Format: Hardcover, 336 pages
Release Date: March 3, 2020
Publisher: Putnam/G. P. Putnam's Sons
Source: Library
Genre: YA / Fantasy / Historical
Two siblings. Two brilliant talents. But only one Mozart.
Born with a gift for music, Nannerl Mozart has just one wish—to be remembered forever. But even as she delights audiences with her masterful playing, she has little hope she’ll ever become the acclaimed composer she longs to be. She is a young woman in 18th century Europe, and that means composing is forbidden to her. She will perform only until she reaches a marriageable age—her tyrannical father has made that much clear.
And as Nannerl’s hope grows dimmer with each passing year, the talents of her beloved younger brother, Wolfgang, only seem to shine brighter. His brilliance begins to eclipse her own, until one day a mysterious stranger from a magical land appears with an irresistible offer. He has the power to make her wish come true—but his help may cost her everything.
In her first work of historical fiction, #1 New York Times bestselling author Marie Lu spins a lush, lyrically-told story of music, magic, and the unbreakable bond between a brother and sister.
Marie Lu's The Kingdom of Back mixes historical fiction with fantasy in telling the tale of Wolfgang Amadeus Mozart's older sister Maria Anna Walburga Ignatia Mozart who lived from (30 July 1751 – 29 October 1829). Maria Anna was also called "Marianne" and nicknamed Nannerl which the author uses to tell this story. The story takes place between the years 1759 and 1792. When she was seven years old, her father Leopold Mozart started teaching her to play the harpsichord. Leopold took her and Wolfgang on tours of many cities,
such as Vienna and Paris, to showcase their talents.
In the early days,
she sometimes received top billing, and she was noted as an excellent
harpsichord player and fortepianist. The author creates a world known as the Kingdom of Back where everything is backwards. She even creates a character named Hyacinth who is supposed to be a prince of this land. It is a Kingdom created, in part, by Nannerl and Wolfgang who try to keep their heads about them as they travel all over Europe. In the beginning, Nannerl is told that only the worthy are made immortal. Nannerl strikes a deal with Hyacinth who promises her
notoriety if she helps him in the fantastical world of the Kingdom of
Back.
However, the mysterious Hyacinth and the Kingdom of Back begin to
encroach on the young Mozart's lives in unexpected and increasingly
sinister ways, and Nannerl must choose between her love for music and
her love for her brother. The story is tragic in the sense that Nannerl's only wish is to be
remembered by the world, and as you read, you recognize that not only is
she not remembered for her work, but not many many people know she even
existed. While her brother's reputation will one day grow larger than life itself, Nannerl will face her own challenges including having to put her music aside and get married.
There is ample evidence that Marianne wrote musical compositions, as there are
letters from Wolfgang praising her work. In the story itself, her own father steals her compositions and sells them under Wolfgang's name since women are not supposed to be composers of music. While women have come a long way and they are no longer thought of as second class citizens, I can't think of a single person that would want to go back to this era to experience what Nannerl experiences day in and day out.
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SALZBURG, AUSTRIA
1759
MOZART BY THE OCEAN
Sometimes, a day comes along that seems possessed by a certain shade of magic. You know those moments. There is a peculiar pattern to the silhouettes of leaves quivering against the sunbeam on the floor. The dust in the air glows white, charmed. Your voice is a note suspended in the breeze. The sounds outside your window seem very far away, songs of another world, and you imagine that this is the moment just before something unusual happens. Perhaps it is happening right now.
My day of magic arrived on a bright autumn morning, when the poplar trees swayed against a golden city. I had recently turned eight years old. My brother, Wolfgang, was not yet four.
I was still playing through my exercises when Papa came through the door with Herr Schachtner at his side, the two of them discussing some matter or other about the archbishop, their hair blown wispy from the bustle of the Getreidegasse, the city’s main thoroughfare, on which our home stood.
I paused in the middle of my arpeggios and folded my hands in my lap. Even now, I can remember the uneven stitching of my blue petticoat, my white hands against black clavier keys, the skeleton leaves clinging to Herr Schachtner’s shoulders. His voice had been steeped in something rich and baritone. The scent of the street— wind and smoke and baked bread—lingered like a perfume on his coat.
