Showing posts with label Young Adult Dystopian. Show all posts
Showing posts with label Young Adult Dystopian. Show all posts

Friday, May 27, 2022

#Review - Rift (Rift Saga #1) by Andreas Christensen #YA #Dystopian

Series: Rift Saga # 1
Format: Kindle, 259 pages
Release Date: December 29th 2014
Publisher: Andreas Christensen
Source: Amazon
Genre: Young Adult / Dystopian

The RIFT Saga begins here.

In the ruins of what was once North America lays the Covenant, a nation forged by the iron will of the Moon people, who descended from their dusty refuge on the Moon after the Fall. The Moon people are wealthy, ruled by a strong government who protects its citizens from the dangers from outside their borders. Their greatest achievement is having learned the secret of immortality, and every citizen has the opportunity to live nearly forever if they choose to, a life of riches and abundance.



Rift, by author Andreas Christensen, is the first installment in the Rift Saga. This science fiction dystopian trilogy is set more than two centuries after the events of the Exodus trilogy, in a future dystopian society forged from the ashes of global disaster. In the ruins of what was once North America lays the Covenant, a nation forged by the iron will of the Moon people, who descended from their dusty refuge on the Moon after the Fall. The Moon people are wealthy, ruled by a strong government who protects its citizens from the dangers from outside their borders. 

Their greatest achievement is having learned the secret of immortality, and every citizen has the opportunity to live nearly forever if they choose to, a life of riches and abundance. The English are the descendants of the original inhabitants of this place, and they live very different lives from that of the Moon people. They only live to serve the greater good, and citizenship is something few have the opportunity to earn. At the age of fifty all non-citizens are subjected to mandatory euthanasia. In order to maintain a sustainable society, they are told.

Every year a number of girls and boys at the age of eighteen are selected for Service to the State. The brightest and most talented are sent to become Students. The strong, the fighters and the athletes become Janissaries, a band of soldiers protecting the northern border from the enemies of the Covenant. The Wardens, a secretive organization known to operate far to the west, near the Rift, which makes up the border to the wastelands, sometimes chooses one or two initiates, but nobody knows what becomes of them. And then there is the Corpus, where the whip rules and backs are bent.

Those who complete their seven required years of Service, may become citizens.
Janissaries are mandated 3 years since most of them don't survive. And although they will never be equal to the Moon people, they will have access to all the riches and opportunities granted by the Covenant leadership to its citizens. As Sue is nearing Selection Day, she secretly hopes to be chosen, despite having to leave her mother and brother behind. She doesn't crave glory or wealth though. A man or woman with citizen status can do a lot of good, and although few return to their home towns, Sue hopes to return to give her family a better life on the other side of Service.

But the Covenant is rotten to the core, and as she begins to learn its secrets, Sue must question everything she has always taken for granted. Soon she will find herself in dire peril, for she has seen the truth and there will be no turning back after that.
The story viewpoint alternates between Sue, chosen for military service, and Mark, originally chosen for military but taken by the Wardens instead, as well as David Wagner, who not only helped the world fall, but is now the oldest man alive. The prime job of the military is to protect the northern border from incursions by savages. The prime job of the Wardens is also to protect the borders, but also to research and use technology for unstated reasons.

This story ends on a cliffhanger ending. As much as I'd like to finish this series, the next two books will need to go on sale first.





Tuesday, April 27, 2021

#Review - Incognito by Katie Delahanty #YA #Dystopian #Thrillers

Series: Keystone (#2)
Format: Paperback, 334 pages
Release Date: May 3rd 2021
Publisher: Entangled: Teen
Source: Publisher
Genre: Young Adult / Dystopian / Thrillers

In the virtual utopia of the Simulation, everyone will live peacefully and without fear or needs—at least that’s how they’re selling it. But the government plans to use this program to take control of the entire human race. Elisha Dewitt has just been given her first mission to help prevent this, and she’s ready to prove she can go incognito just as well as any other master thief.

Breaking and entering? No sweat. She’s done worse. Stealing a cassette tape from the museum vaults will be easy—in, out, done—until he shows up...and everything gets way more complicated. Garrett Alexander just has that effect.

Nothing is as it seems, and a dangerous game of cat-and-mouse begins with Garrett, her rival and match in every way. Not knowing who she can trust, Elisha decides it’s up to her to rescue everyone—even Garrett—before the world as she knows it comes to a brutal end.

 

Incognito is the second installment in author Katie Delahanty's Keystone series. This is a series set in a far off future. This is a society divided into factions such as Corporates, Influencers, Laborers, Unrankables followed by the Disconnects who are of the lowest order. Keystone, who Elisha Dewitt formerly Ella Karman belongs to, are all Disconnected from the world. They intentionally cover and mark their faces so that facial recognition doesn't catch them. Their main mission is to steal analog history and to preserve the truth corporations and governments are trying to hide or alter forever.  

