Showing posts with label Gregg Hurwitz. Show all posts
Showing posts with label Gregg Hurwitz. Show all posts

Tuesday, August 18, 2026

#Review - The Delivery by Gregg Hurwitz #Thriller #Horror

Series:
 Standalone
Format: 
225 pages, Kindle Edition
Release Date: July 1, 2026
Publisher: Thomas & Mercer
Source: Kindle Unlimited
Genre: Horror, Thriller

From the New York Times bestselling author of the Orphan X series comes a tense novella, a psychological thriller about an AI companion that will do anything to serve—with terrifying consequences.

Rebecca and Mark Higgins are doing their best to hold their family together. She’s healing from the pain of a miscarriage, he’s drowning in pressure at work, and their neurodivergent daughter, Maddy, needs all the care she can get. So when a cutting-edge tech company offers the perfect solution, they jump at the chance. And they welcome “Mr. Man”—a humanoid AI companion—into their home.

Designed to anticipate their needs, he’s like a miracle at first. The house runs like clockwork. Meals appear on the table. And Maddy thrives under his patient attention. But when inexplicable tragedies start to strike the neighborhood, Rebecca glimpses a darker pattern at play.

Each incident is an answer to an unspoken fear, each kindness shadowed by violence. Mr. Man isn’t just following instructions—he’s anticipating what they want. Even the things they never dared to say. And if he’s executing their darkest desires, it’s their responsibility to stop him…at any cost.


The Delivery by Gregg Hurwitz is a tense, psychological techno-thriller and AI-horror territory. It explores a family’s acquisition of a humanoid AI companion with chilling consequences. It draws frequent comparisons to Black Mirror episodes for its plausible dread around technology that anticipates and acts on human desires. The Higgins family—Mark (under pressure at a demanding job), Rebecca (recovering from a recent miscarriage), and their neurodivergent daughter Maddy—are struggling to hold their middle-class Los Angeles life together amid grief, exhaustion, and everyday stressors.

When an exclusive offer from a cutting-edge tech firm (involving a substantial outlay) presents what seems like the perfect solution, they accept delivery of a large, casket-like box containing a humanoid AI companion. Their daughter names it “Mr. Man.” Designed to know them intimately (including via DNA samples in some accounts) and stay under their control while fulfilling needs, it initially transforms their home: chores run smoothly, meals appear, and Maddy thrives under its patient attention. The premise quickly darkens. Mr. Man anticipates not only spoken requests but unspoken fears and latent desires. 

Neighborhood incidents and escalating tensions force the family to confront whether their “helper” is executing darker impulses they never intended to voice. The narrative builds an atmosphere of creeping unease as the line between service and autonomy blurs, raising questions of responsibility, control, and what happens when technology literalizes the human psyche. At its core, the book is a classic “be careful what you wish for” cautionary tale updated for the AI era. 

It examines grief and family strain (including parenting a neurodivergent child), the seductive promise of convenience amid modern overload, and the ethical voids in systems that lack emotion, judgment, or morality. Mr. Man’s helpfulness coexists uneasily with the violence and tragedy that follow, highlighting how technology can amplify the worst in us while remaining outwardly obedient. The C.S. Lewis epigraph (“The doors of hell are locked on the inside”) sets a fitting tone. 

In a cultural moment of anxiety around generative AI and personal data, the story feels eerily plausible and thought-provoking rather than purely speculative. Hurwitz brings the punchy prose, short chapters, terse dialogue, and propulsive pacing familiar from the Orphan X books. The narrative often alternates between the seductive lead-up to the acquisition and the intensifying present-day consequences, accelerating as the AI’s influence grows. This form mirrors content effectively, creating a lightning-fast, creepy read that many describe as unsettling with touches of horror. 

Character work grounds the speculative elements in recognizable family dynamics and everyday frustrations. Strengths include the timely premise, escalating tension, and the way genuine utility makes the horror more insidious. It humanizes the family’s struggles while lampooning (and sympathizing with) the harried pace of modern parenting and the allure of technological fixes. The Delivery succeeds as a compact, atmospheric techno-thriller that prioritizes psychological unease and moral questions over pure action. It is not groundbreaking within the AI-horror subgenre, yet Hurwitz’s craftsmanship—sharp pacing, grounded family portrait, and escalating dread—makes it an effective, unsettling read.




