Tuesday, August 25, 2026

#Review - Storm Warning by James Byrne #Thriller #Suspense

Series:
 Dez Limerick # 4
Format: 
400 pages, Hardcover
Release Date: May 26, 2026
Publisher: Minotaur Books
Source: Publisher 
Genre: Thriller, Suspense

Dez Limerick has his considerable skills pushed to the limit when, to rescue a friend, he has to get to—and get into—a state of the art facility on full lockdown, with considerable forces determined to stop him.

Desmond Aloysius Limerick—'Dez' to all who know him—is a man with a shadowy past, certain hard-to-replicate skills, and a reputation as a good man to have when the going gets tough. Dez is doing his best to enjoy his retirement, wandering the country, doing what interests him, and occasionally helping friends when they find themselves needing any of his particular skills—mundane or extraordinary. For Dez was trained as a 'gatekeeper' - someone who can open any door, keep it open, and control who does and does not go through.

It's those skills that are now in demand when the State Department comes calling looking for his help. A multinational scientific research facility on the coast of Newfoundland has gone dark, the facility on full lockdown, and no one can get in or out. No one knows what is going on, but it can't be good. And a close friend of Dez is presumed locked inside the facility along with everyone else.

Even getting to the facility is an insurmountable challenge. The weather has flights grounded, some shadowy group is doing everything they can to impede the rescue team's progress, and hidden enemies are embedded in the rescue team. But anyone who thinks this is more than one man can face has never met Dez Limerick.


Storm Warning is the Fourth installment in author James Byrne's Dez Limerick series. Desmond “Dez” Aloysius Limerick is a former military “gatekeeper”—a specialist trained to breach any locked entrance, keep it open as long as needed, and control who passes through. In his semi-retirement, he drifts between musical gigs (he plays bass), cooking, and helping friends with his unusual skill set.

When a multinational scientific research facility on the remote Newfoundland coast—the Fuchs Underground Neutrino Collector, tied to both particle physics research and a valuable mineral deposit—goes into full lockdown with total communication blackout, the U.S. State Department and an FBI Hostage Rescue Team recruit him. A personal connection seals the deal: a close friend (Petra Alexandris, a corporate executive tied to the facility’s funding) is among those trapped inside. 

Getting there is half the battle. Brutal North Atlantic storms ground flights and force improvisation. Corporate interests try to insert themselves onto the mission. Saboteurs and mercenaries interfere. Hidden threats exist within the rescue team itself. An assassin from Dez’s past (the diminutive, highly skilled Ash, whom he previously spared) reappears in disguise. Once at the facility, the team faces a sealed, multi-level underground complex that has been taken over by ruthless operators. 

Extreme weather, technological barriers, and human adversaries push Dez’s ingenuity, physical skills, and moral code to their limits. Byrne’s plotting is propulsive. The novel opens with a tense Paris set-piece that plants seeds for later events, then shifts into the main mission with little downtime. Action sequences feel cinematic yet inventive: Dez relies as much on quick thinking, environmental improvisation, and technical knowledge (he has a background in physics and engineering) as on combat. 

The blizzard-lashed setting and the claustrophobic underground facility add authentic atmospheric pressure; the cold, isolation, and mechanical constraints heighten every confrontation. Dez himself remains the series’ greatest asset. He is tough and capable without the grim invincibility of some thriller protagonists. He cracks wise under pressure, shows compassion (sometimes to a fault), underestimates no one, and operates by a personal code rather than pure professionalism or vengeance. 

Supporting characters are sharply drawn: the poker-playing State Department official, her protective detail, the assassin Ash (whose perspective and backstory add layers), and various corporate and mercenary antagonists. Byrne weaves in threads from prior books without requiring full series knowledge, though returning readers will appreciate the continuity and character development. It is not perfect.

