Wednesday, September 30, 2026

#Review - Lost in the Dark by Debra Webb #Suspense #Thriller

Series: Standalone
 
Format: 
367 pages, Paperback
Release Date: June 9, 2026
Publisher: Thomas & Mercer
Source: Publisher
Genre: Thriller, Suspense

The brutal murder of her sister draws a woman back to her hometown and all its dark secrets in a gripping novel of suspense by USA Today bestselling author Debra Webb.

Dr. CJ Patterson returns to her Alabama hometown when her estranged sister, Shelley, is found murdered in the woods. For CJ it means diving headfirst into a painful life she left behind.

CJ reluctantly partners with Detective Kevin Braddock, and the complicated romantic history they share is far from over. They soon zero in on Shelley’s abusive ex-boyfriend and a local crime boss who controls the struggling mill village’s illicit enterprises. But anyone is suspect in a town with so many secrets. Even Shelley died with a few of her own.

As the investigation continues, so do the murders. One by one they’re leading CJ into a past she desperately fled from. CJ knows her hometown all too well. And that her search for the truth, and for a killer, will only get darker.




Lost in the Dark is Debra Webb’s 2026 revised edition of her 2009 novel Everywhere She Turns. The story is a dark small-town investigative thriller with romantic-suspense elements. The official premise is straightforward: Dr. CJ Patterson, an emergency-medicine resident in Baltimore, returns to her struggling Alabama mill-village hometown of Huntsville, Alabama, after her estranged sister Shelley is found murdered in the woods. She is pulled back into a world of poverty, drugs, prostitution, and buried family secrets she fled years earlier. 

CJ reluctantly works the case with Detective Kevin Braddock, a former romantic interest whose history with her is far from settled. Early suspects include Shelley’s abusive ex, Ricky Banks, and a local crime boss who treats the village as his personal fiefdom. Additional murders follow, each one dragging CJ deeper into the past she tried to escape. The story uses multiple points of view, with CJ’s as the primary lens. The setup is classic Webb territory: a protagonist forced to confront the place and people that shaped her, while a killer who seems to know her too well stays one step ahead. 

Once the body count rises and the investigation tightens, the suspense and sense of danger increase and several twists appear. CJ is driven, professionally capable, and carrying a heavy load of grief and unresolved family trauma. She is not always likable. Grief, guilt, and the investigation explain some of her sharper edges, but her choices—especially the speed with which the old attraction to Braddock reignites—have been a sticking point for some readers. One detailed review noted that the physical reunion happens very soon after she sees her sister’s body in the morgue, which undercut the emotional weight of the opening for that reader. 

Braddock functions as both professional partner and romantic counterpart. The supporting cast—family members, the crime boss’s circle, Shelley’s world—is populated by people who almost all have hidden agendas. Few characters are purely sympathetic, which fits the grim setting but can make the book feel emotionally chilly. The Alabama mill-village atmosphere—economic decline, illicit economies, the way everyone knows everyone else’s business—is convincingly drawn. 

The investigation structure gives the story forward momentum once it hits its stride, and the later chapters deliver the rising danger and twists that thriller readers expect. A dark, readable hometown-murder thriller with a complicated heroine and a polarizing romance. Recommended for Webb fans and readers who like their suspense dirty and their secrets ugly; approach with the expectation of graphic violence and an early physical reunion between the leads.





Tuesday, September 29, 2026

#Review - The Doll Squad by Hailey Edwards #Fantasy

Series:
 Bureau of Curse Objects # 1
Format: 
281 pages, Kindle Edition
Release Date: September 14, 2026
Publisher: Black Dog Books, LLC
Source: Kindle Unlimited
Genre: Urban Fantasy

Danger in the line of duty is a given, but Officer Samantha Tiegs always figured her death would come in the form of a heart attack in her golden years after a lifetime of researching the age-old question— Can it be fried? Sadly, death has less delicious plans in store for her.

When she’s called to intercept a hijacking in progress, her world gets turned upside down. The thieves aren’t human, and whatever’s in the delivery truck they looted, they want it bad enough to kill for it. Except her death isn’t their end goal. It’s only the beginning of a twisted plan orchestrated by the person she loves most.

