Showing posts with label Deanna Raybourn. Show all posts
Showing posts with label Deanna Raybourn. Show all posts

Tuesday, March 17, 2026

#Review - A Ghastly Catastrophe by Deanna Raybourn #Historical #Mystery #Romance

Series:
 Veronica Speedwell # 10
Format: 
336 pages, Hardcover
Release Date: March 3, 2026
Publisher: Berkley
Source: Publisher
Genre: Historical / Mystery / Romance

Veronica and Stoker are practically dying for a new adventure, but when their wish is granted, they find themselves up against a secret society and a darkly seductive duo in this landmark historical mystery from beloved New York Times bestselling and Edgar® Award–nominated author Deanna Raybourn.

When the corpse of an entitled young man is found entirely drained of blood in a carriage next to Highgate Cemetery, Veronica’s interest is piqued. And then a second victim is found, his death made to look like a suicide—and Veronica and her intrepid beau Stoker know the hunt is on. The two men share one link: they were both members of a society so secretive that only a singular mention of it can be found anywhere.

Thirsty for more clues, Veronica and Stoker hear that a young Romany boy may know more about their first victim, and the only way to the boy is through an old acquaintance of Stoker’s, Lady Julia Brisbane. Lady Julia and her dashing husband, Nicholas, occasionally track down murderers and are only too happy to help. But as it becomes clear that the secret society is a dangerous sect looking to entice immortality seekers, Veronica and Stoker find themselves ensnared by a decidedly more sinister couple.

The professed leader of the society claims to be a creature of the night; his partner practices witchcraft and they both fancy themselves emissaries of the otherworldly. Just as Veronica and Stoker get closer to learning the true purpose of the society and unraveling this macabre mystery, another body turns up, and they quickly discover they’ve gone from being the hunters to the hunted. . . .


A Ghastly Catastrophe is the Tenth installment in author Deanna Raybourn's Veronica Speedwell series. This story takes place in Victorian England in 1890. The key players are Veronica Speedwell, a natural scientist specializing in butterflies, and Revelstoke Templeton-Van, a natural scientist and former medic in the military. The story kicks off with a bang when a young man’s corpse—entirely drained of blood—is discovered in a carriage near Highgate Cemetery, complete with suspicious fang marks on his neck. 

Scotland Yard’s Inspector Mornaday of the Special Branch brings the case to Veronica and Stoker, and soon they’re tangled in a web involving a possible secret society, a second “suicide,” shady Romany connections, and a pair of gloriously theatrical fraudsters: the vampire-esque Lord Ruthven and the witchy Asphodel. Journalist J.J. also joins the investigation after finding herself in a precarious situation. Raybourn leans into the gothic vibes with nods to Dracula and classic vampire lore, but grounds everything in clever, rational twists that keep the supernatural elements fun rather than silly. 

What makes this book (and the series) shine is the sparkling dynamic between Veronica and Stoker. Their banter is sharp, witty, and laced with genuine affection and chemistry that has only deepened over ten books. Veronica’s fearless, scientific mind clashes delightfully with Stoker’s more pragmatic (and occasionally exasperated) nature, and their arguments—especially about whether vampires could possibly be real—had me laughing out loud. 

The supporting cast feels just as alive: Mornaday’s long-suffering presence, a welcome cameo from Lady Julia Brisbane (bridging Raybourn’s Lady Julia Grey series), and even the eccentric Rosemorran household add warmth and humor. The mystery itself is twisty and well-paced, blending historical detail, secret societies, and a touch of the macabre without ever losing its sense of playfulness. 
Raybourn uses the vampire trope as both a red herring and a commentary, delivering a satisfying resolution that feels earned rather than gimmicky. 

The Victorian London setting—Highgate Cemetery, Romany camps, glittering fraudulent séances—comes vividly to life, and the stakes rise nicely as Veronica and Stoker shift from hunters to hunted. If you enjoy clever historical mysteries with strong female leads, slow-burn romance, and just the right amount of gothic flair, this series is definitely for you. 