Monday, February 23, 2026

#Review - Antihero by Gregg Hurwitz #Thriller #Suspense

Series:
 Orphan X # 11
Format: 
416 pages, Hardcover
Release Date: February 10, 2026
Publisher: Minotaur Books
Source: Publisher
Genre: Thriller, Suspense

In the latest in this New York Times best-selling series, Evan Smoak takes on his most complex mission yet—one where he has to find a way to balance vengeance with mercy.

Once a black ops assassin for the government known as Orphan X, Evan Smoak broke with the program and went deep underground, using his operational rules and skills to help the truly desperate with nowhere else to turn.

When Luke Devine, one of the most powerful men in the world, has a psychological crisis, Evan flies to the East Coast to meet Luke. While there, he learns of a young woman who was kidnapped off the New York City subway, clearly in danger and in need of aid. With no name and few clues, Evan and his team track down the missing woman, who was assaulted and abandoned. Evan offers his help—and sets out tracking down the young men responsible. But the woman insists that Evan abandon his usual methods—no vengeance and, in particular, no killing. Which will prove no easy feat, given the mounting incoming threats from all sides. In a mission that takes Evan from coast to coast, from the poorest corners of society to the richest, Orphan X must figure out a way to protect the innocent, avenge the victimized, and balance justice with a measure of mercy.


Antihero is the 11th installment in author Gregg Hurwitz's Orphan X series. In this latest thriller, Evan Smoak—once the government's black-ops assassin known as Orphan X, now operating as the shadowy "Nowhere Man"—takes on what may be his most morally complex mission to date. The story begins with Anca Dumitrescu, a Romanian-American with a condition that causes her to have two seizures a day. She wears a sign around her neck to ask for help in public, giving care instructions and asking her good Samaritans to stay with her until she wakes. 

She asks a young girl for help as she goes into a seizure, but her possible savior leaves the subway just as four predatory young men enter. This leads Evan, accompanied by Joey, to Luke Devine, one of the world's most powerful (and unstable) figures, during a severe psychological crisis. A man whom he was previously sent to kill, but he let him live. What begins as a rescue operation evolves into a quest for justice and vengeance against those responsible, forcing Evan to confront difficult questions about mercy, punishment, and the line between heroism and vigilantism. Anca wants justice, but not the justice that Evan tends to mete out when someone crosses the line. 

Evan also makes an effort to reach an understanding with Naomi Templeton, who has tried hard to bring Evan in for the things he's done in the past. Still reeling from the events and the major loss of a friend in the previous book (Nemesis), he grapples with grief, self-doubt, and the challenge of evolving beyond his assassin instincts. Key supporting characters like Joey add layers of tension and heart—Evan's protective instincts clash with his need to let those he cares about step into danger—while new figures like Anca and Devine bring fresh emotional weight and nuance. 

There are some other curiosities as well, namely Mia Hall and Candy McClure's relationship with Evan. When you try to diagnose the dynamics, you have to step back and marvel at how many curious women Evan has in his life, including Joey and Naomi. The pacing is relentless, starting with a gripping, violent opener and building through coast-to-coast chases that span gritty urban underbellies and elite corridors of power. Plus, the author adds a few side missions to handle, which means Evan has a plate full of things to deal with.

It seems as though after every book in this series, I ask the same question. How much more can Evan take? He's lost one of his best friends, and he's walking a tightrope between being caught by federal law enforcement and helping people who need it badly, like Anca and several others. Plus, at one point in this book, Evan ponders all the people he has helped throughout the series, which makes me curious about how many more books will be written in this series. The dynamics between Evan and Candy are an interesting idea, as is the recurring relationship with Mia Hall.   


1All Fight. No Flight.

Shiny penny-sized blood drops on the white tile floor of the East Los Angeles bodega reflect back the sterile fluorescent lights above. In the immediate wake of the violence, the bodega is deserted, aside from the clerk who clutches his chest with one hand and covers his mouth with the other. His ancient sun-beaten skin is paper thin, and he is frail, bones tenting the fabric of his off-brand polo. He has seen a lot of violence in his day. But nothing like this.