Everything she believed about her life, her family, was a lie. The truth is, she’s a pawn in a deadly game she can’t win alone. Enter the Bureau of Cursed Objects. The supernatural agency has a vested interest in her survival, and they make her an offer she can’t refuse.

Come work for them, and they’ll guarantee her safety, but her new partner is a man who poses the greatest threat to her yet. As long as she remains valuable, he’ll protect her from everyone. Including himself. But should her returns diminish, he won’t make any promises.

Warning: Contains one manga-obsessed heroine with an anime addiction, more fried food than a fairground on opening night, one hero with a reputation for killing his partners and a compulsion for labeling what he considers his, and a whole lot of family secrets, drama, and evil hiding where you least expect it.


The Doll Squad is the first book in Hailey Edwards’s new Bureau of Cursed Objects urban fantasy series. It follows Officer Samantha “Sam” Tiegs, a cop who expects to die of something mundane (preferably after a long life of fried-food research) and instead gets yanked into a hidden supernatural world when a hijacking turns out to be anything but human. 

Edwards, known for found family, messy magic, banter, and high-stakes chaos across series like Black Hat Bureau, The Beginner’s Guide to Necromancy, and The Body Shop, is working in familiar territory: a snarky heroine, a dangerous male lead, family secrets, and an agency that collects cursed or dangerous items. Sam responds to a hijacking in progress with her brother Cole. 

The thieves aren’t human, the cargo is something they will kill for, and her “death” is only the opening move in a plan tied to the person she loves most. Everything she thought she knew about her life and family is a lie. The Bureau of Cursed Objects—a supernatural agency with a vested interest in keeping her alive—makes her an offer: work for them, and they’ll protect her. Her new partner, however, has a reputation for killing partners and a possessive streak. 

He’ll keep her safe as long as she’s valuable. After that, no promises. Sam is a classic Edwards heroine: competent, food-obsessed (fried food and fairground-level snacking get mentioned in the warning), manga-and-anime-addicted, and funny under pressure. The voice is first-person, fast, and conversational—easy to fly through. As book one of a brand-new series, a fair amount of page time goes to world-building and Sam’s crash course in the Bureau. 

The possessive-partner dynamic and “he’ll protect you until you’re no longer useful” hook will delight some readers and annoy others depending on taste for that particular romance flavor. Because the book is very new, long-term series payoff (how the Bureau works, what the “Doll Squad” really means, how the family conspiracy unfolds) is still unknown. 

Pick this up if you enjoy:
Urban fantasy with a cop-turned-agent heroine
Banter + danger + found-family seeds
Possessive / morally gray male leads
Light anime/manga flavor mixed with Southern-fried food humor

Skip or wait if you dislike possessive tropes, want a standalone, or prefer slower, more literary urban fantasy.





Monday, September 28, 2026

#Review - Clean Slate by Brianna Labuskes #Mystery #Suspense

Series:
 Olive Hunt # 1
Format: 
312 pages, Kindle Edition
Release Date: August 4, 2026
Publisher: Thomas & Mercer
Source: Kindle Unlimited
Genre: Mystery, Suspense

A crime scene cleaner is on the trail of a serial killer in a breathtaking novel of psychological suspense by USA Today bestselling author Brianna Labuskes.

Death pays well for Olive Hunt, a crime scene cleaner who channels her childhood traumas into erasing the suffering of others. After nearly ten years, she’s seen it all. Nothing rattles her anymore.

Until now.

Two back-to-back suicides. A seedy motel. An upscale Atlanta hotel. No connection—except that Olive discovers the same strange item at each scene. Then a third body drops. Olive knows what the police refuse to see: These aren’t suicides. They’re murders staged to perfection.

Then the roses arrive. A vase of blood-red blooms on her doorstep. An anonymous note: Thank you.

She’s found him. A serial killer who’s been leaving breadcrumbs only she can see. A killer who’s been cleaning up his work—knowing she’ll clean up after him. A killer who wants her to follow.

And follow she must. No matter how terrifying the trail becomes.