Elisha has a gift of superior intuition which is what led her to Keystone in the first place. At the end of Keystone, Elisha was given her first solo mission by Professor Allard to steal a cassette tape from the Andy Warhol Time Capsule Museum in Pittsburgh. Breaking and entering? No sweat. She’s done worse. Breaking into a nearly impossible museum with state of the art security will get a bit more complicated. Especially when Garrett Alexander shows up and tosses everything out the window. Garrett tends to unnerve Elisha at times. He literally left her stranded in a tree house 5 months ago. 

In the virtual utopia of the Simulation created by Simon Technologies, everyone will live peacefully and without fear or needs—at least that’s how they’re selling it. But the government plans to use this program to take control of the entire human race. help prevent this, and she’s ready to prove she can go incognito just as well as any other master thief. Nothing is as it seems, and a dangerous game of cat-and-mouse begins with Garrett, her rival and match in every way. Not knowing who she can trust, Elisha decides it’s up to her to rescue everyone—even Garrett—before the world as she knows it comes to a brutal end.  

Thankfully for Elisha, she has a core of friends (Rayelle, Stewart, and Sophia) who are strong in their own talents which make them a great team. This is a good thing since there are those who are uniquely interested in Elisha and her brain which could be key to the so called Super Brain. So, off the crew goes to Stanford where things get interesting. I'll stop here by saying that there are lots of twists in the final chapters of this book. Characters truly prove who they are loyal to. Other characters reveal a shocking truth that leaves the book in a wicked cliffhanger ending. I am looking forward the sequel. There are so many questions that need to be answered, and the shenanigans between Elisha and Garrett need to be sorted out.






Friday, January 8, 2021

#Review - Evolution by Teri Terry #YA #Science #Fiction

Series: The Dark Matter Trilogy # 3
Format: Hardcover, 416 pages
Release Date: August 11, 2020
Publisher: Charlesbridge Teen
Source: Publisher
Genre: Young Adult / Science Fiction

A thrilling showdown brings the Dark Matter trilogy to a satisfying close. Shay is trapped at the Multiverse compound while looking for the real Callie, and an unforgiving Kai is her best chance at outsmarting Alex and saving countless lives.

Shay has left Kai once again by following Alex to his Multiverse compound. Her goal is to find the real Callie, but Shay discovers that the younger girl has no memory of her past. Their hope is to leave the community. While Shay pretends to be a devoted follower, Alex makes his own plans to use Shay to spread the epidemic he caused with his dark matter experiments. The survivors will be only the most worthy humans—those who evolve special abilities.

The opportunistic Freja further poisons Kai’s memories of his girlfriend. Angry and hurt, Kai doubles down on his mission to reveal that his former stepfather is behind the epidemic, but he has little luck convincing the authorities—until it’s almost too late to save Shay from a fate worse than death.


Story Locale: the United Kingdom

 


Evolution is the third and final installment in author Teri Terry's Dark Matter Trilogy. Series Overview: A secret scientific experiment has gone fatally wrong, and it’s up to three teens to put the pieces of this medical mystery together in hopes of stopping an epic human extinction. The story is told in short chapters by a host of narrators from Shay, Callie, Kai, Freya, and this time around, Lara. Evolution also adds two additional important characters in Xander and Cepta, Speaker for the Community.

The story picks up immediately where Deception left off. Shay, Beatrix, Elena, Chamberlain the cat, have left Kai, who is immune to the epidemic, behind with Freya to find his sister Callie. Shay didn’t tell Kai why she was leaving with Xander. Then again, she just did manage to survive being killed by soldiers and lost a good friend in the process. Kai, of course, feels betrayed because this isn't the first time Shay has made her own choices without inviting Kai along. This gives Freya a chance to shatter any hope of reconciliation between the two.

Xander, aka Alexander Cross is Shay’s father, and the man responsible for bringing people together that have been fundamentally altered by the epidemic spreading across the United Kingdom. (Side note: He's also author of the Multiverse Manifesto which begins various chapters in this book.) The story actually opens with a character named Lara who is living in Xander's compound in Scotland along with Cepta and others. You have to feel emotional over what has been done to her and the fact that she's been used since this epidemic began.

I will also spoil the fact that Callie is Shay’s half-sister (same father different mothers) which makes finding her that more imperative and necessary. After all, she was the first person to see the missing posters of Callie and raise the alert to Kai and his mom. You also have to demand answers to what Xander is really hoping to accomplish by experimenting with anti-matter and his obsession with alternative dimensions. The community is working on reaching further and further out in hopes of finding other survivors like Shay. But for what reason?

While Shay is figuring out if Callie is alive and getting used to being with people like herself, Kai has his own adventures including yet another confrontation with Kirkland-Smith and trying to find out if his mother is still alive and still immune to the epidemic like he is. Xander, who is definitely the villain of the series, was deeply flawed but so was Shay in her own way. How many people have Shay killed in order to stay alive? Lots. They played off each other very well even when the betrayal happens.

If you are looking at comparisons between this series and the current nightmare called Coronavirus, there’s just one. Both were created in a lab. But while Coronavirus is survivable and there’s an actual vaccine, this series epidemic kills up to 95% of everyone who has been exposed while changing those like Shay and making her a powerful force to be reckoned with. Perhaps it is time to question the use of secretive labs. Personally, I am done with lab created viruses which somehow end up being released into the world.

