Friday, October 17, 2025

#Review - The Tourists by Christopher Reich #Espionage #Thriller

Series:
 
Mac Dekker (#2)
Format: 351 pages, Hardcover
Release Date: October 14, 2025
Publisher: Thomas & Mercer
Source: Publisher
Genre: Espionage / Thriller

From the New York Times bestselling author of Matterhorn comes a heart-stopping thriller about a man who returns to a life of espionage to save the woman he loves and the City of Light.

Retired special agent Mac Dekker travels to Paris to propose to Ava Attal, once Mossad’s deadliest operative. After too long, life is good. But before he can propose, Ava leaves the table to take an urgent call. And never returns.

Mac launches a frantic search, spiraling through the city’s brightest and darkest places. People are lying, agents are dying, and he finds himself caught in the crosshairs of CIA shadows and enigmatic assassins while battling a wealthy, ruthless prince planning a truly terrifying act of violence.

With only hours to find Ava and save thousands of lives, Mac’s CIA training kicks in, along with his Is Ava truly missing, or did she come to Paris on a mission even more secretive than his own?


The Tourists is the second installment in author Christopher Reich's Max Dekker series. Key Characters: Max Dekker, formerly of the CIA, was supposed to be dead after a car bomb 9 years ago. Ava Attal, a covert operative who worked for the Mossad. After kicking off the saga with Matterhorn—a mountain-climbing espionage tale inspired by Reich's own passion for alpine adventures—this follow-up shifts the action from snowy peaks to the glittering streets of Paris. 

At its core, The Tourists is a classic man-on-the-run thriller with a romantic twist. Protagonist Mac Dekker, a grizzled ex-CIA operative in his late 50s, has traded black ops for a quiet life in the Swiss Alps, complete with a granddaughter and a budding romance. But when he jets off to Paris to propose to his girlfriend, the formidable Ava Attal—a former Mossad agent with a lethal skill set—over a candlelit dinner at the iconic Jules Verne restaurant in the Eiffel Tower, everything unravels. 

Ava steps away for a mysterious phone call and vanishes into the City of Light, leaving Mac to piece together a web of deception that spans assassins, double-crossing CIA handlers, and a ruthless Middle Eastern prince with ambitions that could ignite a regional powder keg. As Mac races against the clock through Paris's labyrinthine alleys and beyond, he must confront not just external threats but nagging doubts about Ava's true loyalties. 

The stakes escalate from personal heartbreak to a potential catastrophe threatening Europe's fragile peace, all while Reich weaves in flashbacks to Mac's past for added depth. It's a plot that zips along like a high-speed train, building to a crescendo of twists that feel both inevitable and surprising. Mac's internal conflict—balancing his desire for domestic bliss with the adrenaline-fueled instincts of his spy days—adds emotional weight, making his desperation palpable as he turns Paris upside down. 

Ava Attal is a standout too: fierce, enigmatic, and unapologetically complex, she's no damsel but a force whose absence drives the narrative as much as Mac's pursuit. Their chemistry crackles with shared trauma and unspoken trust issues, elevating the story beyond mere action. Secondary characters, however, are more hit-or-miss. 

The Middle Eastern prince antagonist is a compelling puppet-master with real-world echoes of geopolitical power plays, but some readers find him veering into caricature territory. CIA operatives and French authorities pop up as obstacles, providing solid foils. That said, across the series, these archetypes gain nuance, rewarding readers who commit to the full Mac Dekker arc.

Not a fan of the ending, but it apparently ensures that there will be a sequel in the near future. 




Wednesday, October 15, 2025

#Review - The Inheritance by Ilona Andrews #SyFy #Fantasy

Series:
 Breach Wars # 1
Format: 
280 pages, ebook
Release Date: August 10, 2025
Publisher: NYLA
Source: Amazon
Genre: Science Fiction / Fantasy

We are at war. The interdimensional invasion brought us unimaginable suffering, but it also awoke talents slumbering deep within us, a means to repel and destroy our enemy. Every day new gates open, leading to breaches filled with monsters and valuable resources. If you are a Talent, your country needs you. The world needs you. Be the hero you were born to be.

Adaline is a Talent. Ten years ago, she had a happy marriage and a job she loved. The invasion shattered both. Now she works for the government, searching the breaches for magic metals and medicine to help Earth repel an interdimensional enemy. Two kids, one cat, bills, benefits, mortgage and school tuition...Risking her life became routine.