Chapter 1

London, 1890

Do you want to do the deed or shall I?" I asked as we stared down at the carcass.

Stoker sighed. "I suppose I will." The lackadaisical air he adopted would have been cause enough for concern; the sigh was terrifying. Stoker had always been a man of extraordinary vigour, striding with purpose and energy through all of his endeavours, no matter how small.

But our lives had, in recent weeks, grown very small indeed. Despite a physically hectic and thoroughly enjoyable winter holiday together in the Isles of Scilly, Stoker and I had returned to a London bedevilled by bad weather and worse moods. After an autumn which had seen us crack our most extraordinary case yet, the season of mists and mellow fruitfulness had given way to choking fogs and a deep, creeping damp which settled into our very bones. Both of us had suffered through a series of lengthy colds, snuffling and sniffling until we were quite mad with it. We smelt of mustard plasters and liniments and other assorted unguents. The tip of my nose was, for the whole of March, the unbecoming shade of a ripe plum. Spring was slow in arriving; a series of late frosts blackened and withered the snowdrops, and the daffodils shivered in their pretty yellow caps. It was, in short, a dismal time, and if it had been only the weather and our various ailments to assail us, our spirits might not have fallen so low.

But I was conscious of a new and unwelcome feeling that spring. I had, for the first time since I had made Stoker's acquaintance, experienced ennui. My boredom lay not with him-never think it! He was as engaging and maddening a companion as ever, offering sustenance for both body and mind through a combination of vitality, intellect, and charm that was as heady as it was rare. No, our intimate friendship was as intimate and friendly as it had ever been.

Our regular work was likewise fulfilling. We had been engaged by the Earl of Rosemorran to catalogue his extensive collection with an eye to someday opening a museum. While Stoker and I were natural historians by trade-he a naval surgeon turned taxidermist and I a lepidopterist-we had been given charge of the entire collection with the result that all of our spare hours were spent in study of the various artefacts in our care. From coins to corals, stamps to suits of armour, the previous earls had collected it all, and it was the present earl's task to bring order to the hotchpotch of his forefathers. The collection was enormous and not particularly orderly, but most of the entries were exquisite, chosen with taste and purchased at great expense. (I do not include the present earl's acquisitions in this assessment. Whilst his ancestors applied standards of beauty and worth to their additions, the present earl simply buys what he likes. This accounts for the puppet theatre, the moth-eaten camel saddle we use as seating for guests, and an assortment of prosthetic limbs in questionable states of hygiene.)

The collection had come to be housed in an enormous freestanding ballroom on the earl's estate at Bishop's Folly in the heart of Marylebone. The ballroom-called the Belvedere-was only one of the various buildings that had been placed at our disposal. Stoker and I each had a folly for our private quarters, and an elegant glasshouse had been refurbished for my use as a vivarium where I might breed and study butterflies and their mothy kin. We had been given free rein over the collections, empowered to either deaccession or purchase as we saw fit, and we were beholden to no one for our time. We lived in extraordinary comfort, and we enjoyed interesting work as well as harmony in our own relationship-spiced with the occasional spirited debate when Stoker proved overly emotional. (I have long held that the male is the less logical of the species and have yet to see evidence to the contrary.)

What then ailed us that long and gloomy season, I hear you wonder, dear reader. With so many advantages, we ought to have been content-nay, we ought to have been as happy as angels.

And yet. We did not speak of it, but souls cannot be as linked as ours and have secrets. I intuited Stoker's restlessness as clearly as I felt the itch in my own blood, and the cause of it was the same as my own: we wanted a mystery. It had been nearly six months since our last investigation, and while we were certainly not professionals, we had fallen into the habit of murder-the sleuthing and not the committing, I hasten to add. And we had found it a difficult one to break. How could any mind trained to logic and observation, any person that thrilled to challenge, not find these deductive puzzles utterly intoxicating? They were as delicious to us as the rarest of wines, and we were, quite simply, suffering from the lack of a body.

