bring your loving husband back, today you are given the chance to redeem yourself. In your backyard, below the seashell where you keep the spare key, you'll find a cassette tape of the night you confessed to positioning your sedated husband behind the wheel of his van, putting it in drive, and watching him roll forward into the lake. Some details the police never released, to prove that I'm serious: You'd given him Benadryl in a late-night smoothie, and he threw up on impact. You had tried to tape a rock to the gas pedal, but it kept falling off, so you had to push it yourself. You tell people that your husband was planning to leave you and that's why you were having an affair. But after the truth cocktail my contact slipped into your drink at the bar, you confessed. You don't remember this, but I have the proof.

By signing your latest dearly departed husband's pension checks over to the safe home for battered women and children, you can save lives like the one you ended and make things right. You will not go to prison if you comply.

I'll contact you soon with instructions.


Sometimes, the criminals I contact know a gift when they see it. Not Emma. She was used to the accusations-all of which had been proven false-and she must have assumed this was yet another hoax. She didn’t shutter herself in the house or call an attorney like some have, but she did become increasingly paranoid. Looking over her shoulder when she sat at the seaside bar, jolting whenever the voices of strangers grew too close as she sunned herself in the sand.

Still, when the police finally showed up at her door, I imagine she was surprised.

Throughout the trial, Emma searched the faces of the jurors and sometimes turned to the people in the pews behind her, no doubt searching for her letter writer. No doubt wondering who was watching, who knew her darkest secret. But now that I'm here in person-rather than watching the recaps in my kitchen as I make dinner-she doesn't look for me. She's given up.

The judge, for her part, gives a passionate speech about the abhorrence of Emma's crime, and then she summons the head juror to read the verdict.

Mira Hart, twenty-one and with a melodic theater major's voice, reads from the paper in her hands. "To the charge of murder in the first degree, we the jury find the defendant guilty."

There are more charges, but that was the big one. Collette is perched on the edge of her seat, biting her lip.

When Mira finishes speaking, for a moment it's quiet enough to hear a pin drop. The judge has instructed all of us that we'd be removed from the courtroom if we caused a disturbance.

I wait until the room is mostly empty before I take Collette's hand and lead her outside. She's somber, but when we reach the last step of the courthouse, she leaps into a dancer's pirouette. "That was really cool, Mom," she says. "Thanks for bringing me. Now I can tell my friends I was sitting five feet away from a murderer. Her shoulders got all hunched up when they found her guilty."

"Maybe this should be our secret," I say, opening the door to the SUV for her. "Your father didn't want me to take you."

"Why not?" she asks. "It's not like she's going to kill me, too. They had her in handcuffs."

Collette has Waylen's gold hair and blue eyes. She has his prowess for art and science, and they both love to bake bougie French desserts.

But even though we don't match up on everything, Collette is more like me than she realizes. I knew it very early on. Waylen sees it too, and it scares the hell out of him.

"I don't want this life for her," he's whispered to me while we're lying in bed. He doesn't mean my day job as an interior decorator, or his salaried job editing manuscripts for a Big Five publisher. He means the thing we don't say. The life he gave up. The things I do when I disappear for hours at a time, and the reason Emma Graham will spend the rest of her miserable life in prison.

"She can do anything," he's told me. "Anything but that."


I arrive at the school twenty minutes late. As I turn into the driveway, I hand Collette the note that was tucked in the sun visor. “Give that to your teacher.”

She reads it-the only child on earth to question a permission note that allows her to be late to class. "But we weren't at the dentist," she says. "Isn't that lying?"

"No, it isn't," I say, glancing at her in the mirror. "No plaque buildup. The technician said you did a perfect job."

She hesitates, tucks the note into her pocket.

She hates lying, which as a parent is a trait I appreciate. But I'm working on teaching her the subtle art of playing her cards close to the vest and knowing when to keep a secret.

"Collette, all of that 'honesty is the best policy' stuff you learn about in kindergarten isn't always applicable."

She unbuckles her seat belt. "What's 'applicable'?"

"It means sometimes the rules are bullshit." She doesn't flinch at my language, even though I don't talk this way often. She knows that this morning is special, one of those rare times when we're on the same level. And she knows that I'm going to answer the questions she normally wouldn't ask me.

"Why does Daddy get so mad when I watch trials with you?" she asks.

"You can't be too hard on him," I say. "He still thinks you'll be little forever. That's why he keeps buying you unicorn Squishmallows on your birthday."

