Friday, March 27, 2026

#Review - The Ruins Beneath Us by Sasha E. Sloan #YA #Fantasy #Romance

Series:
 The Ruins Beneath Us # 1
Format: 
368 pages, Hardcover
Release Date: March 3, 2026
Publisher: Disney Hyperion
Source: Publisher
Genre: YA, Fantasy, Romance

She saved the prince. Now she must survive his world.

Lyria and her mother have been on the run from the human kingdom of Verdinae for as long as she can remember. She’s an elf born with magic—a double offence in a kingdom determined to eradicate both. Under her mother’s watchful protection, Lyria learns the rules that keep her alive: stay inside, stay hidden, stay safe, and above all stay calm, lest her magic flair out of control.

But when she finds a human boy being attacked by a deadly monster in the forest, Lyria risks everything by using magic to save him. She doesn’t expect his broken body to survive, and she definitely doesn’t expect him to be the crown prince.

Offered a position at the palace as the royal apothecary, Lyria seizes the chance to step into the light and prove to her mother she can control her unwieldly magic. But Verdinae is not the paradise it at first seems. The nobles are ruthless, the secrets are deadly, and Cygnus—the brooding royal healer—seems determined to expose Lyria’s every flaw. As she navigates a world of glittering gowns, deadly secrets, and stolen kisses, Lyria must keep her identity hidden. . . even from the prince who’s falling for her.

But beneath the palace lies a darkness far more dangerous than any secret. And when Lyria and Cygnus uncover a hidden world that could change everything, she must decide who to trust and how much she’s willing to risk for a love that was never meant to be.



The Ruins Beneath Us is the first installment in author Sasha E. Sloan's The Ruins Beneath Us duology. Lyria of Ironwood is an eighteen-year-old elf born with innate magic in a human kingdom (Verdinae) that has long sought to eradicate both elves and magic users following a brutal war that displaced her people. She and her protective mother live in seclusion on the outskirts of the Ironwood forest, bound by strict rules: stay hidden, stay calm (to control her volatile magic), and avoid any risk of discovery, which would mean certain death. 

Restless and yearning for more, Lyria breaks protocol when she hears a cry for help and uses her healing magic to save a boy attacked by a deadly monster (sometimes described as a daemon). Unbeknownst to her, the boy is Crown Prince Finn. Grateful and impressed, Finn recruits her as the royal apothecary/healer to assist with a mysterious plague threatening the kingdom. Thrust into the opulent but treacherous human court of Crown City, Lyria must navigate glittering gowns, political dangers, stolen kisses, and her growing feelings while concealing her elven identity and magical abilities. 

At the palace, she encounters the brooding, suspicious Head Healer Cygnus, who constantly questions her skills and seems determined to uncover any flaws. As Lyria and Cygnus delve deeper into their work, they uncover sinister secrets and a dark, ruined world hidden beneath the palace itself. Trust becomes scarce, alliances shift, and Lyria faces impossible choices about who to believe—and what part she might play in a larger conflict. 

Lyria is a relatable, strong-yet-vulnerable protagonist—emotional, determined, and flawed in ways that feel authentic for a sheltered teen suddenly in the spotlight. Supporting characters, including the contrasting male leads, add depth. The story mixes classic tropes (hidden identity, "she saved the prince and now lives in his dangerous world") with fresh elements like healing magic tied to emotion and control, monstrous threats in the forest, and revelations about the kingdom's bloody history with elves. 

This is a true slow-burning romantasy with a love triangle that sparks genuine chemistry. Prince Finn offers charm, warmth, stolen moments, and secrets, while the jaded Cygnus brings icy suspicion, magnetic intensity, and clarity to Lyria. This book does end on a cliffhanger, so be prepared for some truly stunning surprises. 





Thursday, March 26, 2026

#Review - Songbird of the Sorrows by Braidee Otto #Fantasy #Romance

Series:
 
Myths of the Empyrieos
Format: 400 pages, Hardcover
Release Date: February 3, 2026
Publisher: The Dial Press
Source: Publisher
Genre: Fantasy, Romance

In a magical world of gods and mythical races, an outcast princess turned spy infiltrates a rival kingdom—uncovering secrets that force her to choose between obedience and defiance—in the first book of a propulsive romantic fantasy series for fans of Danielle L. Jensen’s The Bridge Kingdom series.