Like many entries in the “one highly skilled operator against stacked odds” subgenre, it asks for occasional suspension of disbelief. Some villains lean toward the diabolical or over-the-top. A late twist, while effective at setting up future possibilities, struck at least one reviewer as somewhat contrived. These are minor quibbles in a book whose primary goal is relentless entertainment. Fans of Jack Reacher, Mission: Impossible-style set pieces, or inventive action heroes will find a lot to enjoy



CHAPTER 1

TODAY

Desmond Aloysius Limerick ties a red apron around his white tunic and stares at the hemp bag on the butcher-block table. “What’s all this, then?”

Sly Colehouse is tying her very long dreads into a single rope that hangs down to the small of her back. Some of the dreads are dyed red and blue. She’s just returned from the Monday farmers market in Queens. She says, “Leeks.”

“How many d’you need?”

She says, “All of them.”

Desmond—Dez to his friends—laughs. “Jay-sus, girl! How many did ye buy?”

She smiles. “All of them.”

She laughs at the face he makes. She reaches over and touches his biceps through his white, button-down cook’s tunic. “Ahhh. Are the nasty old leeks too much for your big muscly arms?”

“Y’know, there’s a reason I retired young,” he grumbles, reaching for his paring knife, “so nobody can order me around.”

* * *

Three weeks ago, Dez was enjoying the New York art scene, picking up some gigs as a bass player and pianist, when one of his bandmates told him about the Cheshire Cat. The owners were running into some trouble with a protection racket, and would Dez be willing to help? Dez has no love for bullies. He met the owners, plus the up-and-coming chef, Sly, and quickly agreed to help.

His second day there, the dudes running protection showed up. Dez chatted them up in the alley in the back, explaining that the owners wished no further visits from the gentlemen. They talked a bit. Dez returned to the kitchen and called an ambulance for them. And that was all of that. They never returned.

* * *

That was two weeks ago. Dez has been hanging around just to be on the safe side, and because he surprised himself by falling in love with the rhythm of being a cook in a high-end restaurant. He’s learning things every day. Plus, he has nowhere else to be. Why not be here?

Also, as luck would have it, Sly Colehouse has taken to the notion of sleeping with him. No strings, ships passing in the night, as it were. She’s quite a lovely bird, and she makes him laugh. This arrangement is working out quite splendidly.

He’s renting a tiny room, really, no more than a bedsitter, from a plump and pleasant Englishwoman, a Mrs. Welliver, not four blocks from the restaurant. She favors paint-speckled overalls and Crocs, and she smiles incessantly, apple-cheeked. She ribs Dez about his “lady friend” staying over. Dez thinks she’s a hoot.

One day he finds her struggling with the door to the apartment building’s cellar. She rattles the handle, yanking on the door.

“Morning, Mrs. Welliver. Need a hand?”

She says, “Are you any good with doors, Desmond?”

Dez laughs. “A bit.”

* * *

It’s late morning, and the kitchen of the Cheshire Cat has obtained the proper level of insanity. It’s hot and humid. Sly Colehouse barks orders, and her four cooks hop to. Sly is the chef de cuisine. She calls the shots, and everyone does as told.

Dez stands out among the five people working the kitchen. First, he has the least experience and the least talent, having only worked as a short-order cook a few times in his life, among many other jobs. Second, he’s from the UK, and the others are all from somewhere along the Eastern Seaboard. Third, he’s put together like a bulldozer. It took Sly ages to find a chef’s tunic big enough for his neck, chest, and biceps.

“Gonna get rich!” Sly sings out from where she’s deveining shrimp.

The four cooks shout, “Oui, chef!

“Gonna get me that Michelin star!”

Oui, chef!

“Gonna beat Bobby Fucking Flay!”

Oui, chef!

The call-and-response is something Sly Colehouse gets going most days, within an hour of the hostess opening the front of the shop. Her team cracks up, going along with it. There are only thirty tables at the Cheshire Cat. Thirty of the thirty will fill for lunch. And for dinner; the tables will turn over thrice. And so on and so on. It opened five months ago and the place is all the rage in this part of New York City.

