Showing posts with label June Hur. Show all posts
Showing posts with label June Hur. Show all posts

Monday, May 13, 2024

#Review - A Crane Among Wolves by June Hur #YA #Historical #Mystery

Series: Standalone
Format: Hardcover, 368 pages
Release Date: May 14, 2024
Publisher: Feiwel & Friends
Source: NetGalley
Genre: Historical / Young Adult / Mysteries

To save her sister, a teen girl becomes entangled in a political conspiracy with an enigmatic prince in this fiery new YA novel from the bestselling author of The Red Palace.

Joseon (Korea), 1506. The people suffer under the reign of the tyrant King Yeonsan, powerless to stop him from kidnapping and abusing women and girls. Iseul has lived a sheltered life. When her sister becomes the king’s latest prey, Iseul leaves her village in hopes of stealing her sister back. But the king’s power is absolute, and to challenge his rule is certain death.

Prince Daehyun lives in the shadow of his despicable half brother, the king, and aches to find a way to dethrone the king once and for all. When staging a coup, failure is fatal, and he’ll need help to pull it off—but there’s no way to know whom he can trust.

When Iseul's and Daehyun's fates collide, their contempt for each other is transcended only by their mutual hate for the king.


Jun Hur's A Crane Among Wolves is a historical mystery that is told by two key characters; Iseul, who appears to be a member of the upper middle class, and Daehyun, the 1/2 brother to the evil, and twisted King Yeonsan who is a historical character in the history of Korea. The story is set in the year 1506. 3 days before this story takes place, Iseul's older sister Suyeon is stolen by royal soldiers loyal to the King. The same royal soldiers who murdered her parents leaving them orphans.
 
While Iseul is trying to figure out how to save her sister, Daehyun is working with others in order to overthrow his brother. The same brother who steals women from families, banned writing and reading books, and easily executes anyone who looks at him cross-eyed. The same brother who doesn't go anywhere, not even hunting, without row of capture women to keep him, and his soldiers company. Daehyun is only alive for the amusement it brings his 1/2 brother. Something he knows all too well since his own brothers were killed.
 
Despite the strained relationship the siblings have, Iseul journeys to the capital, desperate to save her sister. Meanwhile, Iseul meets an investigator who is looking into the serial murders of those close to the King. It seems the Nameless Flower is sending the King a message, and the closer he gets to his inner circle, this puts Daehyun in the path of a killer, as well as the man who decides to use Iseul to investigate a killer. With a large reward for the revelation of the killer, Iseul truly believes that she can bargain for her sisters release. But will it be too late to save Suyeon?
 
Despite their initial disdain for each other, Iseul and Daehyun’s mutual hatred for the king results in a reluctant alliance to stage a coup. Iseul goes through a remarkable transformation from spoiled teenager, to a selfless revolutionary who will walk the line of death to save her sister, and end the horrible reign of a brutal dictator. Hur does a more than decent job in portraying life under a real life monarch of the Joseon dynasty of Korea from 1495 until 1506 when he was disposed in a coup and lost his title.
 
I have read all three of Hur's previous books in her Historical retelling of Korean history, and will gladly do so again if this is the road she wishes to continue following. 
 
 
 
 


1 ISEUL



July 1506

Never travel beyond Mount Samak.

Halmeoni’s words echoed in my ears, the memory of her warning tugging at me to turn back. But I could not; I had come too far. Pine needles scratched my face as I pressed through the forest, disregarding my blistered feet and blood-drenched sandals. My legs felt numb, not used to trekking for days over rocky slopes, steep ravines, and rushing rivers.

Iseul-ah, Grandmother’s voice tugged again. You must stay away.

Wrenching my cloak from a tangle of branches, I hobbled down the narrow path and paused before a tower erected like a gravestone at the edge of the forest glade. Etched into the granite were the words:

TRESPASSERS WILL BE EXECUTED.