She had gone into the dimensional gates hundreds of times. She was always well protected. This time everything goes wrong. Now Ada is trapped in the labyrinth of alien caves unlike any other. Her only companion is a scared German Shepherd named Bear. Together they must uncover the breach's secrets and escape, because Ada promised her children that she will come home.

The future of humanity depends on it.


The Inheritance is the first installment in author Ilona Andrews' Breach Wars series. If you read the introduction to this story, you will get a laugh. What was initially supposed to be a novella ended up being a longer story with the likelihood of a sequel. This story revolves around two very different characters: Adaline Moore and Elias McFeron. In a world forever scarred by an interdimensional invasion a decade prior, humanity clings to survival amid daily breaches: unstable portals that spew forth monstrous threats but also yield precious resources, such as magic-infused metals and life-saving medicines. 

These rifts have awakened "Talents" in select individuals—enhanced abilities that turn ordinary people into reluctant heroes, conscripted to probe the unknown for the greater good. Enter Adaline "Ada" Serrano, a 42-year-old single mother and seasoned Talent evaluator working government contracts. Once blissfully married with a fulfilling career, Ada's life imploded with the invasion, leaving her juggling two kids, a sassy cat, mounting bills (orthodontic braces don't come cheap), and the grind of high-risk jobs that pay the mortgage but demand her soul. 

Ada is an Assessor Talent - she can look around a space and spot the usefulness of everything in it (like, she sees them glow in colors - yellow is dangerous, red is useful). Additionally, she can look at an object and immediately know its use (for example, this plant will yield a highly advanced medicine, this ore is unbreakable). Ada's routine dive into a breach goes catastrophically awry: a cave-in separates her from her team, stranding her deep within an alien labyrinth of twisting tunnels, bioluminescent fungi, and predatory beasts whose saliva burns like battery acid. 

Her sole companion? Bear, the team's loyal but terrified German Shepherd, whose training in a language Ada barely remembers, becomes their lifeline. What follows is an odyssey of survival, where Ada must navigate not just the physical perils of this otherworldly maze but also the unraveling secrets of the breach itself—secrets that could tip the scales in humanity's war. Woven throughout are flashbacks to Ada's pre-invasion life and tense glimpses into the broader geopolitical machinations of Talent guilds and governments, all underscored by her ironclad promise to her kids: she'll make it home, no matter the cost. 

Bear steals scenes as Ada's four-legged co-pilot, evolving from a panicked liability into a fiercely intuitive partner. Their bond—forged in shared terror and improvised commands—adds layers of warmth and tension, with the dog's peril hitting harder than any human drama. Elias is an interesting a character, though we got less of him in this book, which was understandable. 

This is Ada's story. Elias mostly had to sit on his butt and fume about the delay of getting back into the breach (and destroy a desk or two in his impatience). Ada's power evolution, while thrilling, borders on deus ex machina at times. Some interesting developments occur at the end of this book, so I am eager to read any sequel that may be written. 




Monday, October 13, 2025

#Review - Only Rogue Actions by Jennifer Estep #SyFY #Romance

Series:
 Galactic Bonds # 5
Format: E-Galley, 220 pages
Release Date: October 14, 2025
Publisher: Jennifer Estep
Source: Jennifer Estep
Genre: Science Fiction / Romance

A WOMAN WHO DREAMS OF THE FUTURE . . .
Once upon a time, I was Vesper Quill, a lowly lab rat using my seer magic and engineering skills to repair broken appliances at a Regal-owned corporation. These days, I’m one of the most infamous and wanted fugitives in the Archipelago Galaxy, along with Kyrion Caldaren, my partner.

Kyrion and I are hiding out on a distant planet when we are offered a chance to train at a prestigious facility in hopes of better understanding our truebond, the psionic connection that lets us share thoughts, feelings, skills, and more.

Mastering our magic is the only way we can hope to defeat our many enemies and make my dreams of a safe future a reality, so Kyrion and I accept the invitation. But evil forces are at work, and our training exercise is not what it seems, plunging us both into another deadly situation with only bad options.

A MAN WHO CAN’T ESCAPE HIS PAST . . .
I’ve always been Kyrion Caldaren, a Regal lord with telekinesis, telepathy, telempathy, and other powerful psionic abilities. I might have gone rogue from the Arrows, the Imperium’s elite warriors, but my fighting skills are as sharp and deadly as ever.