"I still like them," she says. "I mean, a little bit." It is true that Waylen wants to preserve her innocence, but that isn't all of it. Really, it's that he doesn't want her to be like me. He doesn't want her to grow up and fall in love with someone like who he used to be when we met.

Collette opens the door, but before she can set foot on the pavement, a woman comes bursting through the double doors of the school's entrance. She paces toward us like a mad bull in pink heels and perfectly dyed platinum hair.

"Who's that?" I ask. Cynthia Nyugen does morning drop-offs, but seeing as we're late, I was expecting the drop-off to be empty.

"Mrs. Blevins," Collette groans. "Finnegan's mom."

"Who's Finnegan? I don't recognize that name," I say.

"The Blevinses just moved here," Collette says. "She's the worst."

"Which one is the worst?" I ask. "Mrs. Blevins or her daughter?"

Before my daughter can answer, Mrs. Blevins is knocking on my passenger-side window and motioning for me to roll it down, as though she's a cop pulling me over for a bank heist.

As the glass comes down, I give her my brightest smile. The one that Waylen says makes me look like a Miss America contestant whose onstage talent is dismembering a corpse. "Good morning," I say, in my best Stepford wife tone.

"This is the drop-off for students who arrive on time," she says by way of greeting. Her perfume floods the car, flowery and potent, like Natalie Portman's fever dream. I suppress a cough. "For tardy students, you're supposed to pull into the commuter lot and walk her into the main office so that she's not marked absent for the day."

"Is that really necessary?" I ask. "She's got a note."

"It's for everyone's safety," she says. Up close, it's infuriating how beautiful she is. Her makeup perfectly blended and contoured, not a single clump in her mascara, perfectly manicured nails. She exudes newness. Someone who understands the power of a first impression.

I can feel Collette's eyes on me, pleading for me to make this easy on her.

I extend a hand to Mrs. Blevins, my smile relaxing into something less robotic. "Margaux," I tell her. "My daughter has spoken so highly of your Finnegan. I'm just sorry that you've caught me on an off day."




Tuesday, March 17, 2026

#Review - A Ghastly Catastrophe by Deanna Raybourn #Historical #Mystery #Romance

Series:
 Veronica Speedwell # 10
Format: 
336 pages, Hardcover
Release Date: March 3, 2026
Publisher: Berkley
Source: Publisher
Genre: Historical / Mystery / Romance

Veronica and Stoker are practically dying for a new adventure, but when their wish is granted, they find themselves up against a secret society and a darkly seductive duo in this landmark historical mystery from beloved New York Times bestselling and Edgar® Award–nominated author Deanna Raybourn.

When the corpse of an entitled young man is found entirely drained of blood in a carriage next to Highgate Cemetery, Veronica’s interest is piqued. And then a second victim is found, his death made to look like a suicide—and Veronica and her intrepid beau Stoker know the hunt is on. The two men share one link: they were both members of a society so secretive that only a singular mention of it can be found anywhere.

Thirsty for more clues, Veronica and Stoker hear that a young Romany boy may know more about their first victim, and the only way to the boy is through an old acquaintance of Stoker’s, Lady Julia Brisbane. Lady Julia and her dashing husband, Nicholas, occasionally track down murderers and are only too happy to help. But as it becomes clear that the secret society is a dangerous sect looking to entice immortality seekers, Veronica and Stoker find themselves ensnared by a decidedly more sinister couple.

The professed leader of the society claims to be a creature of the night; his partner practices witchcraft and they both fancy themselves emissaries of the otherworldly. Just as Veronica and Stoker get closer to learning the true purpose of the society and unraveling this macabre mystery, another body turns up, and they quickly discover they’ve gone from being the hunters to the hunted. . . .


A Ghastly Catastrophe is the Tenth installment in author Deanna Raybourn's Veronica Speedwell series. This story takes place in Victorian England in 1890. The key players are Veronica Speedwell, a natural scientist specializing in butterflies, and Revelstoke Templeton-Van, a natural scientist and former medic in the military. The story kicks off with a bang when a young man’s corpse—entirely drained of blood—is discovered in a carriage near Highgate Cemetery, complete with suspicious fang marks on his neck. 