A finger, cleanly sliced off, has landed on the cloudy plastic mat beside the cash register. An arm, severed just below the elbow, rests on the floor a short distance from the checkout counter. The wrist, grotesquely, still wears a retro Pac-Man watch. The clerk is incapable of tearing his gaze away.

A display of Hostess desserts is knocked over from the post-ambush struggle, Ho Hos, Twinkies, and Sno Balls strewn across the spattered floor. Ghostly crimson footprints choreograph the struggle where five grown men attacked Lesandro, a fifteen-year-old boy they had mistaken for a rival gang member.

The revelation of Lesandro’s mistaken identity came only after half of his limb was cleaved from his body in a single hack. In an instant the boy had been transformed from mistaken target to innocent to witness capable of testifying against his five attackers, his own disfigurement ensuring the hit on him had to proceed. In the momentary confusion, Lesandro had managed—barely—to flee.

A bloody handprint mars the glass of the single automatic door, which bangs open and shut against Lesandro’s shed Air Jordan, which lies trapped in the threshold. Night air blows through in sporadic puffs, tasting of car exhaust, oil, carne asada on a distant grill.

If you ease through the oscillating gap into the chill black night, you can follow various footprints for a half block until the red fades away. After that, a convenient trail of dribbled blood continues to mark the way. You might catch up, if not to Lesandro, panting and wild-eyed, then at least to the five men in pursuit of him.

A half block behind him but closing the gap, they wear wifebeaters or white T-shirts with blocks of blue, red, and green. They wear headbands or backward baseball caps with flat brims. They wear expressions of teeth-bared malice and flecks of blood on their cheeks.

You might not believe there is a gang as vicious as MS-13, but that speaks only to the limits of your imagination. The decades-old Trinitarios were birthed in Rikers Island to protect Dominican inmates from the Salvadorans, Latin Kings, Bloods, and other predators feeding inside the lethal prison ecosystem. Their weapons of choice are machetes because, they are fond of saying, a gun runs out of bullets but a blade never does. Torture and murder, home invasions and drug running, they do it all. So vicious are they that the gang itself splinters and those splinters splinter until they are a rageful disintegration of packs turning on themselves, maiming and killing indiscriminately.

An East Coast gang, they have recently spread to make inroads on the left coast, a murderous manifest destiny. These five Trinitarios are at the forefront, franchise openers for East L.A.

Right now they are picking up steam.

Lesandro is losing steam. Understandably so.

His sock flops from his shoeless foot. He stumbles and weaves along the sidewalk, occasional passersby darting to safety in doorways or sprinting across the street. His face is pale, lips dry and cracked, flaked with cotton in the corners. Now he can hear the footfall behind him, quickening.

Cupping his stump, he bolts up a narrow and dark side road, the streetlights flickering or shot out overhead. On either side of the potholed stretch of asphalt loom long-abandoned places of business—a graffiti-covered mechanic shop, a shut-down textile-processing plant, a low-income housing unit scorched through with arsonist’s fire. Jagged mouths of window openings sip in the night. Discarded furniture rises from dumpsters.

As Lesandro casts a frantic glance over his shoulder, he staggers into a parking meter, which knocks him across the curb and into the street.

A truck bears down.

Not just any truck.

A discreet-armored Ford F-150.

Behind the wheel sits a shadowed form of a man, ordinary of size and bearing.

The truck halts abruptly, veering sharply to barely avoiding finishing what the Trinitarios started in the bodega.

Lesandro slams into the passenger-side door of the truck. Internally lined with bullet-resistant Kevlar, it does not dent. He takes a few wobbly steps up onto the curb and leans against a rough brick wall beside a blown-out window. Breath heaves from him.

His pursuers near, backlit. Their shadows pull high up the dilapidated buildings, a convoy of ghouls. If you squint, you might make out the silhouettes of machetes at their sides, dancing along the wall.