Ask no questions. Obey your orders. Respect your masters. But most of all, love no one.

Spy. Thief. Princess. Songbird

Banished from the Palace of Sorrows as a child, Princess Aella was taken in by the Aviary, a secret intelligence network embedded throughout the Empyrieos that trains orphans as professional spies. Now twenty-three years old, she has finally earned her place as a Songbird on the most elite team of assassins, led by none other than her former flame, Raven. Everything about him calls to her—he’s brave, loyal, and lethal—but their relationship is also the greatest threat to her standing as a Songbird.

Before Aella can untangle her feelings, their team is sent on a dangerous mission to the eastern kingdom, a land that ever since the horrific God War has been the enemy of her homeland. Aella’s role is crucial yet troublesome: she must assume her former title of Princess of the Sorrows to compete in a series of bridal trials. But when the trials turn deadly and the mission is threatened, Aella must decide whether to follow orders or defy them.


Braidee Otto's Myths of the Empyrieos is the first novel in the Myths of the Empyrieos series, following Aella Sotiria through an epic journey of self-discovery, true love, redemption, and ultimately a great war that promises to upend the lives of everyone in the realm. The story blends spy intrigue, court politics, forbidden romance, and Greek mythology-inspired world-building, centered on identity, loyalty, and moral choice. Princess Aella was cast out from the Palace of Sorrows as a child, her royal lineage shattered and hidden. 

Raised in the Aviary—an orphanage that fronts a ruthless spy and assassin network embedded across the Empyrieos—she trains as a covert operative. At 23, she earns her place as a “Songbird” on the elite Alpha Flight team, led by her former flame, Raven: brave, loyal, and lethal. The rules are clear: ask no questions, obey orders, respect your masters, and above all, love no one. The mission thrusts Aella back into her abandoned identity. 

She must infiltrate the rival kingdom of Eretria by competing in the prince’s bridal trials as Princess of the Sorrows, gathering intelligence while surviving deadly court games and a larger operation. Old sparks reignite with Raven amid forced proximity, but as secrets unravel—including political schemes, a perilous heist, and threats that could spark wider war—Aella faces a wrenching choice between duty and defiance. 

Aella (Starling/Songbird) stands out as a feisty, resilient, and complex protagonist. She’s capable in spy mode—wielding femininity, wit, gowns, or daggers as needed—and her internal journey of reclaiming identity while grappling with PTSD, anxiety, and conflicting loyalties feels raw and compelling. Raven, her ex and team leader, embodies the brooding, competent love interest archetype—lethal yet loyal. Chemistry exists in the forbidden tension, but he often feels underdeveloped: minimal backstory, no POV chapters, and a job-first vibe that leaves some readers disconnected or skeptical.

Side characters, including strong female friendships (e.g., with Nyssa), add heart and balance, though the large cast and limited depth can make attachments uneven. The book delivers classic romantasy tropes (secret princess, spy mission, bridal competition, second-chance/forbidden romance) with darker edges: moral grayness, betrayal, emotional and physical hardship, and high-stakes kingdom politics. The shocking cliffhanger sets up larger wars and revelations, making the trilogy feel epic.



Chapter 1

I was born dead.

Before the gods saw fit to grant me life. Before my mother surrendered her soul to save mine.

Perhaps it was my first dance with death that made me so reckless. Maybe it choreographed my perception of life itself. Propelling me ­toward choices others—­in their sanity—­would avoid.

But even I have to admit, this was a terrible idea. It may be the worst idea I’ve ever conjured up.

My arms tremble from the strain of the aether trying to force my body back toward solid ground, and my fingers ache as I dig them deeper into the crevices between the stones and mortar. A trickle of sweat trails down my spine, pooling at the base of my back, another tickling its way down my heated forehead.

I ignore it all, straining as I pull myself higher.

One hand over the other.

One steadying breath after the last.

I am strong enough for this.

The wind caresses my body as I cling to the side of the tower. Not a threat to make me fall, but a promise to catch me if I do. The sensation is reassuring, but as the toe of my sandal slips from my newest foothold, my heart still jumps to my throat.