Scotland Yard’s Inspector Mornaday of the Special Branch brings the case to Veronica and Stoker, and soon they’re tangled in a web involving a possible secret society, a second “suicide,” shady Romany connections, and a pair of gloriously theatrical fraudsters: the vampire-esque Lord Ruthven and the witchy Asphodel. Journalist J.J. also joins the investigation after finding herself in a precarious situation. Raybourn leans into the gothic vibes with nods to Dracula and classic vampire lore, but grounds everything in clever, rational twists that keep the supernatural elements fun rather than silly. 

What makes this book (and the series) shine is the sparkling dynamic between Veronica and Stoker. Their banter is sharp, witty, and laced with genuine affection and chemistry that has only deepened over ten books. Veronica’s fearless, scientific mind clashes delightfully with Stoker’s more pragmatic (and occasionally exasperated) nature, and their arguments—especially about whether vampires could possibly be real—had me laughing out loud. 

The supporting cast feels just as alive: Mornaday’s long-suffering presence, a welcome cameo from Lady Julia Brisbane (bridging Raybourn’s Lady Julia Grey series), and even the eccentric Rosemorran household add warmth and humor. The mystery itself is twisty and well-paced, blending historical detail, secret societies, and a touch of the macabre without ever losing its sense of playfulness. 
Raybourn uses the vampire trope as both a red herring and a commentary, delivering a satisfying resolution that feels earned rather than gimmicky. 

The Victorian London setting—Highgate Cemetery, Romany camps, glittering fraudulent séances—comes vividly to life, and the stakes rise nicely as Veronica and Stoker shift from hunters to hunted. If you enjoy clever historical mysteries with strong female leads, slow-burn romance, and just the right amount of gothic flair, this series is definitely for you. 




Chapter 1

London, 1890

Do you want to do the deed or shall I?" I asked as we stared down at the carcass.

Stoker sighed. "I suppose I will." The lackadaisical air he adopted would have been cause enough for concern; the sigh was terrifying. Stoker had always been a man of extraordinary vigour, striding with purpose and energy through all of his endeavours, no matter how small.

But our lives had, in recent weeks, grown very small indeed. Despite a physically hectic and thoroughly enjoyable winter holiday together in the Isles of Scilly, Stoker and I had returned to a London bedevilled by bad weather and worse moods. After an autumn which had seen us crack our most extraordinary case yet, the season of mists and mellow fruitfulness had given way to choking fogs and a deep, creeping damp which settled into our very bones. Both of us had suffered through a series of lengthy colds, snuffling and sniffling until we were quite mad with it. We smelt of mustard plasters and liniments and other assorted unguents. The tip of my nose was, for the whole of March, the unbecoming shade of a ripe plum. Spring was slow in arriving; a series of late frosts blackened and withered the snowdrops, and the daffodils shivered in their pretty yellow caps. It was, in short, a dismal time, and if it had been only the weather and our various ailments to assail us, our spirits might not have fallen so low.

But I was conscious of a new and unwelcome feeling that spring. I had, for the first time since I had made Stoker's acquaintance, experienced ennui. My boredom lay not with him-never think it! He was as engaging and maddening a companion as ever, offering sustenance for both body and mind through a combination of vitality, intellect, and charm that was as heady as it was rare. No, our intimate friendship was as intimate and friendly as it had ever been.

Our regular work was likewise fulfilling. We had been engaged by the Earl of Rosemorran to catalogue his extensive collection with an eye to someday opening a museum. While Stoker and I were natural historians by trade-he a naval surgeon turned taxidermist and I a lepidopterist-we had been given charge of the entire collection with the result that all of our spare hours were spent in study of the various artefacts in our care. From coins to corals, stamps to suits of armour, the previous earls had collected it all, and it was the present earl's task to bring order to the hotchpotch of his forefathers. The collection was enormous and not particularly orderly, but most of the entries were exquisite, chosen with taste and purchased at great expense. (I do not include the present earl's acquisitions in this assessment. Whilst his ancestors applied standards of beauty and worth to their additions, the present earl simply buys what he likes. This accounts for the puppet theatre, the moth-eaten camel saddle we use as seating for guests, and an assortment of prosthetic limbs in questionable states of hygiene.)