I stared down at the corpse in front of me, knife in hand.

Stoker's lack of enthusiasm for the present job was not lost upon me. "Oh, let me," I said to Stoker as I bent to my task. Swiftly, the deed was done, and I held the bone out to him.

He curled his littlest finger around the bone and I did the same.

"On three," I instructed. I counted in Latin, and we pulled. There was a moment of hesitation, and then the bone snapped with the larger part resting in my hand.

"The wish is mine!" I crowed. I closed my eyes and made it quickly.

"What did you wish for?" Stoker asked as he helped himself to a drumstick.

"I cannot tell you or it will not come to pass," I reminded him.

Just then, George, the hallboy, entered brandishing a letter.

"Post, miss!" he called as he fought his way through the pack of dogs which we had somehow acquired in the course of our adventures. From Huxley the bulldog to Betony, the enormous Caucasian sheepdog, they represented every possible variation of the canine species. We had lazy dogs and dogs possessed of enough energy to pull a sled of Olympian proportions; we had affectionate dogs and dogs that would very probably stand by and watch us be devoured by Stoker's collection of dermestid beetles. The only thing they had in common was an abiding adoration of George, doubtless because he invariably smelt of interesting things. The boy had come from impoverished circumstances, and it was not until he had come into his lordship's employ that he had known food that was both wholesome and delivered at regular intervals. Still, the habits of the starveling are difficult to break, and George invariably tucked away some portion of each meal against any future hunger. A chicken wing, a bread roll, a sliver of good English Cheddar-his pockets were emptied each day either into his own stomach or that of one of his grateful siblings, but the delectable aromas remained for the dogs to sniff out.

By the time George had fought his way clear of the snufflings of each wet black nose, Stoker had finished carving the chicken and was portioning slices of juicy fowl onto our plates.

"Have you eaten, George?" he asked, poised to serve another portion.

"I have, sir," George said, although he eyed the roast potatoes with avarice in his gaze.

I did not blame him. The potatoes were golden and crisp and piping hot. I plucked one from the platter and offered it. It disappeared with a conjuror's skill into his pocket as he handed over the letter.

"From Mr. Mornaday, that detective fellow," George announced helpfully.

Stoker and I were both eager to instill in George the skills and accomplishments necessary to make something of himself. He was a Cockney child, born out of wedlock to a mother who had repeated the process of giving birth without benefit of a husband several times over. As the eldest, it fell to George even at his tender age to contribute to the household expenses. Lord Rosemorran had employed him as a hallboy whose duties included the running of errands, some of the less arduous of the heavy cleaning chores undertaken by the footmen, and whatever assorted tasks might be reliably handed off to a diligent child. In return, he was paid a modest wage and given bed and board with leave to visit his family often. So long as he attended church once a week and kept himself free of vice, he was assured of a position which might one day lead to his promotion to footman, provided he grew to at least six feet and had shapely calves. Otherwise, he would be turned over to the gardener for training in heavier labours.

Everyone seemed thoroughly pleased with the arrangement-everyone except George. He was an ambitious imp who was determined to rise from the ranks of servitude. By way of his lordship's generous gift of a library for the servants' hall, George had taught himself his letters, believing literacy would be the key to his future ambitions. He had wheedled basic numeracy out of the butler, and Stoker had undertaken to give him weekly lessons in the essential sciences, including geography and astronomy. Stoker was pleased with his progress, saying that he was very nearly ready for the fundamentals of chemistry, but I had my own thoughts upon the matter.

It had occurred to me that a slender and unprepossessing child would make an excellent observer, undetected and underestimated by everyone. A wiry lad, small for his age and agile, George was slippery as an eel when it came to finding his way through the teeming streets of London. There was not a cobbled alley or paved court he did not know; from knacker's yard to noble's garden, he had made a study of the capital, committing its secrets to memory. Each day upon his various errands, I set him a task to develop his powers of observation. I would tell him to find a man with a bowler hat and follow him for thirty minutes to see where he went and give me an account of it. Or he might count the number of butchers in a given street and tell me the price each charged for a Cumberland sausage. On days when the weather was too abominable to permit such excursions, I would give him an envelope or a bit of brown paper that had wrapped a parcel, and ask him for his conclusions about the senders.

