Showing posts with label Suspense. Show all posts
Showing posts with label Suspense. Show all posts

Thursday, August 6, 2026

#Review - A Crime Through Time by Amelia Blackwell #Mystery #Suspense

Series:
 
Miss Darcy Investigates (#1)
Format: 400 pages, Paperback
Release Date: March 31, 2026
Publisher: Pan
Source: Publisher
Genre: Mystery, Suspense

Cozy, quirky and utterly enthralling, A Crime Through Time is the debut from Amelia Blackwell – the start of a series where crime, time travel and Jane Austen collide.

Pemberley, 1799. When Miss Georgiana Darcy attempts to escape an unwanted marriage proposal, she isn’t expecting to end up quite so far from home. But after encountering a mysterious object in the nearby woods, she finds herself transported almost two hundred years into the future.

Saltram, 1995. At a grand country house where a film crew are busy shooting the latest Jane Austen adaptation, a terrible crime has been committed. And Miss Darcy – newly arrived, impeccably dressed and thoroughly confused – is the only witness.

It soon becomes clear that, somehow, Georgiana was meant to solve this riddle. With the help of a distractingly handsome Irishman named Quinn and a border collie named Watson, she sets out to stop the killer before they can strike again. But meanwhile, trouble is brewing back at Pemberley and time, it seems, is not on her side . . .



Amelia Blackwell's A Crime Through Time is the first installment in the author's Miss Darby Investigations series, and the author's debut novel. A Crime Through Time is a quirky, escapist debut that blends Jane Austen sequel vibes, cozy crime, time travel, and light romance into an entertaining (if uneven) romp. It launches the Miss Darcy Investigates series and centers on Georgiana Darcy (Mr. Darcy’s younger sister from Pride and Prejudice) as an unlikely time-traveling amateur sleuth. 

The novel is set primarily between Pemberley in 1799 and Saltram House in Devon in 1995. Georgiana, now around 20 and still recovering from the near-scandal involving Wickham, faces an unwanted marriage proposal from the unappealing Baron John de Halighwell. Seeking solitude in the woods, she discovers a mysterious object—a Motorola pager—that transports her nearly 200 years forward. She lands on the grounds of Saltram House, where a film crew is shooting a Jane Austen adaptation (linked to Sense and Sensibility). 

There she witnesses (or stumbles upon) a crime involving a groundsman’s death, becomes the only key witness of sorts, and teams up with a distractingly handsome Irish security guard named Quinn and a border collie named Watson to investigate while shuttling back and forth through time. Parallel troubles brew at Pemberley involving family (including Elizabeth’s difficult pregnancy) and social pressures. The premise is the book’s strongest asset: a clever collision of Austen’s world with 1990s Britain, fish-out-of-water humor, and cozy mystery tropes. 

Georgiana’s reactions to modern life, technology, language, casual manners, music, and the chaos of a film set provide much of the comedy and charm. Blackwell (a Cornwall-based author with a deep affection for Austen, an MA in Creative Writing, and personal touches like naming a suitor after a family connection) shows clear research and love for the source material. She expands Georgiana beyond her more passive original portrayal into a curious, increasingly confident young woman who gains agency through her adventures. 

Familiar figures such as Darcy, Elizabeth, Lady Catherine, and Anne appear with recognizable traits while allowing room for new dynamics. The dual timelines create a sense of two stories in one, and the short, often amusingly titled chapters help the pacing in places. Romance develops between Georgiana (“George” to Quinn) and the down-to-earth Quinn, offering a contrast between Regency constraints and modern possibilities, though the time gap creates inherent tension and an open-ended quality suited to a series. 

The mystery involves murder(s) on the estate and the need to stop a killer, with Watson adding a touch of loyal canine companionship. As a series starter, it successfully plants seeds for future adventures (a sequel involving the Brontës has been mentioned in related materials) and leaves some questions open. It works best for readers who enjoy light, concept-driven fiction rather than rigorous locked-room puzzles or deep historical immersion. 

Fans of Austen-inspired stories, time-travel romances, or gentle mysteries with humor (think elements of Thursday Next-style literary playfulness mixed with cozy vibes) are the clearest audience. Those seeking a meaty, clue-driven crime novel or strict fidelity to Austen’s tone and characters may find it lighter and more uneven than hoped.