I draw in a deep breath, tightening my grip on the wall. With every ounce of determination I possess, I bring my body closer, my foot frantically seeking another dent in the surface. The rush of my blood thunders through my ears with each drawn-­out moment, until my sandal notches into place. Cautiously, I lean into it, testing the crack with my weight to be sure it will hold. When it does, I breathe a sigh of relief, leaning my forehead against the sun-­warmed stone.

It’s not the height that scares me. It’s not even the risk of falling. It’s the fact that I’m running out of time.

Do not be seen.

That was the order.

Scaling one of the tallest towers in the Sorrows may not be the most effective strategy—­unless you know its secrets as well as I do.

Every day as the sun sets and the afternoon light hits this same wall, its white-­painted bricks light up like a beacon. If you try looking at it too hard—­or too long—­your eyes water, and your vision will blur. It’s almost impossible to watch, and even more unlikely to spot a lone figure clinging to its side. The white linen clothing I wear only adds to my camouflage.

But neither of those things will prove to be helpful if this takes too long. The sun will soon set, and with it, my opportunity.

With that sobering thought, I turn my gaze up toward the seventh-­floor window a short distance above me. The arched shutters are thrown open, inviting the evening breeze inside. I fight the victorious smile attempting to break free and assess the cracks that stand out like blackened scars against stone, mapping the rest of my upward journey.

And then I move.

It takes a few moments to reach the window ledge, and the white glow of the tower fades with each fervent beat of my heart. Still, I pause, closing my eyes and listening for any sounds within.

Beautiful silence.

Exhaling, I clutch the ledge with one hand, then the other. My stomach flutters as my feet come away from the wall, and I hoist myself up to get a visual.

The soft glow of the sun shining over my shoulder bathes the room, causing the sparse furniture within to mask the corners in darkness. Three men in the center cast the longest shadows, their focus on the door in front of them as they wait in silence.

I recognize the man in the middle. With his close-­cropped hair, lean form standing tall, and arms clasped behind his back, Master Bittern looks like a soldier standing at attention. I’m unfamiliar with the other two. But the white robes they wear tell me it’s because they spend most of their time hiding away in the archives.

They have laid out an assortment of bags and satchels in front of them, with the contents spilling across the polished surface of a heavy cypress desk. A quick count of the satchels confirms I’m not the last one to arrive.

Thank Notos.

Arms trembling, I haul myself up, biting my lip to suppress a grunt of exertion as it tries to push past my throat. With a quick swipe of my sleeve, I wipe the sweat from my face and settle into position on the windowsill, one leg bent while the other dangles over the edge as I lean my back against the stone wall.

A perfect picture of nonchalance.

It’s not until I untie the bag from my belt, making the items within clink together, that the three men whirl around. I refrain from rolling my eyes at the astonished stares of the two in white robes, keeping them trained on the authority in the room instead.

“Nice of you to join us, Fledgling.” The words rasp from his throat, sending a familiar shiver up my spine, and my eyes dip toward the jagged seam of pale skin around his neck.

Master Bittern is a legend within the order. The story of his near capture in the North is the most popular tale whispered about in the safety of the shadows. Rumors say he faced off against a group of ten Arkhadian soldiers on his own, and during the skirmish, he received his vicious neck wound. While it had failed to take his life, the struggle had damaged his vocal cords beyond repair, and when he finally made it back to the Sorrows, he took up the mantle of training new recruits instead.

The spymaster strolls forward, leaning past me to gaze out the window. His brows rise as he looks down—­so subtly I question whether I witnessed it—­but his face remains otherwise impassive.

“One might think you have a death wish, Aella.” He says my name so softly, I doubt the others hear it. Still, my eyes flick nervously toward them.

Only a select few individuals within the Aviary know my true name. So few, in fact, I can count the number of people trusted with the truth on one hand.

Once I’m satisfied the other men haven’t overheard, I reply, “It’s not the first time I’ve heard it, Master.”

I doubt it will be the last.

Master Bittern hums under his breath, and I don’t have a chance to consider the dimming glow in my chest before he swipes the pouch from my hand, upending the contents into his waiting palm.

Out falls a gold-­tipped black quill, a heavy golden chain with a circular pendant, and a sharp throwing knife. Master Bittern selects the knife first, holding it up for everyone in the room to see. Somewhere behind me, a quill scratches against parchment, but I keep my eyes fixed on the man in front of me.