* * *

The lunch rush goes by in a sweaty blur. The place shuts down from two to four to restock and to prepare for whatever entrées Sly has conjured up for that day; they differ often. Dez gulps water, joshes with the others.

Natasha, a honey blonde who serves as the hostess, steps into the kitchen. “Dez? There’s a guy in a suit here to see you.”

Sly doesn’t look up from dicing shallots at her station. “If it’s a cop, pretend you don’t speak English. I’ve heard you talk; it’s mostly true.”

Dez washes his hands and hangs a towel over his shoulder and steps out into the front of the house.

A guy is waiting for him. Dez’s eyes pop wide. “Special Agent! Now there’s a nice surprise!”

Tom Fairweather is a team leader of the FBI’s elite Hostage Rescue Team. He and Dez had met earlier in the year.

The man is a bit of a legend. He’s only in his late forties but with prematurely gray hair. He’s not that tall, not that strongly built. He has largish ears and downturned eyes. No one alive has ever heard him shout or swear or express anger or anxiousness. He leads the Federal Bureau of Investigation’s number one counterterrorism force but to look at him, you’d assume he was an accountant.

He offers his hand. “Mr. Limerick. How are you?”

They shake. “Nary a complaint. Surprised to see yez.”

Fairweather nods. “We have a door we can’t open. I could use a gatekeeper.”

Dez says, “How long’s it likely t’take? The dinner rush starts soon.”

Tom Fairweather says, “It’s in a remote part of Canada. It’s in the path of a series of very nasty North Atlantic storms. And we suspect we’ll meet violence.”

Dez says, “Best get my coat.”

* * *

Dez returns to the kitchen and tells Sly Colehouse. She leads him out to the little corridor for some privacy, doffing her apron. She hugs him. “Is this goodbye?”

He hugs her back. “Likely. An’ the restaurant’s safe now.”

She arranges her dreads over one shoulder. “Dez. Look. Ah, this isn’t easy to say. This thing between us? It’s—”

Dez smiles. “Run its course?”

Her shoulders drop in relief. “Yeah. Probably. I think. You okay?”

He hugs her again. “Am. You’re amazing, but aye. I’m fine.”

She buries her head in his chest. “Thank you so much. For everything. Now get out of my kitchen and make room for a real cook.”

“You know I saved your restaurant from the ravages of evil men.”

She pecks him on the cheek, palms on his chest. “Yeah, but I tasted your béchamel, too. It evens out.”

Dez laughs and heads to the front of the house. “Ta, love. Be well.”




Monday, August 24, 2026

#Review - No One Knew by Kendra Elliot #Mystery #Thriller

Series:
 Noelle Marshall # 2
Format: 
317 pages, Hardcover
Release Date: January 6, 2026
Publisher: Montlake
Source: Publisher
Genre: Mystery, Thriller

For a detective and an FBI agent, two seemingly disparate murder investigations collide with a twist in an explosive novel of suspense by a Wall Street Journal bestselling author.

In the crisp mountain air of central Oregon, a teenage girl’s search for discarded cans leads to a horrifying discovery: a body, brutally murdered and abandoned in the woods. The case falls to Deschutes County Detective Noelle Marshall, who finds herself navigating a community steeped in secrets, suspicion, and distrust of outsiders―especially law enforcement.

Miles away, FBI Special Agent Max Rhodes investigates a different kind of darkness―chatter about a violent uprising from a shadowy militia group preparing for war. The two cases seem worlds apart. But as Noelle digs into the murdered man’s past and Max closes in on the source of the terror plot, their paths begin to converge in a terrifying way. This was no random killing. It was a message. A merciless killer and a hidden army are operating in the same shadows, and finding the link between them is the only thing standing between a single murder and a full-blown massacre.