The damned king. The territory beyond had once been home to tens of thousands of people, until King Yeonsan had evicted them, turning this half of Gyeonggi Province—from the town of Yongin all the way to Gimpo, Pocheon, and Yangpyeong—into his personal hunting grounds.

“Heavens curse him,” I snarled, stomping out into the open.

The sky was heavy with rain clouds, the air thick with humidity. Up ahead was a road that cut through grassland. And past the veil of mist, lush green mountains loomed, quiet observers who must have witnessed dozens of men, women, and children wander into this wilderness—and never escape it. I might die out here, too, if I let my focus slip even for a moment.

I ran a finger under my tight, sweat-drenched collar.

If I lost my way out here, there would be no one to give me directions. I couldn’t make a single wrong turn.

Rummaging through my travel sack, I snatched up my ink-drawn map, studying it for the hundredth time. The route I was to take wound through abandoned rice paddies and demolished villages, over small mountains, and through valleys, then along the Han River, and at last to the fortress gates of the capital. The journey was a long one, and I was growing impatient. Suyeon needed me. She was waiting for me there, and I was her only way home.

“You had better wait for me, Older Sister,” I rasped, continuing down the dusty road. “I am almost there.”

Older Sister and I had faced horrors before—when royal soldiers killed our parents, and we’d escaped to Grandmother’s home before we could be exiled to an island far away. Grief had strained our already waning bond, rendering us mere strangers living beneath Grandmother’s roof, our interactions reduced to husks, of mumbled remarks and cutting glares. How shocked Grandmother must have been when she discovered my note, declaring that I’d left to find my missing sister.

I was shocked myself.

When my heart was far from Suyeon, I had seen her as a sister who was burdened by me and who carried herself with the irritating air of an afflicted martyr. But my heart had clung close to the memories of her during the past three frightening days. I no longer saw a sibling I resented but the girl our parents had adored, the cherished child whom Mother had conceived after eight long years of waiting. And once born, Mother and Father had showered her with an abundance of love, treasuring her as if she were worth more than a dozen sons. I had cherished her, too, when we were younger. She possessed a natural silliness and would entertain me until I broke out into squeals of laughter. She would also assemble scraps of material, fashioning them into whimsical puppets, performing enchanting tales of folklore to me, her delighted audience. I had laughed a great deal as a child because of her.

This sister of mine was gone.

Do not die, Older Sister. Stay alive. You must.

I forbade myself from resting, except to pause briefly by a trickling stream. I hadn’t eaten since the morning—I’d packed enough for only two days, not three. Scooping up handfuls of water, I drank until my stomach felt heavy, the hunger less excruciating. Then I washed the sweat and grime and tears from my face. Leaning my weight against a rock, I lifted myself back onto my feet, and I was once more on the road.

I passed by a rag doll, an abandoned sandal, a leafy plant erupting from a crack in the road.

The eerie quiet chilled my skin as I stood before a town, as hollowed as a bone. Weeds crawled over shadowy huts, devouring walls and roofs. The streets that had once bustled with crowds, filled with voices and merriment, were now deserted. Families, neighbors, friends—they were all gone. They had either escaped the province in time or remained to guard their homes, only to be slaughtered by the king and his army.

I wondered if their ghosts were watching me now.

Why are you here? I imagined them asking. This is forbidden territory.

The truth was too unbearable to face. I tried to beat it aside, but as I trudged on, my mind sank into the memory of three days ago. I was once again the heartless and self-centered Iseul, the younger sister who could not stand to be under the same roof as her older sister.

I had run out of the hut after a dreadful argument with her, and it had been my fault. It was always my fault. I cannot bear her, I had snarled, even as guilt had plagued my conscience. I wish she had died instead of Mother, instead of Father!

I hadn’t meant it, truly, but as though my thoughts had summoned him, King Yeonsan had prowled into our village. The treacherous king who kidnapped women as his pastime—the one who stole the married and the betrothed, the noble daughters and the untouchables alike. He did not discriminate. And my sister, who must have followed me out, was as lovely as an azalea in full bloom.