“One of Master Hawk’s throwing blades,” I say, tilting my head ­toward the serrated strokes carved into the steel handle.

M. H.

The weapons master values his blades above all else. I’d heard of at least three others who attempted to steal one during their final trials over the past few years. My success today was more thanks to Master Hawk being distracted by preparations for an assignment than a testament to my skill.

Master Bittern inclines his head, passing the knife to the white-­robed man hovering behind him. When he turns back, he selects the pendant, letting the thick chain dangle from his fingertips.

The circular amulet twirls, catching the rays of sunlight streaming through the window and casting them around the room. It spins back toward me, revealing the four-­pointed star sitting above a downward-­pointing triangle etched into its surface.

“The sýmvolo of the High Priest of Notos,” I offer, a hint of smugness staining my words.

I can’t help it. The man rarely takes it off, and it had taken weeks of observation to mark the times he did so. Yet another week to have a perfect replica of the amulet forged to replace it with.

Master Bittern raises a brow at me. The movement on his usually stoic face tells me he also knows the precise moments the High Priest removes his sýmvolo. I wince as images of the temple’s bathhouse crash through my mind—­steam curling from the water failing to conceal miles of aging flesh.

My wince morphs into a shudder.

As he did with the throwing knife, the spymaster passes the pendant and chain to his offsider without a word, and then only one object remains.

The quill.

Master Bittern’s expression doesn’t change. His eyes, however, pierce mine with an intensity that makes my heart pound, and my palms grow slick with sweat. But at twenty-­three, I’ve learned how to hold my nerve. To keep my hands steady, my voice even, my face unreadable—­no matter how hard my heart beats.

“A quill,” I start, steeling myself before I go on, “from the Eagle’s office.”

Parchment tears, the sound stark against the now-­thick silence of the room. On the edge of my vision, the other man’s eyes widen, followed by an owlish blink. In the distant recesses of my mind, I note how apt the small motion is.

The gold-­tipped black quill gleams in Master Bittern’s hand as he turns it over, inspecting it under the glimmer of light. His face is stoic, but his dark eyes reveal flickers of something deeper—­approval, perhaps, or intrigue.

“You made it elegant,” he says at last, his voice rough but contemplative. “Most would have grabbed the nearest artifact and scrambled back like frightened mice. But this”—­he holds up the quill again, offering it for all to see—­“this is a whisper, subtle and deliberate. It speaks volumes without shouting.”




Wednesday, March 25, 2026

#Review - Riftborn: A Post Apocalyptic Urban Fantasy by Shannon Mayer #Fantasy #Romance

Series:
 Of Shadows and Blades # 1
Format: Kindle, 556 pages
Release Date: February 27, 2026
Publisher: 
Hijinks Ink Publishing
Source: Kindle Unlimited
Genre: Fantasy / Romance

I do not know my name.

I do not know how I ended up in a world of broken continents and broken souls.

What I do know is how to survive.
How to fight.
How to kill monsters with a precision that borders on magic.

My memories are gone, stripped down to ash, but my body remembers things my mind cannot. Training. Instinct. Violence refined into something lethal and elegant. And beneath it all, a relentless drive to uncover the truth of who I was.

One man stands in my way.

Veyyr.

His magic is unlike anything I’ve ever encountered, and the pull between us is undeniable. He knows me. Knows my past. Knows the name I no longer remember.

And he refuses to tell me.

Bound to his world and his secrets, I follow him into the wilds of a fractured land. A journey I have no reason to take. No stakes in.

Except this.

The deeper we go, the clearer it becomes that survival is no longer enough. The path forward runs through me. Through what I’ve forgotten and must remember.

And if I don’t reclaim the truth of who I am…
This broken world may claim us both.




Riftborn is the first installment in author Shannon Mayer's Of Shadows and Blades series. This story is a high-octane, memory-wiped thrill ride that blends gritty post-apocalyptic survival with classic urban fantasy flair, laced with romance and found family. The story opens with our protagonist, Mallory, clawing her way out of a massive rift in the earth—literally born from the cataclysm that shattered the world. 

She has no memories of her past, no idea who she is, but her body knows exactly what to do: fight, survive, and dispatch monsters with lethal precision that feels almost magical. A mysterious ID tag and a ring on her finger are her only clues. The world itself is a fractured, broken place—continents torn apart, cities in ruins, rifts spewing horrors, and pockets of desperate humanity clinging to survival amid supernatural threats. 