Vesper Quill and I need help with our truebond, so we agree to participate in a rigorous training exercise designed to test the depths of our connection. But a new enemy has other plans, and we’re soon separated and confronted with one dangerous obstacle after another.

But my love for Vesper is stronger than any forces set against us, and I’ll do whatever it takes to make my way back to her—and kill anyone who gets in my way.


Only Rogue Actions is the 5th installment in author Jennifer Estep's Galactic Bonds series. This series features and alternates between Vesper Quill, a once-lowly lab rat who is also a seer, and Kyrion Calderon, a dangerous man who was once an assassin and the galaxy's most feared soldier. Two weeks after their last harrowing escape in Only Cold Depths, Kyrion and Vesper are laying low with allies, including Asterin Armas and Siya Collier, thanks to the recommendation by Verona and Aldritch Collier. 

They are still reeling from the bounty on their heads and the ever-looming threat of the villainous Techwave syndicate, led by General Orion Ocnus, Nerezza, Vesper's evil mother, and Lord Callus Holloway, who wants the true bonded couple, just as he once did with Kyrion's parents. Desperate to harness their "truebond"—a rare psionic link that lets them share thoughts, emotions, skills, and even magical abilities—the pair accepts an invitation to train at a cutting-edge facility owned by the influential House Bettis. 

What starts as a seemingly straightforward session in a high-tech maze designed to simulate diverse environments and challenges quickly spirals into chaos when they are forced to surrender their weapons and face unexpected perils. Kyrion, Regal lord and ex-Arrow (the Imperium's elite psionic warriors), is a force of nature: telekinetic, telepathic, and lethally skilled in combat, yet his vulnerability shines through in his fierce protectiveness toward Vesper, who has saved his life as many as he saved hers. 

Kyrion ends up facing a deadly challenge against a man known for hunting people he considers worthy. He must fight without any weapons or the use of his unique abilities and hope Vesper finds a way to survive. Vesper has a knack for devising ingenious fixes and getting out of sticky places, which is why so many people want her. When she makes plans, they mostly go sideways, and the pair end up fighting for their lives. Vesper has been the target of the Techwave people because she may hold the key to unlocking dangerous weapons they can use against Holloway. 

This story is relatively short at 220 pages. The final chapter of this story, which I won't spoil except to say that we are not even close to having Vesper or Kyrion safe from those who want them destroyed. The evil machinations of one character in particular have yet to be entirely played out, and honestly, I would love to see this character fall into a black hole sometime soon.  




Friday, October 10, 2025

#Review - The Grandest Game by Jennifer Lynn Barnes #YA #Thrillers #Suspense

Series:
 
The Grandest Game (#1)
Format: 384 pages, Hardcover
Release Date: July 30, 2024
Publisher: Little, Brown Books for Young Readers
Source: Library
Genre: YA / Thriller / Suspense

Seven tickets. An island of dreams. The chance of a lifetime.

Welcome to the Grandest Game, an annual competition run by billionaire Avery Grambs and the four infamous Hawthorne brothers, whose family fortune she inherited. Designed to give anyone a shot at fame and fortune, this year’s game requires one of seven golden tickets to enter. With millions on the line, those seven players will do whatever it takes to win.

Some of the players are in it for the money. Some for power. Some for reasons all their own. Every single one of them has secrets. Amidst it all is Grayson Hawthorne, tasked with a vital role in this year’s game. But as tensions rise and the mind-bending challenges push the players to their limits—physically, mentally, and emotionally—it soon becomes clear that not everyone is playing by the rules. Do you have what it takes to play?


The Grandest Game, by Jennifer Lynn Barnes, is the first installment in the author's The Grandest Game trilogy. Yes, this is a spin-off from the author's The Inheritance Game trilogy and its spin-off, The Brothers Hawthorne. At its core, The Grandest Game thrusts seven diverse challengers into the second annual iteration of a life-altering competition orchestrated by billionaire heiress Avery Grambs and the enigmatic Hawthorne brothers—Jameson, Grayson, Nash, and Xander. 