I had no doubt in my mind that His Majesty had taken her.

“Halmeoni,” I whispered, the ghost town now behind me. Raindrops spotted the dusty road, and the mist shrouded the distant mountains in white. “I will find Suyeon. And I won’t return home until I do.”

* * *

I trudged through the rain, my head angled against the torrent, and walked until the night thinned into an early-morning gray. Beyond exhausted, I wanted to drop to the ground and curl up. By midafternoon, I finally saw a hamlet in the near distance. No weeds were crawling over the huts. Instead, the roofs were thick with golden straw thatching, the clay walls smooth and unblemished. A bell tolled somewhere in the town, followed by the sound of scurrying footsteps and creaking wagon wheels.

The sounds of life.

I pulled out my jangot, an overcoat I’d once worn over my head as a veil. I wore it now, not out of fashionable etiquette, but to conceal my face. I did not wish to be seen—or remembered. I was a fugitive, and a village did not always mean safety. I clutched tight to the sides of my cloak, clamped the travel sack under my arm, and focused on my steps. Put one foot ahead of the next, I told myself, determined not to collapse. As I entered the hamlet, out of the corner of my eye, I noticed handbills pasted onto public walls. The same handbill had been plastered around Grandmother’s village. I’d read it over so many times I could recite it by memory.

THE KING DULY INSTRUCTS THE PEOPLE A KILLER IS ON THE LOOSE.

PERSUADE ONE ANOTHER TO SEARCH FOR THE CULPRIT—

I tensed, looking up as a woman and her ox-drawn wagon appeared down the dirt path, the wooden wheels turning precariously on their axles. She stopped to hold my stare, and I knew what she saw: a grim-faced girl with her chin perpetually raised, bearing the haughtiness of a yangban aristocrat, yet garbed in a dirty silk dress.

“Excuse me,” I rasped, my voice scratched from disuse, “but would you point me to the inn? If there is one here.”

Without a word, the woman pointed vaguely down another path then continued on her way, leading her ox and cart along.

I followed her direction and soon found myself before a long, thatched-roof establishment with a spacious yard spotted with travelers. Clutching my veil tighter, I studied the strange faces. No one can be trusted, the past two years whispered into my mind. No place is safe. I pulled the jangot higher over my head, to ensure that if anyone were to look, they would see only a pair of eyes, dark with a warning: Stay away from me.

I took in a sharp breath, squared my shoulders, then stalked into the bustling yard where some merchants were unloading their goods. Two children washed their faces on the veranda that wrapped around the inn. Weary travelers ate and quietly conversed. Steam billowed from the kitchen, and I took in the mouthwatering scent of soybean broth.

My stomach twisted; my head swayed. Suddenly, the exhaustion of the three-day journey struck me hard. My knees buckled, and I stumbled backward, the earth tilting beneath me until a strong hand gripped my arm.

“Careful.” It was a female voice.

My hazy vision cleared and focused on a young woman who looked to be no older than I. Adorning her head like a crown was a fashionable gache wig, glossy black hair braided into thick plaits and arranged in coils atop her head. Her eyes were just as black, and sparkling, too. A scar ran down from her right eyebrow.

“A traveler has arrived…” She tilted her head to the side, as though the heavy wig were as light as a feather. “And it appears my guest has come from afar.”

“Yes,” I croaked, then cleared my throat. “I am from—” Chuncheon. Instead, I gave her the name of another nearby town.

“Hmm.” She examined my dress, my bloody sandals, then her gaze locked onto mine. “You went through the forbidden territory, did you not?”

“Here one comes for a warm meal and shelter from the rain,” I said stiffly, “not for an interrogation.”