 


Chapter 1: Lara

My feet take me to the very edge of the world.
There is nothing beyond this place if I look at it straight on—the woods, the path, and even the sky above them disappear, lost in a white mist. If I turn my eyes far to the side, I can almost see ghostly images of trees and hills, spread out below. So maybe the world does go on, and a part of me somehow knows that it must. But it’s the edge of my world.
If I think about it ahead of time, I can’t come here. I can’t decide to walk to this place; I can only do it as if by accident. If I’m upset enough and just walk, without planning to go anywhere in particular, I end up here. It’s a reflex, like my leg jerking up if my knee is hit just so with a hammer.
Why was I upset? My thoughts veer in a direction they can’t take, and slip away.
I lean forward, tilting into the world that vanishes beyond and below—arms outstretched in a sort of Titanic moment—and close my eyes. Can I lose my balance and tumble forward down this hill, out of this place?
Maybe I could if I fell asleep. No one can control where I go in my dreams—not even me. I shiver, my thoughts dragged back to last night. To…to…well. Whatever it was has vanished from my thoughts. Calm washes through me once again.
Unable to stop myself from trying, I lift my right foot and step forward. But when I open my eyes, it’s the same as always: I’ve turned and gone the other way, away from the edge. I sigh and lean against a tree.
Roots stretch out near my feet, twisted and exposed. If my foot caught against a root, just here, could I sprawl and fall forward then? But no, it’s too late: I’ve thought about it now. I can’t trick my feet into a trip that formed in my thoughts.
Maybe next time.
Then I hear the summons, deep in my mind—
Lara, come.
And it’s another reflex that has me instantly running, back the way I came, with direction and purpose—
Obedience.
The sort that is blind.

Chapter 2: Shay

The plane lurches again, and I grip the arms of my seat tight.
Elena sits terrified in the row in front of me; Beatriz, next to her, isn’t bothered at all. Maybe when you’re eight years old like Beatriz, you’re not scared; you can’t be. But the usual assumption with that would be that you’re not scared because you don’t understand you could really be hurt, or what death even means. That doesn’t apply to her, right? Beatriz has seen her whole family—and many more—die from the epidemic. She saw survivors like us, too, die around her in the fires of the vigilante survivor hunters, Vigil. Beatriz knows what death is, what it looks like, how it feels to watch someone you care about die screaming. To be flooded with their last thoughts if you touch them after they’re gone. Maybe after all that, flying into a storm seems tame.
Chamberlain has hitched a ride too, and is half on the seat next to me, half on my knees. The tip of his tail twitches almost imperceptibly, like he is annoyed but not deigning to let it ruffle his cool cat persona. His front claws are embedded in my jeans, holding on and scratching my leg underneath now and then when the plane pitches or drops—the feline version of the brace-for-your-life position? I stroke him as much to reassure myself as to reassure him, and I try to concentrate on here, now, on my fear and his warm weight and claws. But it isn’t anywhere near enough to take my focus away from the agony inside.
Kai closed his mind.
He turned his back to me and walked away.
I feel as if I’m draining away, my essence leaving me, drop by painful drop.
Hang on, everyone, we’ll be through this in a moment. Alex broadcasts the thought to all of our minds from his seat up front: he’s the one at the controls, flying this thing.
Alex—Xander, I mean, as that’s how he is known by everyone here. My father.
Not that he’s ever been that to me.
Fairness makes me admit he never had the chance—not when Mum left him and never told him about me. But now he knows I’m his daughter, and the thought makes me uneasy. Mum didn’t want him to know, did she? Now that she’s gone, I can’t even ask her why. Xander isn’t scared, at least not that he lets any of us see. None of his followers on the plane with us are either—they are calm, serene, even—and somehow I know that Xander’s reassurances were more for Beatriz, Elena, and me than anyone else. The others trust him completely.
Who are these people, really? They are all members of Multiverse. It’s like a cult, Iona said—one that worships truth. They worship Xander too, by the looks of things. The day Iona read something about them in the newspaper on the school bus and then told me about it seems like a million years ago, and remembering that day, one of our last ordinary days together, fills me with longing to be with her. My best friend—is she all right? What would she make of Xander? I hope she never has the chance to find out.
As if Xander controls the sky and weather as much as this plane and all of our lives, our path evens out soon after his reassurance. The plane glides smooth, safe, but Chamberlain’s claws continue to hold on like the tumult inside me. I fix my eyes out the window, mental barriers up—not wanting any stray thoughts to leak out to those around me. I struggle to control the tears that threaten, but one spills down my cheek and I flick it away.
Kai, how could you shut me out?
I agreed to go with Xander to try to find Kai’s sister, Callie, but Kai wouldn’t listen to why. All he saw was me leaving with his ex-stepdad, a man he hates; all he heard was that Xander is also my father, something I hadn’t told him. I knew I should have ages ago, but couldn’t bring myself to say the words. At first there were too many other things for him to deal with, then the longer I kept quiet, the harder it was to explain why I hadn’t told him before. But the way it came out—Xander being the one who told him—made everything worse.
And Kai didn’t believe me that it wasn’t Callie’s ghost who had been with us all along, that instead it was Jenna, an imposter. That it was actually Jenna who was destroyed in the bomb blast—Jenna who gave up her existence, such as it was, to save me. More pain twists in my gut. We went through so much together, and now, because of me, she’s gone.
But it all adds up to this: Kai’s sister, Callie, a real girl who lived and breathed and may do so still, could be out there somewhere, and only Xander can lead me to her.
Worse than everything else is that Kai didn’t believe in me. Xander said he knows how much it hurts to be different, to lose somebody because of it. He lost Mum because she sensed the difference—a wrongness, she called it—inside of him.
I’m scared she’d think the same about me now.
Is that the real reason behind Kai’s rejection?
He’s always struggled with how I changed when I survived the epidemic that killed so many—the one he is immune to. The way I can talk in his mind, and manipulate auras—to heal, to kill. The latter may have only ever been to defend myself, but his horror when he knew…He couldn’t handle it, could he?
By shutting me out of his mind, Kai left me with no other way to reach him than through a message—one I had to pass hurriedly to his friend Freja. She knew I spoke the truth; I’m sure of that. When you speak directly into somebody’s mind, survivor to survivor, it’s hard to do anything else. And she said she’d tell him what I said.
Please, Kai: believe Freja. Even though you wouldn’t believe me. The plane soon starts to descend, and I glance across the aisle at these followers of Xander’s. Gold glints at their necks like it does at mine. The pendant, a gift from Xander, is a model of an atom—the mark of Multiverse—and although the chain hangs loosely, it feels like a noose slowly tightening around my throat.
One of his followers must feel my gaze; he turns and smiles. There is respect for me that wasn’t there before, now that he knows I’m Xander’s daughter. Like the rest of them, he seems calm, gentle—kind, even. But I know they killed easily enough when they rescued us from the army. There is something about that combination—casual violence with a smile—that makes me shiver.
Admit it, Shay, if only to yourself. You’re scared.
I want to step back in time to get away from these people, but I must find Callie. It’s the only way to make Kai see I’m doing all of this for him.