The prize? A cool $26 million, plus the intoxicating thrill of outsmarting everyone else on a secluded private island mansion that doubles as a gilded trap. Half the players are handpicked invites; the other half clawed their way in by decoding cryptic clues scattered across the globe. What follows is a 12-hour gauntlet of collaborative yet cutthroat puzzles, where teams form and fracture under pressure, alliances shift like sand, and buried family secrets bubble to the surface like champagne in a shaken bottle. 

Without veering into spoiler territory, the narrative pivots around three new POV characters: Lyra Kane, a sharp-witted former dancer haunted by her biological father's mysterious death (which she pins squarely on the Hawthorne's); Gigi, the bubbly yet deeply insecure younger sister of Grayson Hawthorne's half-sibling Savannah, desperate to prove her independence; and Rohan, a cunning wildcard with his own shadowy agenda tied to the Hawthorne's' ancestral estate, the Devil's Mercy. (The other characters are Odette Morales, Brady Daniels, Knox Landry, and Grayson Hawthorne). 

Lyra emerges as a standout, her grudge-fueled determination laced with vulnerability; she's no wide-eyed ingénue but a calculated avenger whose flashbacks to her father's demise add poignant depth. Lyra is also haunted by her father's death and the worlds he left behind. "A Hawthorne did this." Gigi, with her effervescent facade masking profound self-doubt, mirrors Xander's charm in the originals but carves her own niche as the emotional heart of the group—her arc of seeking autonomy amid sisterly shadows is quietly devastating. 

Lyra's fight to save her family's crumbling estate isn't just plot fodder; it's a stark commentary on how the ultra-rich's whims ripple through ordinary lives. Gigi's arc probes sibling rivalry and the pressure to perform "perfection" in a world that equates worth with winnings. Rohan is the dark horse, as his intentions are not quite as clear as those of the others. We know that he wants something badly, and what better way to get that than to win the prize? So, yes, this book does end on a cliffhanger. So no, I will not continue this series. I do know that there are players off-screen who we have not met yet, but after the first series wrapped up, I walked away from this series. Now I know why. 




Monday, October 6, 2025

#Review - The Librarians by Sherry Thomas #Mystery #Thriller

Series:
 Standalone
Format: 
368 pages, Hardcover
Release Date: September 30, 2025
Publisher: Berkley
Source: Publisher
Genre: Mystery / Thriller

Sometimes a workplace isn’t just a workplace but a place of safety, understanding, and acceptance. And sometimes murder threatens the sanctity of that beloved refuge....

In the leafy suburbs of Austin, Texas, a small branch library welcomes the public every day of the week. But the patrons who love the helpful, unobtrusive staff and leave rave reviews on Yelp don’t always realize that their librarians are human, too.

Hazel flees halfway across the world for what she hopes will be a new beginning. Jonathan, a six-foot-four former college football player, has never fit in anywhere else. Astrid tries to forget her heartbreak by immersing herself in work, but the man who ghosted her six months ago is back, promising trouble. And Sophie, who has the most to lose, maintains a careful and respectful distance from her coworkers, but soon that won't be enough anymore.

When two patrons turn up dead after the library’s inaugural murder mystery–themed game night, the librarians’ quiet routines come crashing down. Something sinister has stirred, something that threatens every single one of them. And the only way the librarians can save the library—and themselves—is to let go of their secrets, trust one another, and band together....

All in a day’s work.

Sherry Thomas's The Librarians takes a step away from her Historical Romance novels and into a totally different setting. In the quiet suburbs of Austin, Texas, where the hum of daily life is punctuated by the rustle of pages and the occasional outburst from a toddler's story hour, Sherry Thomas introduces us to a world that's equal parts sanctuary and powder keg. At its heart, The Librarians follows four misfit librarians (Hazel, Sophie, Astrid & Johnathan) whose unassuming lives at the Willow Creek Branch Library are upended during the library's first-ever murder-mystery-themed game night. 

What starts as a lighthearted event—complete with fake clues and theatrical accusations—spirals into genuine horror when two patrons turn up dead, their demises eerily mirroring the game's script. As suspicion falls on the library itself, our protagonists must dust off their detective skills, unearth long-buried personal secrets, and band together to unmask a killer before their haven becomes a crime scene. The narrative weaves in threads of financial intrigue, including a shadowy figure tied to a $25 million heist, adding layers of deception that echo the best of Thomas's suspenseful past works without overwhelming the story's intimate scale. 