Wednesday, August 5, 2026

#Review - Whisper Creek by Allison Brennan #Thriller #Suspense

Series:
 Standalone
Format: 
323 pages, Hardcover
Release Date: June 23, 2026
Publisher: Minotaur Books
Source: Publisher
Genre: Thriller, Suspense

After the sudden death of her husband, Ellen McKenna is doing everything she can to keep her Texas farm afloat. She and her family hope to expand their operation, but times are tough and making ends meet is more expensive than she imagined, much less trying to grow. Many of their neighbors in Cooke County have thrown in the towel and agreed to sell their farms to a local businessman, but despite similar pressure, Ellen refuses to let her dreams die.

On top of the usual hardships, a series of recent storms has left the region partly flooded, and as the heavy rain begins again one morning, all the members of the McKenna family jump into action to protect their land and animals. Ellen’s oldest son discovers an injured dog—and the dog leads him to a man barely clinging to life, the apparent victim of a brutal home invasion. Then, Ellen’s younger kids go to check on a nearby neighbor and walk into a threat none of them saw coming.

Before anyone can figure out what’s really going on in their idyllic rural valley, the storm picks up again in intensity, and the McKenna kids find themselves in over their heads with no way to call for help. To protect her farm--and her family—Ellen must face down all the forces trying to tear them apart.

Allison Brennan's talent for twisty, tense pacing combines with a deeply drawn family drama and the unforgiving power of nature in this compelling standalone thriller.




Whisper Creek by Allison Brennan is a standalone thriller that delivers a high-stakes blend of family drama, corporate greed, rural survival, and natural disaster set on a Texas ranch during a severe storm. A year after her husband John’s sudden death, Ellen McKenna struggles to keep Whisper Creek Ranch in Cooke County, Texas, viable for herself and her four children. The family hopes to expand the operation amid rising costs and tough times, but many neighbors have sold out to a determined local businessman (and the corporation behind him) eager to acquire land—and the mineral rights beneath it.

Ellen refuses to yield. As heavy rains return and the ground remains saturated from prior storms, the family mobilizes to protect their land, livestock, and property. Complications escalate quickly: an injured dog leads to the discovery of a man clinging to life after a brutal home invasion; younger family members checking on a neighbor walk into unexpected danger; sabotage has compromised the barn; and communication and escape routes fail as the storm intensifies. Ellen must protect both her farm and her family from human threats and the unforgiving power of nature. 

Brennan crafts a taut, cinematic story that uses the storm almost as a character in its own right. The relentless weather—flooding, isolation, and the constant threat of rising water—amplifies every human conflict and creates genuine atmospheric tension. Short chapters and shifting perspectives keep the pace moving once the action ramps up, merging external dangers (burglars with a specific agenda, corporate pressure, sabotage) with internal family struggles around grief, responsibility, coming-of-age, and loyalty. 

Ellen emerges as a compelling, grounded protagonist: a tough, practical widow and mother determined to honor her late husband’s dreams while looking out for neighbors. Her children feel distinct and believable in their roles and reactions, and supporting figures (including a cantankerous but caring grandmother) add texture and occasional levity. The rural Texas setting and everyday realities of farm life—protecting animals, dealing with weather damage, community interdependence—are rendered with authenticity that grounds the thriller elements. 

Themes of land rights, small-farm survival against larger economic forces, and family resilience resonate, especially for readers who enjoy Yellowstone-style drama or novels by Colleen Coble and Ellen Crosby. Whisper Creek is a solid, engaging standalone that plays to Brennan’s strengths in tense pacing and character-driven suspense while adding a strong environmental survival layer. It succeeds best as an atmospheric page-turner for fans of domestic thrillers with heart, rural settings, and dual human/natural antagonists. It may feel a bit overloaded or less surprising for those seeking tighter, more unpredictable plots or pure procedural thrills. 



CHAPTER ONE

Thursday Night

Rena Jones sat in the backseat of the King Cab pickup as the rain poured down like the sky had cracked open, pelting the top of the cab with a violent staccato beat. Her brother lay slumped beside her, his shirt soaked with blood and rain, his breaths coming in short gasps.