Mayer does an excellent job painting a vivid, lived-in dystopia that feels both familiar (echoes of ruined urban landscapes) and wildly fantastical, with magic bleeding through the cracks alongside the danger. The post-apocalyptic setting never feels like window dressing; it drives the tension, forces constant movement, and shapes every interaction. As Mallory pieces together fragments of her identity, she crosses paths with Veyyr, a frustratingly secretive man who clearly knows far more about her than he’s letting on. 

Their dynamic—equal parts antagonism, reluctant alliance, and simmering tension—fuels much of the emotional core. The “he knows her, she doesn’t know him” trope is handled with restraint and builds genuine intrigue rather than cheap frustration. The plot moves at a breakneck pace: survival treks through dangerous wilds, monster-slaying set pieces, uneasy alliances, and escalating revelations about the rifts and Mallory’s possible role in the larger catastrophe. 

It’s classic Shannon Mayer—action-forward with snappy dialogue, clever problem-solving, and a heroine who refuses to stay down. Mallory, who is apparently the daughter off another badass Tracker named Rylee, is an absolute standout. Amnesiac heroines can sometimes feel passive, but here her instincts, sass, compassion, and raw determination make her instantly likable and empowering. 

She’s capable without being infallible, funny in the face of horror, and her gradual memory recovery is doled out in satisfying, tension-building drips rather than overwhelming info-dumps. Riftborn is pure escapist fun for fans of urban fantasy, post-apocalyptic adventures, kickass heroines, and slow-burn romance. If you love Shannon Mayer’s Rylee Adamson or similar series with strong women, monster-hunting, found family, and high-stakes world-saving, this is an easy must-read. 






Monday, March 23, 2026

#Review - Half City by Kate Golden #Fantasy #Romance

Series:
 Harker Academy # 1
Format: 
496 pages, Paperback
Release Date: February 17, 2026
Publisher: Ace
Source: Publisher
Genre: Fantasy / Romance

Welcome to Harker Academy for Deviant Defense. Keep your daggers sharp, and your wits even sharper.

Viv Abbot is an average twenty-one-year-old girl. She lives in an expensive city where the rent is too high, works long hours at a thankless job, and is dating a guy she doesn’t even like in the hopes of winning her prickly mother’s approval.

She just also happens to be a demon hunter.

 Ever since her father's murder, she's been forced to hunt deviants alone, meaning everyone, including her family, sees her as an outsider . . . Until the day she crosses paths with a dangerously alluring demon, Reid Graveheart. The reformed deviant tells her of a school for people just like her: Harker Academy for Deviant Defense. If she enrolls, she'll learn to hone her craft, work with other hunters, and never be alone again.

But Viv has a deadly secret. One that not even her new friends at Harker can know about. Not when the school might hold the answers to untangling the mystery surrounding Viv's father’s death. When strange occurrences begin to plague the students, Viv will have to figure out who she can trust, and fast. All while trying to ace her classes, not fall for a demon, and make it through her first year at Harker in one piece. How hard could that be?

Story Locale: Alternate fantasy city


Half City is the first installment in Kate Golden's Harker Academy series. The story follows Viv Abbot, a 21-year-old who seems ordinary on the surface—struggling with a dead-end job, high rent in the glittering but divided city of Astera (nicknamed "Half City" for the massive chasm that splits it and unleashes supernatural threats), and a complicated family dynamic. But Viv has a deadly secret: she's a demon hunter (or "deviant hunter"), driven by a rare, dangerous power that manifested early after witnessing her father's brutal murder years ago. 

She's hunted alone ever since, keeping everyone at arm's length, including her own mother—until a chance encounter with Reid Graveheart, a reformed demon who's equal parts dangerous and alluring, changes everything. He invites her to Harker Academy for Deviant Defense, a prestigious training ground for hunters like her. What starts as curiosity turns into a full enrollment when Viv realizes the academy might hold clues to her father's death. Astera is a vibrant, modern city with an underbelly of deviants (demons, vampires, werewolves, and more), and Harker Academy feels like a mix of elite college and monster-hunting boot camp. 