“Rest assured, I shan’t tell anyone,” she whispered, then gazed off into the distance—perhaps beyond the road, the reed field, to the stone tower. “All who travel through that half of Gyeonggi Province look as though they’ve journeyed through the underworld,” she murmured. “I’ve seen the look in their eyes. In my own father’s eyes.” She let out a little breath, and a smile reappeared on her lips. “Are you in need of room and board?”

I needed to rest. Desperately. “I am…”

“Then you have come to the perfect place,” she said, and chivalrously offered me an arm. “My inn will take good care of you.”

“I can walk on my own, thank you,” I bit out. But when I tried, my knees wobbled and I unintentionally reached for her. I tried to pull away at once, but she stubbornly held my arm.

“You look like you’ll faint at any moment.”

Shoulders tense, I let her help me as I staggered farther into the innyard then sat down on a raised platform where three other travelers were hunched over low-legged tables, wolfing down stew. A fourth man, wearing a straw hat, nursed his bloody fist. I dragged my weight around and settled before an empty table, holding the edge to keep myself steady against the growing dizziness.

“Wait here!” the innkeeper chirped. “I shall bring you a most hearty meal.”

I blinked hard, wishing the light-headedness would go away, hoping I wouldn’t pass out in the company of strangers—including the innkeeper. Her kindness was too sweet, too suspicious. I slipped out my map, flipped it to the back, and stared at the face of my sister, which I’d drawn in ink. “Stay alive, Older Sister,” I whispered to the drawing, “and I will, too.” Her delicate eyes stared back at me, her calm and graceful expression—

The back of my neck prickled. Someone was peering over my shoulder.

I quickly folded the sketch and glanced up to see the smiling innkeeper. She proceeded to unload a steaming bowl of boiled herbs. Not a single chunk of meat to be found. It wasn’t the sort of hearty meal I had grown up with, but I’d learned these past two years that more than half the kingdom survived on what could be foraged in the mountains.

“So,” she said, “what brought you here to Hanyang?”

“Why do you wish to know?” I asked, my voice clipped.

“I like to know who my guests are. You are searching for someone?”

“No.”

“You drew that?” she asked, gesturing toward the paper in my hand.

“Yes.”

“The boy in the picture looks too young to be your father.”

“It is a woman,” I snapped.

She let out a most obnoxious laugh. “I jest! Is she your sister, then?”

“Even if she were”—I stuffed the sketch back into my travel sack—“it should be no concern of yours, ajumma.”

“‘Ajumma’?” The amusement in her eyes brightened. “I am neither a middle-aged woman nor am I married. In truth, I have no interest in ever marrying, even though I do have quite the line of suitors, if I do say so myself.” She paused, as though waiting for me to laugh. When I did not, she continued. “I am only nineteen. Come, you look at me with daggers in your eyes. I only wish to help. You’ve come searching for your sister, and you can’t be more than eighteen.”

I was seventeen.

“Do you not have anyone to accompany you in your search? A father? A mother?”

They were both dead. And I had no patience for nosiness. I cut her a glare, preparing to say something biting. But then it occurred to me that while her curiosity was relentless, it also posed an opportunity. Innkeepers could be storehouses of information, of gossip. And what I lacked was knowledge of the capital, of how to get to my sister.

“You crossed King Yeonsan’s hunting grounds, risked your life by doing so,” she spoke in a whisper, seemingly unaffected by my reserve, “and you are here near the capital. Did she run away—?”

“No, madam,” I said coolly, watching her closely. “She was taken from our village three days ago.”

The innkeeper sighed. “You too.”

Here was my chance. “You know of others?”

She cast a glance around. No one was in hearing distance except a man across from me, but she seemed to pay him no heed. “Many. The hamlet has even installed a bell, which is rung when the king is to pass through, to warn the young women who dwell here. That is, what remains of them. I have not seen a girl my age in months.”

“The king passes through this village himself?”

She nodded.