My lips were rosy and dry. My hair stayed neatly curled behind my neck in loose dark waves, held back with pins. I was still too young to fuss over my appearance, so my mother had left me in a simple state.
“Herr Schachtner!” My mother’s voice sweetened with surprise at the sound of men in the room. She said this as if we were not expecting him at all, the esteemed court trumpeter of Salzburg, as if we had not planned everything in advance for his visit. “Such talk of the archbishop and the orchestra, it’s no wonder you and my husband are always tired. Sebastian,” she added, nodding at our manservant. “The Herr’s coat and hat.”
Sebastian hung up the court trumpeter’s belongings. They were finely made, velvet encrusted with gold lining, his hat made of beaver pelt and trimmed with lace. Beside them, my father’s coat appeared worn, the threads thin at the elbows. My eyes wandered to the hem of my mother’s dress—it was fraying, the color dull. We were the look of a family forever on the edge of respectable.
My father was too busy with our guest to pay me any mind, but Mama noticed the stiffness in my posture and the paleness of my cheeks. She gave me an encouraging glance as she passed me.
Steady, little one, she had said to me earlier in the morning. You have practiced hard for this. Do not be nervous.
I kept her words in mind and tried to loosen my shoulders. But Papa had timed their arrival a bit too early this morning. I had only played my scales so far. My fingers had not yet shaken the cold from their tips, and when I pressed down on the keys, they still felt as if they were somewhere far away.
My brother stayed mercifully out of sight today, hiding somewhere in our parents’ bedroom, no doubt up to some mischief. I hoped he would remain quiet until Herr Schachtner left, or at least until I finished playing.
The Herr gave Mama a warm smile that crinkled the edges of his mouth and molded his face into a pleasant sight. “Ah, Frau Mozart,” he replied, winking at her as he kissed her hand. “I always tell Leopold how lucky he is to have found the rare woman with a good ear.”
My mother blushed and thanked him for his kind words. Her skirts glided against the floor as she curtsied. “I can only claim my gifted ear from my father,” she told him. “He was a talented musician, you know.”
As she moved, I memorized the polite tilt of her head and the way she tucked a stray hair behind her ear. Somewhere in those movements must have been her true reaction to his statement, but her face remained as it always was, serene and secretive, sweet and mild. It was clear she pleased the Herr, because his grin broadened.
“Yes, God has blessed me in many ways,” my father said. His smile was coiled as tightly as my nerves. His eyes flashed in my direction, hard and glittering. “Nannerl inherits her good ear from her mother, as you’ll soon see.”
It was my unspoken cue. At my father’s words, I rose obediently from my bench to greet our guest. Papa disliked it when I curtsied without stepping away from the clavier or let my gaze wander anywhere that was not the floor. He said it made visitors think me a distracted and careless young lady.
I could not give Herr Schachtner any reason to find me rude.
Serene and sweet. I thought of Mama and tried to imitate the way she had lowered her head just so, the demure way she’d swept her skirts across the floor. Still, my curiosity stirred, and my eyes darted immediately to the court trumpeter’s hands, searching for proof of musical talent in the way his fingers moved.
Mama called for Sebastian to bring some coffee and tea, but Papa waved her off. “Later,” he said. It was best, perhaps, if the Herr did not see our porcelain set. I pictured the old saucers with their small chips, the teapot’s fading paint. Mama had begged him for a new one for proper company, but it had been ages since we had a reason to entertain such guests. Until today.
1759
MOZART BY THE OCEAN
Sometimes, a day comes along that seems possessed by a certain shade of magic. You know those moments. There is a peculiar pattern to the silhouettes of leaves quivering against the sunbeam on the floor. The dust in the air glows white, charmed. Your voice is a note suspended in the breeze. The sounds outside your window seem very far away, songs of another world, and you imagine that this is the moment just before something unusual happens. Perhaps it is happening right now.
My day of magic arrived on a bright autumn morning, when the poplar trees swayed against a golden city. I had recently turned eight years old. My brother, Wolfgang, was not yet four.