There's Hazel, the newcomer fleeing a traumatic past halfway across the world, her wide-eyed optimism a fragile shield against old wounds. Jonathan, the towering ex-football player who's always felt like a gentle giant in a world built for smaller frames, brings quiet strength and unexpected vulnerability to the group. Astrid, nursing a fresh heartbreak from a ghosting ex, hides behind a faux-Swedish accent and an ironclad work ethic, her sharp wit masking deeper insecurities. And Sophie, the most guarded of them all, keeps her colleagues at arm's length to safeguard a precarious personal empire and a secret that might end up costing her the most important person in her life. 

What begins as a mosaic of isolated quirks evolves into a profound exploration of found family, as these four learn to trust one another amid the chaos, revealing how libraries aren't just repositories of books but lifelines for the overlooked and the lost. The present-tense narration lends an immediacy that immerses you in the librarians' frantic days. However, it may take a chapter or two to settle into its rhythm—much like adjusting to a new branch's Dewey Decimal quirks. It's a story about deception not just in crime, but in the little lies we tell ourselves to survive, all wrapped in the cozy mystery genre's promise of resolution and warmth.



Chapter One

Austin, Texas

Monday, two days before Halloween

In the fortunate places of the world, libraries are everywhere to be found.

Some are architectural marvels. Some are touchstones of civilization. Some awe by the depth and granularity of their seemingly infinite collections.

But the greater wonder is perhaps not the phenomenal libraries proudly associated with illustrious universities or storied seats of power. The greater wonder lies in the ordinary ones, the ones that in the fortunate places are everywhere to be found.

They exist and serve quietly, standing apart not at all from their unexceptional surroundings. Sometimes they are squeezed into tight corners; sometimes they share walls with grocery stores and sellers of electronic cigarettes. There is rarely anything unique or unforgettable about their collections, humble aggregates of popular novels, standard reference volumes, how-to books, and DVDs for those who don't yet stream all their audiovisual entertainment.

Yet their ubiquity is their most fundamental virtue. Their unremarkable holdings would have dazzled scholars from the Age of Enlightenment. And as much as anything, they represent a community's investment in its members, a commitment to care for and nourish hearts and minds.

Or libraries can be merely another place to work, another place of mundane chores, minor dramas, and mediocre compensation.

I have become a pessimist, thinks Hazel Lee.

Or perhaps she has long been a fatalist in an optimist's athleisure, her acceptance of the inexorable sweep of fate and entropy masked by her willingness to put some effort into the here and now.

Her grandmother wanted her to take a position with the library system and Hazel acquiesced. But she didn't think she would be assigned to this particular branch. Nainai, on the other hand, is delighted. "So close by. And you loved going there when you were a little girl."

One should be wary of revisiting childhood icons. Epics she adored turn out to have undertones-and overtones-of sexism and colonialism. People she loved embody a large spectrum of human frailties. Places that occupied hallowed ground in her heart are demolished or become something else entirely, such as the old noodle shop that is now an establishment called The Furless Kitty, specializing in Brazilian waxing.

The branch library too has changed. The current incarnation is a red-brick building, its aluminum roof covered with solar panels. Two hundred yards away, a highway meets a local thoroughfare, but a shopping center separates and shields the library from the intersection. On the library's large lot, much of which has been left unpaved, mature live oaks flourish and further foster a sense of comfortable seclusion.

Pleasant. Not impressive, but pleasant. And Hazel is satisfied with pleasant. She parks her e-bike on the rack at the front of the library and hooks her helmet to her backpack. Nearer to the entrance stands a stack of a free regional weekly. She remembers the publication from decades ago and is happier than she thought she would be that it still exists.

A hesitant question comes as she browses the latest issue's guidance on the upcoming off-year election. "Hi. Are you Hazel?"

Hazel turns around; a young white woman in her late twenties waves. Other than the red streaks in her sandy hair, she looks a lot like a hobbit: round-faced, with pink cheeks and brown eyes. Hazel can see her dancing, in the exact dusty-rose sweater vest and long corduroy skirt she's wearing, at Bilbo Baggins's eleventy-first birthday party.

In other words, absurdly cute.

She smiles. "Yes, hi, I'm Hazel."

They shake hands. The young woman, who speaks with a Scandinavian accent, introduces herself as Astrid, a librarian at the branch.