We both fell quiet, and I noticed then that the straw-hatted man across from me was eavesdropping. He had stilled, no longer dabbing a cloth against his bloody knuckles. He also wore a straw cloak—though the rain had long stopped—and the brim of his hat was lowered over his face, offering me only a glimpse of his bearded and middle-aged complexion.

“How…” I dug my nails into my palm. This was dangerous, the question I was about to ask. A question that could lead to my imprisonment and execution. Trust no one, I had told myself, yet in this moment, I had no alternative—there was no one else to rely on. “Would there be some way that I might see my sister?” I dropped my voice as low as possible, glancing at our eavesdropper. “Just to speak with her, to hold her hand. Nothing more.”

The innkeeper chewed on her lower lip as she gazed past me at the man, then a look gleamed under her slender brows. “Did you know, when the king goes hunting, he takes his courtesans—”

I bristled. “You mean the girls he’s stolen.”

“—he takes hundreds of his most favored courtesans to accompany him,” she continued, ignoring my interjection. “I’m sure His Majesty wouldn’t notice if one girl went missing. For a moment.” Quickly she added, aware that this kingdom abounded with spies, “Just to hold your sister’s hand, as you said. That cannot be treasonous, I should think. The king forbids husbands from ever meeting their wives, but His Majesty has made no mention of sisters…”

It took a moment for her words to register, and the barest flicker of hope drifted through me. “When…” I swallowed, trying to steady my voice. “When does His Majesty go hunting?”




Monday, January 24, 2022

#Review - The Red Palace by June Hur #YA #Mystery #Historical

Series: Standalone
Format: Hardcover, 336 pages
Release Date: January 25, 2022
Publisher: Feiwel & Friends
Source: Publisher
Genre: Young Adult Fiction / Mysteries / Historical

A young palace nurse investigates a pattern of grisly murders in this romantic YA historical mystery from the author of The Silence of Bones.

Joseon (Korea), 1758. There are few options available to illegitimate daughters in the capital city, but through hard work and study, eighteen-year-old Hyeon has earned a position as a palace nurse. All she wants is to keep her head down, do a good job, and perhaps finally win her estranged father's approval.

But Hyeon is suddenly thrust into the dark and dangerous world of court politics when someone murders eight palace nurses in a single night, and the prime suspect is Hyeon's closest friend and mentor.

In her hunt for the truth, she encounters Eojin, a young police inspector also searching for the killer. When evidence begins to point to the Crown Prince himself, Hyeon and Eojin must work together to search the darkest corners of the palace to uncover the secrets behind the bloodshed.


The Red Palace, by author June Hur, is a story takes place in 1758 Joseon-era Korea. The story surrounds 18-year old, Baek-Hyeon, who works as a palace nurse, a position she has worked very hard to attain. After overcoming a difficult childhood, with a mother who looks down on her, and a father who won't acknowledge her existence, she’s accomplished more than anyone expected a girl from her background would do. In Joseon-Era Korea, nurses are handpicked to serve in the palace. 

Normally they are attached to women princesses, concubines, and court ladies since it is illegal for a man to touch a female. As the illegitimate daughter of a powerful man, who just happens to be Minister of Justice, Hyeon was limited in her options. But all that Hyeon has done is threatened one night when she’s summoned to watch over a member of the royal household, then sworn to secrecy to what she sees. Upon leaving the palace that same day she learns that a massacre has taken place at her former nursing school, and her beloved mentor, Nurse Jeongsu, has been arrested for the crime. 

When Hyeon's beloved mentor, Nurse Jeongsu, gets arrested for the crime, Hyeon knows there's been a mistake. There is no way her caring teacher, a woman who has dedicated her life to helping others, including taking her in when she was discarded by her mother, could possibly be capable of the callous brutality of this massacre. Hyeon's desperate to save Jeongsu from the clutches of the police force, known for their brutal interrogations, and she doesn't have much time. Therefore, Hyeon decides she needs to begin her own secret investigation into the murders.  