She pressed her trembling hands to the wound on his side. Her fingers were warm and sticky with blood, and no matter how hard she pushed, she couldn’t seem to stop it.

“Brock,” she choked, glancing at her husband, who was driving, his hands tight on the wheel as he navigated through unpaved back roads. Every bump and hole in the road had the truck bouncing and Sam grunting in pain. “We have to get Sam to a hospital.”

“No,” Sam ground out, his voice barely a whisper. His face was pale, jaw clenched, eyes pained. He was shaking, whether from shock or cold, she couldn’t tell.

The windshield wipers were going full force, slapping rhythmically against the glass, but the rain was winning. Water sheeted over the truck like they were underwater.

Tears stung her eyes, hot against the cold. “But—”

“He’s right,” Brock said from the front seat, turning halfway toward her. His face was hard, but his eyes showed his deep fear. He loved Sam just like she did. It had been the three of them for so long. Ever since Brock walked into her life when she was eighteen and they fell in love. It was her and Brock and Sam against the world. Doing what needed to be done to keep them above water. The three musketeers. The three amigos.

“It’s gonna be fine,” Brock insisted. “A flesh wound.”

“It’s not a flesh wound!” she snapped. “He’s losing too much blood. He needs stitches, a transfusion—something!”

“I’ll be fine,” Sam mumbled weakly. “Just … Let’s get home. You can patch me up. Like last time.”

Rena shook her head, throat closing. Last time was years ago, and the gunshot hadn’t been this bad. That time, it had gone in and out of his upper arm. He still had the scar, which he’d covered with a tattoo of a cypress tree that reminded Rena of the one that grew out of the swamp behind their Mimi’s house.

This time … there was more blood.

“This wasn’t supposed to happen,” she said, her voice low, furious. “Baldwin wasn’t supposed to be home.”

They’d been hired for four jobs. Four clean, silent entries. In and out, no one the wiser. Get the documents, break the computer, steal a few shiny things to throw off the scent. No one gets hurt. No one around to see them. The first two had been letter-perfect, no one suspecting the reason for the break-ins.

But this time? Tonight had turned into a damn nightmare and now they were stuck in the middle of a torrential downpour in an unfamiliar area in the middle of nowhere.

They’d entered through the back of the house after Sam disabled the alarm from the main box. He was so smart, her little brother. So damn smart. Her eyes burned, the deeply buried regrets that she should have done something, anything, to get Sam a real job, maybe even into college, rather than letting him follow her and Brock into a life of crime.

Intel had said Baldwin was in Dallas until Saturday, and he always took his German shepherd with him when he traveled. So, after Sam took down the alarms, they should have had all the time in the world.

But halfway through corrupting the hard drives, they heard three rapid barks from upstairs. A canine alarm. The dog sounded furious, then Rena heard a muffled voice.

Footsteps thundering down the stairs barely before they could register that they weren’t alone in the house.

Baldwin, shotgun in hand, stepped into the doorway with surprise, anger, and fear in his eyes.

Rena had screamed. Brock fired. The dog lunged. Gunshots coming from her husband and Sam. The loud report of the shotgun going off once, pump, twice. The dog yelped, crumpled. Baldwin fell back, clutching his chest. Or was it his throat? It all happened so damn fast.

And then Brock was screaming, dragging Sam out the front door. Rena’s ears still rang from the echo of gunfire. She wasn’t even sure which one of them had hit Baldwin.

But it wouldn’t matter who fired the fatal shot. They were either killers or accessories to murder.

Maybe he isn’t dead. Maybe he survived.

God, she hoped he survived. Please, God, let him live. Baldwin and Sam.

The rain had started somewhere in that chaos, while she waited with Sam bleeding in her arms as Brock brought the truck around. Now it was drowning the world.

“Fucking road’s flooding,” Brock muttered, his voice faint but with a hint of panic.

Her husband never panicked, so she knew this was bad.

“The rain just started—” she said, but she could see the rising water now, remembered the storm last weekend that had kept them in town until Tuesday night. They were supposed to be done by now, but they’d been delayed because of the damn spring rain. The unpaved back roads were turning into rivers. Mud slid under their tires.