Monday, December 21, 2020

#Review - The Last Voyage of Poe Blythe by Ally Condie #YA #Dystopian

Series: Standalone
Format: Hardcover, 336 pages
Release Date: March 26, 2019
Publisher: Dutton Books for Young Readers
Source: Library
Genre: Young Adult / Dystopian

Ally Condie, the international bestselling author of the Matched trilogy, returns in an emotional and tensely plotted novel about revenge, grief, and self-reliance.

Who do you become when you have nothing left to lose?

There is something Poe Blythe, the seventeen-year-old captain of the Outpost’s last mining ship, wants far more than the gold they tear from the Serpentine River.

Revenge.

Poe has vowed to annihilate the river raiders who robbed her of everything two years ago. But as she navigates the treacherous waters of the Serpentine and realizes there might be a traitor among her crew, she must also reckon with who she has become, who she wants to be, and the ways love can change and shape you. Even—and especially—when you think all is lost.

Intricately crafted and emotionally gripping, The Last Voyage of Poe Blythe is the compelling story of one young woman’s journey to move beyond the grief and anger that control her and find the inner strength to chart her own course.

 

The Last Voyage of Poe Blythe is Ally Condie’s first new YA title in almost five years. In the newer edition of this story, it's called a companion novel to the Matched series which I have not read. Set in a futuristic world, The Last Voyage of Poe Blythe starts out with our heroine sailing on a ship that is dredging gold out of the river. The vessel is boarded by raiders and tragedy strikes. Unmoored by the loss of her first love, Poe creates a deadly armor to protect the Outpost's last dredge as it sails downriver to pan for gold.

Poe's grief and anger has direction and purpose thanks to the Admiral. Poe spends the next two years coming up with an armor that will kill any raider who attempts to board the vessel again. She is sent on a dredging expedition for Gold on the Serpentine River as the Captain of the new ship by the Admiral of the Outpost. Poe is slow to trust the crew assembled by the admiral and for good reason. When the raiders who ruined her life two years ago commandeer her ship, Poe's purpose is tested. Poe must face her past and forge a new future, regardless of who stands in her way.

Ally’s story is filled with emotion and tension as she tells us the story of a young woman waking up to the realities of her flawed world and discovering her strength within. Why does the Admiral need so much gold? Why do the drifters hate the dredge? Why is there an Outpost? What caused the world and society to break into these new factions? If they are out in the middle of nowhere, where did all the supplies come from? While I have all these questions and would love to have them answered, they are all secondary to the main plot, there was enough action to keep me happy. I would have loved a sequel to this story just because I want to know more about the world in which Poe lived and what happens next for Poe. 

*As a slight spoiler, there is a secondary character in this story called Indie. If you've read the Matched series, you know who she is. *





Call tells me he sees a star and that makes me laugh.

“I do.” His voice is serious, his mouth against my ear.

I tip my head up. He’s right. It hangs low on the horizon. “That makes six,” I say.