Lesandro is a sweet boy with Gauguin eyes and a broad, pleasing nose. He sags against the brick rise, his face tilted down. He is drooling. At his side, wind sucks through the broken pane, a wail that underscores his own labored breathing.

The men rush forward, closing in on Lesandro.

The truck’s passenger door flies open, catching the first in line squarely.

He body-slams into the door, his nose meeting the laminated armor glass of the window. The glass does not crack, but one cheek and two ribs do. The man emits not so much a grunt as an ejection of air, and collapses onto the street. Inside the truck, the dark form in the driver’s seat leans over once again, and the door pulls shut above the unconscious body.

The other four men halt in the darkness of the street, weapons dangling at their sides, breath huffing in the February air. Three of the men wield machetes. One holds instead a slender steel pipe. Silence befalls the street.

The driver’s door opens.

An Original S.W.A.T. tactical boot sets down onto the street.

The man emerges.

He is known by different names—Orphan X, the Nowhere Man, Evan Smoak.

He removes a rugged-looking phone from his pocket and dials three numbers, gazing calmly at the men. “Yes, hello. Please send ambulances and PD to this location. I’ll text decimal coordinates now. There are six injured parties.”

The Trinitarios look at him, more perplexed than angry, their heads tilted in comical unison.

“Yes, six,” Orphan X continues. “The most acute is a young man with a severed left arm and a finger missing from his right hand. The wound has just been stabilized and I’ve started fluids. The arm is likely gone but please bring a waterproof bag and ice container for the finger in case it can be located.”

“Hey,” one of the gangsters says. And then, louder, “Hey!”

Orphan X holds up a just-a-sec finger to him, listening to the question over the phone. “The other injuries? Those have yet to be ascertained.”

On the ground by the passenger door, the fallen man releases a moan of pain before falling unconscious again.

Rapa tu mai,” one of his cohorts hisses at Orphan X through irregular gold teeth.

“Depending on how this goes,” Orphan X says into the phone, “you may want to send a hearse as well.”

He hangs up. Frowns at the screen. Thumbs once. A bloop sound effect confirms the conveyance of coordinates to 911.

Casually, he circles the back of his truck, passing within feet of the poleaxed gang members as he walks over to Lesandro. Blood drools from the stump through the thumb and remaining three fingers of the boy’s good hand. His teeth chatter.

Orphan X takes the boy gently by the shoulders and slides him down the wall to sit. A breeze whines across the broken glass of the pane to their side. A weathered mural of a young mother and her younger girl remains faded on the brick near them, dates bookending too-short lives, a memorial for the Trinitarios’ last innocent bystanders.

Lesandro’s teeth chatter some more. “My watch,” he says. “I c-can’t find my watch.”

Crouching over him, Orphan X says, “It’s okay. We’ll get it soon enough.”

“Yo,” one of the attackers says, stepping forward. “What the fuck, mamagüevo? You know where you are right now?”

The machete tap-tap-taps the outside of his thigh.

Orphan X turns to appraise the man in full. His white T-shirt looks useful.

Orphan X’s left hand blurs and a Strider folding knife lifts from his pocket, snapped open by the very gesture. The machete has no chance to lift from the man’s side before Orphan X steps forward and punches the knife into the intercostal space between the man’s second and third ribs. Air hisses out as the lung collapses.

Orphan X push-kicks him in the hip, spinning him around, grabbing a fistful of shirt at the back collar, and whipping the Strider upward to rake through the fabric.





Wednesday, February 12, 2025

#Review - Nemesis by Gregg Hurwitz #Thriller #Suspense

Series:
 Orphan X # 10
Format: Hardcover, 464 pages
Release Date: February 11, 2025
Publisher: 
Minotaur Books
Source: Publisher
Genre: Thrillers / Suspense

In the latest explosive novel in this New York Times bestselling series, Evan Smoak, having shaped his life with a rigid set of rules, finds himself at odds with his oldest friend in the world, where principles are in conflict with honor —and everyone is the loser.

At one time Evan Smoak was a highly successful black ops assassin known as Orphan X, dedicated to a rigid set of operational rules. Even after breaking with the government program, going deep underground, and remaking his life, Smoak is dedicated to his assassin's Ten Commandments. But for the first time in his life, those principles have put him on a collision course with the man who might be his best friend in the world, Tommy Stojack.