“We’re trapped,” Brock said. “There’s no way through.”

“Sam’s bleeding out,” she said, heart thudding. “Brock, we can’t just sit here—”

“Fuck!” She jumped when Brock slammed his palm against the steering wheel, the sound cracking through the cab. “I’m sorry, okay? We don’t have any other choice.”

Before she could ask what he was planning, Brock swerved suddenly, tires crunching wet gravel, and they drove down a long, bumpy driveway. Trees loomed on either side, branches lashing at the truck from the wind. A flash of lightning illuminated outbuildings and a dark house. Brock killed the lights, then the engine.

Darkness swallowed them, but not silence. The storm outside raged, shaking their truck, tearing at her soul. They couldn’t stay here, she knew. Sam would die. Her brother, her younger brother, her only brother. She couldn’t let that happen.

A sob escaped her throat; she swallowed it.

“Do you trust me, Rena?” Brock said quietly.

She stared at him. The anger and fear in his eyes. And the love.

“Of course I do,” she whispered. “I love you.”

“We need to hole up tonight. Wait out the storm. We’ll patch Sam up. Assess his injuries. Then finish the job.”

She hesitated, heart hammering. “Okay,” she said at last. “Where?”

“Stay here. I’ll be right back.”

Rena watched him disappear into the dark, every instinct screaming not to let him go. But she stayed. She held on to Sam’s hand, whispered reassurances, tried to believe them herself.

The rain was so thick she couldn’t see outside the truck. Then lightning flashed across the sky, lighting up the fields in stark white for a heartbeat before the dark came again. The trees writhed in the wind. Thunder rolled so loud it made her chest rattle. And she’d seen the dark house again in that moment of light.

She hoped it was empty; she feared it wasn’t.

But they had no choice.

“You’ll be okay,” she whispered to Sam, brushing his damp hair back from his forehead. His eyes fluttered closed. “I’ve got you.”

“I’m going to be fine, Rena,” Sam said, his voice trying for everything is coming up roses but sounding more like this is the end of the world.

She hated this godforsaken rural county, this miserable state. The endless dark. The isolation. Out here, there were no sirens. No cell service. No one to save her brother.

And she couldn’t stop thinking—what if Baldwin had a silent alarm? What if someone had seen the truck? What if Baldwin wasn’t dead and could identify them? Or worse, what if he was dead and they were now murderers?

What if this was the beginning of the end?

“One more job,” she murmured to herself. “Just one more. Then we’re done.”

But the words felt empty. If Sam died, money couldn’t bring him back. Money would mean nothing to her without her family.

Ten minutes later, Brock returned, soaked and pale.

“I didn’t hurt nobody,” he said, breathing heavily. “But they understand.”

She turned toward him slowly, her stomach sinking. His eyes were too bright. His voice too calm.

“Brock…” she said, warning in her voice.

He looked away. “We need to save Sammy. Help me get him inside.”

She didn’t move.

Because she knew.

He hadn’t asked for help. He’d taken it.

And somewhere inside that farmhouse, someone now feared them enough to stay silent, at least for tonight.

They had crossed a line.

And Rena didn’t know if they’d ever find their way back.


CHAPTER TWO


Friday Morning

Ellen McKenna watched her son Jake ride off across the field on horseback alongside their ranch hand, Mateo Delgado. Yesterday they’d discovered that the run-in—a simple, three-sided structure used to give cattle shelter from the elements—had been seriously damaged during last weekend’s hailstorm. Overnight rain had caused part of it to collapse. With a brief break in the weather this morning, they planned to make repairs so the herd would have protection when the storm returned this afternoon.

The rain last night had been short-lived, but the already saturated ground couldn’t absorb the sudden two-hour downpour. The narrow gravel road that cut through their farm toward the pasture still had standing water, leaving the surface pocked and muddy, but fortunately it hadn’t been washed out. Jake and Mateo would also check for damage along the road, making notes and fixing whatever they could in the few hours they had before the rain was supposed to start up again.