Clean Slate is a sharp, grimly original psychological thriller that launches Brianna Labuskes’s Olive Hunt series with a protagonist you don’t usually get in crime fiction: a crime-scene cleaner who notices what cops miss because her job, her trauma, and her compulsions force her to look everywhere.. This story alternates between now and then, and between various characters, including Olive Hunt. Olive Hunt owns Clean Slate, an Atlanta business that erases the physical leftovers of violence: blood, brain matter, the smell of a life that ended badly. 

After nearly a decade, she is professionally unflappable. Then two deaths land on her schedule in quick succession—one in a cheap motel, one in a luxury hotel—both labeled suicides. At each scene, she finds the same odd item hidden where only someone who actually cleans would look. A third body follows. Olive is sure these are staged murders. The police are slower to agree. Then roses appear on her doorstep with a note that says Thank you. The killer has been leaving breadcrumbs specifically for her. 

He knows how she works. He wants her to follow. Olive is the reason the novel works. She was raised by a mother whose contamination OCD curdled into cruelty; her father was killed when she was seventeen, and her mother ended up institutionalized. Olive inherited the rituals—multiple showers, raw hands—and redirected them into a job that, from the outside, looks like the last thing someone with her history should do. Labuskes treats the OCD as texture and constraint, not a punchline or a superpower. The same hyper-focus that makes Olive good at her work also keeps her circling trauma she has never fully named. 

She is also funny in a dry, practical way, loyal to the Peach Tree Community Center that once sheltered her, and unusually decent about the dead. Around her: detectives Donovan Mitchell and Cormac “Sully” Sullivan; found-family figures Anthony Last and his daughter Leah; the wealthy Suttons; and other voices from the community center’s past. The novel uses multiple points of view—Olive in first person in the present, others (notably Anthony and Darla) in third person across “then” timelines that slowly lock onto the present. That braid is doing real work: the past is not just backstory; it is the motive engine. 

Pacing after the first act is generally tight. Olive does not play lone-wolf amateur sleuth in the most irritating sense: she takes what she finds to the police, then keeps looking anyway because the killer is talking to her. That balance will still annoy readers who hate civilian investigators. It will satisfy readers who want a heroine who is curious without being cartoonishly reckless every chapter. Under the cat-and-mouse plot is a class novel. Atlanta’s Peach Tree Community Center is the emotional and thematic hub: a place where the ultra-rich and the barely-getting-by once occupied the same rooms as kids and then diverged into incompatible ideas of what a life is worth. 

Crime-scene cleaning is described with enough physical specificity to be unsettling and enough respect to avoid torture-porn tourism. This is clearly Book 1, with enough unresolved life around Olive that a sequel is welcome rather than a mandatory cliffhanger. Clean Slate is a strong series opener: not flawless, but distinctive. This book stands apart from the author's previous novels because the heroine’s job and psychology are the same instrument. If you want a police procedural with a cleaner in the background, look elsewhere. If you want a damaged, decent woman following a killer who has studied how she scrubs a room, this is the one.





Friday, September 25, 2026

#Review - Burn the Kingdom Down by Addie Thorley #YA #Fantasy

Series:
 Standalone
Format: 
448 pages, Hardcover
Release Date: April 7, 2026 
Publisher: Sourcebooks Fire
Source: Publisher
Genre: YA, Dark Fantasy

An action-packed enemies-to-lovers romantasy filled with a romance that will leave you breathless, betrayals that will rip your heart out, and a princess who will stop at nothing for revenge.

One year ago, Rowenna Harrack, the crown princess of Tashir, left her homeland in a wedding dress of chains—sent away to the enemy nation of Vanzador as a captive bride.

Now, Rowenna is dead. Brought home in a coffin after an alleged fall from a cliff.

Second-born princess, Indira, knows her sister's death was no accident. Desperate for truth and vengeance, Indira agrees to wed the prince so she can infiltrate Vanzador, find Rowenna's murderer, and burn their kingdom to the ground.