"Veronica," Stoker had inquired after one memorable day when George had deduced the contours of a concealed Wardian case from the size of its packing crate, "is there a point to these exercises? These are the sorts of skills one would expect to be mastered by a criminal apprentice. Do you intend to set George upon a career as a pickpocket?"

"Certainly not," I had replied with some asperity. "His talents may be put to excellent use in the pursuit of justice-as have our own," I reminded him.

"How?" Stoker demanded.

"In the course of our investigations, we would often have profited enormously from another pair of eyes, youthful and sharp eyes to keep watch upon suspects and inform us of comings and goings. I am training George to be our assistant."

"Our assistant?" It is seldom that one actually witnesses someone tearing at one's hair, but Stoker threaded his hands through his tousled witch-black locks, tugging in frustration. "Veronica, we are natural scientists. Teach the boy to identify one of your bloody moths, or let me train him to the taxidermic arts, but for the love of all things holy and good, do not think to make a sort of detective of him. We are not the police."

"No, and that is a pity," I told him as I made a mental note to introduce George to the study of handwriting. "If we were the police, there would be far fewer criminals about."

Stoker tugged harder upon his hair, and I let the conversation drop solely out of concern for his follicles. Naturally, I carried on with my plan to instruct George in the detectival skills with the result that he-quite correctly-identified the hand of our sometime partner in the investigative arts, Mornaday of Special Branch.

"Well done, George," I told him. "I imagine you noticed the peculiarity of his 't's.'"

"That it smells of macassar oil," he said. "I should like some of that. It's how a gentleman ought to smell," he added with a reproachful look at Stoker.

"If you mean to shame Stoker on that score, you shall be a long time at it," I advised George absently. "He will always smell of leather, honey, and good whisky." As these were not unpleasant to me, the reader must not mistake my observation for criticism.

"And glue. And linseed oil," George murmured under his breath. He was not wrong. The tools of Stoker's trade were often to be detected clinging to his person, but I found the combination quite arresting-intoxicating, even.

I skimmed the missive, reading it over a second time as a slow smile spread across my face.

"What is it?" Stoker demanded.

"Mornaday says he will call upon us shortly. And this letter is proof that wishes on a chicken bone may come true," I told him as I pushed away from the table, dinner no longer of any consequence.

George slid smoothly into my chair in my stead, picking up my fork and helping himself to a wing and another roast potato. He eyed the broken wishbone as he crammed a forkful of potato into his mouth.

"Whahdyewhshformis?"

"Chew, George," I instructed as I made preparations to receive our visitor. "And if you are endeavouring to ask what it is that I wished for, I am only too happy to tell you. A body, George. I wished for a body."

Chapter

2

Horsefeathers," Stoker said succinctly as he handed the note back with a gesture of lofty disdain. "Mornaday says only that he will call. There is nothing whatsoever about a body. Your rampageous imagination has got the better of you. Again."

I gave him an indulgent smile. I could afford it. I was certain we were perched once more upon the precipice of adventure, and the resulting exhilaration made me generous with Stoker's impatience.

"I know you have never properly warmed to Mornaday," I began.

Stoker made a sound that was a cross between a snort and a heave of unwellness. Naturally I ignored this and went on.

I cleared my throat. "As I said, I know you have never properly warmed to Mornaday, but I think he is quite fond of you."

[NB: Stoker's reply was unsuitable for delicate readers, and I decline to repeat it here. -VS]




Wednesday, March 12, 2025

#Review w/Excerpt - Kills Well with Others by Deanna Raybourn #Thrillers #Suspense

Series:
 Killers of a Certain Age # 2
Format: Hardcover, 368 pages
Release Date: March 4, 2025
Publisher: Berkley
Source: Publisher
Genre: Thrillers / Suspense

Four women assassins, senior in status—and in age—sharpen their knives for another bloody good adventure in this riotous follow-up to the New York Times bestselling sensation Killers of a Certain Age.