“Seven,” he says. “That was a star we saw the first night on the river.”

“It wasn’t.” We’ve been arguing about this for weeks, ever since we left the Outpost behind and boarded the dredge to go upriver.

He laughs softly before he starts kissing me again.

Up on the deck, it’s easier to hear past the sounds made by our hungry metal ship. But it’s still impossible to completely ignore the constant throb and grate of the dredge as it moves along the river in search of gold, taking in rocks and stones, grinding them out. It tears up the rivers and leaves refuse and silt behind, ruins valleys, adds a smear of smoke to the sky.

“All of this, because the Admiral has a taste for gold,” I say.

“I have a taste for you,” Call tells me. I laugh because it’s such a stupid thing to say, even though it’s true, and I feel him smile.

“It makes no sense,” I say. “What good is all this gold?” We all know that the Admiral wants to help the Outpost thrive. He thinks that getting more gold can help us do that, but I’m not entirely sure why. We’ve mined enough to last us for a while, and there’s not really anyone to trade with any­more. We need so many other things. Cleaner air, more water, better medicine, ways to rehabilitate the land. All gold does is gild the time until we die.

“Who cares?” Call says. “If the Admiral didn’t want it, we’d never get to be out here.”

Call says things like this, but I’ve seen the expression on his face as he looks back at the devastation we leave behind. Churned-up riverbed, life choked to death so we can raise the gold.

Even though it shivers me to think of the ruin we’re caus­ing, I may as well count the stars while I can. Already, in two weeks out on the river, I’ve seen more than most people back at the Outpost will in a lifetime.

“It was a good idea to come here,” Call whispers. “Admit it.”

“A good idea,” I say, teasing. “A good idea for us to spend our days in the belly of a noisy old ship loud enough to make us deaf. A good idea to spend our nights up here standing guard and ruining our eyes looking for things in the dark.”

“A very good idea,” he says.

Call had overheard some of the machinists in the scrap yard where we work talking about the dredge voyages. “It’s not an ideal posting,” the machinists told Call. “It’s dangerous and you have to leave the Outpost.” To Call, those sounded like promises instead of drawbacks.

“It’s the only way you’re going to see the world, Poe,” he said to me. “The only way you’re going to shake the dust of the Outpost from your feet.”

And we both knew that signing on to the dredge was a way for us to be together, without settling down and having babies and working all day every day in the same places, doing the same things.

And then there’s the biggest secret, the best dream of all.

We’re going to escape.

At the turnaround point, we’re going to leave. Run. Be free.

I have imagined it all. Blue lakes. Forest smell. The sound of something else alive in the woods, that isn’t human and doesn’t care that we are. We might not last long in the wilder­ness, but who knows. There’s a chance we could survive.

I would rather be torn apart by something than wait for nothing. And it doesn’t do any good to worry about what might happen later.

Instead, I think about now. I like now. A kiss on the top of the dredge under a smeary star sky with Call’s hands touch­ing me.

“Should we invite any of the crew to come with us when we go?” Call asks.

We’ve had this discussion before, too.

“No,” I say. “Just us.”

Call sighs in my ear, metal aches and scrapes against stone, the trammel inside the ship turns the rocks and sifts out the gold, water sluices against rock and metal.

And then the bell from the mining deck.

I swear because I know what it means. They need help with the dredge’s main motor, the one that powers all the sys­tems on the ship.

“Go on,” Call says. “Then you can come back up here.”

It’s sliding past dusk and straight into night.

“Be careful while I’m gone,” I say. “Watch out for the raiders.”

“I do a better job watching when you’re not here,” he says, and even in the dim light I can see the twist of his smile.

“That’s true,” I say. “I won’t come up again.” I’m not jok­ing. Perhaps we’ve been too giddy with freedom, with being outside.

“Poe,” Call says. “It’s all right. We haven’t seen a single raider on this river.”

Maybe they’re dying off. Everyone knew it would happen eventually.

The Outpost is the only place you can last. The only place with dependable medicine and food and the protection of the Admiral and his militia. You give up some of your freedom for it, but most feel it’s an easy trade.

Call touches my hand in the dark as I leave.

• • •

“There,” Naomi says, right as the mining equipment kicks back in, a constant low growl and grind that becomes part of you, like a heartbeat. Powered by solar conduits and battery storage, the main motor runs everything on the dredge through power take-off systems. The mining system is the loudest. It’s cobbled together from the dredge’s original system because we didn’t have the raw materials to replace it. The mining buckets move their belt, the trammel that sorts the gold from the rocks rolls, everything clanks and spins and grinds. Sweat trickles down Naomi’s tanned face. She wipes her hands on a rag and nods to Nik and me. “Thanks.”

“You’re welcome,” Nik says. We have to yell to be heard over the sound of the ship. Often we just read one another’s lips. “Sorry we got you down here, kid,” he says to me. In the lights below deck his face looks ghoulish but friendly.

“Any stars on the top deck?” Naomi asks.

“We saw one already tonight,” I say. “You should come up.”

Nik laughs. “You don’t mean that. You and Call want to have the deck all to yourselves.”