Along the way she meets Eojin, a young police inspector, who teams up with her to uncover the truth behind the Hyeminseo Massacre, but will anything they find actually make a difference? Eojin had his own complex backstory and motivation for wanting to get to the bottom of these crimes, which added to the general mystery. In the face of the dark secrets they begin to uncover involving every level of palace politics, Hyeon and Eojin seem so small, young and inconsequential. They're both willing to take incredible risks in the pursuit of justice though and that should count for something.

Hyeon was a powerful and brave protagonist, kickass despite being untrained in any martial arts, and a true example to women everywhere that there is more to strength than physical ability. Eojin is the youngest investigator from the capital that is tasked to investigate the murders. He is calculative, trust worthy, and the calm that is the perfect balance to Hyeon’s chaos. The Red Palace is an amazing stand alone mystery thriller that will transport you to the darkest depths of the Joseon dynasty filled with murder, political scheming, cover ups, and gripping crime solving.  

The Red Palace is loosely based on the life and death of Crown Prince Sado, also known as Crown Prince Jangheon, was the second son of King Yeongjo of Joseon Feb 13, 1735 - Jul 12, 1762 (age 27). At the age of 27, he was executed at order of his father and died of starvation by being confined in a rice chest. Brutal way to die. 





Tuesday, April 20, 2021

#Review - The Forest of Stolen Girls by June Hur #YA #Mystery #Historical #Thriller #Suspense

Series: Standalone
Format: Hardcover, 384 pages
Release Date: April 20, 2021
Publisher: Feiwel & Friends
Source: Publisher
Genre: Young Adult / Thrillers & Suspense / Crime / Historical

After her father vanishes while investigating the disappearance of 13 young women, a teen returns home to pick up the trail in this YA historical mystery from the author of The Silence of Bones.

1426, Joseon, Korea. Hwani's family has never been the same since she and her younger sister went missing and were later found unconscious in the forest, near a gruesome crime scene. Years later, Detective Min—Hwani's father—learns that thirteen girls have recently disappeared under similar circumstances, and so he returns to their hometown to investigate. . . only to vanish as well.

Determined to find her father, Hwani travels home to pick up the trail. As she digs into the secrets of the small village—and reconnects with her now-estranged sister—Hwani comes to realize that the answer lies within her own buried memories of what happened in the forest all those years ago.

Suspenseful and richly atmospheric, June Hur's The Forest of Stolen Girls is a haunting historical mystery sure to keep readers guessing until the last page.


Author June Hur's The Forest of Stolen Girls is a historical fiction/mystery that takes place in 1426, Joseon (Korea). A year after her father, Detective Min Jewoo, vanished while investigating the disappearance of 13 young women in 4 years, Min Hawani returns to her former home of Jeju Island hoping to pick up his trail. Min's father solved almost every case that was handed to him, except for the Forest Incident involving his own daughters which tore the family apart.  

Hwani is determined to find the truth behind her father's disappearance no matter how ugly the truth may be. Hwani must work with her estranged sister Maewol, a shamanic apprentice, who may hold the key to Hwani's success. All thirteen girls were allegedly in the forest when they disappeared and there have been repeated reports of a masked man in the vicinity. Years before, Hawani and Maewol had their own individual experiences with nearly being taken by the unknown masked person. 

Hawani is determined to follow the clues and make logical deductions just as her father would. Maewol wants to help, but her work in the shaman's hut seems to be at odds with the evidence. Hawani has to realize that the father she knew, is different than the one her sister knew. That her father was, after all is said and done, just human. Hwani and Maewol have a bit of a rocky relationship. Happens when there is a gap between younger and older sister. While Hwani feels like the cold steel of determination, Maewol feels like the warm fire, determined to burn to where she needs to go

The historical aspect of the mystery did not disappoint. Hur illuminates a lesser known part of Korean history; the tribute women. Young women aged 12 thru 18 were sent to appease the Ming dynasty emperor of China. Commonly known as comfort women, these women and girls were also known as ‘kongnyo’ or tribute women. This practice continued right into the 20th century. When families of Korea had a daughter, they immediately hid and disfigured their daughters so that they would not be stolen away from them and never seen again. At the time of this story, Joseon (Korea) was under Mogul rule. Later, the Ming Dynasty continued the practice of taking women and girls every 3 years.