"It's great to have you here," says Astrid, looking a little shy. "Let me open the place up and show you around."

The library's two sets of automatic doors slide apart to reveal ten computer terminals set up for the public. To the left of the computer terminals are the stacks. To the right, the circulation area. An L-shaped children's department wraps around the circulation area on the farther side, making the latter feel like a snug island, the warm heart of the library.

Behind the stacks, a long rectangular work gallery unspools with desks, chairs, and plenty of outlets set beneath a bank of wide windows. Outside the windows, thick vines on metal trellises form natural sunscreens.

Beyond the work gallery, invisible from the front entrance, nestles a reading area. There are fewer magazines on the periodicals shelf now-the times have not been kind to print publications-and the spin racks of audio CDs are gone. But DVDs still take up half a wall and the collection of graphic novels has proliferated.

Given that Halloween is right around the corner, there are a fair number of skeletons scattered around the library, mostly on posters that will be taken down on November first. But there is a fully articulated skeleton in the children's area, peering intently into a shelf of image-heavy compendiums on dinosaurs. Not far away, three chubby and friendly-looking ghosts cluster around a Brambly Hedge collection.

Astrid has Hazel deposit her personal items in the librarians' office, sandwiched between the circulation area and the drive-through pickup at the very back. She helps Hazel turn on the public terminals and the checkout stations' computers, then introduces Hazel to Sophie, a striking Black woman in a perfectly fitted hunter green suit and sky-high heels, and a tall, bearded white man named Jonathan-Sophie is the branch administrator, Jonathan their program director.

She also presents two other librarians, but Inez and Raj protest that they are only clerks, not real librarians. Hazel takes that to mean that they, like her, do not have an advanced degree in library and information science. Not everyone at an attorneys' office is a lawyer and not everyone on a flight crew is a pilot-Hazel, no information specialist, will shoulder relatively humble duties.

"To the public we are all librarians," insists Astrid. "And you're one of us now, Hazel. You're going to love it here."

Before Hazel left Nainai's house this morning, the venerable old lady said, "Go on. Start a new life for yourself."

Except Hazel does not want a new life. She would simply like to have her old life back, that untroublesome existence she hadn't appreciated enough when she still drifted along its placid currents.

She smiles at everyone. "Thank you. I'm delighted to be here."


Astrid has done a lot of fantasy casting over the years, putting faces-mostly those of well-known actors-onto characters from her favorite books. Hazel, she is sure, would have been perfectly cast as a woman with whom a chance encounter alters the course of a protagonist’s life.

Or at least costs them sleep and focus for a good long while.

She is beautiful-perfect forehead, wide-set eyes, complexion as smooth as fondant on a wedding cake. Yet it isn't her loveliness that instantly fascinates Astrid.

Near the university campus where Astrid spent her undergraduate years, there was a lake that teemed with expensive properties along its shores. One was finished right as Astrid began her freshman year.

The house stood empty for a few weeks, then one day, curtains appeared. A few days after that, some downstairs curtains were pulled back to reveal a spotless living room, a baby grand piano set against a far window, a blue settee to the side.

Those downstairs curtains never closed again. No matter what season of the year or day of the week Astrid walked, biked, or rollerbladed by, the curtains were always open, the settee plush and inviting, the piano placed just so to silhouette against the lake beyond the house.

Never in her four years there had Astrid seen a single person inside, a car in the driveway, or a stray toy on the lawn. The house seemed to exist in its own separate reality, so much so that it was always a shock-and a profound thrill-when a fully lit Christmas tree appeared next to the piano each December.

Hazel, like that house, also seems to exist on her own plane.

Her attire is simple, a black blouse over a pair of black trousers, but they drape beautifully over her tall, elegant frame. When she speaks, though her accent is North American enough, Astrid hears echoes of distant lands, a life lived globally. (And her instinct is proven correct within the hour, when Hazel tells Inez that she's spent most of her life in Singapore and moved back to the US only recently.)

For someone who should exude glamour, though, Hazel manages to be marvelously low-key. Shortly after she meets the morning crew of librarians, it's as if she's always been there. She moves about at an unhurried pace, yet when Astrid looks in on her around lunchtime, she finds that Hazel has culled all reserved titles that have not been picked up on time, pulled all the new requested transfers, and restocked two entire rolling carts of sorted returned items.

And then sauntered out of the library.