I was still playing through my exercises when Papa came through the door with Herr Schachtner at his side, the two of them discussing some matter or other about the archbishop, their hair blown wispy from the bustle of the Getreidegasse, the city’s main thoroughfare, on which our home stood.
I paused in the middle of my arpeggios and folded my hands in my lap. Even now, I can remember the uneven stitching of my blue petticoat, my white hands against black clavier keys, the skeleton leaves clinging to Herr Schachtner’s shoulders. His voice had been steeped in something rich and baritone. The scent of the street— wind and smoke and baked bread—lingered like a perfume on his coat.
My lips were rosy and dry. My hair stayed neatly curled behind my neck in loose dark waves, held back with pins. I was still too young to fuss over my appearance, so my mother had left me in a simple state.
“Herr Schachtner!” My mother’s voice sweetened with surprise at the sound of men in the room. She said this as if we were not expecting him at all, the esteemed court trumpeter of Salzburg, as if we had not planned everything in advance for his visit. “Such talk of the archbishop and the orchestra, it’s no wonder you and my husband are always tired. Sebastian,” she added, nodding at our manservant. “The Herr’s coat and hat.”
Sebastian hung up the court trumpeter’s belongings. They were finely made, velvet encrusted with gold lining, his hat made of beaver pelt and trimmed with lace. Beside them, my father’s coat appeared worn, the threads thin at the elbows. My eyes wandered to the hem of my mother’s dress—it was fraying, the color dull. We were the look of a family forever on the edge of respectable.
My father was too busy with our guest to pay me any mind, but Mama noticed the stiffness in my posture and the paleness of my cheeks. She gave me an encouraging glance as she passed me.
Steady, little one, she had said to me earlier in the morning. You have practiced hard for this. Do not be nervous.
I kept her words in mind and tried to loosen my shoulders. But Papa had timed their arrival a bit too early this morning. I had only played my scales so far. My fingers had not yet shaken the cold from their tips, and when I pressed down on the keys, they still felt as if they were somewhere far away.
My brother stayed mercifully out of sight today, hiding somewhere in our parents’ bedroom, no doubt up to some mischief. I hoped he would remain quiet until Herr Schachtner left, or at least until I finished playing.
The Herr gave Mama a warm smile that crinkled the edges of his mouth and molded his face into a pleasant sight. “Ah, Frau Mozart,” he replied, winking at her as he kissed her hand. “I always tell Leopold how lucky he is to have found the rare woman with a good ear.”
My mother blushed and thanked him for his kind words. Her skirts glided against the floor as she curtsied. “I can only claim my gifted ear from my father,” she told him. “He was a talented musician, you know.”
As she moved, I memorized the polite tilt of her head and the way she tucked a stray hair behind her ear. Somewhere in those movements must have been her true reaction to his statement, but her face remained as it always was, serene and secretive, sweet and mild. It was clear she pleased the Herr, because his grin broadened.
“Yes, God has blessed me in many ways,” my father said. His smile was coiled as tightly as my nerves. His eyes flashed in my direction, hard and glittering. “Nannerl inherits her good ear from her mother, as you’ll soon see.”
It was my unspoken cue. At my father’s words, I rose obediently from my bench to greet our guest. Papa disliked it when I curtsied without stepping away from the clavier or let my gaze wander anywhere that was not the floor. He said it made visitors think me a distracted and careless young lady.
I could not give Herr Schachtner any reason to find me rude.
Serene and sweet. I thought of Mama and tried to imitate the way she had lowered her head just so, the demure way she’d swept her skirts across the floor. Still, my curiosity stirred, and my eyes darted immediately to the court trumpeter’s hands, searching for proof of musical talent in the way his fingers moved.
Mama called for Sebastian to bring some coffee and tea, but Papa waved her off. “Later,” he said. It was best, perhaps, if the Herr did not see our porcelain set. I pictured the old saucers with their small chips, the teapot’s fading paint. Mama had begged him for a new one for proper company, but it had been ages since we had a reason to entertain such guests. Until today.
sounds interesting, though not something i would normally read.
ReplyDeletesherry @ fundinmental