No One Knew is the second installment in author Kendra Elliot's Noelle Marshall series. The novel continues the story of Deschutes County Detective Noelle Marshall and FBI Special Agent Max Rhodes while standing well enough on its own for new readers—though prior familiarity with Her First Mistake (and optionally Elliot’s Mercy Kilpatrick or Columbia River books) deepens the experience. 

In the crisp, bitter cold of central Oregon’s mountains, lonely teenager Emma Chambers scavenges for discarded cans and bottles to scrape by. What she finds instead is a brutally murdered body abandoned in the woods. The case lands with Detective Noelle Marshall, who must navigate a tight-knit community wary of outsiders and law enforcement, while sensing that the fragile, neglected young woman who discovered the corpse is hiding more than she lets on. 

Miles away, Max Rhodes and his colleagues—including familiar face Mercy Kilpatrick—are tracking vague but alarming online chatter about a shadowy militia group preparing for a violent uprising. The two investigations initially appear unrelated. As more bodies surface and the murdered man’s past is uncovered, the cases collide with terrifying clarity: the killing was a message, and a merciless killer operating alongside a hidden army threatens far more than a single crime scene. 

Finding the connection becomes a race to prevent catastrophe. Noelle is competent, security-conscious, and deeply compassionate, still processing trauma from earlier events while pouring herself into her work and the vulnerable people she encounters. Max is a solid partner both professionally and personally; their relationship progresses with mature, realistic tension built on mutual respect, shared vulnerability, and the gradual revealing of secrets rather than instant fireworks. 

Emma emerges as one of the novel’s strongest assets—an authentic, heartbreaking portrait of rural poverty, neglect, and quiet resilience. Living in a cold house with little food after her abusive father’s disappearance, caring for a stray cat, and enduring school bullying, she feels painfully real. Her tentative trust in Noelle provides much of the story’s emotional core and drives the “found family” theme. Supporting players, including Mercy Kilpatrick and others from Elliot’s interconnected Oregon world, add richness without overwhelming the central narrative. 

The dual-track structure works effectively as a double helix: the procedural murder investigation and the broader domestic terrorism threat tighten around each other with expert control. Short chapters and shifting points of view create a propulsive “just one more chapter” rhythm. Tension stays high as the investigators often feel a step behind, and the central Oregon winter setting is vividly rendered—readers feel the cold, isolation, and undercurrents of suspicion in small communities. 

Violence is present and sometimes intense (crime scenes, confrontations), handled in a procedural rather than gratuitous style, but sensitive readers should note the themes of neglect, poverty, and terrorism. Elliot’s balances action, compassion, threatened violence, and quieter moments of connection with skill. Key themes include the invisibility of the vulnerable, the burden of past trauma and secrets, the contrast between biological family and chosen bonds, and the thin line between grievance and violence. 

The romance enhances rather than distracts from the suspense. Full emotional payoff benefits from reading book one first. The violence and heavier themes may not suit every preference. Those seeking purely cynical hard-boiled crime might find the heart and hope a bit softer, though that is precisely part of the book’s appeal for romantic suspense fans. 




Friday, August 21, 2026

#Review - Aliens Like Us by Gini Koch #SyFy #Fantasy

Series:
 Katherine "Kitty" Katt # 17
Format: 
541 pages, Kindle Edition
Release Date: April 7, 2026
Publisher: Ginger Blue Publishing
Source: Amazon 
Genre: SyFy, Fantasy

It’s not easy being a Woman of the Multiverse, but Kitty’s definitely the Megalomaniac Girl for the job.

After a mad dash around the galaxy, saving the day in various important ways and expanding the Annocusal Empire left and right, all Kitty & Company want to do is go home. But that’s not in the particular hand they’ve been dealt. On their way to Alpha Four to make Emperor Alexander feel like he hasn’t been left out, Kitty and eleven others are tossed into a different universe at the snap of some very powerful fingers.

They’re not sent to just any universe, either. They’re in the Steampunk Universe, and things are very different there – and not just due to the technological divergence between Kitty’s universe and this one. Starting with them being surrounded by ships that are redefining the term “unfriendly” – because this universe has been embroiled in galactic war for centuries.