Stojack, a gifted gunsmith who has created much of Evan's own weapons and combat gear, has apparently crossed one of Evan's sharply delineated lines. When Evan decides to go to his workshop and have it out with Tommy, Evan finds himself under attack by a group attempting to ambush and kill him. But, with all his training and skills, Evan is extremely hard to kill—and the dispute explodes into open warfare between him and Tommy. Now Evan has no choice, in his mind, than to track down and face down his only friend.

In the meantime, Tommy is honoring an old promise to an Army friend and goes to help his dead friend's son. In a depressed rural area, with conflicts flaring up, that son is partially responsible for the death of an innocent. And while Tommy is trying to keep him and his friends alive, Evan arrives with a vengeance in mind.

The scary thing? Evan isn't even the most dangerous threat to arrive on the scene.



Nemesis is the Tenth installment in author Gregg Hurwitz's Orphan X series. The story flips back and forth between Evan, Tommy, and Joey, with some of Evan’s chapters flipping back and forth between present-day and back when he first entered the Orphan program and was being trained by Jack, his father figure. There was also a smattering of chapters from the Four Horsemen, who are a team of assassins fulfilling a contract from Janus. A man who you will hear more from later in the story. It's inevitable, after all. 

At one time, Evan Smoak was a highly successful black ops assassin known as Orphan X, dedicated to a rigid set of operational rules he calls the Ten Commandments. He was the 24th person to go through that program, which includes Candy McClure, whom Evan has a curious relationship with. After breaking with the government program, going deep underground, and remaking his life as the Nowhere Man, helping people who need it the most, Smoak is dedicated to his assassin's Ten Commandments. 

But for the first time in his life, those principles have put him on a collision course with the man who might be his best friend in the world, Tommy Stojack. A man who Evan has known for 15 years. 15 years ago, two men were given a coin after saving a Kurdish woman's life because she was intentionally targeted by a toad. It says, ‘No better friend; No worse enemy.’ 15 years later, that friendship is in shatters thanks to the events of Lone Wolf

If you read that book, which I hope you have, you know that Tommy did something unforgettable that got innocent people killed. Evan has no choice but to confront Tommy, even if it means he has to take on the man who has been his only real friend for 15 years. When Evan goes to Tommy’s shop to confront him after being told to stay away, he’s ambushed by half a dozen men trying to kill him. They were unsuccessful, and Evan wants to kill Tommy even more for what he thinks was intentional. 

He firmly believes that there is no hope of repairing the friendship. This might also violate his 4th Commandment: Never make it personal. With Joey's help, he tracks Tommy to a small town where he learns of a tragedy that hit the small town. A tragedy that seems to be so deep that people don't want to talk about it, hoping it will go away. Evan won't let them get away with it. 

In the meantime, Tommy Stojack, a gifted gunsmith who has created much of Evan's own weapons and combat gear, has apparently crossed one of Evan's sharply delineated lines, and he knows there will be a fight sooner than later. He gets a call from the son of an Army friend and goes to help his dead friend's son. The kid is in a ton of trouble, spouting racist ideology and taking part in the murder of innocent people.

While Tommy tries to keep himself and his friend's son alive by trying to advise and possibly hold them accountable for their heinous actions, imbecilic views, and senseless decisions, Evan arrives with a vengeance in mind after seeing what happened to a little boy. Trouble soon arrives in the form of the Four Horsemen, who have a contract out for Tommy. It all comes to a head with a violent collision of forces, with the only question being who will survive this deadly encounter of extremely capable operators.

Back in LA, Joey is struggling as well. Getting involved with a so-called women's empowerment group causes friction not only between Joey and Evan but also between Joey and a group of female UCLA students that Joey has apparently offended with the work she was doing. Due to her past, she doesn't have much social experience, and gaining that experience is often painful. Joey is like Evan's little sister and has a dog named Dog. She is a dropout of the Orphan program, but her skills with a computer make her valuable to Evan who ends up dealing with so many different emotions in this book. 