I roll my eyes at him even though he’s right. But Naomi and Nik both follow me up the stairs, the pull of fresh air strong after having been down on the mining deck. As we climb, the smell of night breezes and even, maybe, of pine forests some­where nearby, floats down to us. I breathe in. It’s all worth it.

“Call,” I holler, as I come up on the deck, but he’s not where I left him. I see several shapes moving in the dim lights that rim the base of the deck. Who else is up here? Some of the crew? “Hey,” I say, stepping out onto the deck and then Naomi grabs my arm, hard, stopping me.

The shapes advance, evolve. As they come closer they turn from shadows into people whose faces I don’t recognize.

Raiders.

“We want the gold,” one of them says. “Tell us where it is. Now.”

My mind races. My eyes hunt.

Where is Call?

He didn’t have time to sound the alarm. Did he have time to hide?

“Tell us where it is,” another raider says, “or we’ll kill all of you and take it anyway.”

I look at Naomi and Nik. Their hands are up.

“You can’t kill all of us,” I say. “You need us alive. You don’t know how to run the ship.”

“You two, take us below,” the raider says to Naomi and Nik. “Show us where the gold is or we’ll shoot you.” He ges­tures in my direction. “Keep her up here.”

The raiders train their guns on me. My mind wants me to stay alive. My heart is sick with worry about Call. But he’s fast. He’s good. He’s probably hiding somewhere, waiting for his turn. Waiting for the instant he can pick them all off.

A moment passes.

And then I hear a terrible sound: the ship’s motor shutting down. They’re stopping us.

sidle toward the edge of the deck. Are more raiders wait­ing down there in the water? Did Call escape? Is he standing in the river, silent, hoping I’ll look over the edge? Waiting to catch me if I jump?

If he is, we could still get away. We could leave and not look back.

“Go ahead,” says the raider guarding me. “Take a look.”

I glance over the side. Spots of light on the water—raiders in boats, holding torches. There are at least three dozen of them down there in addition to the ones already on the ship.

How are there so many? They were supposed to be dying out.

Only twenty-three people live on the dredge. We can’t han­dle an armed group this size. And we’re too far up the river to call for reinforcements from the Outpost.

They’ve timed this perfectly.

Where is Call?

I’m frantic to find him.

The raiders herd the other members of the crew up the stairs and out onto the deck. I see Naomi, Nik. The cook, the first mate. The captain. The cartographer. The other machin­ists and the miners. None of our crew is armed. The raiders must have taken our weapons.

Call is not the only one missing. I don’t see the second mate, either.

And then, last up the stairs, two more raiders, each carry­ing someone. Good, I think, we injured some, but then they throw the people down on the deck of the dredge and I see one’s the second mate and the other is turned over, facedown, and neither of them moves.

I do. Across the deck I stumble, crashing to my knees next to the facedown man. I put my hand on a dark place on his back and it comes away bloody. Naomi makes a sound like a cry. They might shoot me in the back too but I have to know. I have to know what I already know.

I turn him over. And there he is, his face lit by the cool glow of the deck lights and the fire of the raiders’ torches. His eyes are open, alone.

Call.

I put my fingers to his lips. His skin already feels cold to me.

“Get up,” says a raider.

I don’t.

Call was shot in the back. He didn’t have a chance to sound the alarm. He was shot in the back and he was alone. What do his eyes say? Nothing. They say nothing. He’s noth­ing. He’s not here anymore.

Am I still here?

Can you be this hollow and not blow away on the wind?

I glance over my shoulder at the other crew members. My friends. Naomi and the captain and all the rest of them, and I think, I wish you were dead instead of him. You and you and you. Everyone else on this ship. All of you. I’d trade all of you for one of him and it wouldn’t pain me one bit.

Someone else steps into my line of vision. A raider. I hear the creak of his boots as he crouches down, but I don’t lift my gaze from Call’s face. His eyes.

“Do you know who we are?” The man’s voice is rough as rock, or gold. Not the polished shiny gold that’s been refined and purified. The heavier, dirt-burnished kind that we drag up from the river bottom.

“Raiders,” I say.

“Drifters,” he says.

I couldn’t care less what they call themselves. I take Call’s rough hand in mine.

My face is wet.

“We’re letting you go,” the man says. He doesn’t raise his voice, but it carries well, and the ship is so silent. “We left food for you on the shore. It’s enough to get you back to the Outpost if you walk fast and don’t eat much.” He leans close, so close I can feel his breath on my cheek and see the glitter of his eyes in the torchlight. “Tell your Admiral that we’re done with you taking from us. Tell him this is the last time we leave anyone alive.”

I reach into Call’s shirt pocket. I look at the buttons, the fabric, instead of at his dead eyes. One of the raider guards grabs my shoulder to haul me back, but not before I’ve taken out the folding ruler that Call always kept with him.

“What’s that?” the raider asks.

I don’t answer. “Help me,” I say to Nik. “Help me bring him with us.” Even though Call’s gone, I won’t leave his body with the raiders.

“Leave it,” says the rough-voiced raider. “Get on out of here.”