The lore surrounding Lymantrians, Aeons, The Brood, and the cosmic chasm is intriguing and layered, gradually revealed without overwhelming the reader. The action sequences are visceral and well-choreographed, with plenty of high-stakes fights that keep the pages turning. Viv is messy, fiercely independent, sarcastic, and grappling with her own monstrous urges. Her growth from lone wolf to someone learning to trust (friends, teammates, and maybe even a certain demon) feels earned. The supporting cast shines too: loyal roommates, rival students, and family members who add emotional depth. 

And then there's the romance. The slow-burning tension between Viv and Reid is deliciously forbidden, but doesn't infest the rest of the story with page after page of sex scenes. The book moves at a breakneck pace, balancing academy life, mystery-solving, and escalating threats (strange attacks on students, hints of betrayal tied to Viv's past). It builds to an intense climax with some genuine twists, though it ends on a cliffhanger, which will likely push readers to pick up book two (Cursed City, already on the horizon).



Chapter 1

Once, I crushed a beetle with my bare foot.

Nora was faster than me back then. I was all limbs and joints, with little coordination between them. We'd been playing gymnasts on the sidewalk-cartwheels resulting in skinned knees and tumbles leading to bits of asphalt embedded in our palms-when the sun-drenched day bled into a dusk that turned our neighborhood downright menacing. Or at least, that's how it looked to six-year-old me. I peered up from one of my more impressive somersaults and realized Nora was already at the stairs of our apartment building.

I ran after my big sister as if the shadows yawning off the power lines were long fingers that could seize me where I stood. I didn't even see the bug.

When the shell crunched beneath my heel-innards spreading across my foot like jam on toast-I expected revulsion. Guilt. Horror.

But none came.

I bent down to inspect the gore, my fear of creatures that slunk out with the fading daylight forgotten. I couldn't tear my eyes away from the insect's shattered exoskeleton. The still-twitching limbs. My blood thrummed with morbid allure. A predator discovering prey and, with it, a sick, insistent desire.

A desire I've fought against every single day since.

Staring down at the once-blue, now-gray gum stuck to the heel of my loafer, I try to shake the memory. I don't have time to dissect my psyche this evening. I'm late.

"Thank you so much for calling-"

I nearly jam the phone into my ear canal. "Yes? Hello?"

"Your call is very important to us. Someone from the district attorney's office will be-"

The noise I release is less human woman, more exasperated hyena. A balding man in a crumpled shirt recoils from me, and I deserve it. The Astera subway at rush hour is terrible by anyone's standards. The Astera subway at rush hour in the summer is a stinking, sweat-drenched hellscape from which few emerge with their sanity. A hellscape made worse only by all the lunatics who call this city home, and tonight, to Crumpled-Shirt Man, I am said lunatic.

But there's no time to mutter apologies. I secure the phone against my shoulder and shove past him down the stairs into the bowels of the multifloored subway. A sardine in a sweaty, sticky, tin can of conference calls, nursing scrubs, and unsupervised teenagers. My bags, water bottle, wallet, and railway card are about as secure in my hurried grasp as a handful of eels. When I maneuver through a turnstile, a dog's yapping echoes from deeper within the subway, rising above the din.

Someone behind me, equally rushed, knocks my precious phone from the crook of my shoulder and I spy the endless depths of a grate beneath my feet. A mere second before disaster, I catch the phone between my chin and collarbone. Phew. I listen to the irritating melody over the line to confirm that my spot in the queue hasn't been compromised.

What kind of mother is more likely to answer her work line than her cell? I'm all for boundaries, but if I hear one more automated woman tell me how valuable my time is, I'm going to implode. While I wait for my train, the Muzak blares in my ear and that dog yowls again.

Every time a train thunders past, the entire tunnel flickers. One fluorescent light high above is missing a bulb. My stomach growls, and I wonder if every suit on the crowded platform can hear it over the rumble of the subway cars. I search through my leather tote-a designer bag my from my mother, which I hate yet carry daily out of some misplaced guilt-and find the soft pretzel I grabbed on my way to work this morning.

This morning.

Shit. I haven't eaten today.

My mother once told me that forgetting to eat when stressed is a superpower. I'm about to cram as much of the stale, salty dough into my mouth as I can in an act of fierce rebellion against such an archaic, patriarchal notion when I finally catch sight of the dog that's been barking for the last ten minutes.