She’d packed them each a full thermos of coffee and sandwiches in case the job took longer than expected. Their cattle grazed on the far side of their fourteen hundred acres, half of which was dedicated to their herd. There was plenty of high ground for the cattle to migrate to if the fields flooded. Most of their crops had survived the hailstorm last weekend, and though the ground was still saturated, the plants were thriving.

But they might not thrive if the fields flooded. They might lose everything.

They’d lost half their grapevines in the hailstorm, but it looked like the rest were going to flower. It would be the first year they had fruit on the vines.

It had been John’s dream to create their own wine label, but it had never been the right time to start the vineyard. Three years ago, after a particularly good year for cattle, they planted a small, uneven twelve-acre plot bisected by Whisper Creek. It was the perfect soil for wine grapes, according to John, who’d consulted with his closest friend—a successful vintner—on the project. On one side, they planted Tempranillo, on the other, Sangiovese. But it takes three years, sometimes four, for the vines to age and flower.

This was the year, and John wasn’t here to see it.

She looked up at the dark gray sky, thinking—believing—that her husband was watching over them, that he would see the first grape harvest. They wouldn’t have their own winery—she’d have to sell the grapes this year and maybe next—but it was a start.

And someday, she would turn the old bunkhouse into a winery and bottle their own label—a label John had designed years ago.

Whisper Creek Vineyard.

“John, I miss you so much,” she murmured.

Two and a half months from now, on July first, would have been their twentieth wedding anniversary. Now, she was a widow at forty-one.

It had been eleven months since her husband died in a tragic accident. Eleven months since her life had been shattered. She was still broken, but she’d put the pieces together as best she could for their four kids.




Monday, July 27, 2026

#Review - The Killing Time by Elly Griffiths #Mystery #Suspense

Series:
 Ali Dawson # 2
Format: 
353 pages, Kindle Edition
Release Date: February 12, 2026
Publisher: Pamela Dorman Books
Source: Publisher
Genre: Mystery, Suspense

The second mystery following Ali Dawson, the brilliant time-traveling detective, on her newest foray into Victorian London

Detective Ali Dawson leads a unit that investigates cases so cold her team must travel back in time to solve them. But ever since their technical expert, Jones, got stuck in Victorian London, Ali and her team have been forbidden from time travel.

At a loss, Ali dives into a present-day case – an apparent suicide of a young man who fell to his death from a high building. Ali believes the death is linked to a bad-news psychic medium, Barry Power, who convinced the boy he could fly. Suspicious, Ali attends one of Power’s shows, where he claims to be in contact with none other than Jones.

Minor trouble closer to home inspires Ali to sneak back in time just long enough to prevent misfortune. Her plan backfires, and she finds herself once again in Victorian London, where she reencounters Jones, as well as the darkly mysterious Cain Templeton, with whom Ali has unfinished business from her previous visit to the nineteenth century . . .

When she spies Barry Power lurking in the past, Ali knows she's onto something. But with a potential murderer operating in multiple centuries, how on earth is she supposed to protect everyone at risk?

It's a different time. It's a dangerous time. It's the killing time. The story alternates between Contemporary and Victorian London. 


The Killing Time is the second installment, following The Frozen People, in author Elly Griffiths' Ali Dawson series. The story alternates between 2024 and 1850 London. It centers on Detective Ali Dawson and her specialized London Met cold-case unit (nicknamed the Frozen People or Department of Logistics). The team’s secret tool is time travel, used for cases so old that visiting the past is the only way to gather evidence. 

Since the events of The Frozen People left one member of the "Department of Logistics" dead and another stranded in 1850s Victorian London, Ali and her remaining colleagues (Dr Bud Sirisema, Dina Appiah, and John Cole) are somewhat hamstrung, forbidden by Home Office hierarchy from conducting any further forays into the past, and confined to investigating cold cases via more mundane methods. In the present (set around a 2024 heatwave and election period), Ali is restless and frustrated by routine work. 

She digs into an apparent suicide: a young man who fell from a high building after being influenced by charismatic psychic medium Barry Power, who convinced him he could fly. Ali attends one of Power’s shows, where he makes an unsettling claim involving Jones. When her beloved cat Terry goes missing (via an open cat flap), Ali makes a reckless short-hop attempt to fix a minor domestic problem. 