Astrid retreats into the Den of Calories, the affectionate term for the staff breakroom. Jonathan is there, munching on a bag of Indonesian cassava chips. When people think of librarians, they don't immediately conjure a six-foot-four, blond, blue-eyed former college football player. Jonathan is all that and more and he is a great librarian.

"Why, hello, Divinely Beautiful," he says, holding out his bag of chips. "Want some?"

The name Astrid means "divinely beautiful."

"Yes to chips, always." She reaches into the bag and grabs one. "Unfortunately, I've only ever looked like a younger version of Mrs. Weasley-like when she's had two kids, rather than seven."

Her Swedish genes have not endowed her with either height or svelteness, and the pale hair she was born with turned brown sometime in her teens, a common enough occurrence for those of Scandinavian heritage.

Jonathan recoils in mock horror. "How dare you! I'll have you know Molly Prewett Weasley is and has always been an absolute babe."

Astrid laughs and thanks him. They chat another minute while Astrid's lunch heats up in the microwave oven. Then Jonathan cleans up after himself and goes back to work, leaving Astrid to slurp down her chicken chow mein by herself.

When she first arrived at the library, she ached for Jonathan to become her long-awaited gay best friend. But while Jonathan has always been kind and helpful, a special bond has not blossomed between them.

The gay men of the world are too busy with their own lives to revolve around her, and the hetero ones have no use for her if she isn't willing to immediately proceed to the "chill" part of Netflix and chill.

And the one exception, a man she met at this very library, crushed her as if he were a junkyard compactor and she a 1982 Datsun.

One does not become a librarian dreaming of luxury and acclaim. Astrid wants to be useful and she wants to achieve quiet contentment. But quiet contentment is beginning to feel like the hardest boss level in the game of life.

At least the noodles from Trader Joe's, a store famously geared toward the "overeducated and underpaid," of which librarians form exhibit A, are chewy and flavorful.

Astrid wonders what Hazel is having for lunch. Something low-key molecular, she hopes.


Hazel returns from lunch in perfect time to sit down for her first desk session, an hour at the checkout station facing the public.

Not every librarian enjoys dealing with patrons. Astrid does. Other than an occasional best-forgotten battle with the toilet-what exactly is the correct way of retrieving a loaded diaper that has been knocked inside?-she likes the "public" aspect of working at a public library.

Patrons don't need to tell her why they need to use the library's terminals, but their tales of visiting grandchildren accidentally destroying the CPU with a water-soaker rivet her. She has good conversations every November with those who need to prepare a Thanksgiving feast that accommodates every dietary restriction under the sun. And she loves helping people find correct tax forms and fill out employment applications.

Obviously, iffier members of the public show up too. But early afternoon on a Monday, with kids still in school, isn't a heavily trafficked time slot.

Hazel, who, like all new hires, has received training at the central library downtown, checks out books like a pro and processes two new library card applications without a hitch. She even fields an I-don't-know-the-author's-name-or-the-title-but-can-you-help-me-find-this-book inquiry with panache. Astrid, the list Hazel generated in hand, takes the patron to the stacks and the older gentleman exclaims with excitement at the second book she pulls out-precisely the one he's been looking for.

Her delight in Hazel's excellence is polluted by a bit of melancholy: At the rate Hazel is going, she won't need any help from Astrid. But when Astrid returns to the circulation desk, she finally has a chance to be useful.

A youngish South Asian couple want to know about Game Night, taking place the next evening, and Hazel, new to the branch library herself, puzzles over the flyer the couple hand her.

"Oh, I can answer your question," Astrid says eagerly. "The library will provide all the board games; you only need to bring yourselves. Because it's so close to Halloween, the inaugural Game Night will be murder-mystery themed. We'll have Halloween decorations and snacks, and you can even come in Halloween costume, if you'd like."

The wife, whose lavender headscarf matches the embroidery on her cream tunic, does look tempted. But she frowns a little. "Do we need to sign up and commit?"

"Oh, no, not at all," Astrid reassures her. "You can sign up via the library's website, if you'd like, but you don't need to. Just show up tomorrow evening. And you don't have to dress up either-only if you feel like it."

The couple promise they will think seriously about attending and disappear beyond the stacks in the direction of the work gallery.

"Can I come too?" asks Hazel. "I like board games."