Against the tiled wall to my left, below graffiti depicting white antlers on Caspar Harlock's ad for his burgeoning news network, sits a yowling, dark-haired mutt, not too unlike my own. He's barking mostly at his owner, a kid with matted hair, leathery skin from too much sun, and clothes that I can smell from here.

The boy's sign reads: Hungry, Anything Helps.

Astera-the Half City, the country's epicenter of culture, business, and politics, located on the glittering edge of the eastern seaboard. We must have the largest population of billionaires in the world-our graffitied Caspar Harlock over there and my best friend Penny Pine's parents, to name a few-and yet a seriously shameful percentage of the city is living on the street. And who can you blame for a cycle that never breaks? Those in government? Say, perhaps, our tough-as-nails district attorney?

Whose office I am still on hold with?

Even though she birthed me?

It's moments like these in which I almost understand my mother's obsession with marrying me off to James Pine like some tragic Dickensian wretch. It's the same part of her that gifted me this bag on my first day of work so I wouldn't look quite so pedestrian. She loves me. She wants me to be taken care of in this dog-eat-dog city. And even though I can take care of myself in more ways than she could possibly fathom, I do wish I had the means to pull a wad of hundreds out of my bag for this kid and his dog.

Instead, I offer him my squashed, cold pretzel. His eyes light up as he takes it from me, immediately ripping off half for his floppy-eared companion. The dog eats hastily, fragments of wet pretzel crumbling on the ground, before he quiets, snuggling next to his owner in satiated gratitude. The young kid offers me a similar expression.

I don't even realize my heart is in my throat until my mom answers on the other line with a shrill "Yes, Viv, what is it?"

I falter for words.

"Viv? Do you need something? I'm about to step into a meeting."

"Hi, sorry." I pull myself together just as my train arrives. "Your team left a box of Dad's things outside my place this morning?"

A pungent whiff of some guy's noxious body spray fills my nose as the crowd coalesces around the open doors. I can barely hear my mother's exasperated sigh over the tumult.

"Yes." She sounds distracted. "I'm trying to declutter."

I nearly take a model's bony elbow to the chin as I find a seat. "You don't want . . ." I can't even find the right words. "Anything to remember-"

"My assistant saw a drug exchange on your block when she was leaving the apartment. How many times do I have to say I don't like you living so far past the Chasm?"

I mentally pound my head against a wall. I want to ask, Have you blocked out everything that happened before Dad died? You guys raised me around the corner from a brothel. The madam had to pick me up from school once. But I go with "Babylon is up-and-coming."

"Will you at least have James stay with you? He says you never invite him over."

It's not her fault-she doesn't know how laughable it is to assume my boyfriend can protect me better than I can protect myself. I fumble for a response that isn't No thank you, please.

"Or I could have a home security system installed?"

"You're kidding, right?" Her silence is like a whip. "Yeah, okay. If you must."

"So much graciousness on this phone call."

I bite back my attitude. "I'm sorry."

"Is Fiona having you work opening night?"

My mom has hounded me about this new exhibit on the Chasm for months. I work at the Windsor, Astera's largest and most well-funded museum, gallery, and research institute, and our newest collection opens in November. To my mom, whether or not I am one of the assistants chosen to help wealthy old women in pearls and tweed-wearing historians up the stairs on opening night is the full extent of my worth as a human. "I still don't know," I tell her. I don't add that I told her the same thing last week, and the week before.

"Well, you've certainly put in the time. I'm sure she will."

"One can only hope," I deadpan. When I hear her irritated sigh on the other line, guilt swims in. "Thank you, though. For the faith."

"Mm-hmm."

"Love you," I add.

But the line is already dead.

After my dad died when I was ten, my mom traded in her grief for justice. She'd been a city councilwoman in Lethe, the lower-middle-class neighborhood where my sister and I grew up, but his death prompted her to get a law degree, spend her weekends championing local anti-crime legislation, and dig into my father's murder until it was branded a cold case and thrown into some cheap suit's file cabinet.

Only two years later, she got a fancy government job and moved Nora and me across the city in the same station wagon we'd used as his hearse. I went to bed one night in the dingy yet lovable five-story walk-up I'd known all my life and woke less than a week later in a luxurious, chillingly empty house over the hill in the Hesperides, enrolled in Belaire School for Girls-and yes, it was as bad as it sounds.