Fury, hot-white and loud as a motor, sounds through me. “Naomi,” I say. “Will you help me?”

She doesn’t move. Her face is sad and sorry. She’s afraid. They’re all afraid. I’m not. The worst has already happened.

As they drag me away, I twist around and see that the raiders are dragging Call, too. His head lolls back. He carries none of his own weight.

He’s heavy, and yet he’s not here at all.

Out on the shore, the dredge is an enormous deep shape against the night sky, and then it’s the sun, exploding.

“They’ve blown it up.” The captain’s voice shakes.

Heat washes over us. A few singed shards of metal come down into the water and glint-glance off the rocks we tore up earlier.

The wind shifts, and I see a whole spread of stars beyond the miry, polluted air. They vanish again behind the smoke from the burning ship.

Call is dead.

The raiders made Call nothing. Call who was everything.

I make them a promise, as their smoke and fire blot out the stars.

I will make you nothing too.

TWO YEARS LATER

Chapter 1

“We talk about you.”

“I know,” I say to the Admiral. He tells me this as we sit up in a room in the scrap yard’s wooden office building, waiting for the rest of his advisers to arrive. The Admiral’s Quorum—a group of four, three men and one woman—advise and assist him with running the Outpost. I’ve heard snatches of what the Quorum says behind my back, the stories they tell. Some good, some bad. Some true, some false.

They say I live in the Admiral’s pocket.

That I’m actually afraid of the rivers.

They whisper about how I was a machinist when I first went on the dredge two years ago, and then came home with a weaponist’s mind and thirst for blood.

Two days after Call died, while our crew was making the long trek back to the Outpost, I had my first “revelation.” That’s what the Admiral calls it. He tells the Quorum, “God tells her something in her sleep, and then she draws the de­signs for it when she wakes up.”

My first one was about an armor for the dredge that kills any raiders who try to board. The other revelations have been about how to perfect it.

There are two problems with the Admiral’s revelation the­ory. First, I don’t believe in God, so he can’t talk to me. Second, I don’t think I actually sleep deep enough to dream anymore.

The Admiral and I watch the workers crawling over the dredge in the yard below. The ship came off the river yester­day, and it’s been hauled inland to the scrap yard for repairs.

It’s the hot-orange, simmering-sunset time of day, bear­able only because of the knowledge that there are just a few hours left until the cool of night. The crew must be sweating as they repair the armor on the dredge. I know from working on the scrap yard with Call how it feels to have your clothes wet and dry and wet again over the hours of the day; your hands smudged black with dirt and oil; skin tight across your nose from the sun; eyes scalded and dry from looking closely at shining metal, fitted gears.

That’s as much as I’ll let myself remember.

There’s a flurry of movement in the yard as the workers change positions. The dredge bristles with variations on front-and side-facing gears. Armor. When the ship is moving, its exterior crawls like an animal covered in parasites. The gears are strong enough to snap a bone like a twig, a hunk of iron like a tree branch.

For decades, the two dredges the Outpost owned were nothing but great metal hulks from a long-past time. They sat out at the edge of the city, along with all the other remnants and machinery too large to bother moving. When this Admiral took power, he began to repair things, to try and figure out a way to make the Outpost thrive instead of just survive. He brought some of the old relics to the machinists’ scrap yard for cleaning and repair, including the dredges. The raiders burned one the night Call died. Now there’s a single ship left to run the rivers for gold.

“Ah,” says the Admiral. “Welcome.” The others have arrived. General Dale, Bishop Weaver, General Foster, Sister Haring. They shake hands with the Admiral and nod to me.

My position at these meetings is always strange. I’m not part of the Quorum. I only attend meetings concerning the dredge. And the citizens of the Outpost consider me a pecu­liarity. Not a person. When we pass in the street, they smile and keep their distance. Which makes sense. I’m aligned with the people in power, and it’s best not to disturb them. That’s common knowledge in the Outpost. Everyone’s got their work to keep them busy, everyone’s got to scrape to keep alive. We mind our own business. That’s what’s kept the Outpost viable all these years, on our own, without another major city or settlement within hundreds of miles.

And I also understand why the Quorum hasn’t taken me under their collective wing. I’m not officially a member of their group. I’m much younger than they are. And the Quorum may not have any qualms about the people I kill, but no one wants to be close to a murderer.

There’s something off about her. I’ve heard it whispered. Not just lately. All my life.

“Thank you for meeting us here,” says the Admiral.

“It’s our pleasure,” says Sister Haring. Her neat blond hair is pulled up in a bun. She’s very beautiful. I don’t like her at all. I don’t like any of them, but I like her the least because she smiles at me the most.

“Please,” says the Admiral. “Sit.” The wooden table and chairs in the room are scarred with use. Stray stubs of pencil and bits of paper have been left behind from other meetings. This is how the Admiral likes it. I don’t know where the Quo­rum usually meets, but whenever we gather here to discuss the dredge, the Admiral wants the room left as it is from when the people who actually work on the yard use it. He likes the workaday, part-of-it-all feeling it gives him.