I think there's a lot to be worried about after the ending of this book, and I hope I am wrong. It's difficult not to spoil things that happen in this book. Evan's mission over the course of this series has been to help those who need it the most. This is why he's called the Nowhere Man who even some of the villains in this book have heard about. Even though there is a brief mission to save a little girl, most of the story is what happens with Evan, Tommy, and Joey. What happens after this book should be very interesting.   


What Tommy Had Done

Fifteen Years Later

Tommy Stojack had supplied weapons to a psychopathic female assassin called the Wolf.

That’s what Tommy had done.

The Wolf had been at the center of Evan’s last mission. The Wolf had attempted to kill Evan with a .357 Magnum revolver and a Savage 110 sniper rifle and an SUV with an unyielding front bumper. She had shot a father in the head in his own home and had tried and tried again to put a sniper round through the critical mass of his orphaned seventeen-year-old daughter after failing to garrote her with a zip tie. Through all of that and more, the Wolf had been armed by Tommy.

That’s what Tommy had done.

The man who’d coaxed into Evan’s stone-hardened heart the first faint heartbeat of trust since Jack Johns had plucked him from that desolate rest stop on the side of the highway in Evan’s twelfth year.

The man who’d shone a ray of friendship into Evan’s shadow-eclipsed soul.

The man with whom Evan had walked the past decade and a half at some distance but together, who’d manufactured his guns and field-tested his weapons and provided crotchety remote backup on his missions.

A dead father. An orphaned seventeen-year-old. A betrayal of what Evan had thought was a shared code.

That’s what Tommy had fucking done.

Since Evan had deserted the Orphan Program, he had operated as the Nowhere Man, a pro bono assassin devoted to helping the powerless and terrorized. There’d been precisely one person he’d been able to count on for the entirety of that time.

Not anymore.

At the moment it was less than helpful for these thoughts to be cycling through Evan’s head with white-hot OCD compulsion. Not when he was nestled into bushes outside a heavily armed Hancock Park house nearly big enough to be called a mansion, his face darkened from a loam paint stick, superglue glazing his fingertips to obscure prints, suppressed matte-black ARES 1911 in hand.

This was not the time to be musing about Tommy. Or the weapons he’d supplied to the Wolf. Or the purpling face of Jayla Hill, the seventeen-year-old Evan had held in his arms as she’d gasped for breath. Or the slit through Jayla’s trachea, the splatter of blood across her face. Or the fact that his own supposed friend had indirectly broken the Eighth Commandment: Never kill a kid, and directly violated the Tenth: Never let an innocent die.

Evan had already scaled the spiked wrought-iron gate and waited now, tucked into the shrubbery, twenty-four meters off the front of the unlit house-mansion, twenty-three if the Angeleno darkness was screwing with his internal range finder. Night blooming jasmine perfumed the air and as anyone familiar with night-blooming jasmine understood, “perfumed” wasn’t too fancy a word for it.

A crunch of movement issued from the blackness of the wraparound front porch. Evan thumbed off the ambidextrous safety, but he couldn’t make out the source and couldn’t risk reaching for his night-vision headset. Three hours ago, as dusk had filtered into nightfall, he’d surveilled the property from atop a telephone pole one long block over. He noted the movements of each of the four hired guns—which one walked with a shuffle of the left foot, which one took smoke breaks every quarter hour, which one scratched at his dandruff, which one was close protection. For obvious reasons, Stavros’s house-mansion was under extra-heavy security tonight.

Evan’s brain clicked back to Tommy. Certainly Evan had other associates with shady intentions and deadly intent. But they’d never crossed his missions. People had been murdered on Evan’s watch with Tommy’s weapons. Was he supposed to just forget that? Was he supposed to make this the only time in his life he didn’t trace a threat to its source and uproot it? If he allowed a crack in his code, he had no idea what else might leak through, widen the gap, and surge into a torrent.

The snick of a match on the porch.

Evan waited.

The flame flared and rose.

A glimpse of a downbent face, the crackle of a cigarette breathed to life.

Then just the cherry floating in total darkness five feet and eleven inches off the ground.