I allow myself a brief gut-deep sigh at the memories before taking a seat and rummaging through my three overstuffed bags-gym bag, tote, purse- and running through the work wear-to-cocktail dress transition in my head.

My dress can be thrown on over my blouse. Or Nora's blouse, which I've stolen to look presentable. Then I'll shimmy the blouse down and off. No, wait-it could snag on the dagger strapped to my ribs. Britannia silver would eviscerate the blouse, and Nora would eviscerate me. Luckily, only I inherited the hunter gene from my father, otherwise that wouldn't be a joke. I'll unbutton the blouse first and pull it through my dress's neckline.

Pants always come off last, even after shoes, meaning there will be an unavoidable period of time in which I am barefoot on the Astera subway.

Vile, but alas, the things we do for love.

Thankfully, by the time I'm ready for my acrobat-level quick-change maneuver, the railcar's crowd has thinned out a bit. Probably because we're heading farther and farther south toward the Chasm. Nobody from up here goes down to Babylon, the neighborhood where Penny and I live. Especially not at this hour-assistants at the Windsor rarely leave before eight.

After graduating from Belaire, I didn't quite have the GPA to attend a decent college. My mother was beside herself, of course, but it's not like I could tell her I missed half my finals because a vampire was drinking his way through the city's strip clubs.

After my gap year became gap years, I'd wanted to apply to entry-level jobs at photography galleries. There's a smattering of cool ones in Babylon, but-to nobody's shock-my mom was not jazzed about that idea. I think she said something like I didn't spend every dollar I had on Belaire so you could look at other people's pictures for a living.

Luckily, Nora's wife, Fiona, stepped in a year ago and offered me a job as her assistant. She's the Windsor's head curator, which basically means she's a history buff who gets to travel the globe, say the word gala a lot, and wear high, clacky heels every day.

As the subway car moves over the Erebos Bridge across the Chasm, my bags begin to slide. Despite having a cocktail dress currently overhead, I save them from escaping with my outstretched foot, like it's a frog's tongue on an errant fly. For a rare moment in which my tampons and sweaty Pilates clothes don't spew onto everybody's shoes, I am awash in warm appreciation for my heightened hunter reflexes. Though I pray the second dagger strapped to my thigh didn't poke through my slacks. I can't afford another pair this month.

Eventually, the dress is on, loafers replaced by sensible heels, and there are no injured subway citizens to show for it. My eyes find my shoes, and I twist my ankle for a better look. In my head, my mom says, A stiletto wouldn't kill you. In-my-head-me replies to her, Actually, it might. Have you ever chased down a demon in a six-inch? Two sprained ankles have taught me that a platform heel is the only way to go.

I peer up at the remaining stops ticking away on the digital banner. Three more until Babylon. I check my hair using my phone camera and pull the long night-black strands into a low bun. Smooth my brows. Examine my teeth. The phone reads 8:51.

Dinner was at 8:00. I can probably be through the doors of Cobwebs by 9:07, which isn't too terrible for me. Maybe Penny won't even notice.

The smell of bacon pulls a growl from my stomach. A woman at the end of the railcar is munching a breakfast burrito with one hand as she holds on to a double stroller with the other. Her eyes are drooping closed as she chews.

A breakfast burrito at 8:00 p.m.-my kind of lady.

I reach into my bag and grab my half-frame camera to discreetly snap a shot of the mom and her burrito. There's exhaustion there but also the joy of a perfect bite when you need it most. It's incredibly human, and, as I often try to remind myself, so am I.

The train slows to a halt and a few more passengers file in and out. One stop left. Thank the lord.

"They're sleeping, so . . ." the mom says. When I peer back over, a man in a grease-stained jumpsuit is scooting closer to her, asking to see her kids. He's shifty-eyes darting here and there, scratching hastily at his arm. I hear the noise like his nails are inside my brain.

Scratch, scratch, scratch.

I try to tell myself he's just a poppy addict or a mugger from STC-South of the Chasm. But then shivers break out across my skin, and my heart sinks. I can almost hear kind, forgiving Penny ordering a red wine for me and saying to the waiter, "She'll be here any minute . . . She has a really demanding job." I wonder if they already sang her happy birthday.