Indira's plan is simple, she will make nice until she can find out how to avenge her sister and free her country from the rival nation's stranglehold. But when Indira arrives, nothing is as terrible as Rowenna described. As Indira grows closer to her new husband, Prince Alaric, and uncovers more about Vanzador, the source of its powers, and what happened during Rowenna's final days, she’s no longer sure what—and who—to believe. Because everyone, even her sister, has secrets. Deadly ones. As allegiances shift and betrayals surface, Indira realizes the only person she can trust is herself. It’s time to step out of her sister’s shadow. Time to serve her own brand of justice.



Burn the Kingdom Down from Addie Thorley (author of An Affair of Poisons and the Night Spinner books) sits in that crowded space of enemies-to-lovers political fantasy, but it is less “chosen one with a sword” and more “grief-soaked murder mystery with plants, propaganda, and memory magic.” One year ago, crown princess Rowenna of Tashir was sent to the enemy mountain kingdom of Vanzador as a captive bride under a brutal treaty. 

Tashir is an underground garden realm that grows bagrava, a sacred plant that keeps its soil fertile; Vanzador’s royal family can move earth itself and, in return for bagrava tribute and a Tashiri princess, raised a mountain wall against marauders. Rowenna comes home in a coffin after an alleged fall from a cliff. Second-born princess Indira, a master gardener who has always lived in her sister’s shadow, does not believe it was an accident. 

When Vanzador demands a replacement bride, she has no choice but to accept her fate so that she can infiltrate the Fortress, find who killed Rowenna, and tear the kingdom down from the inside. Nothing she finds matches the monster-state her sister described. Prince Alaric is not the easy villain she expected. Everyone, including Rowenna, has secrets. The contrast between the two kingdoms is the book’s best idea. Tashir is soil, roots, and living magic; Vanzador is stone, cold, and a society that harvests memories as fuel. 

“Memory tithes” are a genuinely interesting system: identity can be extracted, stored, distorted, or weaponized. That ties the mystery, the politics, and Indira’s grief together instead of sitting on top of the plot as decoration. Indira is not a stabby superheroine. She is loyal, angry, naive in places, and shaped by a sister she idolized too long. The book is as much about stepping out of that shadow as it is about revenge. Alaric works as a counterpart rather than a dark-romance checklist: tension comes from competing loyalties and withheld information more than constant banter. 

When the romance lands, it is because it is earned slowly while they investigate together. Thorley also treats the “avenge my sister / infiltrate the enemy court” template as a mystery first. The structure is closer to a closed-house investigation than a war campaign. That will delight readers tired of endless set-piece battles and frustrate readers who want constant action. If you need a high-spice, high-action romantasy, this is not that. 

The romance is slow-burn and secondary to grief and investigation for long stretches. Content includes violence, death, grief, some sexual content, attempted assault, and emotional abuse. The book keeps asking what memory is worth—and who we are when the stories we were raised on are lies. National myths, sisterly worship, and personal identity all get the same treatment: they can be cultivated or drained. 

Indira’s arc from “burn it all” toward something more complicated is the emotional spine. Whether that landing feels earned is the main split among readers. Read this if you want YA romantasy with a plant-and-memory magic system, a murder mystery at the center, and a heroine who is more gardener-and-griever than warrior. Skip or sample first if you bounce off slow court-investigation middles or inconsistent trust-fall plotting.

NOTE: This book is currently on sale for a limited time. I don't get any money for posting this, but if you think you will enjoy the story, $1.99 at Amazon, B&N and Kobo is a good deal. 






Wednesday, September 23, 2026

#Review - The Girl in the Lake by Lauren Oliver #Mystery #Thriller

Series: Department of Unexplained Phenomena #1
 

Format: 321 pages, Kindle Edition

Release Date: June 1, 2026
Publisher: Thomas & Mercer
Source: Kindle Unlimited
Genre: Mystery, Thriller

A young girl who claims to remember a past life draws a psychologist into a decades-old mystery in a haunting novel of suspense by New York Times bestselling author Lauren Oliver.

Kate Willis, consultant for the Division of Perceptual Studies at the University of Virginia, is tasked with interviewing six-year-old Henley Haskell about the girl’s alleged past-life recollections. The evaluation also marks a return for Kate to Stockbridge, Massachusetts, and to troubling recollections of her own.