After more than a year of laying low, Billie, Helen, Mary Alice, and Natalie are called back into action. They have enjoyed their time off, but the lack of excitement is starting to chafe: a professional killer can only take so many watercolor classes and yoga sessions without itching to strangle someone...literally. When they receive a summons from the head of the elite assassin organization known as the Museum, they are ready tackle the greatest challenge of their careers.

Someone on the inside has compiled a list of important kills committed by Museum agents, connected to a single, shadowy figure, an Eastern European gangster with an iron fist, some serious criminal ambition, and a tendency to kill first and ask questions later.  This new nemesis is murdering agents who got in the way of their power hungry plans and the aging quartet of killers is next.

Together the foursome embark on a wild ride across the globe on the double mission of rooting out the Museum’s mole and hunting down the gangster who seems to know their next move before they make it. Their enemy is unlike any they’ve faced before, and it will take all their killer experience to get out of this mission alive.



Kills Well with Others is the second installment in author Deanna Raybourn's Killers of a Certain Age series. The story brings back the quartet of sixty-something female assassins—Billie, Helen, Mary Alice, and Natalie—for another round of sharp-witted, high-stakes adventure. The story picks up after the foursome’s forced retirement, which followed a betrayal by their former employer, the clandestine organization known as the Museum. Lured back into action by Naomi Ndiaye, the Museum’s interim director, the women are tasked with an off-the-books mission: uncover a mole leaking sensitive kill records tied to an Eastern European gangster with a penchant for vengeance. 

What ensues is a global chase filled with clever disguises, brutal takedowns, and the kind of camaraderie that only decades of shared secrets can forge. Billie, the group’s de facto leader, narrates most of the tale, with flashbacks to past missions adding depth to her character and the team’s history. Raybourn’s strength lies in her ability to blend humor with action and Kills Well with Others delivers plenty of both. The dialogue crackles with snark—think Golden Girls with garrotes—and the women’s refusal to be sidelined by age or bureaucracy is as empowering as it is entertaining. Scenes like their strategic takedown aboard the Queen Mary 2 showcase their ingenuity, while quieter moments reveal the toll their deadly careers have taken. 

Billie’s internal struggle with retirement and her lingering killer’s instinct (“I would be a killer until the day I died”) adds a poignant layer to the otherwise brisk pace. Once delightfully unexpected, the premise now feels familiar, especially as the “senior assassin” trope gains traction in popular fiction. While twisty and engaging, the plot occasionally bogs down in Billie’s introspective flashbacks, which slow the momentum without always adding fresh insight. Compared to the relentless page-turning energy of the first book, this sequel trades some of its propulsiveness for character depth—a fair trade for some, but a slight letdown for readers craving nonstop thrills.

Still, Raybourn’s world-building remains vivid, whisking us from Greek islands to Virginia hideouts with a keen eye for detail. The supporting cast, including the steely Naomi and a roster of menacing foes, keeps the stakes high. And the ending—satisfying yet open-ended—hints at more adventures to come, which I’d welcome with open arms. Kills Well with Others is a fast, fun read that celebrates friendship, resilience, and the art of a well-executed kill. It may not outshine its predecessor, but it solidifies Raybourn’s Fearsome Foursome as a crew worth rooting for.

Fans of the first book will find plenty to love, while newcomers might want to start with Killers of a Certain Age to fully appreciate the ride. Four stars out of five—because even if it’s not a perfect kill shot, it’s a damn entertaining one. This book alternates between the present and past exploits, including 1982, 1986, and 1994. No worries though. It all connects eventually.


Chapter One

April 1982

"Billie, you have a run in your stocking. Again." Helen's voice is cool as she hands over an unopened package of fishnets. "Have my spares." Billie has been in this position before and knows better than to argue with Helen's eye for detail.