The collection had come to be housed in an enormous freestanding ballroom on the earl's estate at Bishop's Folly in the heart of Marylebone. The ballroom-called the Belvedere-was only one of the various buildings that had been placed at our disposal. Stoker and I each had a folly for our private quarters, and an elegant glasshouse had been refurbished for my use as a vivarium where I might breed and study butterflies and their mothy kin. We had been given free rein over the collections, empowered to either deaccession or purchase as we saw fit, and we were beholden to no one for our time. We lived in extraordinary comfort, and we enjoyed interesting work as well as harmony in our own relationship-spiced with the occasional spirited debate when Stoker proved overly emotional. (I have long held that the male is the less logical of the species and have yet to see evidence to the contrary.)

What then ailed us that long and gloomy season, I hear you wonder, dear reader. With so many advantages, we ought to have been content-nay, we ought to have been as happy as angels.

And yet. We did not speak of it, but souls cannot be as linked as ours and have secrets. I intuited Stoker's restlessness as clearly as I felt the itch in my own blood, and the cause of it was the same as my own: we wanted a mystery. It had been nearly six months since our last investigation, and while we were certainly not professionals, we had fallen into the habit of murder-the sleuthing and not the committing, I hasten to add. And we had found it a difficult one to break. How could any mind trained to logic and observation, any person that thrilled to challenge, not find these deductive puzzles utterly intoxicating? They were as delicious to us as the rarest of wines, and we were, quite simply, suffering from the lack of a body.

I stared down at the corpse in front of me, knife in hand.

Stoker's lack of enthusiasm for the present job was not lost upon me. "Oh, let me," I said to Stoker as I bent to my task. Swiftly, the deed was done, and I held the bone out to him.

He curled his littlest finger around the bone and I did the same.

"On three," I instructed. I counted in Latin, and we pulled. There was a moment of hesitation, and then the bone snapped with the larger part resting in my hand.

"The wish is mine!" I crowed. I closed my eyes and made it quickly.

"What did you wish for?" Stoker asked as he helped himself to a drumstick.

"I cannot tell you or it will not come to pass," I reminded him.

Just then, George, the hallboy, entered brandishing a letter.

"Post, miss!" he called as he fought his way through the pack of dogs which we had somehow acquired in the course of our adventures. From Huxley the bulldog to Betony, the enormous Caucasian sheepdog, they represented every possible variation of the canine species. We had lazy dogs and dogs possessed of enough energy to pull a sled of Olympian proportions; we had affectionate dogs and dogs that would very probably stand by and watch us be devoured by Stoker's collection of dermestid beetles. The only thing they had in common was an abiding adoration of George, doubtless because he invariably smelt of interesting things. The boy had come from impoverished circumstances, and it was not until he had come into his lordship's employ that he had known food that was both wholesome and delivered at regular intervals. Still, the habits of the starveling are difficult to break, and George invariably tucked away some portion of each meal against any future hunger. A chicken wing, a bread roll, a sliver of good English Cheddar-his pockets were emptied each day either into his own stomach or that of one of his grateful siblings, but the delectable aromas remained for the dogs to sniff out.

By the time George had fought his way clear of the snufflings of each wet black nose, Stoker had finished carving the chicken and was portioning slices of juicy fowl onto our plates.

"Have you eaten, George?" he asked, poised to serve another portion.

"I have, sir," George said, although he eyed the roast potatoes with avarice in his gaze.

I did not blame him. The potatoes were golden and crisp and piping hot. I plucked one from the platter and offered it. It disappeared with a conjuror's skill into his pocket as he handed over the letter.

"From Mr. Mornaday, that detective fellow," George announced helpfully.

Stoker and I were both eager to instill in George the skills and accomplishments necessary to make something of himself. He was a Cockney child, born out of wedlock to a mother who had repeated the process of giving birth without benefit of a husband several times over. As the eldest, it fell to George even at his tender age to contribute to the household expenses. Lord Rosemorran had employed him as a hallboy whose duties included the running of errands, some of the less arduous of the heavy cleaning chores undertaken by the footmen, and whatever assorted tasks might be reliably handed off to a diligent child. In return, he was paid a modest wage and given bed and board with leave to visit his family often. So long as he attended church once a week and kept himself free of vice, he was assured of a position which might one day lead to his promotion to footman, provided he grew to at least six feet and had shapely calves. Otherwise, he would be turned over to the gardener for training in heavier labours.

Everyone seemed thoroughly pleased with the arrangement-everyone except George. He was an ambitious imp who was determined to rise from the ranks of servitude. By way of his lordship's generous gift of a library for the servants' hall, George had taught himself his letters, believing literacy would be the key to his future ambitions. He had wheedled basic numeracy out of the butler, and Stoker had undertaken to give him weekly lessons in the essential sciences, including geography and astronomy. Stoker was pleased with his progress, saying that he was very nearly ready for the fundamentals of chemistry, but I had my own thoughts upon the matter.