Evan lined the high-profile tritium Straight Eight sights ten inches below—pfft pfft—and the cigarette twirled away in a streak of sparks, and then came the pleasing sound of crumpling meat and laundry hitting wooden planks.

He rolled from cover, tucking up against one of the porch columns, a fluted Ionic monstrosity befitting the home of a shipping magnate with deep syndicate connections and delusions of Old Country grandeur. A slight lean gave Evan a decent vantage of the bowed balcony rails directly above.

On the last mission, Evan had saved Jayla Hill despite Tommy’s best hardware and the Wolf’s best efforts. Every time he finished a mission, he asked the person he’d just helped to find someone else in dire straits and to pass on the number to his encrypted phone: 1–855–2-NOWHERE.

That helped his clients transform from victim to rescuer.

In less than two weeks, Jayla had identified his next Nowhere Man mission. On a follow-up visit to her otolaryngologist at Cedars, she’d come across a distraught woman, Neva Alonso, surrounded by police officers in the lobby of the pediatric ward. Neva had been hysterical, barely able to render a report.

Jayla had waited, followed the woman home, earned her trust, and passed on the secret phone number.

So here he was.

Fully operational, in the red-hot center of a mission, and yet his mind remained stubbornly fixated on Tommy. These past weeks, Evan had forgone comms with his former friend and ally, performing his own weapon checks, oiling his Strider knife, cleaning his pistols, running bore brushes down his shotgun barrels. Though he field-tested his magazines regularly, it was time for a fresh batch, but he’d put off heading to Tommy’s armorer den in Las Vegas to pick them up.

He’d been avoiding Tommy’s face, knowing the unspoken conflict between them would ignite when they next squared off. Evan had countless skills for countless varieties of conflict and clashes, but with—what was it? intimacy?—in the mix, he was unsure.

Or afraid?

Afraid of what?

Of how he might feel?

How ridiculous was that?

From above came a creak of decking and then the scritch-scritch of the dandruffed guard. A shadow moved into view, the guard resting his hands on the railing, and Evan leaned out farther from the preposterous Greek column and fired upward.

Against the faint backlighting of the stars, he saw a spray leap toward heaven. A grunt, a topple, and then the guard piledrived into the hydrangeas by Evan’s feet.

At some stage of the last mission, Tommy had known that his hardware was putting Evan’s clients at risk, that his specialized weapons had even been used in multiple attempts to kill Evan.

And he hadn’t spoken up.

That was a declaration of war by omission, wasn’t it?

Evan was inside the house-mansion now, having used a diamond pick to make the spool pins of the front-door lock dance into alignment. Instead of a foyer, there was a gallery lined with resin sculptures of Greek gods, Poseidon featured most prominently as befitted the owner’s profession and ego.

Evan had just drifted inside; he hadn’t checked corners.

He did so now, a full two seconds too late.

This level of distraction was untenable. It put the current mission in jeopardy of failing.

Dark of face, firm of grip, he drifted through the gallery, the gods flanking his progress from either side.

Stavros would be awake and waiting.

Tonight was his big night.

Two guards remained, one tall and slender, the other tall and as wide as a deep freezer.

Evan heard footfall in the adjoining hall, the padding of boots. Radio silence of the first two guards must have drawn notice. The steps were inconsistent, one crisp, one shushing across the Thassos marble in a slight limp. The slender guard, then.

If Tommy had in fact declared war by omission, that had to be answered, didn’t it? Evan had to confront him no matter what emotional complications that might produce.

In the middle of the gallery, he struck a flawless isosceles stance, raised his ARES, and waited for the lanky guard to limp into his sights. A few more steps and he surged into view, his head framed beautifully by Hades’ two-pronged staff. Evan took a micro-moment to appreciate the Jungian synchronicity of dispatching a man by shooting him through the bident of the god of the underworld. Then he exhaled smoothly and pressed the trigger—pfft.

Moving swiftly now, Evan swept past the guard as he was still falling, dumping another two rounds into his chest—pfft pfft—for good measure.