"Just like the last time," Billie says with a grin.

She changes stockings and shimmies back into her costume. "I think I'm going to have to burn my feminist card when this is done," Billie says as she tweaks her Bunny ears in the mirror. Three months of working undercover at the Playboy Club and her blue satin ears are still a constant source of irritation.

Mary Alice, sitting next to her in the dressing room, purses her mouth as she flicks black eyeliner into a sharp wing. She moves back, admiring the effect. "I kind of like it."

"That's because you don't need to stuff your damned bra," Natalie counters from the other side of the room. The lower half of the corseted costumes are altered to slim the waist, elongating the legs and making the hips appear fuller. But the cups only come in 34 or 36D, forcing most of the Bunnies to augment their curves with whatever is lying around-gym socks, fresh maxi pads. Billie needs only a powder puff of a Bunny tail in each cup, while Helen requires a rolled gym sock and Natalie needs three pairs of pantyhose. Mary Alice, whose resemblance to Marilyn Monroe has been deliberately heightened by lightening her hair with a platinum rinse, is the only one of the four whose seams have had to be reinforced. Makeup finished, she stands, straightening the little starched collar and cuffs that finish off the uniform. Like everything else in the club, the costumes-witty and modern twenty years before-are now seedy and tired. The club has been refurbished in an attempt to make it relevant again, but a long decade has passed since it was anything but tacky. The veneer of forced, flirty fun is wearing thin, and they are tired of smiling at the same jokes, ignoring the same worn-out come-ons.

For three months they have carried drinks and sold cigarettes and checked coats. Every shift they have come prepared, ready to carry out their mission, and every shift they have clocked out with aching feet and a rising rage that they have to repeat the cycle all over again. Billie hardly remembers a time she wasn't schlepping drinks with a perky smile. Their current target is the nephew of a Toronto gangster, heir apparent to his uncle's crew. The gangster is happy with his protection racket and gambling, but the nephew is ambitious, pushing the gang into drugs and underage prostitution. He likes violence for its own sake, and his plan is to expand into Chicago, upsetting the status quo.

The old man visits Chicago every few months and he brings the nephew with him, making the rounds of his connections, renewing contacts, smoothing the way for the succession. In his prime, he was a keyholder, dining at the club every night, harassing the girls and paying off the bouncers to look the other way. He's trained the nephew well. The younger man grins as they make their way to the table and he sees a new server approaching. This one has ash blond hair brushing her shoulders, a mouth with a tiny scar just above the top lip, and an ass he'd like to get to know better. He drops a casual hand to her hip as she takes the drink order and watches her reaction. She's good; she almost masks the flinch but not completely, and this is the part he likes best-when they realize he can touch them and there's nothing they can do about it. He relaxes back into his chair and bobs his head to the music as the server slips out of his grasp and heads to the bar to put in the order. She's got a small smile set on her lips and so he has no idea what she's really thinking.

It's only when she turns her back that the smile drops. Mary Alice slides up to Billie after Billie relates the order to the bartender. "How's our boy?" Mary Alice asks.

"Peachy. He copped a feel and smells like a bottle of Drakkar Noir threw up on him," Billie tells her. "Just once, I'd like to kill a gentleman."

"If they were gentlemen, they probably wouldn't need killing."

Mary Alice puts in her own order and turns to scan the room. It's a slow night, with less than half of the tables occupied. To make it seem like the place is swinging, the music has been turned up and the lights down. Olivia Newton-John is blaring from the speakers, wanting to get physical.

Near the entrance, Helen is working the coat check. Her job is to remove the EpiPen that the nephew's bodyguard carries in his overcoat, substituting it with the one they've prepared specially. According to the dossier they've received, the nephew is highly allergic to peanuts. The plan is to induce an allergy attack, mild enough not to kill, but severe enough to require the EpiPen.