The plan backfires spectacularly, stranding her in 1851 London—where she reunites with Jones, crosses paths again with the enigmatic Cain Templeton (unfinished business from the prior visit), and discovers Barry Power has connections that span the centuries. Meanwhile, in Ali's absence, two men are murdered in 2025, both having received mysterious postcards related to classic films. Dana and D.I. John Cole become embroiled in the investigation, along with DS Luca Venturi and the evident links that both victims have to Ali, who remains stuck in Victorian London. 

Griffiths handles the dual timelines with characteristic skill. Modern-day sections ground the story in Ali’s professional frustrations, family ties (including her son Finn), and the banter among her team. The Victorian sections shine brightest: 1851 London feels lived-in and textured, with the grime, social contrasts, the Great Exhibition in full swing, period details of domestic life (or lack of modern conveniences), and a sense of menace and opportunity. Griffiths’ research brings the era alive without slowing the pace into textbook mode. 

Ali remains a highly engaging protagonist—sharp, stubborn, flawed, funny, and morally driven. Her domestic details (especially the cat Terry, who becomes an unexpectedly memorable supporting player) and interactions humanize the high-concept elements. Supporting characters, both returning and new (Victorian maids offering class insights, showmen and illusionists, the unsettling Cain), add color and emotional stakes. 

The tone is a key strength: high stakes and genuine darkness sit comfortably alongside warmth, wit, and humanity. It never feels gimmicky; the time-travel paradoxes and rules are treated with enough internal consistency and playfulness to work for most readers who accept the premise. The mystery itself—linking modern “suicides” influenced by a medium to events in the past—has a contemporary edge involving manipulation, belief, and vulnerability.

It drives Ali effectively, but the killer’s identity can feel abrupt or underdeveloped, and certain time-travel mechanics (chairs, the Seeing Glass, and how animals or people shift eras) stretch suspension of disbelief more than in the first book. The dual timelines occasionally create a sense of loose ends or uneven pacing, with the Victorian sections sometimes dominating. 




Tuesday, July 14, 2026

#Review - In the Blood by April Henry #YA #Thriller #Suspense

Series:
 Standalone
Format: 
293 pages, Hardcover
Release Date: May 12, 2026
Publisher: Christy Ottaviano Books
Source: Publisher
Genre: Young Adult, Thriller, Suspense

In this heart-pounding YA thriller, when an adopted teen takes a DNA test to find her biological parents, she unwittingly puts herself in the crosshairs of a serial killer.

Adopted as a newborn, Tessa has always wondered who her biological parents are. After turning eighteen, she takes a DNA test in hopes of finding the answers. With best friend El and lab partner Victor, Tessa uses the results to start building her family tree. But they find more dead ends than answers. Her biological mother, who was raised in a religious cult, has cut all ties with her controlling family. And her biological father remains a complete mystery, at least until the police show up. For fifteen years, they’ve been trying to identify a serial killer known as the Portland Phantom. Tessa may be the link they’ve been waiting for.

April Henry delivers a twisty thriller about the families who choose us—and the ones we’re born into. Biology does not have to dictate one’s destiny.



In the Blood by April Henry is a YA thriller that blends DNA genealogy, adoption identity struggles, and serial-killer suspense into a fast-paced, thought-provoking read. There is 3 key characters: Tessa Lundgren, Officer Keisha Washington, and the serial killer known as the Portland Phantom. Tessa Lundgren, a high school senior in Portland, Oregon, has always felt out of place in her loving adoptive family—her brown hair and eyes stand out against their blonde, blue-eyed looks. 

On her 18th birthday, her best friend El gifts her an AncestryDNA kit, sparking a quest to uncover her biological roots. With help from El and her biology lab partner Victor, Tessa begins piecing together her family tree. Her biological mother’s trail leads to a woman who escaped a controlling religious cult but has since vanished. Her father remains a total mystery—until police detectives show up. For over 15 years, authorities have hunted the “Portland Phantom,” a serial killer linked to multiple murders of young women. 

Tessa’s DNA provides the long-sought connection. The story unfolds through three alternating perspectives: Tessa’s hopeful (and increasingly anxious) search, Detective Keisha’s determined investigation, and chilling chapters from the killer’s viewpoint. Interspersed documentary-style excerpts add context and realism. Henry keeps the tension high without excessive gore—murders happen “off-screen,” but the killer’s mindset is deeply unsettling. 