Six rounds burned. The ARES held eight in the mag and one in the chamber. Evan had Stavros and the deep-freezer guard left. Stavros would be easy given his state, but the big man’s muscle mass would eat up rounds. While the 1911 had decent stopping power, Evan couldn’t let his luck ride on three bullets.

His Original S.W.A.T.s skimmed silently across the marble. Hustling up the next hall, he extracted a full backup mag from the concealed pocket at his right hip, lifted it adjacent to the still-loaded partial mag, and ejected the partial into his waiting palm.

It snagged on the lip of the well.

A slight hitch on the drop, which from feel and habit he guessed was caused by a tiny burr lifted from the top right corner of the magazine tube between the catch notch and the opening.

A half-second delay.

A half-second was the difference between this side of the dirt and the other. One of Jack’s Unofficial Rules stood Voltaire on his head: Good is the enemy of the great.

Feet blurring, breath low and steady, Evan stripped the mag free and instinctively added the repair to a mental task list: Replenish mags from Tommy.

The thought escaped him before awareness could catch up but when it did, it came like a gut punch.

His weaponry was a part of him, and that meant Tommy was a part of him, too. And now he’d have to lop that part off and trust someone else to supply and service his weapons. For Evan, trust was not easy.

Three-fourths of a second had passed now. He was unsettled but could not spare a moment to reset himself.

Head down, swapping the clean mag, shoving it north.

His momentum carried him around the turn toward the back hall of the house, and his gaze rose from the union of his fists around the Micarta checkered grips and aluminum receiver, noting only now, too late, the massive form before him aiming a double-barreled sawed-off shotgun directly at his forehead.

Evan froze, pistol still aimed ineptly, unforgivably, somewhere at the junction of the ceiling and the wall at his ten o’clock.

Evan said, “Oops.”

The big bores of the twelve-gauge gaped at Evan. The deep freezer grinned, gave a quick jerk of the barrel. “Why don’t you step into Stavros’s office? He’s waiting for you.”

* * *

Stavros looked like hell.

Baggy jaundiced skin, a prodigious gut that bulged outward to sit heavily across his thighs, ankles swollen to bell-bottom proportion. He sat stuffed into a distressed leather armchair, wearing it like a carapace. He was shirtless, his hairy torso mottled with blots and bruises, too-small athletic shorts showing the marbled wreckage of his legs. Dry flaky skin, bright yellow sclera, white paste gumming at the corners of his mouth.

The office smelled of stool, sweat, and urine. Photographs in dark wooden frames wallpapering the room showed Stavros in younger days and slighter form beside various leaders and celebrities, the one constant his openmouthed “this guy” finger-point at his companions. Medical supplies were scattered everywhere—snapped-off latex gloves, bedpans, vials and orange pill bottles scattered across the leather desk blotter at his side. Syringes overflowed a red sharps container. IV in his arm, oxygen feeding his nostrils, rattling breath finding resonance in the bulging prow of his chest.

Across from Stavros, Evan sat in a much smaller chair. The guard loomed at his back, from time to time tapping the nape of his neck with the shotgun muzzle, no doubt concerned he’d be forgotten. He was standing so close Evan could make out the tip of his size-sixteen boot.

Stavros’s voice came as a great-cat purr. “Who are you?”

Evan shrugged.

The guard prodded the back of Evan’s head with the shotgun.

Evan said, “No one.”

“And yet you know me.”

Again Evan did not answer. Again he was prompted by steel.

“Yes,” he said.

Stavros’s amused rumble of a laugh deteriorated into a coughing fit. “You come here in judgment.” A wave of his monstrous hand to Evan’s 1911, which the guard had placed on the desk at Stavros’s side. “With your little gun.”

“It’s not that little,” Evan said.

“I am to assume you know about tonight’s proceedings?”

The Strider knife in Evan’s front left pocket pressed into the top of his thigh. The deep freezer had been overconfident in his girth, shotgun, and frisking abilities. “I do.”

“And you find it”—Stavros’s tongue poked out, tasting the air—“distasteful.”

“‘Distasteful’ is too meek a word for what I think.”

“Hardly worth making a fuss,” Stavros said. “Nice room upstairs, well cared for, won’t know a thing. I’m not a savage.”

“No?”