Instead of epinephrine, the pen he will use has been loaded with a mixture of Versed and potassium chloride, a cocktail that will stop his heart almost instantly, mimicking the heart attack that could follow severe anaphylactic shock. Traces of peanut oil will be present in his stomach, and the death will be certified as natural causes after accidental ingestion of an allergen. The plan is elegant in its simplicity, but it requires perfect preparation and timing from every member of the team.

Both trays of drinks land at the same time, and Mary Alice takes hers. As she leaves, Billie catches Helen's eye at the coat check counter. With her dark hair and Jackie O posture, Helen is the most patrician of the group. On her, the satin costume looks almost classy, and it occurs to Billie the nephew would never have dared to grab Helen's ass. Helen touches her left cheek with a fingertip, the signal that the switch has happened. Billie turns back just as Natalie joins her at the bar.

Without taking her eyes off the bartender as she relates her order, Natalie passes a hand over Billie's tray, pouring the contents of a tiny vial into one of the drinks-a lurid-looking grasshopper. Her gift for sleight of hand is so good, not even Billie, who is watching closely, sees the moment she adulterates the drink. Billie glances down to see the shreds of dark chocolate that garnish the drink are glistening with unrefined peanut oil.

Billie hoists the tray with a sense of elation, the same sort of buzz actors feel after months of rehearsal, when the curtain is about to rise on opening night. This hit has been too long in the making. They anticipated finishing it in six weeks, but it's been double that. Twice she's had to make a phone call she dreaded, postponing a trip to Bermuda with a man she needs to see again. Taverner. An image of him as she last saw him springs to mind. Sheets bunched around his hips, sleepy smile and open arms beckoning her back to bed for so long she misses her train. She shoves the memory away. She can't afford distractions now. And the sooner she kills this man, the sooner she can get back to that one.

She approaches the table and performs the trademark move of the servers, a dip that calls for her to gracefully bend at the knees instead of the waist. It requires a slight backbend, putting stress on the knees, but the move prevents a wardrobe malfunction. Billie serves the other two gentlemen at the table first. She doesn't recognize them from the dossier, but they are hanging on the nephew's every word as he tells a joke, a filthy one that Billie has heard at least seven times since coming to work at the club. The uncle is beaming at his nephew, a chip off a particularly nasty block. She deliberately leaves the grasshopper for last, as much to enjoy the anticipation as to make sure it is delivered perfectly. Just as she moves to set it in front of the nephew, he reaches the punchline and throws his hands wide, catching her arm. The grasshopper goes flying, the sticky green liquid hitting her squarely in the chest. It drips into her costume and the nephew, initially irritated at the loss of his drink, makes a vulgar suggestion as to how to clean it up.

Billie gives him a tight smile and apologizes, promising to replace the drink. She hurries up to the bar, where the bartender hands her a towel. She's discreetly blotting her chest when Natalie appears. "Bad news," Billie says from the side of her mouth. "He spilled it. I need a refill."

"Worse news," Nat tells her. "I haven't got one."

Billie turns to look directly at Nat. "Are you shitting me?" she hisses.

Natalie shrugs. "Mary Alice only has one vial."

"One? We've been prepping for three months and she has one?"

"She made a second one, but it got broken. It's not her fault."

Billie is fairly spitting at this point, and Nat gives her a warning look. Billie darts a glance in the mirror behind the bar and sees the uncle watching her. He signals for the check. Billie presents it and he shoves a few bills inside the leather folder-exact change for the drinks.

The nephew grins as he stands. "Sorry, tits. But if you want a tip, here you go-be a little friendlier." He leaves, snickering with the others. Billie, her costume sticky with crème de menthe, heads for the dressing room, where she grabs a trench coat from her locker. She throws it on over her costume and belts it tightly. Mary Alice appears just as Billie jerks the bunny ears off her head and tosses them into the corner.

"Where are you going?" Mary Alice demands.

"Plan B," Billie tells her.