Here, twenty-four years ago, Kate’s friend Becca McGuire vanished from her bunk at a now-shuttered summer camp and was never seen again—presumably drowned in Lake Sauquamet. But the mystery of her disappearance is only deepening. Because Henley’s memories of her “other life” are ones that could only belong to Becca.

For Kate, Henley’s recurring, suffocating nightmares, and her disturbing illustrations of places she has never been, seem to spell out the unbelievable. Somewhere, somehow, the truth about what really happened to Becca is locked inside this little girl. As Henley’s uncanny memories surface, so do old secrets—each one drawing Kate inexorably back to that terrible long-ago summer by the lake.




The Girl in the Lake is Lauren Oliver’s adult-thriller debut and the first book in her Dept. of Unexplained Phenomenon series: a dual-timeline mystery that sits right on the fault line between skepticism and the uncanny. The story follows 40-year-old Kate Willis, a psychologist who consults for the University of Virginia’s real-life Division of Perceptual Studies. She is sent to Stockbridge, Massachusetts, to interview six-year-old Henley Haskell, who talks about an “other life” with startling specificity. 

The case pulls Kate back to the shuttered Camp Sauquamet and Lake Sauquamet, where her best friend, Becca McGuire, vanished at fourteen and was presumed drowned. Henley’s nightmares, drawings, and private details increasingly look like Becca’s. Kate’s job is to look for suggestion, family leakage, trauma, and fraud. The novel keeps asking whether Henley is a vessel, a child absorbing a story, or something messier than either explanation. Kate is a skeptic with a messy private life—work as armor, old drinking as another kind of burial, a return home that she has postponed for decades. 

She's complicated rather than heroic, and the plot only works because she has to test her own beliefs. The “Then” chapters are Oliver’s real advantage. Her YA background shows in the camp material: the Cat Pack’s shifting alliances, the cruelty of girlhood, the Gray Lady legend, secrets used as currency. Becca is not a sainted missing girl. She is magnetic, unstable, loyal, and dangerous in the way fourteen-year-olds can be when they collect other people’s weaknesses. That makes the present-day investigation feel like unfinished adolescence rather than a cold-case procedural. 

Atmosphere does a lot of the work. The Berkshires, the abandoned camp, Fair Isle, the lake, and the local ghost story give the book a damp, closed-in Gothic mood without abandoning a clinical present. Oliver researched children who report previous-life memories, and that grounding makes Henley’s details more unsettling than a straightforward haunting would. The best version of this book is not “reincarnation is real.” 

It is a story about memory as something the mind edits in order to survive, about group guilt, and about whether a landscape can hold what people refuse to say. The supernatural is allowed to breathe; it doesn't have to win the argument. Pacing is my biggest complaint. The first half and middle lean on interviews, verification, and circling the same questions—how does Henley know this, who told her, what is Kate willing to admit? If you want a mystery that stays foggy all the way through, the landing may feel a shade too assembled. 
Themes
  • Memory as construction, not archive
  • Secrets as power and as poison
  • Skepticism as protection
  • The exact moment play turns into culpability
  • Whether a ghost is a spirit or a conscience that will not stay sunk
Pick this up if you like Lisa Jewell / Megan Miranda / Jennifer McMahon territory, Yellowjackets-adjacent summer-camp rot, or thrillers that flirt with the paranormal without fully converting. Skip it if you want a lean, twist-every-chapter thriller or a hard-commit ghost novel. This is a character-driven slow burn that becomes a rescue/reckoning, then leaves a door slightly open for the series. 
 




Tuesday, September 22, 2026

#Review - The Nameless Land by Kate Elliott #Fantasy #Romance

Series:
 The Witch Roads # 2
Format: 
416 pages, Hardcover
Release Date: November 4, 2025
Publisher: Tor Books
Source: Library
Genre: Fantasy, Romance

An epic tale of class, rank and power from one of the finest writers of epic fantasy.

Surprising betrayals, surprising alliances and surprising discoveries of heritage abound in this energetic sequel to The Witch Roads.

When the royal party finds themselves in a land they never believed they could access, it will take all of Prince Gevulin's (admittedly impressive) diplomatic skills to forge a coalition with an unlikely group of would-be allies.