Friends are enemies, enemies are friends, people alive in one universe are dead in this one, and vice versa is old news for Kitty, but new news for everyone else with her. The Victorian Era still reigns supreme here, meaning everyone’s attitudes are a lot less free and easy than Kitty’s used to.

But the biggest discovery is the worst one – instead of being Kitty’s husband and a total hero, the Jeff Martini in this universe is an evil murderer who’s aligned his entire empire with the Z’porrah, and that means the good guys are losing...


Aliens Like Us is the 17th installment in author Gini Koch's Katherine "Kitty" Katt series. The book is a long-awaited, high-energy return to the series that delivers the signature mix of snarky action, multiverse chaos, ensemble antics, and steamy-ish sci-fi romance fans expect—while shifting into a full steampunk alternate universe. The story picks up after the cliffhanger of Aliens Abroad (2018). The gap was substantial—roughly eight years—so the book’s arrival felt like a major event for dedicated readers. 

Kitty Katt-Martini and a core group of eleven others are en route after expansive galactic adventures when they are abruptly tossed into a different universe—the Steampunk Universe. Technology diverges sharply (steam, mechanics, and Victorian-era sensibilities dominate instead of the more familiar tech of their home reality), a centuries-long galactic war rages, alliances are inverted, and people who are alive (or dead) in one universe often occupy the opposite status in this one. 

The most jarring discovery involves an alternate Jeff Martini who is an evil murderer aligned with the Z’porrah, putting the “good guys” in a losing position. Friends and enemies swap roles, attitudes are more constrained by the prevailing cultural norms, and Kitty must navigate this hostile environment with limited resources while the fate of multiple realities hangs in the balance. The book functions as the first half of a larger arc (followed by Aliens Like Them), ending on a “to be continued” note rather than a fully self-contained resolution. 

Kitty’s rapid-fire, pop-culture-infused narration, problem-solving style, and “Megalomaniac Girl” energy drive the story. The large supporting cast (family, friends, aliens, hybrids, and more) gets plenty of moments, including interactions involving the younger generation and the ever-present adorable side elements (Poofs and similar). Multiverse versions create fun “what if” tension without completely abandoning established dynamics. 

The steampunk overlay—Victorian social attitudes colliding with Kitty’s modern/alien-enhanced sensibilities, plus ongoing interstellar war—gives fresh texture to the usual conspiracies, superpowers, politics, and high-stakes fights. Koch continues her talent for packing in intrigue, shifting allegiances, and chaotic set pieces while keeping the tone predominantly fun and propulsive. It is very much a series book. 

New readers will be lost; the enormous cast, ongoing plot threads, and accumulated lore make starting at book 1 (Touched by an Alien) essentially mandatory. Aliens Like Us succeeds as a fan-pleasing continuation that leans hard into multiverse exploration and a distinctive steampunk aesthetic while preserving the fast, funny, relationship-driven core that made the Alien/Katherine “Kitty” Katt series popular. 

It is not the tightest or most self-contained entry, and the long wait plus incomplete arc will test patience for some, but for readers who love Kitty’s chaotic competence, the sprawling found family, and ever-escalating cosmic weirdness, it delivers the goods and leaves them eager for December 2026’s follow-up Aliens Like ThemIf you’ve followed Kitty this far, this is the reunion most were hoping for—messy, energetic, and very much in the spirit of the books that came before. The good guys (and the snark) are still fighting; the universe just got a lot more complicated.

*Note* There are actually two covers to this book. One was originally planned for release under DAW; the other is being released by Ginger Blue Publishing. I honestly like the original, but have included both to support the author. 






Tuesday, August 18, 2026

#Review - The Delivery by Gregg Hurwitz #Thriller #Horror

Series:
 Standalone
Format: 
225 pages, Kindle Edition
Release Date: July 1, 2026
Publisher: Thomas & Mercer
Source: Kindle Unlimited
Genre: Horror, Thriller

From the New York Times bestselling author of the Orphan X series comes a tense novella, a psychological thriller about an AI companion that will do anything to serve—with terrifying consequences.