Before anyone can stop her, she's out on the street. In the regulation club stilettos her feet hurt, but now she doesn't mind the pain. It keeps her sharp, focused, and in ten minutes she is at the front entrance of his hotel. The bellman sweeps open the door and she crosses directly to the registration desk, sliding a hundred-dollar bill towards the clerk as she gives the nephew's name.

"I'm sorry-" he begins.

Billie sighs to herself, but she knows what she has to do. She lets the coat fall open a little, just enough so that the clerk can see the distinctive satin costume, the collar with its trademark bow tie, the shadow at her cleavage. "Look, he's my boyfriend, and we had a fight before he came to Chicago. I just want to surprise him with his favorite fantasy," she tells him in a breathy tone.

His hands are shaking as he looks up the number. "612."

"Thank you," she says, pulling her coat closed. She's broken every rule of their organization. She's gone alone to finish a group mission. She's made herself obvious, memorable. She's guaranteed that if the desk clerk is ever questioned, he will be able to describe her down to the little freckle on her collarbone. But she doesn't care. She is allowing anger to fuel the job, and it feels good.

She rides the elevator up to the sixth floor and heads for the room. She tests the door handle-a shocking number of people forget to lock up when they leave-but it doesn't give. She is just about to pick the lock when a cheerful voice calls out from down the hall.

"Ma'am? Are you locked out?" It's a housekeeper, about twenty, too young to be tired of the job yet. Most hotel maids hurry past with their eyes down, worn down by drudgery, but this one is still shiny and bright as a new penny as she approaches.

Billie gives her a smile and rolls her eyes in mock annoyance. "I forgot my key and my husband must be in the shower. So stupid of me!"

The maid reaches past her and uses the passkey. "No problem."

"You're a doll." Billie blows her a kiss as she slips into the room. She closes the door behind her, careful to lock it again. She's not surprised to find the nephew is a slob. Traces of cut lines powder the coffee table, and empty champagne bottles are upended into a potted tree in the corner. Heaps of discarded clothes litter the floor. She steps over the pile nearest the bed, noting the pair of skid-marked underwear on the top. She kicks them aside and surveys the room. Outside the bathroom door is a small alcove with a vanity and a pair of marble sinks. The complimentary toiletries are all open, some spilling their contents onto the counter. She flicks all the lights off, plunging the room into darkness. She's left the curtains slightly parted, and the only illumination in the room comes from the street outside. She has prepared the trap. There is nothing to do now but wait.

It's only a quarter of an hour later when the door opens. The man who enters fumbles with the light switch but can't manage it, swearing softly. Billie can smell the liquor fumes as he stumbles towards the bathroom, and her eyes, accustomed to the darkness, can just make out his silhouette. Silently, she slips off her shoes and lunges, crossing the space between them in three steps, and gathering just enough speed to vault herself upwards, using his thigh as a launchpad. In one fluid motion she wraps her legs around his neck and twists her entire body, whipping him onto his back as she lands in a crouch over him. The air is knocked out of his lungs, leaving him gasping and disoriented. Before he can recover his breath, she flips him onto his belly, grinding his face into the carpet. With one knee in the small of his back, she brings her arm around his neck, clasping her elbow with her other hand, drawing it tight and cutting off his air. The whole maneuver has been completely silent and executed in almost total darkness. It has taken less than ten seconds. If she had been in a better mood, she would have held him gently in that position until he slipped into unconsciousness, then strangled him.

But Billie is not in a good mood. Just before he loses consciousness, she grabs either side of his head, using his chin for leverage as she jerks her hands in opposite directions. The snap, she always thinks, sounds like cracking a stalk of celery. He goes boneless and soft in her arms and she lets his torso fall to the floor. It will be simple to make it look like a drunken accident, a fall into the coffee table, maybe. She switches on the light, planning where to stage the body. She will have to slam his head into the corner of the coffee table to get a little blood flowing, but that doesn't bother her. She turns him over, and when the light falls on his face, she stares at him for a long minute, realizing just how much trouble she is in.