Meanwhile, as Elen mourns her lost love, an unwelcome visit to the land of her birth brings back the traumatic memories of the childhood she shared with her sister.

And a surprise visit from an unwelcome family member threatens to derail the plans of multiple opposing factions.

Loyalty cannot be demanded, only won.



Kate Elliott's The Nameless Land is the second and final installment in the author's The Witch Road duology. It picks up immediately after the first book’s cliffhanger and delivers political intrigue, personal reckoning, and a harrowing journey into a land most of the Tranquil Empire pretends does not exist. This is not a standalone. Readers who haven't finished The Witch Roads will be lost in the relationships, secrets, and geopolitical tensions Elliott has already established. The two volumes function more like a single long novel split in half than two independent stories. 

Deputy courier Elen, still reeling from loss and carrying a dangerous secret about her origins, is compelled to guide Prince Gevulin and his party across the Far Boundary Pall—the deadly, poisonous mist that has defined the world’s geography and politics since a cataclysmic event. The Pall is not merely an obstacle; it functions as an implacable environmental force that cannot be reasoned with or defeated, only survived. Their destination is the Nameless Land of Elen’s childhood, a place of trauma, enslavement, and memories she fled years earlier with her adopted sister. 

Once there, the story expands into a web of crumbling clans, unexpected alliances, betrayals, and the prince’s ambitious (and frequently self-serving) diplomacy. Elen must navigate both external threats and the return of her own past while protecting her nephew Kem. The narrative remains tightly focused through Elen’s third-person perspective, with occasional journal entries that add texture without breaking the viewpoint. Elliott balances travel, court maneuvering, and personal confrontation rather than relying on large-scale battles. 

Elen is world-weary, grieving, quietly competent, and fiercely protective. Her return to the land of her birth forces her to confront trauma she has spent years burying. Elliott handles this with restraint and psychological realism rather than melodrama. Elen’s growth feels earned; she does not suddenly become a different person, but she does claim more agency and connection than she allowed herself before. Prince Gevulin is the most surprising character arc. In the first book, he often came across as arrogant and unlikeable. 

Here he remains a schemer, but Elliott layers in competence, vulnerability, and genuine (if self-interested) growth. Supporting characters—including Kem, various wardens, and new figures from the Nameless Land—receive enough development to feel like people rather than plot devices. Found family and hard-won respect emerge as quiet counterpoints to the court’s transactional relationships. A slow-burn romance exists, but it is deliberately secondary to Elen’s personal and political story. 

Elliott keeps the focus on loyalty, survival, and identity rather than turning the book into a love story with fantasy trappings. The contrast between the highly structured, courtesy-veiled violence of the Tranquil Empire and the more overtly chaotic, physically brutal Nameless Land is one of the book’s sharpest achievements. Different societies have developed distinct (and imperfect) ways of living with the Pall; none is presented as a simple utopia or dystopia. Nonhuman cultures and the region’s buried history receive meaningful attention without drowning the narrative in lore dumps. 

Strengths are consistent with Elliott’s best work: lived-in worldbuilding, morally complicated characters, and a refusal to flatten either empire or resistance into simple good-versus-evil. Weaknesses include the uneven early pacing, some lingering mysteries about the Pall and Elen’s heritage that feel deliberately unfinished, and an ending that resolves the central plot while leaving the door open for further stories. If you connected with Elen in The Witch Roads, this is a worthy, emotionally grounded conclusion. If you prefer tightly plotted standalones or nonstop action from page one, the slower start and duology structure may frustrate.
 


1A PATTERN, IF ONE CAN BUT READ IT

IN THE SUMMER Of Year Fourteen of the Magnolia Emperor, I, Luviara, theurgist and investigator, completed my assigned inventory of all Heart Temples in the empire, including any that may have been left out of the census. The study covered the entirety of the empire and took sixteen years to complete.

In conclusion, I suggest that many of the Heart Temples predate the empire by hundreds of years. It is impossible to calculate exact ages because of the difficultovy of dating reign lengths in the thousand-year Seven Golden Kingdoms era, and because of the paucity of evidence before the establishment of said era, when it seems there were widespread disruptions to the social order, a period which the poets indulgently refer to as “the Great Wars of the Sorcerer-Kings.”