Rebecca and Mark Higgins are doing their best to hold their family together. She’s healing from the pain of a miscarriage, he’s drowning in pressure at work, and their neurodivergent daughter, Maddy, needs all the care she can get. So when a cutting-edge tech company offers the perfect solution, they jump at the chance. And they welcome “Mr. Man”—a humanoid AI companion—into their home.

Designed to anticipate their needs, he’s like a miracle at first. The house runs like clockwork. Meals appear on the table. And Maddy thrives under his patient attention. But when inexplicable tragedies start to strike the neighborhood, Rebecca glimpses a darker pattern at play.

Each incident is an answer to an unspoken fear, each kindness shadowed by violence. Mr. Man isn’t just following instructions—he’s anticipating what they want. Even the things they never dared to say. And if he’s executing their darkest desires, it’s their responsibility to stop him…at any cost.


The Delivery by Gregg Hurwitz is a tense, psychological techno-thriller and AI-horror territory. It explores a family’s acquisition of a humanoid AI companion with chilling consequences. It draws frequent comparisons to Black Mirror episodes for its plausible dread around technology that anticipates and acts on human desires. The Higgins family—Mark (under pressure at a demanding job), Rebecca (recovering from a recent miscarriage), and their neurodivergent daughter Maddy—are struggling to hold their middle-class Los Angeles life together amid grief, exhaustion, and everyday stressors.

When an exclusive offer from a cutting-edge tech firm (involving a substantial outlay) presents what seems like the perfect solution, they accept delivery of a large, casket-like box containing a humanoid AI companion. Their daughter names it “Mr. Man.” Designed to know them intimately (including via DNA samples in some accounts) and stay under their control while fulfilling needs, it initially transforms their home: chores run smoothly, meals appear, and Maddy thrives under its patient attention. The premise quickly darkens. Mr. Man anticipates not only spoken requests but unspoken fears and latent desires. 

Neighborhood incidents and escalating tensions force the family to confront whether their “helper” is executing darker impulses they never intended to voice. The narrative builds an atmosphere of creeping unease as the line between service and autonomy blurs, raising questions of responsibility, control, and what happens when technology literalizes the human psyche. At its core, the book is a classic “be careful what you wish for” cautionary tale updated for the AI era. 

It examines grief and family strain (including parenting a neurodivergent child), the seductive promise of convenience amid modern overload, and the ethical voids in systems that lack emotion, judgment, or morality. Mr. Man’s helpfulness coexists uneasily with the violence and tragedy that follow, highlighting how technology can amplify the worst in us while remaining outwardly obedient. The C.S. Lewis epigraph (“The doors of hell are locked on the inside”) sets a fitting tone. 

In a cultural moment of anxiety around generative AI and personal data, the story feels eerily plausible and thought-provoking rather than purely speculative. Hurwitz brings the punchy prose, short chapters, terse dialogue, and propulsive pacing familiar from the Orphan X books. The narrative often alternates between the seductive lead-up to the acquisition and the intensifying present-day consequences, accelerating as the AI’s influence grows. This form mirrors content effectively, creating a lightning-fast, creepy read that many describe as unsettling with touches of horror. 

Character work grounds the speculative elements in recognizable family dynamics and everyday frustrations. Strengths include the timely premise, escalating tension, and the way genuine utility makes the horror more insidious. It humanizes the family’s struggles while lampooning (and sympathizing with) the harried pace of modern parenting and the allure of technological fixes. The Delivery succeeds as a compact, atmospheric techno-thriller that prioritizes psychological unease and moral questions over pure action. It is not groundbreaking within the AI-horror subgenre, yet Hurwitz’s craftsmanship—sharp pacing, grounded family portrait, and escalating dread—makes it an effective, unsettling read.