She smiles a little, as if to herself. And Astrid feels as electrified as when a Christmas tree appeared in the house by the lake, tinseled and festooned, lights gently twinkling.

To Astrid, tabletop gaming is like gardening: something she might look into later in life. But if Hazel will host board game nights, then Astrid doesn't mind taking it up right away.

"Of course you can come. You'll be most welcome!"

"Does the library have that many murder-mystery games?" asks Hazel.

The central library downtown has a decent collection of tabletop games, but their little branch does not have that nice touch yet. Astrid is about to explain that the difficulty they're having with Game Night is not the number of games required but a lack of interest on the part of the patrons when a man north of seventy makes a beeline for Hazel.




Friday, October 3, 2025

#Review - A Steeping of Blood by Hafsah Faizal #YA #Fantasy #Romance

Series:
 
Blood and Tea (#2)
Format: Hardcover, 448 pages
Release Date: September 23, 2025
Publisher: Farrar, Straus and Giroux (BYR)

Source: Publisher
Genre: Young Adult / Fantasy / Romance

The epic conclusion to the #1 bestselling A Tempest of Tea by Hafsah Faizal; the gritty fantasy duology about an orphan girl and her crew who get tangled in a heist with vampires, perfect for fans of Leigh Bardugo’s Six of Crows.

She's had her tea, now she's out for blood.


White Roaring is sharpening its fangs after the deadly night that left the city in shambles. The press are dead, the public calls for justice, vampires are in danger, and amid the turmoil, the Ram announces a celebration.

Still reeling from the bloodshed, Arthie Casimir has no time to mourn the death of anyone, let alone her own. She has no time for love, either, but it had saved her life. As Arthie navigates new emotions and new allies, she must reassemble her scrambled crew and scrape what little they have left to fight one last time – and she will need to face the ghosts of her past to do it.

In Ceylan.

After the jaw-dropping ending of #1 bestselling A Tempest of Tea, Arthie and her crew still have plenty of hearts to break and crimson-red secrets to uncover. Hafsah Faizal crafts a deliciously twisty and seductive sequel that will leave readers breathless until the very last page.



A Steeping of Blood is the second and final installment in author Hafsah Faizal's Blood and Tea duology. This story alternates between Arthie Casimir, Jin Casimir, Flick (also known as Felicity Landon), and Mateo Andoni, who play key roles throughout the story. This story picks up right after the chaotic events of the first book, where protagonist Arthie Casimir and her ragtag crew of humans and vampires barely escaped a deadly heist gone wrong. 

Without spoiling the jaw-dropping twists (and trust me, Faizal saves some of her most deliciously twisty reveals for this installment), the story follows Arthie as she grapples with the aftermath of bloodshed in the fog-shrouded city of White Roaring. The Ram, the tyrannical monarch pulling strings from the shadows, remains a looming threat, and with vampires under siege and humans vanishing into the night, Arthie's crew must reunite for one final, audacious heist. 

This time, their quest takes them back to Ceylan—Arthie's homeland—where old ghosts and new alliances collide in a web of political intrigue, forbidden pacts, and crimson secrets. Arthie still remembers 10 years ago when she arrived in Ettenia in a blood-drenched boat, the only survivor. For 10 years, she's hidden the fact that she's part vampire from everyone, including Jin, which is why she has an affinity for drinking from coconuts. 

Arthie, the fierce orphan teahouse owner with a vampire's unquenchable thirst for justice, shines brightest here. Her arc delves into vulnerability—mourning losses she can't afford to feel while confronting the "ghosts of her past" in Ceylan—making her evolution from a guarded leader to someone who dares to love profoundly all the more moving. Jin and Flick provide the emotional counterpoint, their relationship a sweet anchor amid the chaos. 

What was a budding spark in book one blooms into a heartfelt partnership, with Flick's POV "really shining" through her growth as a forger and ally. The villain of this story didn't disappoint. In fact, this person actually had Arthie and her crew struggling and rushing to keep up with the machinations that this person put in place. This book is a clear political statement by the author about colonization, one that I will not address, as it was an integral part of the overall storyline the author was trying to convey. 

The author should spend time in South America and ask the people there how they feel about the Spanish. Just saying. I am very much sick of authors and others, especially politicians, blaming white people for their troubles. Fix your own lives before blaming others. Put away the political nonsense, and this book was enjoyable, as well as a bit sad that things ended the way they did.