It had occurred to me that a slender and unprepossessing child would make an excellent observer, undetected and underestimated by everyone. A wiry lad, small for his age and agile, George was slippery as an eel when it came to finding his way through the teeming streets of London. There was not a cobbled alley or paved court he did not know; from knacker's yard to noble's garden, he had made a study of the capital, committing its secrets to memory. Each day upon his various errands, I set him a task to develop his powers of observation. I would tell him to find a man with a bowler hat and follow him for thirty minutes to see where he went and give me an account of it. Or he might count the number of butchers in a given street and tell me the price each charged for a Cumberland sausage. On days when the weather was too abominable to permit such excursions, I would give him an envelope or a bit of brown paper that had wrapped a parcel, and ask him for his conclusions about the senders.

"Veronica," Stoker had inquired after one memorable day when George had deduced the contours of a concealed Wardian case from the size of its packing crate, "is there a point to these exercises? These are the sorts of skills one would expect to be mastered by a criminal apprentice. Do you intend to set George upon a career as a pickpocket?"

"Certainly not," I had replied with some asperity. "His talents may be put to excellent use in the pursuit of justice-as have our own," I reminded him.

"How?" Stoker demanded.

"In the course of our investigations, we would often have profited enormously from another pair of eyes, youthful and sharp eyes to keep watch upon suspects and inform us of comings and goings. I am training George to be our assistant."

"Our assistant?" It is seldom that one actually witnesses someone tearing at one's hair, but Stoker threaded his hands through his tousled witch-black locks, tugging in frustration. "Veronica, we are natural scientists. Teach the boy to identify one of your bloody moths, or let me train him to the taxidermic arts, but for the love of all things holy and good, do not think to make a sort of detective of him. We are not the police."

"No, and that is a pity," I told him as I made a mental note to introduce George to the study of handwriting. "If we were the police, there would be far fewer criminals about."

Stoker tugged harder upon his hair, and I let the conversation drop solely out of concern for his follicles. Naturally, I carried on with my plan to instruct George in the detectival skills with the result that he-quite correctly-identified the hand of our sometime partner in the investigative arts, Mornaday of Special Branch.

"Well done, George," I told him. "I imagine you noticed the peculiarity of his 't's.'"

"That it smells of macassar oil," he said. "I should like some of that. It's how a gentleman ought to smell," he added with a reproachful look at Stoker.

"If you mean to shame Stoker on that score, you shall be a long time at it," I advised George absently. "He will always smell of leather, honey, and good whisky." As these were not unpleasant to me, the reader must not mistake my observation for criticism.

"And glue. And linseed oil," George murmured under his breath. He was not wrong. The tools of Stoker's trade were often to be detected clinging to his person, but I found the combination quite arresting-intoxicating, even.

I skimmed the missive, reading it over a second time as a slow smile spread across my face.

"What is it?" Stoker demanded.

"Mornaday says he will call upon us shortly. And this letter is proof that wishes on a chicken bone may come true," I told him as I pushed away from the table, dinner no longer of any consequence.

George slid smoothly into my chair in my stead, picking up my fork and helping himself to a wing and another roast potato. He eyed the broken wishbone as he crammed a forkful of potato into his mouth.

"Whahdyewhshformis?"

"Chew, George," I instructed as I made preparations to receive our visitor. "And if you are endeavouring to ask what it is that I wished for, I am only too happy to tell you. A body, George. I wished for a body."

Chapter

2

Horsefeathers," Stoker said succinctly as he handed the note back with a gesture of lofty disdain. "Mornaday says only that he will call. There is nothing whatsoever about a body. Your rampageous imagination has got the better of you. Again."

I gave him an indulgent smile. I could afford it. I was certain we were perched once more upon the precipice of adventure, and the resulting exhilaration made me generous with Stoker's impatience.

"I know you have never properly warmed to Mornaday," I began.

Stoker made a sound that was a cross between a snort and a heave of unwellness. Naturally I ignored this and went on.

I cleared my throat. "As I said, I know you have never properly warmed to Mornaday, but I think he is quite fond of you."

[NB: Stoker's reply was unsuitable for delicate readers, and I decline to repeat it here. -VS]