Tessa is likable and relatable—plucky, smart, and torn between curiosity and loyalty to her adoptive parents. Her friends El and Victor form a supportive, diverse trio. Detective Keisha adds a strong professional counterpoint, while the killer’s sections provide creepy insight without glorifying him. The killer’s identity and connections become predictable early on due to the multiple viewpoints, slightly reducing the mystery for seasoned thriller fans. The ending was also very predictable. 




Friday, July 10, 2026

#Review - Deep Dark Truth by Debra Webb #Thriller #Suspense

Series:
 Standalone
Format: 
378 pages, Kindle Edition
Release Date: April 14, 2026
Publisher: Thomas & Mercer
Source: Kindle Unlimited
Genre: Suspense, Thriller

A reporter must keep her past hidden as she hunts a killer terrorizing a small town in Maine in a blood-freezing novel of suspense by USA Today bestselling author Debra Webb.

Investigative reporter Sarah Newton specializes in debunking myths and superstitions—especially when they’re used to cover up horrific crimes.

When a teenage girl is ritualistically murdered and another girl goes missing, Sarah heads to the coastal village of Youngstown, Maine, to find her next story. The locals are convinced these events are the work of a legendary curse. After all, no human in this close-knit community could do something so dreadful. But Sarah knows the truth—one of their own is a cold-blooded killer.

As Sarah starts to unravel the mysteries of Youngstown with the help of a sympathetic councilman, she finds herself at the center of a vicious game. Somebody in town knows too much about her own dark secrets…Can she connect all the dots before the killer strikes again?

Revised edition: Previously published as Find Me, this edition of Deep Dark Truth includes editorial revisions.



Deep Dark Truth by Debra Webb is a gripping, atmospheric suspense thriller (revised and reissued edition of her earlier novel Find Me, with editorial updates) that blends small-town secrets, supernatural folklore, and cold-blooded murder. Investigative reporter Sarah Newton specializes in debunking myths and superstitions that often mask horrific crimes. She travels to the isolated coastal village of Youngstown, Maine, after a teenage girl is found ritualistically murdered in a chapel and another girl goes missing. 

The tight-knit community clings to an old legend of a curse—after all, how could one of their own commit such atrocities? Sarah knows better: a human killer is at work. As she digs in, Sarah partners (uneasily at first) with Kale Conner, a sympathetic local councilman and lobsterman tasked with managing the fallout and keeping her in check. The deeper she probes, the more she uncovers layers of secrets, betrayals, and long-buried town sins. 

Meanwhile, someone in Youngstown knows far too much about Sarah’s dark past, turning the investigation into a dangerous cat-and-mouse game in which her personal vulnerabilities could cost lives. The story unfolds against a frozen, windswept Maine backdrop that amplifies the isolation and dread. Webb excels at evoking a place where everyone knows everyone—and no one trusts the outsider poking at old wounds. Webb’s research (she reportedly lived in Maine while writing the original) shines through in vivid, sensory details. 

The novel builds steadily, layering red herrings, town gossip, and escalating threats. Twists feel earned rather than cheap, and the final revelations deliver a satisfying (and reportedly “off-the-charts creepy”) payoff. Sarah is a prickly, flawed protagonist—abrasive, haunted by her past, and unapologetically dedicated to truth over popularity. She’s not instantly likable, but her growth and vulnerability make her compelling. Kale provides a strong counterbalance: grounded, empathetic, and increasingly torn between loyalty to his town and the mounting evidence. 

Their chemistry adds emotional depth without overshadowing the mystery. Webb explores how communities protect their own, the dangers of folklore as a shield for evil, and the personal cost of seeking justice. It’s darker and more gruesome in spots than some cozies, with ritualistic violence that heightens the horror. Deep Dark Truth is a solid, entertaining thriller that showcases Debra Webb’s strengths in romantic suspense and psychological tension. It’s ideal for fans of authors like Lisa Jackson, Karen Rose, or early Tami Hoag—think isolated towns, buried secrets, and strong-willed heroines facing personal and professional demons.