Wednesday, April 15, 2020

#Review - The Silence of Bones by June Hur #YA #Historical #Mystery

Series: Standalone
Format: Hardcover, 336 pages
Release Date: April 21, 2020
Publisher: Feiwel & Friends
Source: Publisher
Genre: Young Adult / Mysteries / Historical

Set in Joseon Dynasty-era Korea, this evocative YA debut follows a 16-year-old indentured servant within the police bureau who becomes entangled in the politically charged investigation into the murder of a noblewoman.

I have a mouth, but I mustn't speak;
Ears, but I mustn't hear;
Eyes, but I mustn't see.


1800, Joseon (Korea). Homesick and orphaned sixteen-year-old Seol is living out the ancient curse: “May you live in interesting times.” Indentured to the police bureau, she’s been tasked with assisting a well-respected young inspector with the investigation into the politically charged murder of a noblewoman.

As they delve deeper into the dead woman's secrets, Seol forms an unlikely bond of friendship with the inspector. But her loyalty is tested when he becomes the prime suspect, and Seol may be the only one capable of discovering what truly happened on the night of the murder.

But in a land where silence and obedience are valued above all else, curiosity can be deadly.






June Hur's debut The Silence of Bones is a bloody YA historical mystery tale set in Joseon Dynasty-era Korea. This is a world where a girl who runs away is branded; where a cross pendant can be a death sentence since the monarchy is in the process of cleansing the country of Catholic's or those who support them. The story follows 16-year-old Seol who is an indentured servant called Damo within the police bureau who becomes entangled in the politically charged investigation into the murder of a noblewoman that leads her to some very dark places and questions about those she is working with. 

In this Korea, women are not treated equally, but the aristocratic women are mostly left alone. The police need female officers to arrest female criminals and examine female victims. The men are not allowed to touch or look at women's bodies unless they are married. Seol's job is to interact with female victims in the stead of the male police force. She also performs menial tasks and even lives at police headquarters. When the body of a female aristocrat is found mutilated, Seol must assist. She finds herself drawn into the procedure of investigation, and before too long, she is completely embroiled in the search for Lady O's killer. 

She also hitches her fate to Inspector Han, an aristocrat and military officer who has a bit of darkness following him. Inspector Han allows her more latitude than others on the department by asking questions instead of shutting up her curiosity. She has a fierce loyalty to Inspector Han and she craves the truth. She is drawn to him but begins to wonder about his connection to a string of murders. Does the inspector have a reason to seek vengeance against Catholics? How can Seol keep her promise to find out what happened to her older brother?  

Even though she cannot read or write, her mind is sharp, and she has questions about the crimes that she is helping investigate. Seol is curious when at times she shouldn't be. She craves knowledge but must figure out who she can trust and who she can't. She wants to do the right thing for her, but she also doesn't want to overstep her boundaries and end up in a worse position than being a Damo. Seol was not born a servant, but happenstance and bad timing ended up sending Seol to the Capitol to be a police servant. She has also come to the capitol searching for her brother who left 12 years earlier. 

Seol yearns to go home, but she has been bound for a generation, and she must do her duty. If she runs, she will be marked. Seol's family background is a key plot to this story since it was her older sister who put Seol on this path to find her older brother left after the mother died, and they lost their fortune and status due to accusations of being Catholics. There's so much going on in this book as are there many twists that you need to pay attention to. I reiterate, when you read a book, it is nice to have notes to go along with it so that you can keep your thoughts in one place and put them altogether once you are in the process of putting your words to your review.




https://www.goodreads.com/book/show/44280973-the-silence-of-bones