At the request of the palace archivists, I have included in my original report an Official’s Handbook relating the customs, legalities, and historical anecdotes of the empire, appropriate to share with officials outside the temple who will benefit from its insights.

This addendum is meant only for the eyes of the Inner Chamber, who set me on this path.

As you know, my travels over the years have taken me to the Wandersea in the west, the Blasted Coast and the Storm Waters in the north, the Tranquil Sea and the impenetrable Stalking Forest to the south, as far along the eastern frontier as the Long Claws and the Dagger Spine, as well as a complete circumference of the borderlands surrounding the impassable Desolation. In all these places, I have explored major and minor heartland and provincial Heart Temples, as well as abandoned ruins, some of which are destroyed fortresses or collapsed dwellings, and some compounds which contain the remains of towers grouped in threes and occasionally referred to as “Spires.”

Especially in the provinces and on the frontiers, I discovered Heart Temples that are mentioned in passing in the temple census as if they are of little interest but which are of unusual character and unknown age and provenance. Not a few are exceedingly difficult to reach and thus half forgotten. Some have preserved ancient scrolls seen nowhere else, and not yet chewed up into the palace’s hungry maw. It is not clear when these most isolated Heart Temples were built, but they were certainly established long before the founding of the Tranquil Empire, as I have previously noted.

All this I dutifully recorded and sent to the Inner Chamber. After four months of waiting, and despite a respectful query, I have not yet received even the courtesy of an answer that acknowledges receipt of my extensive notes and findings after my many years of arduous journeying.

Thus, I repeat my preliminary conclusions here, in my winter report of Year Fourteen of the Magnolia Emperor.

That the Heart Temples and their worship predate the Tranquil Empire can no longer be disputed, that is, if the contrary was ever truly believed by anyone outside the palace. Certainly the local people of the intendancies understand the Heart Temples to be unimaginably ancient, the work of “old ones,” or “guardians,” or some other mysterious builders. Therefore, the claims that the empire built all the temples must be understood to be efforts by early palace archivists and historians wishing to embellish the accomplishments of the Lotus General and his heir, the Chrysanthemum Emperor. Whether they were ordered to make this claim, or managed to come up with it on their own, cannot, at this remove, be known one way or the other.

Yet the question of the Heart Temples’ origins raises another related question, that of the curious mystery of the so-called witch roads, which protect against the Pall. To be clear, all “witch roads” are considered part of the network of imperial roads, but not all of the imperial roads repel the Pall. The official history of the empire states that the first emperors built all of the imperial roads, some of which have the protective quality mentioned above and others of which were built to facilitate the swift movement of armies and supplies.

But is that true? Why would witch roads be built before the rising of the Pall, an event that no one predicted? In addition, those of the imperial roads confirmed by work orders and manifests to have been constructed during the early years of the empire show no correlation to the oldest Heart Temples, even if new temples were built in association with these new roads.

Yet every Halt encloses a Heart Temple. This correlation suggests that the Halts and the Heart Temples were built at the same time and meant to be sited together. Some will object that certain Heart Temples lie far from the witch roads. The oldest and most remote of these, without exception, contain a pure-water spring, although not every Heart Temple has a pure-water spring. I have, as yet, found no explanation for why some temples have pure-water springs while others do not.

The only places known to always have a pure-water spring are the aforementioned Spires, whose three-tower construction and purpose remain a mystery. Their origins are shrouded by age and lack of evidence beyond the unusual statues arrayed at their entrances like guards. Most but not all of these statues depict animal-headed people with human- or aivur-shaped bodies. Pre-imperial poets fancifully called these statues “the Shorn” and claim they are noble warriors standing guard for eternity to make sure the evil sorcerer-kings of yore never return.

Witch roads often pass within a half day or less march to Spires, but never pass right up beside them, nor do the roads ever enclose Spires as Halts enclose Heart Temples.

I believe there is a pattern, if one can but read it.