Bishop Weaver takes his seat on the right hand of the Ad­miral. When I’m in meetings with the Admiral, he likes me to sit on his left.

The Devil’s hand, people used to call it.

I wonder who sits on his left when I’m not here.

General Dale’s eyes linger on me in his usual calculating way. Sister Haring smiles politely. I don’t care what they think of or about me. My job is to design the armor for the dredge and keep both working. Not to talk to the Quorum, not to bother about what it is they do.

“I have good news to report from the most recent voyage.” The Admiral leans forward, rests his elbows on the table. He’s tall and broad-shouldered, with a square-cut sandy beard and piercing blue eyes. His skin is always a little pink, like he’s been out in the sun working hard. His lips are chapped, the hair on his strong arms bleached by the sun. Years ago, when the time came to choose a new Admiral, the Outpost couldn’t resist him. He has big ideas, and he looks like a man of the people. As always, he wears a blue work shirt, brown trousers, scuffed black work boots, a silk tie loosely secured around his collar like an afterthought. A casual gesture to his status.

I’m dressed exactly like him, except for the tie. And I wear my hair long, in braids.

I wonder what Call would say if he could see me now. None of this is what he would have wanted. Except he’d want me alive, and this is the way I’ve found to do it.

“The Gilded Lily performed perfectly,” says the Admiral.

I hate the name they’ve given the ship. I don’t think of it as she, or he for that matter. It’s the dredge. It’s a piece of metal.

It’s not alive.

“We took in twice the gold we expected,” the Admiral says. His eyes light up the way they do whenever he talks about gold, and he cannot completely control the emotion in his voice.

It’s the same thing that happens when he needs to address the people, but this is raw. Unintended. Caught in glimpses instead of put on for a sermon.

“Ah,” says Sister Haring, satisfied. Bishop Weaver raises his eyebrows, and General Dale smiles.

General Foster actually presses his palms together in plea­sure. “Wonderful,” he says.

“It was by far our most successful voyage yet.” The Ad­miral waits a beat before speaking again. “Even though no raiders were killed.”

The members of the Quorum each flicker with movement at this. An intake of breath, a folding of arms, a recrossing of legs. I feel eyes shift to me.

“No raiders died,” says the Admiral, “because our ma­chine’s reputation is such that not a single one of them tried to board.”

General Dale folds his arms. “That’s interesting.” Our eyes meet. There is a challenge in his. As if he thinks my armor isn’t enough threat to keep the raiders away.

As if he’s forgotten all the rust-colored stains on the armor when the dredge has returned from other voyages. All the ways my prickling, moving gears have ground the raiders into pulp when they tried to board.

“We saw raiders along the banks, watching and follow­ing,” says the Admiral, “but none dared attempt an attack.”

We saw. That’s what he says. But the truth is that none of us in this room go on the voyages. The Admiral stays behind in his house on the bluff and I sit in my apartment down in the city. He thinks about gold and government and I think about killing and Call.

“It’s time,” the Admiral says. “We’re ready to cull the Ser­pentine.”

“Good,” says Sister Haring, at the same time that Bishop Weaver says, “At last,” his intonation like a prayer.

The Serpentine River. The biggest river in the area; the one with the most potential for gold. We’ve waited because it’s going to be the most difficult to dredge. It’s long and deep, and goes far into raider territory.

A small smile curls my lips, and I bow my head to hide my pleasure at the Admiral’s decision. I hope the raiders find the courage to try and board the ship. So we can cut them down.

“To ensure that everything goes smoothly, Lieutenant Blythe will be on this voyage.”

My head jerks up in surprise. He wants me to go?

That’s not what we agreed, I want to say to him. I de­signed the armor for the ship in exchange for my life and for the lives of the others on the dredge on my first voyage. My only voyage.

We lost the ship, we lost the gold. We knew the Admiral might order our deaths, but my revelation about the armor saved us. It gave me leverage. Something to bargain with.

I look at the Admiral, at his clear eyes and the very straight line of his mouth. I work for him. I live under his protection. And I never, ever underestimate the danger of my situation.

“This is the most important voyage yet,” the Admiral says. “I don’t want anything to go wrong. I want the killing mechanisms to work.”

“They’ll work,” I say.

“And you’ll be there in case they don’t,” he says, a cool finality in his tone.

If the Admiral tells you to do something, you do it.

Or you die.

You would think that after Call died, I wouldn’t care

anymore about dying. But I do. I saw him. I saw his eyes look­ing up and seeing nothing. I saw how gone he was. I knew he was nowhere else in the world or beyond. He was over.

The Quorum watches.

Why does the Admiral want me to go on this voyage, and not any of the others? Has he decided that he’s tiring of me? Is this a trap of some sort?

That might be the case. It might not. Either way, I may as well make the most of the situation. “That’s right,” I say to the advisers. I hold each of their gazes in turn. Sister Haring is not smiling now. And then I meet the Admiral’s eyes. “I’m going on the ship as Captain.”

I have to give the Admiral credit. He doesn’t even blink. All I see is a slight tightening of his lips that shows I’ve sur­prised him.

And that he’s angry.