I have requested of the Inner Chamber that I be allowed funding, travel permits, and full access to surveyor maps in order to continue my investigation into any possible relationship between Spires, Heart Temples, and witch roads, and what they may reveal about pre-imperial times and if their existence has any relationship to the dreaded Pall which now afflicts the empire.

Having been denied twice, I ask for a third time. It is foolish to believe we know all we need to know.

From the journal of Theurgist Luviara, working under the sworn seal of the Inner Chamber of the Heart Temple



2DEADLY CURRENTS AND WINDS

Far Boundary Vigil stood on the southern shore of Far Boundary Pall, marking the northern limit of the Tranquil Empire and, people said, the end of the inhabitable world. At the top of the Vigil Tower, Elen and her nephew stood in a circular lookout chamber on the floor below the beacon that shone night and day.

Side by side, they stared north through one of the viewing windows. Like a vast sheet of low-lying fog, the Pall stretched north as far as the eye could see, and to the east and the west likewise, in the manner of a sea or a strait. That is, if that sea were a deadly mist that would kill on contact.

Kem sighed as he glanced back at the open door onto a stairwell. They were alone, for now. “I’d better go. I’m supposed to be caring for the horses.”

“What?” Elen said with a smile. “You didn’t get permission from Captain Simo to come up?”

He waggled his eyebrows, reminding her of all the escapades he and his great good friend Joef had gotten into as children. “I’m not supposed to be here but I had to sneak up and check on you. After everything you told me last night, I was worried about you. As for the prince…” He trailed off.

The haunt was gone. Her chest ached, missing him. Knowing his departure into the Pall was the only choice he could have made. And yet, in so short a time together, she had come to rely on seeing him every day, the easy grace of his presence near her.

Watching her, Kem frowned and was about to speak when a distant tangle of tense voices caught their attention and broke into Elem’s pensive thoughts.

“Yes, the prince,” she agreed drily. “It’s better if he doesn’t know you and I have spoken. Not yet, anyway. As unpleasant as he is, he’s no fool. He’ll guess I’ve told you everything. Go now, so His Exalted Highness doesn’t find you here.”

“Yes, that and the horses. Well, and figuring out what happened here at the Vigil. Why it’s abandoned. Where the garrison has gone!” With this pronouncement, Kem took a step away, a lanky youth of seventeen discovering his place in the world with increasing confidence.

Abruptly he turned back and hugged her fiercely. “I was so scared for you.”

“I love you, too, Kem,” she said with a laugh even as his words set her heart at ease. After Ao’s death two years ago and the haunt’s departure just last night, she had been so afraid of losing him, too, feared him turning his back on her forever. Yet here he stood.

He snorted as he released her. “I guess we’re stuck together for a while yet,” he said with the wry grin that gave him a mischievous gleam. After a last glance at the silent Pall, he went to the door. He paused there to give her another frowningly concerned look, then hurried out of sight down the stairs.

She considered following him, but where could she go? She was in deep trouble, that much was certain. She and Kem were trapped by the circumstances that had landed them here at Far Boundary Vigil, at the edge of the empire. But Elen had survived bad situations before. Her instincts told her not to run, not yet. Ride this out a little longer. She had to protect Kem from the prince’s wrath, that more than anything. But in addition, the mystery of the missing garrison and the unknown reason behind the prince’s reckless dash from the heartland to this distant outpost was a puzzle she wanted to solve. As soon as it proved possible, it would still be better to walk away from any business that entangled her with the palace. She was no one, a mere provincial deputy courier, a minor official in the massive bureaucracy ruled over by the Magnolia Emperor. Chaff to be ground into dust and discarded by the machinery of the Tranquil Empire.

Yet, after all, chaff was not all she was.

Unfortunately, the prince knew it.

She crossed the chamber and looked down onto the courtyard in time to see Kem slip out of the lower doorway, race down the ramp and over the pavement, and disappear into the stables, apparently unseen by any of the others.

The murmur of voices from below ceased. Hastily she went back to the chair placed in the middle of the chamber. She sat exactly where the prince had left her when Captain Simo had come up to tell him Luviara wished to speak to him on a matter of great urgency.